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Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Nexus Conference 2009
Nexus Conference 2009 Reflections on Man after the End of History Part i . Faith, Death, and Freedom Sunday 6 September 2009 9.15 am — 5.30 pm Muziektheater Amsterdam Speakers Jonathan Sacks - Zainab Al-Suwaij - John Gray Yossi Klein Halevi - Anne Applebaum - Ernst Hirsch Ballin Elisabeth Young-Bruehl - Marc Sageman - Slavoj Žižek - David Modell Ramin Jahanbegloo - Leon Wieseltier - Eva Hoffman - Pierre Audi Charles Rosen - Moshe Halbertal - Nina Khrushcheva Pratap Bhanu Mehta - Tariq Ramadan - John Ralston Saul Karim Wasfi - Ladan Boroumand In cooperation with the Netherlands Opera Attendance at Nexus Conference 2009 We would be happy to welcome you as a member of the audience, but advance reservation of an admission ticket is compulsory. Please register online at our website, www.nexus-instituut.nl, or contact Ms. Ilja Hijink at [email protected]. The conference admission fee is € 75. A reduced rate of € 50 is available for subscribers to the periodical Nexus, who may bring up to three guests for the same reduced rate of € 50. A special youth rate of € 25 will be charged to those under the age of 26, provided they enclose a copy of their identity document with their registration form. The conference fee includes lunch and refreshments during the reception and breaks. Only written cancellations will be accepted. Cancellations received before 21 August 2009 will be free of charge; after that date the full fee will be charged. If you decide to register after 1 September, we would advise you to contact us by telephone to check for availability. The Nexus Conference will be held at the Muziektheater Amsterdam, Amstel 3, Amsterdam (parking and subway station Waterlooplein; please check details on www.muziektheater.nl). -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital. -
Tosca Nixon in China a Midsummer Night's Dream
TOSCA NIXON IN CHINA A MIDSUMMER NIGHT’S 19 DREAM THE GONDOLIERS BREAKING THE WAVES ZANETTO SUSANNA’S SECRET IRIS 20CAVALLERIA RUSTICANA ZINGARI UTOPIA, LIMITED FOX-TOT! MERRILY WE ROLL ALONG 5 Subscription Information 6 Tosca 8 Nixon in China 10 A Midsummer Night’s Dream 12 The Gondoliers 14 Breaking the Waves 16 Opera in Concert 20 Opera Highlights 22 Fox-tot! 24 Merrily We Roll Along 26 Amadeus & The Bard 28 Pop-up Opera 32 Emerging Artists 33 Opera Unwrapped 34 Dementia Friendly Performances 36 Audio-described Performances 37 Pre-show Talks 38 Get Involved 40 Box Office Information A huge thank you to all our business sponsors and corporate members: Thanks also to our corporate supporters: Accenture, Caledonian MacBrayne, Cameron, Eusebi Deli, Glasgow Chamber of Commerce, Glasgow Memory Clinic, M.A.C., NorthLink Ferries and Pentland Ferries. WELCOME TO SCOTTISH OPERA’S 2019|20 SEASON Scottish Opera has been entertaining At a time when, perhaps more than ever, audiences the length and breadth of the we are all thinking and talking about country for over 56 years, and still at the heart partnership, we are proud of the relationships of all we do are the words of our founder, that are critical both to Scottish Opera’s success Sir Alexander Gibson, whose vision was and to our ability to create new work for you. ‘to lay the treasures of opera at the feet We don’t work in isolation, and this Season of the people of Scotland’. exemplifies this spirit of collaboration across the world of opera, embracing our partnerships In our 2019/20 Season, we are delighted and co-productions with festivals, companies to take forward his momentous legacy and opera houses in Scotland, England, with a wealth of operatic fare – including Australia, Denmark, Spain and the United 12 operas – that takes us to over 50 venues, States, and with artists and creative teams and is augmented by numerous events in from near and far. -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
The Eagle 2020
The Eagle 2020 The Eagle 2020 Photo: Emma Dellar, Lead Clinical Nurse, living on-site during the lockdown Credit: (2017) VOLUME 102 THE EAGLE 2020 1 WELCOME Published in the United Kingdom in 2020 by St John’s College, Cambridge First published in the United Kingdom in 1858 by St John’s College, Cambridge Cover photo credit: Jo Tynan Designed by Out of the Bleu (07759 919440; www.outofthebleu.co.uk) Printed by CDP (01517 247000; www.cdp.co.uk) The Eagle is published annually by St John’s College, Cambridge, and is provided free of charge to members of the College and other interested parties. 2 Photo: Komorebi Credit: Paul Everest WELCOME THE EAGLE 2020 3 WELCOME Contents Welcome Contributors .................................................................................................... 6 Editorial .......................................................................................................... 7 Message from the Vice-Master . 8 Articles Research at the Centre for Misfolding Diseases ...................................................... 14 A word for Wordsworth .................................................................................... 18 Dyslexia, poetry, rhythm and the brain . 21 Portrait of a Lady ............................................................................................. 24 The Cambridge Carthaginians ............................................................................ 27 Innovation and entrepreneurship at St John’s ......................................................... 31 The academic -
Music for Three Stages: Performance Preparation for Opera, Operetta and Recital
ABSTRACT Title of Dissertation: MUSIC FOR THREE STAGES: PERFORMANCE PREPARATION FOR OPERA, OPERETTA AND RECITAL Kathleen Marie Baughman, DoCtor of MusiCal Arts, 2014 Dissertation directed by: Professor DominiC Cossa School of Music Music for Three Stages: Performance Preparation for Opera, Operetta and Recital began as three stand-alone performances: two operas, Albert Herring and Die Fledermaus, as assigned by my opera program, and a recital of music by composers who wrote operas, art songs and non-operatic large-scale works, which I programmed. Upon starting the process of preparing for these three performances, I hypothesized that each would require unique preparation techniques. What I discovered, however, was that instead of each being unique and isolated in preparation, each performance, along with other performances that I had throughout the year, highly informed my approach to each piece. Through the preparation of program notes, included in this dissertation, as well as the musical preparation of each performance, I concluded that preparing for these performances was a long arc over the course of the year, with much give and take among the styles of music and an integrated style of preparation, instead of the individualized preparations that I expected. MUSIC FOR THREE STAGES: PERFORMANCE PREPARATION FOR OPERA, OPERETTA AND RECITAL by Kathleen Marie Baughman Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2014 Advisory Committee: Professor Dominic F. Cossa, Chair Professor Carmen A. Balthrop Professor Edward Maclary Ms. Justina Lee Professor Stephen B. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Sacchini Sacchini L'Isola d'amore - 1980 Wiesbaden Lella Cuberli - Roestta Pizzo - Ignazio Daniel Chorzempa O - hr-klassik Claves - Alan Opie - - - - - - 308,01 Antonio Maria Gaspare - Sacchini (1730 - 1786) - Die Insel der Liebe Cappella coloniensis 14.02.2004 - Oper 22 - cda402 T- VHS-Audi 2 CD o Sacchini Oedipe à Colone - 2004 Dijon Manon Feubel - Fabrice Mantegna - Jean-Paul Penin O - 05.06.2004 Auditorium Daniel Galvez-Vallejo - Sviatoslav 993,01 Antonio Maria Gaspare - Smirnov - Raphaëlle Farman - Sacchini (1730 - 1786) - Ödipus auf Kolonos Orchestre de la 20.08.2007 - Géraldine Casey - Jacques Gay - - - Camerata de Oper 46 - cda708 T- Dok 486 2 CD Sacchini EDIPO À COLONE - 2004 Dijon - - - - - - - - - n O - 05.06.2004 Antonio Maria Gaspare - Sacchini (1730 - 1786) - 01.01.1900 - Oper 46 - cda1411 TA-an Manon Feubel, Fabrice Mantegna, Daniel Galvez-Vallejo, Sviatoslav Smirnov, Jean-Paul Penin A Raphaëlle Farman, Géraldine Casey, Jacques Gay. alne 2 CD Sacchini Oedipe à Colone - 2005 Nathalie Paulin - Robert Getchell - n O - Stephansdom Tony Boutté - Francois Loup - Kirsten Antonio Maria Gaspare - Blaise - Kara Morgan - Jonathan Sacchini (1730 - 1786) - Ödipus auf Kolonos Opera Lafayette 07.06.2012 - Kimple - - - Orchestra and Chorus Oper 46 - cda1206 T- Int-A2/mp CD 3 0 Saint-Saëns Samson et Dalila - 1956 Stockholm Blanche Thebom - Set Svanholm - Herbert Sandberg O - 04.09.1956 Concertzender Sigurd Björling - - - - - - - Camille Saint-Saëns - (1835 - 1921) - 2. -
Autumn 2015 Spring 2016 What's On
WHAT’S ON AUTUMN 2015 SPRING 2016 WELCOME CONTENTS TO ENGLISH NATIONAL OPERA It’s a great pleasure to introduce ENO’s 2015/16 Season. 4 2015/16 Season From Mozart and Rossini, through Verdi and Puccini to Philip Glass – the eight productions of our Autumn 6 Lady Macbeth of Mtsensk and Spring seasons offer a diverse range of operatic 8 The Barber of Seville repertoire. I truly hope there is something to offer everyone a memorable visit to the London Coliseum. 10 Meet Mark Wigglesworth, ENO’s New Music Director At its heart, ENO is a company of world-class musical storytellers, and we are delighted to welcome the distinguished British conductor Mark Wigglesworth as ENO’s new Music 12 La bohème Director in succession to Edward Gardner. Mark will be conducting many of the season’s 14 The Force of Destiny highlights, and you can read about his aspirations for the company on pages 10–11. 16 Theatre Tours and We have five new productions in this period, all collaborations with some of the world’s Pre-performance Talks most talented and in-demand directors. In the autumn we have Dmitri Tcherniakov’s powerful Lady Macbeth of Mtsensk; Benedict Andrews’s spectacular new staging of 18 The Mikado La bohème, and a major new collaboration with New York’s Metropolitan Opera in 20 The Magic Flute Calixto Bieito’s The Force of Destiny. In the spring we have a thrilling Norma directed by Christopher Alden, while Phelim McDermott continues his exploration of the operas of 22 ENO Friends Membership Philip Glass with a new production of the iconic Akhnaten. -
Scottish Opera Announces 2019/20 Season
PRESS RELEASE 10 April 2019 ** EMBARGOED UNTIL 00:00:01, 10 April 2019** SCOTTISH OPERA ANNOUNCES 2019/20 SEASON • European premiere of Missy Mazzoli’s Breaking the Waves at Edinburgh International Festival, directed by Tom Morris • Anthony Besch’s much-loved production of Puccini’s Tosca opens main season • Scottish Opera premiere of John Adams’ Nixon in China, conducted by Joana Carneiro and directed by John Fulljames • Dominic Hill, Artistic Director of Citizens Theatre, directs new production of Britten’s A Midsummer Night’s Dream • Stuart Maunder directs a new production of Gilbert & Sullivan’s The Gondoliers • World premiere of Fox-tot!, a new opera for toddlers by former Scottish Opera Composer in Residence, Lliam Paterson, directed by Roxana Haines • Scottish Opera returns to Lammermuir Festival with a double bill • Opera in Concert performances continue celebrations of Mascagni and Gilbert & Sullivan • Amadeus & The Bard explores the links between Mozart and Robert Burns • Opera Highlights visits 34 venues around Scotland in Autumn 2019 and Spring 2020 Scottish Opera has unveiled its 2019/20 Season which includes a European premiere at the Edinburgh International Festival, three further new productions, one revival, six titles in the 1 Opera in Concert series, and the world premiere of a new ‘opera for toddlers’ at the Edinburgh Festival Fringe. A truly international line-up of singers appears throughout the Season. Making their debuts with the Company are Trevor Eliot Bowes, Orla Boylan, Wallis Giunta, Eric Greene, Byron Jackson -
Summer 2014 Boston Symphony Orchestra
boston symphony orchestra summer 2014 Andris Nelsons, Ray and Maria Stata Music Director Designate Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 133rd season, 2013–2014 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce Linde • John M. Loder • Nancy K. Lubin • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Caroline Taylor • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Gabriella Beranek • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick† • Nancy J. Fitzpatrick • Thelma E. Goldberg • Charles H. Jenkins, Jr. • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • Thomas G. Stemberg • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Stephen R. -
Music Jos Schuring
Music Jos Schuring From Louis Andriessen, Ton Koopman, the Royal Concertgebouw Orchestra, Within Temptation and DJ Tiësto to Frans Brüggen or Han Bennink and Wouter Hamel: Dutch music of every conceivable genre is well represented beyond the country’s borders. The current music culture in the Netherlands is a result of a long history coupled with the recent past in which the differences between conventional ideas and contemporary styles fight it out in an exciting battle. From the very beginning the fighters for the old and new music have joined forces to resist the mainstream. Both camps challenged the nineteenth-century-style structure of musical society, with its insatiable appetite for the symphonies of Beethoven and Mahler. The end of the 1960s and the beginning of the 1970s saw the emergence of Reinbert de Leeuw’s Schönberg Ensemble, the New Ensemble under Ed Spanjaard, Frans Brüggen’s Orchestra of the Eighteenth Century, and the Amsterdam Baroque Orchestra under Ton Koopman. Together with countless other ensembles, they have enriched the musical life of the Netherlands. In the New YorkTimes the Instant Composers Pool, often called the ICP Orchestra, was recently hailed as the continuing flagship of the Dutch avant-garde. In the meantime, numerous current or former ICP musicians have achieved international success on their own merits. Saxophonist Ab Baars and trombonist Wolter Wierbos tour outside the Netherlands on a regular basis. And the young Wouter Hamel and British-Dutch Benjamin Herman have also achieved considerable success abroad. Dutch pop music is just too good to be confined to its home in the Netherlands.