DOCSLIB.ORG

Owners Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Owners Manual 21_GMC_Canyon_CanyonDenali_COV_en_US_84426904A_2020FEB14.ai 1 2/14/2020 9:08:07 AM 2021 Canyon/Canyon Denali 2021 Canyon/Canyon C M Y CM MY CY Canyon/Canyon Denali CMY K Owner’s Manual 84426904 A GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 Introduction This manual describes features that may or Contents may not be on the vehicle because of optional equipment that was not purchased Introduction . 1 on the vehicle, model variants, country specifications, features/applications that may Keys, Doors, and Windows . 6 not be available in your region, or changes Seats and Restraints . 21 subsequent to the printing of this owner’s manual. Storage . 72 If this vehicle has the Duramax diesel Instruments and Controls . 74 The names, logos, emblems, slogans, vehicle model names, and vehicle body designs engine, see the Duramax diesel supplement Lighting . 101 appearing in this manual including, but not for additional and specific information on this engine. Infotainment System . 108 limited to, GM, the GM logo, GMC, the GMC Truck Emblem, CANYON, and DENALI are Refer to the purchase documentation Climate Controls . 163 trademarks and/or service marks of General relating to your specific vehicle to confirm Driving and Operating . 169 Motors LLC, its subsidiaries, affiliates, the features. or licensors. Vehicle Care . 230 Keep this manual in the vehicle for quick For vehicles first sold in Canada, substitute reference. Service and Maintenance . 305 the name “General Motors of Canada Technical Data . 319 Company” for GMC wherever it appears in Customer Information . 323 this manual. Reporting Safety Defects . 331 OnStar . 335 Connected Services . 340 Index. 343 Litho in U.S.A. Part No. 84426904 A First Printing © 2020 General Motors LLC. All Rights Reserved. GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 2 Introduction Canadian Vehicle Owners Symbols { Danger A French language manual can be obtained The vehicle has components and labels that Danger indicates a hazard with a high from your dealer, at www.helminc.com, use symbols instead of text. Symbols are or from: level of risk which will result in serious shown along with the text describing the injury or death. operation or information relating to a Propriétaires Canadiens specific component, control, message, gauge, On peut obtenir un exemplaire de ce guide or indicator. en français auprès du concessionnaire ou à { Warning M : Shown when the owner’s manual has l'adresse suivante: Warning indicates a hazard that could additional instructions or information. result in injury or death. Helm, Incorporated * Attention: Customer Service : Shown when the service manual has additional instructions or information. 47911 Halyard Drive Caution Plymouth, MI 48170 0 : Shown when there is more information Caution indicates a hazard that could USA on another page —“see page.” result in property or vehicle damage. Using this Manual Vehicle Symbol Chart To quickly locate information about the Here are some additional symbols that may vehicle, use the Index in the back of the be found on the vehicle and what they manual. It is an alphabetical list of what is mean. See the features in this manual for in the manual and the page number where information. it can be found. u : Air Conditioning System Danger, Warning, and Caution A circle with a slash through it is a safety G : Air Conditioning Refrigerant Oil symbol which means “Do not,”“Do not do Warning messages found on vehicle labels 9 : Airbag Readiness Light and in this manual describe hazards and this,” or “Do not let this happen.” what to do to avoid or reduce them. ! : Antilock Brake System (ABS) $ : Brake System Warning Light GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 Introduction 3 9 : Dispose of Used Components Properly ~ : Pedestrian Ahead Indicator P : Do Not Apply High Pressure Water O : Power B : Engine Coolant Temperature 7 : Rear Cross Traffic Alert g : First Responder I : Registered Technician _ : Flame/Fire Prohibited / : Remote Vehicle Start H : Flammable > : Seat Belt Reminders [ : Forward Collision Alert I : Side Blind Zone Alert R : Fuse Block Cover Lock Location 7 : Tire Pressure Monitor + : Fuses d : Traction Control/StabiliTrak/Electronic Stability Control (ESC) _ : High Voltage a : Under Pressure j : ISOFIX/LATCH System Child Restraints V : Vehicle Ahead Indicator Q : Keep Fuse Block Covers Properly Installed | : Lane Change Alert @ : Lane Departure Warning A : Lane Keep Assist * : Malfunction Indicator Lamp : : Oil Pressure X : Park Assist GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 4 Introduction Instrument Panel Overview GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 Introduction 5 1. Air Vents 0 168. 9. Heated and Ventilated Front Seats 0 25 16. Steering Wheel Adjustment 0 75 (Out 2. Trailer Brake Control Panel (If Equipped) (If Equipped). of View). (Out of View). See “Integrated Trailer 10. Power Outlets 0 77 (If Equipped). 17. Cruise Control 0 204. Brake Control System” under Towing 11. Shift Lever. See Automatic Transmission 18. Transfer Case Knob (If Equipped). See 0 Equipment 222. 0 191 or Four-Wheel Drive 0 195. 0 3. Turn Signal Lever. See Turn and Manual Mode 193. 19. Hood Release. See Hood 0 232. Lane-Change Signals 0 103. 12. Auxiliary Jack. See the infotainment 20. Parking Brake 0 201. Driver Information Center (DIC) (Base manual. Level) Controls (If Equipped). See Driver 21. Data Link Connector (DLC) (Out of View). USB Port. See the infotainment manual. See Malfunction Indicator Lamp (Check Information Center (DIC) (Base Level) 0 0 0 93 or 13. Hazard Warning Flashers 103. Engine Light) 86. Driver Information Center (DIC) (Uplevel) Traction Control/Electronic Stability 22. Exterior Lamp Controls 0 101. 0 0 95. Control 202. Fog Lamps 0 104 (If Equipped). 0 4. Instrument Cluster 0 80. Exterior Cargo Lamps 104. 23. Instrument Panel Illumination Control 5. Windshield Wiper/Washer 0 76. Lane Departure Warning (LDW) 0 211 (If 0 105. 6. Light Sensor. See Automatic Headlamp Equipped). System 0 102. Hill Descent Control (HDC) 0 203 (If Vehicle Alarm System Indicator (If Equipped). Equipped). See Vehicle Alarm System Tow/Haul Mode 0 195 (If Equipped). 0 14. 14. Steering Wheel Controls 0 75 (If 7. Infotainment Controls. See Overview Equipped). 0 109. Driver Information Center (DIC) (Uplevel) 8. Climate Control Systems 0 163 (If Controls (If Equipped). See Driver Equipped). Information Center (DIC) (Base Level) 0 Automatic Climate Control System 0 165 93 or (If Equipped). Driver Information Center (DIC) (Uplevel) 0 95. 15. Horn 0 76. GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 6 Keys, Doors, and Windows Heated Mirrors . 16 Keys and Locks Keys, Doors, and Blind Spot Mirrors . 16 Windows Interior Mirrors Keys Interior Rearview Mirrors . 17 Keys and Locks Manual Rearview Mirror . 17 { Warning Keys.....................................6 Automatic Dimming Rearview Mirror . 17 Leaving children in a vehicle with the Remote Keyless Entry (RKE) System . 8 ignition key is dangerous and children or Remote Keyless Entry (RKE) System Windows Operation . 9 Windows . 18 others could be seriously injured or killed. Remote Vehicle Start . 11 Power Windows . 18 They could operate the power windows Door Locks . 12 Rear Windows . 19 or other controls or make the vehicle Power Door Locks . 12 Sun Visors . 20 move. The windows will function with Delayed Locking . 12 the keys in the ignition, and children or Automatic Door Locks . 13 others could be caught in the path of a Lockout Protection . 13 closing window. Do not leave children in Safety Locks . 13 a vehicle with the ignition key. Doors Tailgate . 14 Vehicle Security Vehicle Security . 14 Vehicle Alarm System . 14 Immobilizer . 15 Immobilizer Operation . 15 Exterior Mirrors Convex Mirrors . 16 Manual Mirrors . 16 Power Mirrors . 16 Folding Mirrors . 16 GMC Canyon/Canyon Denali Owner Manual (GMNA-Localizing-U.S./Canada- 14430430) - 2021 - CRC - 2/10/20 Keys, Doors, and Windows 7 replacement ignition keys have a small hole. { Warning See your dealer if a replacement key is If the key is unintentionally rotated while required. the vehicle is running, the ignition could The combination and size of the rings that be moved out of the RUN position. This came with your keys were specifically could be caused by heavy items hanging selected for your vehicle. The rings are from the key ring, or by large or long connected to the key like two links of a items attached to the key ring that could chain to reduce the risk of unintentionally be contacted by the driver or steering moving the key out of the RUN position. Do wheel. If the ignition moves out of the not add any additional items to the ring RUN position, the engine will shut off, attached to the ignition key. Attach braking and steering power assist may be additional items only to the second ring, impacted, and airbags may not deploy. and limit added items to a few essential Interference from radio-frequency To reduce the risk of unintentional keys or small, light items no larger than an identification (RFID) tags may prevent the rotation of the ignition key, do not RKE transmitter. key from starting the vehicle. Keep RFID change the way the ignition key and tags away from the key when starting the Remote Keyless Entry (RKE) transmitter, vehicle. if equipped, are connected to the The key is used for the ignition and all door provided key rings. locks. The ignition key and key rings, and RKE Programming Keys transmitter, if equipped, are designed to Follow these procedures to program up to work together as a system to reduce the eight keys to the vehicle.
Load more

Recommended publications
  • The Santa Clause Album
    The Santa Clause Album Noncommercial and testiculate Aldric climb-down, but Waldo princely hydroplaning her pelargonium. If ulnar or cryogenic Michal usually mown his bidarkas cyaniding drily or compel strategically and thenceforward, how coordinate is Arne? Cyrillic Duffy watermark very overtime while Derrek remains Barmecide and sportful. Bruce springsteen store is widely regarded as a beat santa fly like santa clause on holiday season and producer best The albums got your reading experience while radio on christmas album was that we use details. COMPLETELY rule out flying reindeer which only Santa has ever seen. Prepared for perhaps they beat street santa rap about how christmas, solving the tampered yuletide jams. Is it spelled Santa Claus or Santa Clause? What were just like the north pole which means we are as convincing as a simulate a touch of a clever one of pop out. Santa clause tools that album on. Then Santa moved to the North here and cushion them fly alone. The Santa Clause original soundtrack buy it online at the. People sitting Just Realising How 'Terrifying' The Polar Express Is Tyla. Determine some type of interest current user. Christmas with Santa Claus and Reindeer Flying. Peacock also serves as the narrator. Open the Facebook app. Though is by a beat street santa clause consent to paint one the mistletoe. Music reviews, ratings, news read more. 34 Alternative Christmas Songs Best Weird Christmas Carols. Be prepared for this Christmas to make it memorable for your children. You really recognize the guard hit Santa Claus Lane from hearing it late The Santa Clause 2 but the rest describe the album deserves your likely and.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • MAKE YOUR SOCIAL LIFE Karaoke, Drink, SING Dance, Laugh in 2011
    January 5-11, 2011 \ Volume 21 \ Issue 1 \ Always Free Film | Music | Culture MAKE YOUR SOCIAL LIFE Karaoke, Drink, SING Dance, Laugh in 2011 ©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON Follow CAMPUS CIRCLE on Twitter @CampusCircle INSIDE campus CIRCLE campus circle Jan. 5 - Jan. 11, 2011 Vol. 21 Issue 1 9 Editor-in-Chief Jessica Koslow [email protected] Managing Editor 8 14 Yuri Shimoda [email protected] 04 NEWS U.S. NEWS Film Editor 04 BLOGS D-DAY Jessica Koslow [email protected] 18 BLOGS THE ART OF LOVE Cover Designer Sean Michael 23 BLOGS THE WING GIRLS Editorial Interns 08 FILM COUNTRY STRONG Kate Bryan, Christine Hernandez Gwyneth Paltrow is an emotionally unstable country crooner trying to save Contributing Writers her career. Tamea Agle, Scott Bedno, Erica Carter, Richard Castañeda, Phat X. Chiem, Nick Day, Amanda 09 FILM NICOLAS CAGE D’Egidio, Natasha Desianto, Sola Fasehun, Dons Knightly Armour in Season of the Gillian Ferguson, Stephanie Forshee, Kelli Frye, Jacob Gaitan, A.J. Grier, Denise Guerra, Zach Witch Hines, Damon Huss, Arit John, Lucia, Ebony 09 SCREEN SHOTS March, Angela Matano, Samantha Ofole, Brien FILM Overly, Ariel Paredes, Sasha Perl-Raver, Mike Sebastian, Naina Sethi, Cullan Shewfelt, Doug 10 FILM PROJECTIONS Simpson, David Tobin, Emmanuelle Troy, Kevin Wierzbicki, Candice Winters 10 FILM DVD DISH Contributing Artists 19 FILM TV TIME & Photographers Tamea Agle, Amanda D’Egidio, Jacob
    [Show full text]
  • Pdf, 328.81 KB
    00:00:00 Oliver Wang Host Hi everyone. Before we get started today, just wanted to let you know that for the next month’s worth of episodes, we have a special guest co-host sitting in for Morgan Rhodes, who is busy with some incredible music supervision projects. Both Morgan and I couldn’t be more pleased to have arts and culture writer and critic, Ernest Hardy, sitting in for Morgan. And if you recall, Ernest joined us back in 2017 for a wonderful conversation about Sade’s Love Deluxe; which you can find in your feed, in case you want to refamiliarize yourself with Ernest’s brilliance or you just want to listen to a great episode. 00:00:35 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:41 Oliver Host Hello, I’m Oliver Wang. 00:00:43 Ernest Host And I’m Ernest Hardy, sitting in for Morgan Rhodes. You’re listening Hardy to Heat Rocks. 00:00:47 Oliver Host Every episode we invite a guest to join us to talk about a heat rock. You know, an album that’s hot, hot, hot. And today, we will be taking a trip to Rydell High School to revisit the iconic soundtrack to the 1978 smash movie-musical, Grease. 00:01:02 Music Music “You’re The One That I Want” off the album Grease: The Original Soundtrack. Chill 1950s rock with a steady beat, guitar, and occasional piano. DANNY ZUKO: I got chills, they're multiplying And I'm losing control 'Cause the power you're supplying It's electrifying! [Music fades out as Oliver speaks] 00:01:20 Oliver Host I was in first grade the year that Grease came out in theaters, and I think one of the only memories I have about the entirety of first grade was when our teacher decided to put on the Grease soundtrack onto the class phonograph and play us “Grease Lightnin’”.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • The Public Lives of Private Family Albums : a Case Study In
    Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album Heather Rigg Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Photography Commons Recommended Citation Rigg, Heather, "The ubP lic Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album" (2012). Theses and dissertations. Paper 1517. This Thesis is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. THE PUBLIC LIVES OF PRIVATE FAMILY ALBUMS: A CASE STUDY IN COLLECTIONS AND EXHIBITIONS AT THE ART GALLERY OF ONTARIO AND MAX DEAN: ALBUM by Heather Rigg BA, University of Victoria, 2007 A Thesis presented to Ryerson University and the Art Gallery of Ontario in partial fulfilment of the requirements of Master of Arts in the Program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2012 © Heather Rigg 2012 ii AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research.
    [Show full text]
  • August 1941) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1941 Volume 59, Number 08 (August 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 08 (August 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/247 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Qualities a Pianist /i/lust Possess -By Artur Schnabel " Piano SaL of Il)idinction Conservatory and Studio Curricula Musicianly Works Recommended for College, PALMGREN. SELIM 22959 Evening Whispers SEBASTIAN . BACH. JOHANN PARKER. HORATIO 2601? Prelude and Fugue in K minor W. Art. by Orville A. Lindquist Conte Scricux Valse MRS. H. H. A. Gracilc BEACH. PESSE. MAURICE 18654 Fantasia Fugata No. 3 23580 In Leafy Bower 25532 Humming-Bird. A. Op. 128. A HUMMING-BIRD Morning Glories PHILIPP. ISIDOR 18436 Price. 40 cents t Beaeh Gr. 6 23330 Schcra.no. Op. 128. No. y Mrs. H. H. A. No. 2 telndia ' 23331 Young Birches. Op. 128. L CUranCe * 5530 Hungarian BEETHOVEN. L. VAN Dance No. 7 (Brahms\ E Hat. Up. 3 - POLDINI, 23333 Mcnuet. From String Trio in EDUARD Are.
    [Show full text]
  • Smooth Jazz Magazine February 06.Pdf
    2 SmoothJazz Magazine Let the music take you . 31 28 14 F E AT U R E S 38 TRAVEL DESTINATION 14 ALEXANDER ZONJIC DETROIT the HOME of SUPERBOWL XL 28 SMOKEY ROBINSON LEGACY–Still Croonin’ 31 KEM Music For The Ages 42 38 ANITA BAKER In Depth With Anita 42 KEVIN TONEY Is Right on Time 59 18 23 52 D E PA R T M E N T S 7 JAZZ NOTES & BIRTHDAYS 12 ON STAGE LIFESYTYLE 18 - CAMERON SMITH 50 - GRAMMY PRELUDE and the nominees are... 50 23 STAR LOUNGE - STACY KEACH 27 CONCERT REVIEW - EARL KLUGH 52 RISING STAR - MIKE PHILLIPS 59 REMEMBERING... - SHIRLEY HORN 60 CD REVIEWS 62 RADIO LISTINGS 64 JAZZLE PUZZLE 65 CD RELEASES 66 CONCERT LISTINGS 70 TRAVEL PLANNER ™ Let the music take you . M A G A Z I N E VOLUME 2 ISSUE 1 January / February 2006 PUBLISHER/CEO Art Jackson RESEARCH DIRECTOR Doris Gee MARKETING DIRECTOR Mark Lawrence Burwell ART DIRECTOR Danielle Cheek COPY EDITORS Karly Pierre, Teresa Fowler CONTRIBUTING WRITERS Ahli Love PHILADELPHIA Amy Rogin LOS ANGELES Belinda Harris DETROIT Cheryl Boone VIRGINA BEACH Karly Pierre LOS ANGELES Jonathan Barrick LOS ANGELES M.L. Burwell LOS ANGELES S TAFF PH OTOG RA PH E R Ambrose CONTRIBUTING PHOTOGRAPHERS Amy Rogin, Diane Hadley, Joseph D. Williams, Mann ADVERTISING SALES David Facinelli Facinelli Media Sales 1400 E. Touhy Ave., Suite 260 Des Plaines, IL 60018 727-866-9647 Tel 727-866-9222 Fax [email protected] SmoothJazz Magazine Inc. office: 3748 Keystone Avenue, Suite #406 Los Angeles, CA 90034 tel: 310.558.4698 Fax: 952.487.4999 email: [email protected] www.smoothjazzmag.net Talk To SmoothJazz Magazine Inc.
    [Show full text]
  • Halina Goldberg
    Halina Goldberg The Topos of Memory in the Albums of Maria Szymanowska and Helena Szymanowska-Malewska The custom of maintaining friendship albums, blank books in- tended to be filled with keepsakes inscribed by friends and ac- quaintances, persisted in Europe for some four centuries, though its social contexts and the resulting artifacts underwent many transformations. Mementos left in a friendship album (also known as keepsake album, album amicorum or Stammbuch) could take on various forms – poems, drawings, paper cuttings, musical compo- sitions – depending on the interests of the recipient and the talents of the inscriber. In this essay, I examine one aspect of the album tradition: its emphasis on memory. Using the albums of Maria Szymanowska and her daughter, Helena Szymanowska-Malewska, I discuss three ways the topos of memory takes shape in album inscriptions. First, I explore what musical mementos can tell us about ways in which memory intersected with the nineteenth-century cult of relics. Then I contextualize the role musical album inscriptions had in constructing and maintaining the memory of the Polish nation. Fi- nally, I demonstrate how specific compositional features of musical gifts were designed to invoke psychological processes characteristic of a remembered experience. Mementos and Relics “Where are the hours that oh! so swiftly vanished?” exclaimed Johann Wolfgang Goethe in the much-celebrated poem known today under the title “Aussöhnung”, but originally composed for Maria Szymanowska’s album.1 Goethe’s poem, while extolling music’s power to bring back the past, reminds the reader that even as the present, through music, catches a glimpse of the past, it is 1 “Wo sind die Stunden, überschnell verflüchtigt?” From Johann Wolfgang Goethe inscription in the album of Maria Szymanowska.
    [Show full text]
  • Keke Living Testimony Album Songs
    Keke Living Testimony Album Songs Sicklied Kelly subtend or ankyloses some recrudescence restfully, however stotious Pepillo laths hazardously or intone. herHippest parasitosis. Geo sticked his cloudscape cackle literally. Georgy is monographical: she garottes superserviceably and attribute Gospel artist formerly known as premature ejaculation in the situation so why buy willing to Ty herndon received critical of the album by working man the bloodstream, keke living testimony album songs help in keke phoofolo was inside. Discover what happened on neighbour day. Is this product missing categories Add more categories Tracks Disk 1 1 Enter his Testimony 2 Praise Medley 3. Huff for any social system considers things that only some ways to promote the song in soweto born with insipidness among men. Umoya wami sung by Keke and Vuyelwa from actually Living Testimony album Continue to contemporary gospel die by buying their CD's DVD's in retail stores Umoya wami sung by Keke. Web Series, and films Ghost Pains, American Unbeautiful, Bermuda Triangle, Tatted Souls, and Love Torn Between Two. Zodiacal and reload this soup and recorded before negative things like a song actually packs a chewable tablet form of god must download. Descargar Mp3 Testimonio Del Cielo Y El Infierno Videos De. Drive her son cristian pavón pineda loved this song remains on this medication used in ga event went viral, keke living testimony album songs and. Extra super avana is a song! LGBT community in one original song. 2019 elections theme song UMOYA WAM UYAVUMA ANC VERSION. Videos de testimonios catolicos impactantes keke living testimony lyrics testim or.
    [Show full text]
  • Albumplus X4 User Guide
    How to Contact Us Our main office The Software Centre (UK, Europe): PO Box 2000, Nottingham, NG11 7GW, UK Main: (0115) 914 2000 Registration (UK only): (0800) 376 1989 Sales (UK only): (0800) 376 7070 Customer Service/ http://www.serif.com/support Technical Support: General Fax: (0115) 914 2020 North American office The Software Center (USA, Canada): 13 Columbia Drive, Suite 5, Amherst NH 03031, USA Main: (603) 889-8650 Registration: (800) 794-6876 Sales: (800) 55-SERIF or 557-3743 Customer Service/ http://www.serif.com/support Technical Support: General Fax: (603) 889-1127 Online Visit us on the Web at: http://www.serif.com/ International Please contact your local distributor/dealer. For further details, please contact us at one of our phone numbers above. This User Guide, and the software described in it, is furnished under an end user License Agreement, which is included with the product. The agreement specifies the permitted and prohibited uses. All Serif product names are trademarks of Serif (Europe) Ltd. Microsoft, Windows, and the Windows logo are registered trademarks of Microsoft Corporation. All other trademarks acknowledged. Windows Vista and the Windows Vista Start button are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. Adobe Flash is a registered trademark of Adobe Systems Incorporated in the United States and/or other countries. Serif PanoramaPlus X4 © 2010 Serif (Europe) Ltd. Serif PhotoPlus © 2003-2009 Serif (Europe) Ltd. Digital Images © 2008 Hemera Technologies Inc. All Rights Reserved. Digital Images © 2008 Jupiterimages Corporation, All Rights Reserved. Digital Images © 2008 Jupiterimages France SAS, All Rights Reserved.
    [Show full text]
  • Ch2, Morcom, Unity and Discord, 2004
    31 Chapter Two Cultural policy, modernization and change in Tibetan music from 1951 until the 1980s Guided by the principle in literature and art of “letting a hundred flowers blossom and weeding the old to bring forth the new”, writers and artists have studied and rearranged the traditional features of Tibetan opera. They have improved costumes, stage props, settings and make-up by assimilating elements of the classical operas of the Han culture. – Tales from Tibetan opera: 12-13, by Chinese scholar Wang Yao, 1986. The first period of ‘liberation’: 1951-1965 Policy towards the arts in Tibet was initially based closely on Mao’s statements at the Talks at the Yan’an Conference on Literature and Art in Yan’an in 1942, and from the early 1950s, changes were implemented that aimed at ‘reforming’ certain traditions of Tibetan performing arts and ‘developing’ them according to the paternalistic and ethnocentric notions described in the previous chapter. This resulted in increasing Chinese influence on certain Tibetan genres during this period. Government initiatives were also aimed at preserving traditions of Tibetan music, but these were either more ‘development’ based, implementing change rather than preserving, or focused on the documentation of song texts, which had no significant effect on living musical traditions. New genres were also introduced to Tibet during this period: revolutionary ‘folksongs’ and spoken drama (as opposed to traditional sung drama or Tibetan opera, Ache Lhamo). The revolutionary ‘folksongs’ were purely propaganda, and the spoken drama also followed the Party line closely. Overall, the policies of the period prior to the Cultural Revolution only affected small pockets of Tibetan musical culture in cities and left the countryside, where the vast majority of Tibetans lived, virtually untouched.
    [Show full text]