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EMPIRICAL ARTICLE a STUDY on CONTEMPORARY KANNADA CINEMA and HUMAN RIGHTS Jayadatta S1, Krishna Murthy B
DOI: 10.14260/jadbm/2015/35 EMPIRICAL ARTICLE A STUDY ON CONTEMPORARY KANNADA CINEMA AND HUMAN RIGHTS Jayadatta S1, Krishna Murthy B. Y2 HOW TO CITE THIS ARTICLE: Jayadatta S, Krishna Murthy B. Y. “A Study on Contemporary Kannada Cinema and Human Rights”. Journal of Advances in Business Management; Vol. 1, Issue 3, July-September 2015; Page: 305-310, DOI: 10.14260/jadbm/2015/35 INTRODUCTION: India is the larger film producer in world. It produces nearly 800-1000 films per year. Out of which regional language films also add their contribution to national and international scenario. Bollywood is the name of Hindi cinema, Tollywood is of Telugu cinema, Molly wood is of Tamil cinema, Sandal wood is of Kannada cinema etc. Celebrated its 75th year in 2009 and moving towards century. Kannada film industry has its own history from 1934 Saathi sulochana to Puttakkana Highway-2012 industry has seen many up and downs. It has its audience across all over the globe. Industry has the great talented directors, actors, novel writers like late Dr. Rajakumar and Mr. V. K. Murthy have been honored by prestigious Dada Saheb Palake awarded, the director like late Mr. Puttanna Kanagal, late Lakshmi Narayana Rao, Mr. Girish Kasaravalli, Late Mr. G. V. Iyer, Actor/director Jnanapeeta award Dr. Girish Karnad, Late Shankarna, etc Have contributed their achievements and laid milestone in film industry. Master Kishan’s Care of Footpath and Film Shanthi received in the book of Gunnies Award. Observing the film trends from past 1934-2011 it can be conclude that the early film age was about theater oriented content, 1940-50 was on mythology and social oriented subjects, 50-60s were the devotional subjects, 60-70s were based on Kannada Unification stories, 70-80s were on aggressive and love stories, Women oriented majority based on Novels works.80-90s on mixed western culture with crime stories, 90-2000 expose of half nudity and double meaning in dialogue and songs, 2001- 2011 half nudity, crime, violence, vulgarity themes. -
Islamic Esotericism in the Bengali Bāul Songs of Lālan Fakir Keith Cantú [email protected]
Research Article Correspondences 7, no. 1 (2019): 109–165 Special Issue: Islamic Esotericism Islamic Esotericism in the Bengali Bāul Songs of Lālan Fakir Keith Cantú [email protected] Abstract This article makes use of the author’s field research as well as primary and secondary textual sour- ces to examine Islamic esoteric content, as mediated by local forms of Bengali Sufism, in Bāul Fa- kiri songs. I provide a general summary of Bāul Fakiri poets, including their relationship to Islam as well as their departure from Islamic orthodoxy, and present critical annotated translations of five songs attributed to the nineteenth-century Bengali poet Lālan Fakir (popularly known as “Lalon”). I also examine the relationship of Bāul Fakiri sexual rites (sādhanā) and principles of embodiment (dehatattva), framed in Islamic terminology, to extant scholarship on Haṭhayoga and Tantra. In the final part of the article I emphasize how the content of these songs demonstrates the importance of esotericism as a salient category in a Bāul Fakiri context and offer an argument for its explanatory power outside of domains that are perceived to be exclusively Western. Keywords: Sufism; Islam; Esotericism; Metaphysics; Traditionalism The history of the Bāul Fakirs includes centuries of religious innovation in which various poets have gradually created a folk tradition highly unique to Bengal, that is, Bangladesh and West Bengal, India. While there have been several important works published on Bāul Fakirs in recent years,1 in this ar- ticle I aim to contribute specifically to scholarship on Islamic esoteric con- tent in Bāul Fakiri songs, as mediated by local forms of Sufism.2 Analyses in 1. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Implications of Cinema's Politics for the Study of Urban Spaces
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO REVIEW OF URBAN AFFAIRS Three-Town Revolution: Implications of Cinema’s Politics for the Study of Urban Spaces S V Srinivas The point of convergence between cinema and iscussions on the commons tend to stress the use value of constituents of the urban commons is the crowd and common pool resources (CPRs) and their management, and balancing access and subtractability (depletion, ex- everything that the crowd connotes at any given point D haustion) of the resources in question, whether they be natural or of time and in any discourse. Popular Telugu cinema is human made.1 For example, Ostrom (1990) offers various models replete with examples of the crowd and what cinema for “governing the commons”. Hess (2008: 3) notes that recent does with it. This phenomenon of constituting and literature on the “new commons”, human-made, technologically driven resources, is marked by the perception that “the commons naming social formations and the misrecognitions it is a movement” whose concern is “what is shared or should be gives rise to are most instructive in a discussion of the shared” through cooperation and collective action. In some urban commons. This paper analyses Eenadu, a 1982 sense, the commons is increasingly sought to be the new site of Telugu film that is centrally concerned with crowds, to good politics. Does cinema have any relevance to these dis- cussions, particularly given the growing assault on common illustrate how cinema brings the mass gathered before resources in cities? the screen face-to-face with a version of itself on the Over the past three decades, writings on cinema in India and screen, framing a new mode of political participation elsewhere have made a persuasive case of its social and political pivoted on the popular appeal of larger-than-life significance. -
Journalism Is the Craft of Conveying News, Descriptive Material and Comment Via a Widening Spectrum of Media
Journalism is the craft of conveying news, descriptive material and comment via a widening spectrum of media. These include newspapers, magazines, radio and television, the internet and even, more recently, the cellphone. Journalists—be they writers, editors or photographers; broadcast presenters or producers—serve as the chief purveyors of information and opinion in contemporary mass society According to BBC journalist, Andrew Marr, "News is what the consensus of journalists determines it to be." From informal beginnings in the Europe of the 18th century, stimulated by the arrival of mechanized printing—in due course by mass production and in the 20th century by electronic communications technology— today's engines of journalistic enterprise include large corporations with global reach. The formal status of journalism has varied historically and, still varies vastly, from country to country. The modern state and hierarchical power structures in general have tended to see the unrestricted flow of information as a potential threat, and inimical to their own proper function. Hitler described the Press as a "machine for mass instruction," ideally, a "kind of school for adults." Journalism at its most vigorous, by contrast, tends to be propelled by the implications at least of the attitude epitomized by the Australian journalist John Pilger: "Secretive power loathes journalists who do their job, who push back screens, peer behind façades, lift rocks. Opprobrium from on high is their badge of honour." New journalism New Journalism was the name given to a style of 1960s and 1970s news writing and journalism which used literary techniques deemed unconventional at the time. The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles. -
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PROVISIONALLY ADMITTED CANDIDATES LIST FOR RECRUITMENT OF SUB INSPECTORS IN CAPFs, AND ASSISTANT SUB INSPECTOR IN CISF ‐2012 TO BE HELD ON 27.05. -
Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(S): Kathryn Hansen Source: Theatre Journal, Vol
Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(s): Kathryn Hansen Source: Theatre Journal, Vol. 51, No. 2 (May, 1999), pp. 127-147 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/25068647 Accessed: 13/06/2009 19:04 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Theatre Journal. http://www.jstor.org Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Kathryn Hansen Over the last century the once-spurned female performer has been transformed into a ubiquitous emblem of Indian national culture. -
I/1 I/1 I/1 Temple Street
PART - I WELLINGTON CANTONMENT BOARD ELECTORAL ROLL - 2021 WARD - I FULL S.NO NAME AGE FATHER'S/ HUSBAND'S NAME ADDRESS TEMPLE STREET 1 ANITHA 46 W/O. KUMAR I/1 2 GOWRI SHANKAR 24 S/O. KUMAR I/1 3 PRAKASH BOOPATHI 23 S/O. KUMAR I/1 4 JANARTHANAN 38 S/O. M. GOPAL (LATE) I/5 5 REKHA 36 W/O. JANARTHANAN I/5 6 SUJATHA 18 D/O. JANARTHANAN I/5 7 HARIDASS 48 S/O. GOVINDAN NAIR I/7 8 SOWBAKIYA RANI 42 W/O. HARIDASS I/7 9 SUDHARSON 18 S/O. HARIDASS I/7 10 NASHIR 70 S/O. ABDUL RASHID I/8 11 RAMEESHA 61 W/O. NASHIR HAHAMMED I/8 12 VASHIM 36 S/O. NASHIR HAHAMMED I/8 13 DILSHAD BEGUM 27 W/O. VASHIM I/8 14 SULAIMAN 38 S/O. BEERAN I/9 15 BUSHARA 35 W/O. SULAIMAN I/9 16 AROKIYADASS 78 S/O. BACKIYANATHAN I/10 17 REETA PREMA KUMARI 75 W/O. AROKIYADASS I/10 18 CHARLES ANTHONY RAJAN 52 S/O. C. D. PHILIP I/10 (1) 19 CYNTHIYA DASS 49 W/O. CHARLES I/10 (1) 20 SEETHAL JOVITTA 18 D/O. CHARLES I/10 (1) 21 FELIX VIJAY ANANTH. A 46 S/O. A.A. DASS I/10 (A) 22 ESTHER LITWIN 39 W/O. FELIX VIJAY ANANTH I/10 (A) 23 PHILIP .Y 80 S/O. YESU I/11 24 REETA. P 70 W/O. PHILIP I/11 25 P. CHARLES 45 S/O. PHILIP I/11 26 SIDDIQ. A 40 S/O. -
CCIM-11B.Pdf
Sl No REGISTRATION NOS. NAME FATHER / HUSBAND'S NAME & DATE 1 06726 Dr. Netai Chandra Sen Late Dharanindra Nath Sen Dated -06/01/1962 2 07544 Dr. Chitta Ranjan Roy Late Sahadeb Roy Dated - 01-06-1962 3 07549 Dr. Amarendra Nath Pal late Panchanan Pal Dated - 01-06-1962 4 07881 Dr. Suraksha Kohli Shri Krishan Gopal Kohli Dated - 30 /05/1962 5 08366 Satyanarayan Sharma Late Gajanand Sharma Dated - 06-09-1964 6 08448 Abdul Jabbar Mondal Late Md. Osman Goni Mondal Dated - 16-09-1964 7 08575 Dr. Sudhir Chandra Khila Late Bhuson Chandra Khila Dated - 30-11-1964 8 08577 Dr. Gopal Chandra Sen Gupta Late Probodh Chandra Sen Gupta Dated - 12-01-1965 9 08584 Dr. Subir Kishore Gupta Late Upendra Kishore Gupta Dated - 25-02-1965 10 08591 Dr. Hemanta Kumar Bera Late Suren Bera Dated - 12-03-1965 11 08768 Monoj Kumar Panda Late Harish Chandra Panda Dated - 10/08/1965 12 08775 Jiban Krishna Bora Late Sukhamoya Bora Dated - 18-08-1965 13 08910 Dr. Surendra Nath Sahoo Late Parameswer Sahoo Dated - 05-07-1966 14 08926 Dr. Pijush Kanti Ray Late Subal Chandra Ray Dated - 15-07-1966 15 09111 Dr. Pratip Kumar Debnath Late Kaviraj Labanya Gopal Dated - 27/12/1966 Debnath 16 09432 Nani Gopal Mazumder Late Ramnath Mazumder Dated - 29-09-1967 17 09612 Sreekanta Charan Bhunia Late Atul Chandra Bhunia Dated - 16/11/1967 18 09708 Monoranjan Chakraborty Late Satish Chakraborty Dated - 16-12-1967 19 09936 Dr. Tulsi Charan Sengupta Phani Bhusan Sengupta Dated - 23-12-1968 20 09960 Dr. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
SYNOPSIS of DEBATE ______(Proceedings Other Than Questions and Answers) ______Friday, December 15, 2017/ Agrahayana 24, 1939 (Saka) ______
RAJYA SABHA _______ SYNOPSIS OF DEBATE _______ (Proceedings other than Questions and Answers) _______ Friday, December 15, 2017/ Agrahayana 24, 1939 (Saka) _______ OBITUARY REFERENCES MR. CHAIRMAN: Hon. Members, I refer with profound sorrow to the passing away of Shri Khamsum Namgyal Pulger, Shri S.B. Ramesh Babu, Shri Rishang Keishing, former Members of this House, Shri Arjan Singh, Marshal of the Indian Air Force, Shri Jayantilal Barot, Shri Makhan Lal Fotedar, Shri Gaya Singh, Dr. Ishwar Chandra Gupta, Shri Mirza Irshadbaig and Shri Sukomal Sen, former Members of this House. Shri Khamsum Namgyal Pulger passed away on the 7th of July, 2017 at the age of 91 years. Born in October, 1926 at Darjeeling in West Bengal, Shri Pulger was educated at the St. Roberts School, Darjeeling. A social worker, Shri Khamsum Namgyal Pulger represented the State of Sikkim in this House for a brief period, from the 20th of October, 1987, to the 1st of March, 1988. ___________________________________________________ This Synopsis is not an authoritative record of the proceedings of the Rajya Sabha. 1 Shri S.B. Ramesh Babu passed away on the 27th July, 2017, at the age of 68 years. Born in February, 1949 at Hyderabad in Telangana, Shri Ramesh Babu was educated at the Badruka College of Arts and Commerce and the Law College, Osmania University at Hyderabad. An advocate and social worker, Shri Ramesh Babu was active in sports and other extra curricular activities during his student days. He worked for the upliftment of the weaker and downtrodden sections of the society. He served as the President and Chairman of the Andhra Pradesh State Scheduled Castes and Scheduled Tribes Coordination Council and as President of several employees associations.