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Ed Roche Audiovisual Collection Finding Aid (PDF)
Title of Collection: Ed Roche Audio Collection Reference Code: US-MoKcUMS-MSAM0005 Repository: Marr Sound Archives UMKC Miller Nichols Library 800 E. 51st Street Kansas City, MO 64110 Creator: Roche, Ed Biographical History: From 1935 until his retirement in 1991, Ed Roche recorded the sounds of Kansas City. The first engineer for Kansas City’s Municipal Auditorium, Roche installed and operated the then state of-the-art audio system. He meticulously documented music and civic events, including performances of the Kansas City Philharmonic. In 1952, Roche established Crown Recording Studio. Crown quickly became one of Kansas City’s leading studios. Over the years, Roche recorded thousands of bands, choruses and radio programs including the Kansas City Hour. Roche produced tapes for the Nazarene Church that were distributed internationally. During the 1980s, he preserved the open-reel tapes and instantaneous cut discs for the Harry Truman Presidential Library. Date Range: 1935-1967 Extent: 7 linear feet, includes 629 grooved discs and 15 open reel tapes. Scope and Content: The Ed Roche Audio Collection contains many unique items recorded in the Kansas City area, including political speeches, musical performances, religious services, and advertisements for businesses and organizations. The Kansas City Philharmonic Orchestra and the Kansas City Conservatory of Music are strongly represented with numerous recordings of each entity. Finally, the collection also holds some national radio programs, such as “The Guiding Light,” “Hymns of All Churches,” and “Michael Shayne.” University of Missouri – Kansas City Marr Sound Archives Conditions of Access: The collection is open for research and educational use. The physical items in this collection are non- circulating. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
THE PRESS Friday, December 13, 1963 TELEVISION LOG for the WEEK FRIDAY SATURDAY SUNDAY
A-8—THE PRESS Friday, December 13, 1963 TELEVISION LOG FOR THE WEEK FRIDAY SATURDAY SUNDAY. MONDAY WEDNESDAY THURSDAY DECEMBER 16 DECEMBER 13 DECEMBER 14 DECEMBER 15 DECEMBER 18 DECEMBER 19 12:00 ( 2) Burns and Alien 11:00 ( 7) AFL Game 12:00 ( 2) Burns and Alien ( 4) People Will Talk 11:00 ( 2) NFL Game ( 4) People Will Talk 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien ( 5) Dateline Europe 12:00 ( 2) Sky KKing 12:00 ( 2) Insight ( 5) Cross Current ( 4) People Will Talk ( 4) People Will Talk ( 7) Tennessee ^rme ( 4) Exploring ( 4) Jr. Rose bowl ( 7) Tennessee Ernie ( 5) Overseas Adventure ( 5) Overseas Adventure ( 9) Hour of St. Francis ( 9) Searchlight on ( "<) Ernie Ford (11) Sheriff John (13) Cartoons ( 7) Press Conference Delinquency ( 7) Tennessee Ernie 9) Books and Ideaa (13) Oral Roberts ( 9) Dr. Spock 12:30 ( 2) As World Turns 12:30 ( 2) Do You Know (11) Sheriff John (11) Sheriff John ( 5) TV Bingo (13) Movie (11) Sheriff John (13) Movie ( 7) Father Knows Best ( 5) Movie 12:30 ( 5) Movie ( 9) Mr. D.A. "Tonight We Raid Calali" 12:30 ( 2) As World Turn* (13) Movie 12:30 ( 2) As World Turns 1:00 (2) News Lee J. Cohb (4 ) The Doctors ( 4) The Doctors 12:45 ( 5) Dateline Europe ( 7) Discovery 12:30 ( 2) As World Turns 1:00 ( 2) Password ( 4) Ornamental World ( 5) TV Bingo ( 5) TV Bingo (13) Social Security ( 7) Father Knows Best (4 ) The Doctors ( 7) Father Knows Best ( 4) Loretta Young ( 5) Movie ( 5) TV Bingo ( 5) Douglas Fairbanks ( 9) Mr. -
The Webfooter
September 2016 Remembering the Wild, Wild Westerns Remembering the Wild, Wild Westerns – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Remembering the Wild, Wild Westerns Before Batman, before Star Trek and space travel to the moon, Westerns ruled prime time television. Warner Brothers stable of Western stars included (l to r) Will Hutchins – Sugarfoot, Peter Brown – Deputy Johnny McKay in Lawman, Jack Kelly – Bart Maverick, Ty Hardin – Bronco, James Garner – Bret Maverick, Wade Preston – Colt .45, and John Russell – Marshal Dan Troupe in Lawman, circa 1958. Westerns became popular in the early years of television, in the era before television signals were broadcast in color. During the years from 1959 to 1961, thirty-two different Westerns aired in prime time. The television stars that we saw every night were larger than life. In addition to the many western movie stars, many of our heroes and role models were the western television actors like John Russell and Peter Brown of Lawman, Clint Walker on Cheyenne, James Garner on Maverick, James Drury as the Virginian, Chuck Connors as the Rifleman and Steve McQueen of Wanted: Dead or Alive, and the list goes on. Western movies that became popular in the 1940s recalled life in the West in the latter half of the 19th century. They added generous doses of humor and musical fun. As western dramas on radio and television developed, some of them incorporated a combination of cowboy and hillbilly shtick in many western movies and later in TV shows like Gunsmoke. -
Pictorial. Magazine
EK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL. MAGAZINE ews Highlights of Clifton East Paters4n Fair Lawn Garfield Haledon Hawthorne Lodi Little Falls Mountain View h Haledon Paterson Passaic Pompton Lakes rospect Park Sidgac To owa oyne West Paterson DOWNTOWN CAMPUS MARCH 27, 1960 VOL. XXXII, No. 13 435 STRAIGHT STREET PATERSON, N.J. MUlberry 4-7880 GiftDep•rtment Living Rooms Bedrooms- Bedding Dining Rooms Furni.'•• Accessories Carpeting Appliances THE IDEAL PLACE TO DINE AND WINE -- l•/.t,,..•. ITALIAN.AMERICAkKITCHEN q,•n-.-*. :.,,,• 'i• t SEA OOD :*• q ß BROILED LOBSTER --, -- DAILY FROGS' I,EG$ - SY)FT SHELL CRAL•:• - BLUEFISH - RAINBO%% 21/2-HOUR OPERA COLORCAST-- Cesare Siepi (left) as Don TROUT - ]-iALIBUI' - SALMON - SHRIMPS- SCALLOPB- Giovanni -- title character in the Mozart work to be presented in English by the NBC Opera Company Sunday, April 10- threat- 168 BELMONTAVE. {Cor. Burhans).HALEDON - - - LAmbert 5-911S ens his servant Leporello (James Pease, kneeling) as Donna OYSTERS- CLAM- COD FISH - SP•ORD FISH- DAILY Elyira (Helen George) intervenes. Masetto (John Reardon) and his fiancee Zerlina (Judith Raskin) look on. Also in the cast of the NBC-TV Network presentation are Leontyne Price, Charles K..L. Davis and John McCurdy. I. PARRILLO TheMan from Equitable asks- YouwaKt your child to havea better placein the sun, don't you? OF'COURSE YOU DO. But like someparents you f•g- ure,"there's still plenty of time."Then, bdore you knowit, they'reall grown up and need your help •o givethem that important start toward a pro•ion, careeror business,or in settingup a home.Make surenow that your "helpinghand" will be there whenit isneeded. -
Incident Management Situation Report Sunday, August 28, 1994 - 0700 Mdt National Preparedness Level V
INCIDENT MANAGEMENT SITUATION REPORT SUNDAY, AUGUST 28, 1994 - 0700 MDT NATIONAL PREPAREDNESS LEVEL V Current Situation: New fire activity occurred in California while existing fires in Idaho, southern Oregon and California were moderately active yesterday. Fire intensity continued to moderate in Montana and Washington. Minimal initial attack activity was reported. Colonel William T. Maddox, USA, is the Task Force Commander of three Battalions and one Aviation Company assigned to the Corral Creek fire and the Idaho City Complex. Colonel Joseph Leigh, USA, is the Task Force Commander of three Battalions assigned to the 17 Mile fire, Little Wolf fire and the Koocanusa Complex. The 5/11 Marine Battalion (Camp Pendleton) has been released from the Tyee Creek fire. Northern Rockies Area Large Fires: An Area Command (Kitchens, Area Commander) has been established for the Kootenai National Forest. The Area Command is responsible for the following fires: Yaak-Red Dragon Complex, Cabinet Complex, Libby Complex, Trout Creek Complex, High One, Wolf II, and Koocanusa Complex's. Six CH-47 helicopters from the A/6-158th Aviation Unit are assigned. LIBBY COMPLEX, Kootenai NF. A Type I Incident Management Team (Porter) is assigned. This complex includes the SCENERY, LEIGH CREEK, CHINA BASIN, MCKAY MTN, QUARTZ, and HANGING FLOWER fires. Crews made good progress on line construction and burnout on all staffed fires. The Hanging Flower fire was pushed downhill to within a few hundred feet of Flower Creek. Fire proximity to the town of Libby, other improvements and cultural sites remains a concern. LITTLE WOLF, Flathead NF. A Type I Incident Management Team (Kohut) and the 3-11th Field Artillery Battalion, I Corps, USA, (Lt. -
Discussion About Henry Kuttner and C.L. Moore
Science Fiction Book Club Interview with Allen Mueller August 2019 Allen Mueller is an expert on Henry Kuttner and C.L. Moore. He wrote his MA thesis on them and has published several articles about them. Øyvind Strømsvåg: What was the reason for using so many different pseudonyms as Kuttner did? As with many authors, the Kuttners started using pseudonyms in situations where they had more than one story in a given publication (in a few cases, the Kuttners had up to 4 stories in a given magazine) and also as a way of distancing themselves from weaker stories published in less prestigious magazines. In a letter to August Derleth, Kuttner spoke quite frankly about, “sending (Leo) Margulies my W. T. duds.” Sam Moskowitz claimed that Kuttner was forced to publishing under pseudonyms for a time due to the negative criticism he received for publishing “The Time Trap,” with its (tame by today’s standard) sexual content. I also believe that, after a time, the pseudonyms took on a life of their own, in a sense. Fritz Leiber relates an appropriate anecdote after Kuttner’s death, “(Kuttner) and Bob (Bloch) had just been amusing themselves by formulating the personalities of a few pen names. As I recall a few of them, Lewis Padgett was a retired accountant who liked to water the lawn of an evening and then mosey down to the corner drugstore to pick up a quart of ice cream and whose wife collected recipes to surprise her bridge club. Lawrence O’Donnell was a wild Irishman who lived in Greenwich Village with a malicious black cat who had an infallible instinct for check letters and generally managed to chew up their contents before his master had shaken loose from his latest hangover. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
The Relationship of Various Audience Composition Factors to Television Program Types
This dissertation has been 63—4708 microfilmed exactly as received THAYER, John Richardson, 1929— THE RELATIONSHIP OF VARIOUS AUDIENCE COMPOSITION FACTORS TO TELEVISION PROGRAM TYPES. The Ohio State University, Ph.D., 1962 Speech—Theater University Microfilms, Inc., Ann Arbor. Michigan Copyright by John Richardson Thayer t h e relationship o f v a r i o u s a u d i e n c e composition f a c t o r s TO TELEVISION PROGRAM TYPES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By John Richardson Thayer, B.A., M.A. ■X-trk** * * * * The Ohio State University 1962 Approved by Adviser Department of Speech TABLE OF CONTENTS Page LIST OF T A B L E S ............................................... iv LIST OF F I G U R E S ............................................. vi Chapter I. A BRIEF HISTORY OF PROGRAM TYPES AND THEIR IMPORTANCE TO THE TELEVISION B R O A DCA STER....................... 1 The History of Program Types on Radio The History of Program Types on Television The Importance of Program Types The Hypotheses of the Study II. A REVIEW OF THE MOST POPULAR PROGRAM T Y P E S ............. 17 III. THE CATEGORIZING OF PROGRAMS INTO T Y P E S ............... 25 Difficulties Involved in Categorizing Programs Criteria Established in Assigning Programs to Specific Types Definitions of Program Types and Specific Programs Falling Within Those Types IV. DESCRIPTION OF DATA USED IN THE S T U D Y ................. 42 A Brief History of the Company ARB ’ s Measurement Technique ARB's Selection of Sample Homes Selecting the Diary Families Tabulating the Diary Results Final Preparations for Publication Computation Procedures Minimum Reporting Standards V. -
Torrance Press
Page A-6 TORRANCE PRESS Sunday, October 7, TELEVISION LOG FOR THE WEEK SUNDAY TUESDAY WEDNESDAY FRIDAY SATURDAY OCTOBER 7 OCTOBER 8 OCTOBER 9 OCTOBER 10 OCTOBER 12 OCTOBER 13 V 12:00 ( 4) World Series 12:00 < 2 Burns and Alien 12.00 ( 2) Buvns and AMen 12:00 ( 2) Burns and Alien 12:00 ( 2) burns and Alien 12:00 ( 2) Sky King ( 7) Directions '63 ( 4) Merv Griffin ( 4) Merv Griffin ( 4) Jan Murray (C) ( 4) Jan Murray ( 5) Movie ( 9) Movie ( 7) Jane Wyman ( 7) Jane Wyman ( 7) Jane Wyman ( 7) Jane Wyman ( 7) Bugs Bunny (11) World Series (11) Sheriff John ( 9) Cartoonsville ( 9) Cartoonsville ( 9) Cartoonsville ( 9) Movie <1H> Oral Kobma ( 9) Cartoonsville (11) Sheriff Johr (11) Sheriff John (11) Sheriff John (13) Hour of Stars 12:30 ( 5) Telesports Digest (13) Midday Roport (13) Midday Report (13) Midday News (13) Midday Report 12:30 ( 2) Football Kickoff ( 7) Pro Football 12:15 (13) Milestones 12:15 (13, Milestones 12:15 (13) Milestones (13) Milestones ( 4> Watch Mr. Wizard Buffalo at Houston 12:30 < 2> As World Turns 12:dO i 2> As World Turn* 12:30 ( 2) As World Turns < 2) As World Turns ( 7) Magic Land of (13) Business ( 5) Divorce Hearing ( 5) Night Court ( 7) Camouflage ( 7) Camouflage Alakazam Opportunities ( 7) Camouflage > ( 7) Camouflage (13) Racket Squad (13) Racket Squad 12:45 ( 2) NCAA Football f 1:00 ( 5) Movie Oklahoma at Texas (13) Racket Squad (13) Racket Squad i 2) Password . i!3« VOK "» Calvary 1:00 ( 2) Password 1:00 ( 4) Movie 1:00 ( 2t Password 1:00 (2) Password I 4) Loretta Voung ( 4) Loretta Young "The Scraf" 1:30 (13) -
August-September 2020
aug/sep 2020 from our president... Welcome New Yankee Well, we did it. Our wonderful Mike Rinaldi, our Yankee Chapter Members ! chapter of friends, old and new, closed Chapter Treasurer, welcomed the the Spring Training and Testing Season committee’s registration plan which William Boettcher, Middleton, WI on August 2nd with 3 days of 90 plus minimized personal contact and sped Gary Bourdreau, Benton, ME temps. Sounds weird doesn’t it! Yes, it registration. Assigning a number to Kevin Buckmore, Poland, ME has been a challenge for sure, address- each registrant eliminated a list for each Laurie Connel, Winterport, ME ing the constant rule changes of our event. Yankee’s long history of “first Mark & Sheryl Dalute, Newcastle, ME wonderful state. I cannot thank Yankee come first served” continues. Please C h r i s t i a n D i a m o n d , G o r h a m , M E Chapter members enough for stepping enjoy Mike’s letter in this newsletter re Adam Farrington, Poland, ME up to this unprecedented challenge. his hopes for our future training clinics. Ted Guild Cumberland, ME How did we stay in touch? I thank him and Sandy Runyon for all Courtney Hagenaars, Manchester, ME How did we keep our dogs sharp?We their time working on these details for Ju l i e H a r r i s, H e r m o n , M E decided to support Foggy Ridge our chapter. David Hatch, Kingfield, ME Gamebird Farm by honoring our com- Our Spring test was full! Leonard Horsford, Manchester, ME mitment to Jim and Laurie Olmsted. -
Blood, Guns, and Plenty of Explosions: the Evolution of American Television Violence
Blood, Guns, and Plenty of Explosions: The Evolution of American Television Violence By Hubert Ta Professor Allison Perlman, Ph.D Departments of Film & Media Studies and History Professor Jayne Lewis, Ph.D Department of English A Thesis Submitted In Partial Completion of the Certification Requirements for The Honors Program of the School of Humanities and The Campuswide Honors Program University of California, Irvine 26 May 2017 ii Table of Contents ACKNOWLEDGMENTS III ABSTRACT IV INTRODUCTION 1 I. BONANZA, THE TV WESTERN, AND THE LEGITIMACY OF VIOLENCE 16 II. THE INTERVENING YEARS: 1960S – 1980S 30 III. COUNTERING THE ACTION EXTRAVAGANZA WITH NUCLEAR FIRE IN THE DAY AFTER 36 IV. THE INTERVENING YEARS: 1990S – 2010S 48 V. THE WALKING DEAD: PUSHING THE ENVELOPE 57 LOOKING AHEAD: VIEWER DISCRETION IS ADVISED 77 WORKS CITED 81 iii Acknowledgments First and foremost, I would like to thank Professor Allison Perlman for her incredible amount of help and guidance as my faculty advisor for this research project. Without her, I would not have been able to get this thesis off the ground and her constant supervision led me to many important texts and concepts that I used for my research. Our discussions, her recommendations and critiques, and her endless ability to be available and help me define my research path has made this research project possible. Thank you so much Professor Perlman! I would also like to thank Professor Jayne Lewis for her guidance as Director of the Humanities Honors Program for 2015 – 2017. She has been extremely supportive throughout my research project with her helpful reminders, her advice and critique of my papers, and her cheerful demeanor which has always made the process more optimistic and fun.