1930S Playlist

Total Page:16

File Type:pdf, Size:1020Kb

1930S Playlist 1/10/2005 MONTH YEAR TITLE ARTIST Jan 1930 Great Day Paul Whiteman/Bing Crosby Jan 1930 More Than You Know Ruth Etting Jan 1930 A Little Kiss Each Morning Rudy Vallee Jan 1930 The Man From The South Ted Weems Jan 1930 Falling In Love Again Marlene Dietrich Feb 1930 Strike Up The Band Red Nichols Feb 1930 You Do Something To Me Leo Reisman Feb 1930 Nobody’s Sweetheart Paul Whiteman Feb 1930 Puttin’ On The Ritz Harry Richman Feb 1930 Should I Arden-Ohman Orchestra Feb 1930 What Is This Thing Called Love Leo Reisman Mar 1930 Happy Days Are Here Again Ben Selvin Mar 1930 Let Me Sing And I’m Happy Al Jolson Mar 1930 Stein Song (University Of Maine) Rudy Vallee Apr 1930 On The Sunny Side Of The Street Ted Lewis Apr 1930 A Cottage For Sale Guy Lombardo Apr 1930 Sing You Sinners High Hatters Apr 1930 It Happened In Monterey Paul Whiteman Apr 1930 When It’s Springtime In The Rockies Hilo Hawaiian Orchestra May 1930 Exactly Like You Ruth Etting May 1930 The Lonesome Road Ted Lewis May 1930 You Brought A New Kind Of Love To Me Paul Whiteman/Bing Crosby May 1930 Ten Cents A Dance Ruth Etting May 1930 Dancing With Tears In My Eyes Nat Shilkret Jun 1930 Get Happy Nat Shilkret Aug 1930 Little White Lies Fred Waring Aug 1930 Betty Coed Rudy Vallee Aug 1930 Bye Bye Blues Bert Lown Aug 1930 If I Could Be With You One Hour Tonight McKinney’s Cotton Pickers Sep 1930 I’m Confessin’ Guy Lombardo Aug 1930 Sheik Of Araby Red Nichols Aug 1930 Beyond The Blue Horizon Jeanette MacDonald Aug 1930 I Still Get A Thrill Ozzie Nelson Oct 1930 Body And Soul Paul Whiteman Oct 1930 China Boy Red Nichols Oct 1930 Three Little Words Duke Ellington Oct 1930 My Baby Just Cares For Me Ted Weems Oct 1930 Body And Soul Libby Holman Jan 1930 The Peanut Vendor Don Azpiazu Jan 1930 Embraceable You Red Nichols Jan 1930 Memories Of You Louis Armstrong Jan 1930 You’re Driving Me Crazy Guy Lombardo Feb 1930 I Got Rhythm Red Nichols Feb 1930 Something To Remember You By Libby Holman Feb 1930 St. Louis Blues Cab Calloway Feb 1930 Them There Eyes Gus Arnheim/Rhythm Boys Feb 1930 The Waltz You Saved For Me (1930 version) Wayne King Jan 1931 Casa Loma Stomp Glen Gray Jan 1931 Just A Gigolo Ted Lewis Jan 1931 Goofus Wayne King Copyright © 2004-2005 JAM Communications Inc. Reproduction Prohibited Without Permission 1 1/10/2005 MONTH YEAR TITLE ARTIST Jan 1931 My Ideal Maurice Chevalier Feb 1931 Mood Indigo Duke Ellington Feb 1931 I Surrender Dear Gus Arnheim/Bing Crosby Feb 1931 Sugar Blues Clyde McCoy Feb 1931 Love For Sale Libby Holman Mar 1931 Would You Like To Take A Walk Rudy Vallee Mar 1931 Star Dust Isham Jones Mar 1931 Minnie The Moocher Cab Calloway Mar 1931 By The River Sainte Marie Guy Lombardo Apr 1931 Walkin’ My Baby Back Home Ted Weems Apr 1931 Dream A Little Dream Of Me Wayne King Apr 1931 Out Of Nowhere Bing Crosby Apr 1931 Smile Darn Ya Smile Ben Selvin Apr 1931 When I Take My Sugar To Tea Boswell Sisters May 1931 When Your Lover Has Gone Gene Austin May 1931 Basin Street Blues Charleston Chasers May 1931 Wrap Your Troubles In Dreams Bing Crosby May 1931 Please Don’t Talk About Me When I’m Gone Gene Austin May 1931 St. James Infirmary Cab Calloway May 1931 (There Ought To Be A) Moonlight Saving Time Guy Lombardo May 1931 Just One More Chance Bing Crosby May 1931 Siboney Alfredo Brito Jun 1931 I Found A Million Dollar Baby Fred Waring Jun 1931 At Your Command Bing Crosby Jun 1931 Little Girl Joe Venuti Jun 1931 Dancing In The Dark Fred Waring Jun 1931 I Found A Million Dollar Baby Bing Crosby Jun 1931 Sweet And Lovely Gus Arnheim Jun 1931 I Love Louisa Fred Astaire Jun 1931 I’m Through With Love Bing Crosby Aug 1931 Georgia On My Mind Frankie Trumbauer Sep 1931 Life Is Just A Bowl Of Cherries Rudy Vallee Aug 1931 When The Moon Comes Over The Mountain Kate Smith Aug 1931 Lady Of Spain Ray Noble Aug 1931 You Call It Madness (But I Call It Love) Russ Columbo Aug 1931 Love Letters In The Sand Ted Black Oct 1931 Goodnight Sweetheart Ray Noble Oct 1931 I Apologize Bing Crosby Oct 1931 I Don’t Know Why (I Just Do) Wayne King Oct 1931 Guilty Ruth Etting Oct 1931 Goodnight Sweetheart Wayne King Jan 1931 When It’s Sleepytime Down South Paul Whiteman/Mildred Bailey Jan 1931 Bidin’ My Time Foursome Jan 1931 You’re My Everything Arden-Ohman Orchestra Jan 1931 Tiger Rag Mills Brothers Feb 1931 Time On My Hands Leo Reisman Feb 1931 Home (When Shadows Fall) Peter Van Steeden Jan 1932 River Stay ‘Way From My Door Kate Smith Jan 1932 Dinah Bing Crosby/Mills Brothers Jan 1932 She Didn’t Say "Yes" Leo Reisman Copyright © 2004-2005 JAM Communications Inc. Reproduction Prohibited Without Permission 2 1/10/2005 MONTH YEAR TITLE ARTIST Jan 1932 Prisoner Of Love Russ Columbo Jan 1932 All Of Me Paul Whiteman/Mildred Bailey Jan 1932 You Rascal You Mills Brothers Jan 1932 Where The Blue Of The Night Meets The Gold Of The Day Bing Crosby Jan 1932 Of Thee I Sing Medley Abe Lyman Jan 1932 You Can Depend On Me Louis Armstrong Jan 1932 Paradise Leo Reisman Feb 1932 Penthouse Serenade (When We're Alone) Arden-Ohman Orchestra Feb 1932 Marta Arthur Tracy Feb 1932 It Don’t Mean A Thing (If It Ain't Got That Swing) Duke Ellington Feb 1932 Just Friends Russ Columbo Feb 1932 Dancing On The Ceiling Jack Hylton Feb 1932 All Of Me Louis Armstrong Mar 1932 I Heard Mills Brothers Mar 1932 Let’s Have Another Cup Of Coffee Fred Waring Mar 1932 Too Many Tears Guy Lombardo Apr 1932 Somebody Loves You Ted Lewis Apr 1932 Soft Lights And Sweet Music Fred Waring Apr 1932 Shine Bing Crosby/Mills Brothers Apr 1932 One Hour With You Jimmie Grier Apr 1932 Paradise Guy Lombardo May 1932 Between The Devil And Deep Blue Sea Boswell Sisters May 1932 Lullaby Of The Leaves George Olsen May 1932 Rockin’ Chair Mills Brothers May 1932 Sweet Georgia Brown Bing Crosby May 1932 In A Shanty In Old Shanty Town Ted Lewis May 1932 My Silent Love Isham Jones May 1932 Lazy River Hoagy Carmichael Jun 1932 Isn’t It Romantic Jeanette MacDonald Jun 1932 St. Louis Blues Mills Brothers Jun 1932 Hell’s Bells Art Kassel Aug 1932 Mimi Maurice Chevalier Aug 1932 We Just Couldn’t Say Goodbye Guy Lombardo Aug 1932 I Guess I’ll Have To Change My Plan Rudy Vallee Aug 1932 Bugle Call Rag Mills Brothers Aug 1932 Three On A Match Paul Whiteman Sep 1932 Say It Isn’t So George Olsen Aug 1932 We Just Couldn’t Say Goodbye Paul Whiteman/Mildred Bailey Oct 1932 Please Bing Crosby Oct 1932 Let’s Put Out The Lights And Go To Sleep Rudy Vallee Oct 1932 Sailin’ On The Robert E Lee Ray Noble Oct 1932 How Deep Is The Ocean Paul Whiteman Jan 1932 Brother Can You Spare A Dime Bing Crosby Jan 1932 Fit As A Fiddle Fred Waring Jan 1932 Alone Together Victor Young Jan 1932 Brother Can You Spare A Dime Rudy Vallee Jan 1932 A Shine On Your Shoes/Louisiana Hayride Roger Wolfe Kahn Feb 1932 Night And Day Fred Astaire Feb 1932 Willow Weep For Me Paul Whiteman Feb 1932 After You’ve Gone Louis Armstrong Copyright © 2004-2005 JAM Communications Inc. Reproduction Prohibited Without Permission 3 1/10/2005 MONTH YEAR TITLE ARTIST Feb 1932 I’ve Told Every Little Star Jack Denny Jan 1933 Just An Echo In The Valley Bing Crosby Jan 1933 Ghost Of A Chance Bing Crosby Jan 1933 You’re An Old Smoothie Paul Whiteman Feb 1933 Street Of Dreams Bing Crosby Feb 1933 Try A Little Tenderness Ted Lewis Feb 1933 You’re Getting To Be A Habit With Me Bing Crosby Mar 1933 Underneath The Arches George Olsen Mar 1933 Young And Healthy Bing Crosby Mar 1933 Forty-Second Street Don Bestor Mar 1933 Have You Ever Been Lonely Ted Lewis Mar 1933 Stormy Weather Leo Reisman Mar 1933 I’ve Got The World On A String Bing Crosby Apr 1933 Shuffle Off To Buffalo Don Bestor Apr 1933 Lover Paul Whiteman Apr 1933 Hold Me Hotel Commodore Orchestra May 1933 Sophisticated Lady Duke Ellington May 1933 Stormy Weather Ethel Waters May 1933 We're In The Money Ted Lewis May 1933 Shadow Waltz Bing Crosby May 1933 I Cover The Waterfront Eddy Duchin May 1933 Under A Blanket Of Blue Glen Gray Jun 1933 Lazy Bones Ted Lewis Jun 1933 Learn To Croon Bing Crosby Jun 1933 Love Is The Sweetest Thing Ray Noble Jun 1933 The Last Round-Up George Olsen Aug 1933 Don’t Blame Me Ethel Waters Aug 1933 For You Glen Gray Sep 1933 It Isn’t Fair Isham Jones Aug 1933 Thanks Bing Crosby Aug 1933 It’s The Talk Of The Town Glen Gray Aug 1933 Who’s Afraid Of The Big Bad Wolf Victor Young Oct 1933 It’s Only A Paper Moon Paul Whiteman Oct 1933 The Last Round-Up Bing Crosby Oct 1933 Heat Wave Ethel Waters Oct 1933 Easter Parade Leo Reisman/Clifton Webb Oct 1933 The Old Spinning Wheel Ray Noble Jan 1933 Annie Doesn’t Live Here Anymore Guy Lombardo Jan 1933 By A Waterfall Leo Reisman Feb 1933 Beautiful Girl Bing Crosby Feb 1933 Smoke Gets In Your Eyes Paul Whiteman Feb 1933 A Hundred Years From Today Ethel Waters Feb 1933 Did You Ever See A Dream Walking Eddy Duchin Feb 1933 Temptation Bing Crosby Feb 1933 April In Paris Freddy Martin Jan 1934 Orchids In The Moonlight Rudy Vallee Jan 1934 The Man On The Flying Trapeze Walter O’Keefe Jan 1934 My Little Grass Shack In Kealakekua Hawaii Ted Fio Rito Feb 1934 Let’s Fall In Love Eddy Duchin Feb 1934 Carioca Enric Madriguera Copyright © 2004-2005 JAM Communications Inc.
Recommended publications
  • Cohen Names 7 Gamma Alpha Mu Members Initiation to Begin Soon for Writers Professor John D
    Cohen Names 7 Gamma Alpha Mu Members Initiation To Begin Soon For Writers Professor John D. Lane announc- ed today that seven of the twenty HE ROARS FOR CLEMSON Clemson men submitting manu- scripts for entry into Gamma Al- pho Mu were accepted into Clem- Vol. No. 32 CLEMSON, S. C, JANUARY 13, 1938 No. 15 son's honor writer's fraternity by Octavus Roy Cohen, its sponsor. Professor Lane is advisor to the fraternity. Pre-Exam Jam Session Friday The new members and their class- ifications are: J. Cornish Wilkin- DANCE SCEDULE son, R. G. Lominack, J. K. Smith, The following dance sched- Fraternity Gets T. B. Young, journalism, Tom E. Jungaleers ule for the second semester Stanley, and an alumnus, J. Wal- has been officially announced Works Of Cohen lace Rion, belle lettres, and D. F. by the Central Dance Associa- Moorer, poetry. To Swing tion. A James Montgomery Flagg Mr. Cohen included some valu- Midwinters Feb. 4 & 5 charcoal sketch of Octavus Roy able criticisms and remarks on each And Jam Military Ball Feb. 25 & 26 returned manuscript. He suggest- Block C and Engineering Cohen and a complete set of the ed generally that the work was Tomorrow night Clemson's little Architecture March 18-19 works of Cohen were recently do- done a bit hurriedly and that much Taps Ball __ '__ April 8 &'9 of it showed promise. fieldhouse will reverberate to the nated to Clemson's honor writer's Jr.-Sr. May 6 & 7 fraternity by Octavus Roy Cohen, Gamma Alpha Mu was organiz- music of Herb Green's Jungaleers Finals May 27-28 & 30 nationally known author of fiction ed in 1933 under the sponsorship as Clemson's own orchestra holds a of the noted fiction writer and and a former Clemson student.
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Porgy and Bess Composer: George Gershwin Section of the Work to Be
    Title: Porgy and Bess Composer: George Gershwin Section of the work to be studied: ‘Summertime’ Interpretation in performance 1: Leontyne Price, from 1:11 to 4:32, Porgy and Bess: High Performance, RCA Interpretation in performance 2: Billie Holiday, The Quintessential Billie Holiday, Vol. 2: 1936, Columbia, this recording is also available on a number of compilation CDs. Score: Summertime, single for voice and piano. Alfred Publishing. (AP.VS5985) The following notes are designed to inform discussion. They are not to be considered as representative of the VCAA or amuse. The notes are to be used as starting points. Paul Curtis 2009 Briefly: Gershwin completed the work in September 1935 following 20 months of work. The show opened on 30 September 1935 at Boston’s Colonial Theatre. The show opened in New York at the Alvin Theatre on 10 October. The show ran for only 124 shows at the Alvin. The critical reaction was mixed and the entire monetary investment was lost. Gershwin wrote the following defense of his work: It is true that I have written songs for Porgy and Bess. I am not ashamed at writing songs at any time so long as they are good songs. In Porgy and Bess I realized that I was writing an opera for the theatre and without songs it could be neither of the theatre nor entertaining from my viewpoint. But songs are entirely within the operatic tradition. Many of the most successful operas of the past have had songs….Of course, the songs in Porgy and Bess are only a part of the whole…I have used symphonic music to unify entire scenes.
    [Show full text]
  • LEGISLATIVE RESOLUTION Commemorating the 96Th Birthday of Ella Fitzger- Ald and Her Tremendous Contributions to Jazz
    LEGISLATIVE RESOLUTION commemorating the 96th birthday of Ella Fitzger- ald and her tremendous contributions to jazz WHEREAS, It is the sense of this Legislative Body to recognize and commend those musical geniuses who brought entertainment and cultural enrichment to the citizens of the great Empire State; and WHEREAS, Also known as the "First Lady of Song", "Queen of Jazz", and "Lady Ella", Ella Fitzgerald was an American jazz vocalist noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly her scat singing; she was a notable interpreter of the Great American Songbook; and WHEREAS, Ella Fitzgerald was born on April 25, 1917, in Newport News, Virginia, the daughter of Temperance "Tempie" and William Fitzgerald; her parents separated soon after her birth, and Ella and her mother went to Yonkers, New York; she and her family were Methodists and were active in the Bethany African Methodist Episcopal Church; and WHEREAS, In her youth, Ella Fitzgerald wanted to be a dancer, although she loved listening to jazz recordings by Louis Armstrong, Bing Crosby and The Boswell Sisters, and idolized lead singer Connee Boswell; after the death of her mother in 1932 and overcoming many hardships and obsta- cles, a young Ella made her singing debut at age 17 on November 21, 1934, at the Apollo Theater in Harlem, New York and the rest was histo- ry; and WHEREAS, Over the course of her 59-year recording career, the First Lady of Song sold 40 million copies of her 70-plus albums, won 13 Grammy Awards and was awarded the National Medal of Arts by former president Ronald Reagan and the Presidential Medal of Freedom by former president George H.
    [Show full text]
  • Purches Collection a to Z List of Principal Artists and Performers
    Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader)
    [Show full text]
  • The English Listing
    THE CROSBY 78's ZYXWVUTSRQPONMLKJIHGFEDCBAthe English listing Members may recall that we issued a THE questionnaire in 1990 seeking views and comments on what we should be providing in CROSBY BING. We are progressively attempting to fulfil 7 8 's these wishes and we now address one major ENGLISH request - a listing of the 78s issued in the UK. LISTING The first time this listing was issued in this form was in the ICC's 1974 booklet and this was updated in 1982in a publication issued by John Bassett's Crosby Collectors Society. The joint compilers were Jim Hayes, Colin Pugh and Bert Bishop. John has kindly given us permission to reproduce part of his publication in BING. This is a complete listing of very English-issued lO-inch and 12-inch 78 rpm shellac record featuring Sing Crosby. In all there are 601 discs on 10different labels. The sheet music used to illustrate some of the titles and the photos of the record labels have been p ro v id e d b y Don and Peter Haizeldon to whom we extend grateful thanks. NUMBERSITITLES LISTING OF ENGLISH 78"s ARIEl GRAND RECORD. THE 110-Inchl 4364 Susiannainon-Bing BRUNSWICK 112-inchl 1 0 5 Gems from "George White's Scandals", Parts 1 & 2 0 1 0 5 ditto 1 0 7 Lawd, you made the night too long/non-Bing 0 1 0 7 ditto 1 1 6 S I. L o u is blues/non-Bing _ 0 1 3 4 Pennies from heaven medley/Pennies from heaven THECROSBYCOLLECTORSSOCIETY BRUNSWICK 110-inchl 1 1 5 5 Just one more chance/Were you sincere? 0 1 6 0 8 Home on the range/The last round-up 0 1 1 5 5 ditto 0 1 6 1 5 Shadow waltz/I've got to sing a torch
    [Show full text]
  • Devil Tune Song List- Final
    That Devilin' Tune: A Jazz History, 1900-1951 Volume 1 CD 1 1. Standard Quartette Who Broke The Lock 1895/1896 2. Voss’ 1st Regiment Band Aunt Dinah’s Supper Party Late 1890s 3. Len Spencer Clime De Golden Fence Late 1890s 4. Metropolitan Orchestra Coon Town Capers 1897-1899 5. Sousa Band Whistlin’ Rufus 1899 6. Len Spencer You’ve Been a Good Old Wagon 1900 or 1901 7. Williams and Walker My Little Zulu Babe Nov. 10 1901 8. Arthur Collins Bill Bailey ca. May, 1902 9. Len Spencer On Emancipation Day late 1902 10. Hager’s Orchestra Rooster Dance 1904 11. Vess Ossman Buffalo Rag 1905 12. Prince’s Orchestra St. Louis Tickle Aug., 1905 13. Pryor’s Band St. Louis Rag 1906 14. Orquestra Typicas La Patti Negra 1906 15. Sir Herbert Clarke Bride of the Waves Dec. 21, 1907 16. May Irwin When You Ain’t Got No Money You Needn’t Come Around May 21, 1907 17. Arthur Collins Parson Jones’ Three Reasons ca. 1909 18. Stella Mayhew/Billie Taylor That Beautiful Rag July 5, 1910 19. Sophie Tucker That Lovin’ Rag Jan. 5, 1910 20. Stella Mayhew That Devilin’ Tune Apr. 24, 1911 21. Collins and Harlan Alexander’s Ragtime Band 1911 22. Sophie Tucker Some of These Days Feb. 24, 1911 23. Grupo Bahianainho El Cavito ca. 1911 24. Grupo Bahianainho Bambino ca. 1911 25. Grupo Bahianainho Destimido ca. 1911 26. Prince’s Orchestra Red Pepper Rag May, 1911 27. Gene Greene King of the Bungaloos Feb. 17, 1911 CD 2 1.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • 100 Years: a Century of Song 1930S
    100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls
    [Show full text]
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • November 2018 NO DECEMBER MEETING
    VOLUME 12, NUMBER 11 NEWSLETTER November 2018 NO DECEMBER MEETING NEXT MEETING: SWR/ABS GET TOGETHER COMES TO AUSTIN MAY 1-5 November 25, 2018 Austin Area Garden Center Friendships, education, begonias, the 2220 Barton Springs Road excitement of visiting another city — all Austin, TX 78746 play an important part in your life when Greene Room 2 P.M. you choose to attend a Southwest Pot Luck Region/American Begonia Society Get Together. May 1-5, 2019, the Austin Area Begonia Society Branch will host this January Meeting: January 27, 2019 exciting convention in the Wyndham Garden Austin located at 3401 South IH 35 in Austin. EVENTS: One of the important speakers will be Dr. Rick Schoellhorn, November 17 10 A.M. - 2:30 P.M. who graduated from Colorado State in Fort Collins, Colorado in Decorate Club Christmas Tree 1989 with a Bachelor of Science Degree. In 1992 he earned a Master's Degree from the University of Florida in Gainesville, November 22 HAPPY THANKSGIVING where he continued his education, obtaining a PHD in 1996. December 1 Dr. Schoellhorn worked for 12 years in Colorado and for five Santa in the Garden years in retail nursery production and sales in Alaska. In California he maintained a golf course for 3 years. December 29 10 A.M. - 2:30 P.M. Remove decorations from Club Tree He has also toured the United States, Indonesia, Holland, Germany, Spain, Portugal, Costa Rica, Japan, South Africa, December 25 MERRY CHRISTMAS Argentina, Mexico, and other places collecting plants and consulting with growers. He has worked for Proven Winners for 7 years.
    [Show full text]
  • Newsletter Jump
    BIG BAUD NEWSLETTER JUMP VOLUME XXXIII BIG BAND JUMP NEWSLETTER JULY-AUGUST 1994 Famous Door, where several radio broadcasts a week INTERVIEW CAPSULES spread the word about Count Basie’s exciting new band. It occurred to us that only the first subscribers to the The Scene BBJ NEWSLETTER, which began with the March- April issue o f1989, have had the advantage o f reading It was between sets at a dance featuring the Count Basie some o f the initial interviews. Rather than repeat them, Band and the guys were all outside taking a smoke and but to still give newer readers an opportunity to enjoy talking, but we caught the Count in the kitchen behind their comments, we offer these mini-interview com­ the ballroom. ments from two o f the music personalities featured in the first six months o f the BBJ NEWSLETTER. Basie leaned on a counter, relieving his legs of the weight, and was matter-of-fact, apparently not enjoying COUNT WILLIAM BASIE being interviewed. We later learned of his shyness, giving us the illusion that he didn’t want to be inter­ viewed, when in fact he later mentioned the value of such conversations. The year was 1971. The Interview Capsule BBJ: How did your theme, ONE O’CLOCK JUMP originate? CB: Well, that started in Kansas City. We were doing that number for some time without a name, and then we happned to be on the air at that time, too. We actually had a name for the tune, but it couldn’t be used in public.
    [Show full text]