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June 2009 Online Sale Catalogue

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JUNE 2009 ONLINE SALE CATALOGUE (with 3 minutes extension until no further bids received) Viewing: All works can be viewed on the Internet at www.heffel.com and at Heffel Gallery, 2247 Granville Street, Vancouver, BC, or at Heffel Fine Art Auction House, 13 Hazelton Avenue, Toronto, ON, or at Gallerie Heffel, 1840 rue Sherbrooke Ouest, Montreal, QC, Canada Note: Sale to be held through the Internet at www.heffel.com. Any estimates for this sale are in Canadian Dollars. Telephone and absentee bids accepted. Buyer's Premium 17% Heffel Fine Art Auction House Heffel Gallery Inc. Heffel Fine Art Auctioneers Galerie Heffel Québec Ltée. 2247 Granville Street 13 Hazelton Avenue 104 Daly Avenue 1840 rue Sherbrooke Ouest Vancouver, BC, V6H 3G1 Toronto, ON, M5R 2E1 Ottawa, ON, K1N 6E7 Montreal, QC, H3H 1E4 Phone: 00 1 604 732 6505 Phone: 00 1 416 961-6505 Phone: 00 1 613 230 6505 Phone: 00 1 514 939-6505 Mobile: 00 1 604 418 6505 Fax: 00 1 416 961-4245 Fax: 00 1 613 230 8884 Fax: 00 1 514 939-1100 Fax: 00 1 604 732 4245 Email: [email protected] JUNE 2009 ONLINE SALE CATALOGUE Page: 1 of 11 301 FRÉDÉRIC BACK 1924 - Canadian Two Works 16 x 26 inches 40.6 x 66 centimeters Provenance: Acquired directly from the Artist by the present Private Collection, Montreal Exhibited: Literature: Please note: these works are unframed. Starting Bid: $1,500 CDN Estimate: $2,500 ~ $3,500 CDN Preview at: Heffel Gallery Montreal 302 LÉON BELLEFLEUR QMG 1910 - 2007 Canadian Bourrasques de mars oil on canvas signed and dated 1986 and on verso signed, titled and dated 20 x 24 inches 50.8 x 61 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: Léon Bellefleur studied at the École des beaux-arts in Montreal, and pursued a teaching career in the city for 25 years. In 1948 he signed the manifesto Prisme d’Yeux, formed in reponse to the more radical ideological approach of the Automatists, along with Alfred Pellan, Albert Dumouchel, Jacques de Tonnancour, Louis Archambault and others. Through his association with Prisme d’Yeux, he came to be influenced by Surrealism and the work of Paul Klee, Wassily Kandinsky and Joan Miró. Bellefleur’s oeuvre is characterized by rich lyrical abstraction, and in his paintings, colour, movement and form dynamically combine. In 1954, Bellefleur traveled to Europe, setting up a studio in Paris where he experimented with painting techniques, working with a spatula to create dimensional effects. In 1966 he returned to Quebec permanently. Bellefleur was given a retrospective exhibition at the National Gallery of Canada in 1968, and his works have been acquired by public collections such the National Gallery of Canada, the Montreal Museum of Fine Arts and the Art Gallery of Ontario. Starting Bid: $6,000 CDN Estimate: $8,000 ~ $10,000 CDN Preview at: Heffel Gallery Montreal JUNE 2009 ONLINE SALE CATALOGUE Page: 2 of 11 303 PAUL-ÉMILE BORDUAS CAS QMG RCA 1905 - 1960 Canadian Sans titre mixed media on paper signed 12 x 9 1/2 inches 30.5 x 24.1 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: François-Marc Gagnon, Paul-Émile Borduas: Biographie critique et analyse de l'oeuvre, 1978, the similar 1924 gouache on paper work entitled Les trois soeurs reproduced, unpaginated, #4, index of black and white works This work could be a study for or another version of the gouache painting entitled Les trois soeurs which is reproduced in François-Marc Gagnon's biography on Borduas. On verso, there is an unfinished pencil and watercolour study of leaves by the artist. The inscription on this study, written by a previous owner, translates from the french as "Precious souvenir from a young artist battling with life. Marguerite de Montigny Lafontaine, painter and sculptor, June 14, 1972." Starting Bid: $3,500 CDN Estimate: $4,500 ~ $6,500 CDN Preview at: Heffel Gallery Montreal 304 SAMUEL BORENSTEIN CAS 1908 - 1969 Canadian French Countryside gouache on card signed twice 15 x 30 inches 38.1 x 76.2 centimeters Provenance: Private Collection, Ontario Exhibited: Literature: It was Samuel Borenstein’s dream to travel to Paris to visit the city’s museums - most particularly to view the work of Vincent van Gogh and Chaim Soutine - and in 1939 he was able to accomplish it. Initially he lived in a small apartment in Meudon, a suburb of Paris, then spent six months in Brittany. Based in the village of Tréboul, he enjoyed the isolation, which enabled him to concentrate on his painting. Due to the impending threat of war, he returned to Canada at the end of that year. His exposure to the work he had seen in France, particularly Soutine’s explosive colour and chaotic compositions, was a liberating experience for Borenstein. His work became known for its energetic, expressionist style, and his subjects were most often vivid cityscapes and rural scenes, such as this dynamic painting. Starting Bid: $4,000 CDN Estimate: $5,000 ~ $7,000 CDN Preview at: Heffel Gallery Montreal JUNE 2009 ONLINE SALE CATALOGUE Page: 3 of 11 305 YEHOUDA CHAKI 1938 - Canadian Landscape 1050 oil on canvas signed and on verso titled 48 x 60 inches 121.9 x 152.4 centimeters Provenance: Arras Gallery, New York Private Collection, Montreal Exhibited: Literature: Yehouda Chaki was born in Athens, and after living in Tel Aviv from 1945 to 1960, emigrated to Montreal in 1962. He studied at the Avni Academy in Tel Aviv, followed by the École des Beaux-Arts in Paris. From 1967 to 1989, Chaki was head of Painting and Drawing in the Department of Fine Arts at the Saidye Bronfman Centre. His work is in the permanent collections of the Montreal Museum of Fine Arts, Musée D’art Contemporain de Montreal, the Fort Lauderdale Museum, Florida, Eretz Israel Museum, Musée de Toulon, France and the Museo de Arte Moderna in Rio de Janeiro, Brazil. Prestigious corporate collections such as the Canadian Embassy in Argentina, the Canadian Consulate in New York, Coca-Cola Limited, Husky Oil and Gaz Metropolitain have acquired his work. Starting Bid: $8,000 CDN Estimate: $8,000 ~ $10,000 CDN Preview at: Heffel Gallery Montreal 306 SERGE LEMOYNE 1941 - 1998 Canadian Sans titre (Maison series) acrylic on canvas on verso signed and dated 1986 12 x 15 1/4 inches 30.5 x 38.7 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: Starting Bid: $3,000 CDN Estimate: $4,000 ~ $6,000 CDN Preview at: Heffel Gallery Montreal JUNE 2009 ONLINE SALE CATALOGUE Page: 4 of 11 307 MARY FRANCES PRATT OC RCA 1935 - Canadian Orange on Tinfoil oil on canvas signed and dated 1993 18 x 24 inches 45.7 x 61 centimeters Provenance: Equinox Gallery, Vancouver Private Collection, Vancouver Exhibited: Literature: Mary Pratt studied at Mount Allison School of Art with Alex Colville, and emerged in the 1960s in the Maritimes as a New Realist painter. Use of photography as a point of departure, a coolness of viewpoint and the depiction of subjects that were considered to be worthwhile of artistic regard simply because they existed, were characteristics of New Realism. Pratt's significance has been recognized in retrospective exhibitions at the Beaverbrook Art Gallery, Fredericton and the London Regional Art Gallery. Her work is in numerous public collections, such as the National Gallery of Canada, the Vancouver Art Gallery and the Beaverbrook Art Gallery. Pratt uses photography as a tool for studying the ephemeral qualities of light in her subjects, which are chosen from her immediate environment. Her method of painting is exacting - using small sable brushes and a fluid medium of turpentine and stand oil, she paints with small cross-hatched strokes which blend together into a smooth, flawless surface. Pratt depicts everyday objects in her still life tableaus with a vision devoid of irony and sentimentality, and although she uses the cool gaze of the camera, she infuses the work with an unmistakable sensuality. This is felt in Orange on Tinfoil in the juiciness of the pulp in the just-peeled fruit, the vibrant colour and the extraordinary beauty of the play of light on surfaces. Light scintillates in the sheen of the pulp and breaks into coloured shards in the reflective surface of the tinfoil. The orange, carefully displayed to reveal its beauty, enticing the viewer with its radiance, becomes something more than the everyday. Orange on Tinfoil is a superb painting that contains the essence of Pratt’s awareness of unique perceptual moments and her intense and sensual response to life. Starting Bid: $40,000 CDN Estimate: $40,000 ~ $60,000 CDN Preview at: Heffel Fine Art Auction House Vancouver 308 DAVID SORENSEN 1937 - Canadian Two Works 18 x 24 inches 45.7 x 61 centimeters Provenance: Waddington and Gorce Inc., Montreal Private Collection, Montreal Exhibited: Waddington and Gorce Inc., Montreal, Corner Series No. 2 exhibited Musée du Bas-Saint-Laurent, Rivière-du-Loup, Intimité Lumineuse - Intimacy of Light, Retrospective 1959 - 2005, September 2005 - January 2006, Corner Series No. 2 exhibited Literature: Charles Bourget, Intimité Lumineuse - Intimacy of Light, Retrospective 1959 - 2005, Musée du Bas-Saint-Laurent, 2005, Corner Series No. 2 reproduced page 62 Starting Bid: $4,000 CDN Estimate: $4,000 ~ $6,000 CDN Preview at: Heffel Gallery Montreal JUNE 2009 ONLINE SALE CATALOGUE Page: 5 of 11 401 MAXWELL BENNETT BATES ASA CGP CSGA CSW RCA 1906 - 1980 Canadian Figure oil on canvas signed and dated 1978 and on verso titled on the stretcher 20 x 16 inches 50.8 x 40.6 centimeters Provenance: Private Collection, Vancouver Exhibited: Literature: Starting Bid: $2,500 CDN Estimate: $3,000 ~ $5,000 CDN Preview at: Heffel Fine Art Auction House Vancouver 402 MOLLY JOAN LAMB BOBAK BCSFA CGP CPE CSGA CSPWC RCA 1922 - Canadian Flowers oil on canvas signed and on verso signed and titled 36 x 24 inches 91.4 x 61 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: Molly Lamb Bobak graduated from the Vancouver School of Art in 1942, where her teacher and mentor was Jack Shadbolt.
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