Nixon Asks Tvew Majority' for Peace MIAMI BEACH, Fla
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The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Seals/Barons O-Pee-Chee Hockey Card Checklist
Seals/Barons O-Pee-Chee Hockey Card Checklist All prices from Beckett price guide Jan. 2021 1968-69 #78 Charlie Hodge Common card prices: #79 Bert Marshall LOW: $5.00 US #80 Billy Harris HIGH: $8.00 US #81 Carol Vadnais #83 John Brenneman RC, UER Semi-stars/goalies prices: #84 Gerry Ehman LOW: $6.00 US #85 Ted Hampson HIGH: $10.00 US #86 Bill Hicke #87 Gary Jarrett #88 Doug Roberts #173 Bryan Watson DP #174 George Swarbrick RC, DP #175 Joe Szura RC #176 Gary Smith RC 1969-70 #77 Charlie Hodge Common card prices: #78 Gary Smith LOW: $4.00 US #79 Harry Howell HIGH: $6.00 US #80 Bert Marshall #81 Doug Roberts Semi-stars/goalies prices: #82 Carol Vadnais LOW: $5.00 US #83 Gerry Ehman HIGH: $8.00 US #84 Brian Perry RC #85 Gary Jarrett #86 Ted Hampson #87 Earl Ingarfield #145 Bill Hicke #146 Norm Ferguson #147 Dick Mattiussi RC #148 Mike Laughton RC, DP #149 Gene Ubriaco RC #150 Bob Dillabough DP 1970-71 #69 Gary Smith Common card prices: #70 Carol Vadnais LOW: $1.50 US #71 Doug Roberts HIGH: $4.00 US #72 Harry Howell #73 Joe Szura Semi-stars/goalies prices: #74 Mike Laughton LOW: $2.50 US #75 Gary Jarrett HIGH: $6.00 US #76 Bill Hicke #186 Dennis Hextall #187 Gerry Ehman #188 Bert Marshall #189 Gary Croteau RC #190 Ted Hampson #191 Earl Ingarfield #192 Dick Mattiussi 1971-72 #6 Paul Shmyr RC Common card prices: #17 Gary Croteau LOW: $1.50 US #31 Tom Williams HIGH: $4.00 US #61 Ernie Hicke RC #73 Bert Marshall Semi-stars 1-132: #83 Ron Stackhouse RC LOW: $2.00 US #93 Gary Jarrett HIGH: $5.00 US #106 Dick Redmond RC #124 Walt McKechnie Semi-stars -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Le Ciné-‐Club De Grenoble
Le Ciné-Club de Grenoble Le cinéma substitue à notre regard un monde qui s’accorde à nos désirs. André Bazin DOSSIER DE PRESSE 1967 – 2017 LE CINÉ-CLUB DE GRENOBLE FÊTE SES 50 ANS du Mardi 14 mars au SamEdi 18 mars 2017 DP170225 Contact : 0476 44 30 38 [email protected] Le Cinéclub de Grenoble – 4, rue Hector Berlioz - 38000 GRENOBLE Tél : 04 76 44 70 38 - Fax : 04 76 51 24 43 – [email protected] – http://www.ccc-grenoble.fr N° SIRET : 30890821900014 – Agrément Jeunesse & Sport 38.07.138 – code APE 9499Z Association loi 1901, non assujettie à la TVA 2 DP170225 Contact : 0476 44 30 38 [email protected] DOSSIER DE PRESSE Le Ciné-club dE GrEnoble fêtE sEs 50 ans (1967 – 2017) Cinq décennies de cinéphilie, plus de mille cinq cent films programmés : tant de bonheur et de plaisir partagés ! Venez fêter l’anniversaire de nos 50 ans : nous vous proposerons, pendant cinq jours (du mardi 14 mars au samedi 18 mars) un florilège d’œuvres de grands cinéastes qui ont marqué les années soixante et particulièrement l’année 1967, année de naissance du Ciné-club de Grenoble : Blow Up (Michelangelo Antonioni, Grande-Bretagne, Etats- Unis, Italie – 1966, Palme d’or au Festival de Cannes 1967), Un crimE dans la tête (The Manchurian Candidate, John Frankenheimer, Etats-Unis – 1958), Les Producteurs (The Producers, Mel Brooks, Etats-Unis – 1967), Ciné-concert - Les dix commandemEnts (The Ten Commandments, Cecil B. de Mille, Etats-Unis – 1923) dans une création musicale contemporaine d’Arnaud Petit et Bonnie Et Clyde (Bonnie and Clyde, Arthur Penn – 1967). -
El Hombre De Kiev PDF - Descargar, Leer
El Hombre De Kiev PDF - Descargar, Leer DESCARGAR LEER ENGLISH VERSION DOWNLOAD READ Descripción El Hombre de Kiev - The Fixer 1968 - Película Completa. On Jan 1, 2016, Martin Urdiales Shaw published the chapter: Fixing Bernard Malamud's The Fixer through Translation: From El hombre de Kiev (1966) to El reparador (2011) in the book: Bernard Malamud: A Centennial Tribute. 7 Abr 2015 . Éste acepto la invitacion y, tras someter la zona del lago Ladoga, fundó en 859 la ciudad de Veliki Novgorod, que gobernó hasta su muerte en 879. De este modo tuvo inicio el principado que, trasladada su capital a Kiev, en 882 por Oleg, uno de sus descendientes, fue conocido como la Rus de Kiev, que. Ficha eldoblaje.com. Título: EL HOMBRE DE KIEV [doblaje cine 1969]. Save web page to PDF free with www.web2pdfconvert.com. Título Original: The fixer. Buscar en imdb.com >>. Año de Grabación: 1969. especie de sonrisa triste cuando vemos la intervención dolosa de algo que podríamos llamar el azar o tal vez el destino y quizás Dios. En El hombre de Kíev (The. Fixer, 1966) tal sonrisa es muy palpable. Dicho sea de paso, Malamud otorga a sus personajes la capacidad de lucha, y aunque no siempre viene el triunfo. 27 Abr 2008 . Una película prácticamente desconocida The extraordinary Seaman (1967) y la adaptación de una obra de Bernard Malamud (El hombre de Kiev, 1968), que tiene que ver nuevamente con el mundo carcelario, dan paso a dos obras maestras: Los temerarios del aire (1969) y Yo vigilo el camino (1970). 8 Jun 2017 - 189 min - Uploaded by Philip ElderEl Hombre de Kiev - The Fixer 1968 - Película Completa. -
Rogers, Chiao to Dine UNITED NATIONS, N.Y
Today: Our Fall Car Care Section • -•';) Clondthey todayWeathe, chancer of THE DAILY rain:ioud. Raiyn todayand wind, chancy tonighte o;f X X JLJLJ JLSJ. MM M JM FINAL fain heavy at times tomor- K«l Bank, Freehold row. 7 Ixmg Branch 7 EDITION 36 PAGES « Monniouth County's Outstanding Home Newspaper VOL.95 NO. 72 REP BANK, NJ. THURSDAY, OCTOBER 5,1972 TEN CENTS iiimiimiminrnHHiiiimiimnmiminiiiimiiiiiiHiiimimmiiiiiiiiiiiiii iiinnntiii Shopping Center Foes Win Double Victory By PAUL KERN vise you that we have decided cil voted unanimously to ap- nance until it meets in rcgualr not to proceed further with peal the rejection by county session Wednesday. Coun- EATONTOWN — Foes of a the planning and development Election Clerk Stanley Davis cilmen Festa and Boff said second major shopping center of a regional shopping center of a referendum on the zon- the council will probably scored a double victory last in the Borough of Eatontown. ing. come back with an amend- night when the Muss-Tankoos "We have spent more than Council voted last week to ment that deletes the new Corp. withdrew its devel- two years on our proposed re- submit a petition with more shopping center zone and will opment plans and a majority gional center, and now we are than the required 381 signa- then have to readvertise the of the council came out faced with further delays due tures to Mr. Davis for in- ordinance before it can be against zoning the proposed to the dissent ion prevailing clusion on* the November bal- adopted in November. tract for a shopping center. -
SIHR Journal
WHEN GARRY MET CHARLIE The 197 1⁄72 California Golden Seals and How They Almost Got It Right BY STEVE CURRIER t the conclusion of the 1967/68 season, it Seals stumbled to a 15–42–17 mark, and attendance was was difficult to argue the NHL’s expansion to 12 the lowest in the league. A teams hadn’t been a rousing success, unless you con - Van Gerbig sold the team to Trans-National Communi - sidered the league’s Bay Area entry. While every other ex - cations and, thanks to an influx of young players such as pansion team eventually achieved some degree of success, Carol Vadnais, Norm Ferguson and Gary Jarrett, the the California Seals never did—not that they never had the 1968/69 Seals finished second in the West with a 29–36 –11 opportunity. The focus of this paper is the Seals’ 1971/72 record. The following year, the Seals made the playoffs again season, when all the elements needed to establish a suc - and attendance rose to 6,225 per game, but that mark was cessful franchise were in place, and how everything quickly still the lowest in the NHL. The club hemorrhaged money went awry. so badly that Trans-National could not even make its pay - ments to Van Gerbig, so he in turn attempted to sell the Early Problems and the Finley Purchase franchise to roller derby promoter Jerry Seltzer. At the same When the San Francisco Seals played in the old Western time, Charles Oscar Finley, owner of baseball’s Oakland Hockey League (WHL) from 1961 to 1966, the Cow Palace Athletics, also wanted to join the NHL. -
El Mensajero Del Miedo
El Mensajero del Miedo (THE MANCHURIAN CANDIDATE) Nº 303 (NOVIEMBRE 2009) SINOPSIS Un grupo de soldados, bajo el mando del sargento Raymond Shaw y el comandante Benett Marco, sufre una emboscada durante la guerra de Corea y es capturado por el ejército enemigo. Meses después, Shaw recibe una medalla al honor por el gobierno de los Estados Unidos. Por entonces, Marco comienza a sufrir terribles pesadillas relaciona- das con el lavado de cerebro al que fueron sometidos durante el cauti- verio en Corea. FICHA ARTÍSTICA Bennett Marco ...........................................................FRANK SINATRA Raymond Shaw ................................................... LAURENCE HARVEY Eugenie Rose Chaney ..................................................... JANET LEIGH Mrs. Iselin ............................................................ ANGELA LANSBURY Chunjin ......................................................................... HENRY SILVA Sen. John Yerkes Iselin ........................................... JAMES GREGORY ICHA ÉCNICA F T Duración....................... 126 min. Dirección . JOHN FRANKENHEIMER Fotografía .......... LIONEL LINDON Nacionalidad ...................... EEUU Productora ........ UNITED ARTISTS Montaje ......... FERRIS WEBSTER Año de Producción .............. 1962 Productor ...... GEORGE AXELROD Música ................ DAVID AMRAM (Blanco y Negro) Guión............ GEORGE AXELROD Dir. Artística . PHILIP JEFFERIES (Basado en la novela de Richard Condon) Vestuario .............. MOSS MABRY El Mensajero del Miedo -
Plan Du Cours 3
CoursCours 33 Futurisme,Futurisme, fantastiquefantastique etet sciencescience fictionfiction PlanPlan dudu courscours 3.3. 1.1. LeLe fantastiquefantastique 2.2. LeLe futurismefuturisme 3.3. LaLa sciencescience fictionfiction 4.4. ScienceScience fictionfiction etet socisoci ééttéé 5.5. LeLe filmfilm dd ’’espionnageespionnage 1.1. LeLe fantastiquefantastique a) définitions ► Roger CAILLOIS, acad émicien (1913 -1978) « la d émarche essentielle du fantastique est l’apparition : ce qui ne peut pas arriver et qui se produit pourtant, en un point, et à un instant pr écis , au c œur d ’un univers parfaitement rep éré et d ’où l’on avait, à tort, estim é le myst ère à jamais banni ». (Encycl. Universalis , 1990) TzvetanTzvetan TODOROV,TODOROV, IntroductionIntroduction àà lala littlitt éératurerature fantastiquefantastique ,, 19701970 ► Tzvetan Todorov , n é en Bulgarie en 1939, a pass é une grande partie de sa vie en France. Il est chercheur au CNRS et a écrit de nombreux ouvrages concernant la litt érature, l ’histoire, la politique et la morale ► Tzvetan Todorov définit le fantastique comme la ligne de partage entre le merveilleux et l' étrange Le fantastique serait donc un lieu d'h ésitation , instable . Ce qui caract érise le genre fantastique, pr écise -t-il, ce n'est pas un ensemble de th èmes (fantômes, nuit, vieux châteaux, diable, hommes -animaux , magie), mais un dispositif narratif . ► Tzvetan Todorov associe le fantastique au trouble que ressent l'esprit rationnel plac é en face d'un événement surnaturel qu'il refuse d'admettre mais qu'il se sent incapable de nier . Il fait du fantastique une exp érience charni ère, à la limite de deux autres genres: l' étrange , o ù le surnaturel n'est qu'une apparence, et le merveilleux , o ù le surnaturel existe vraiment. -
The Goaltender Home Page - Current Discrepancies and Questions in the Game Log Data Last Updated November 19, 2017
The Goaltender Home Page - Current Discrepancies and Questions in the Game Log Data http://hockeygoalies.org Last updated November 19, 2017. Please send information, knowledge, corrections, compliments, or complaints to [email protected]. Hyperlinks lead to each goaltender's hockeygoalies.org player biography. SEASON DATE TEAM VERSUS GOALIE 1 GOALIE 2 TIME SHOTS ENG? OTHER QUESTION CURRENTLY IN DATABASE 6768 10/14/1967 DET MON Roger Crozier George Gardner x Why did Gardner replace Crozier at 29:53 - was it coach's decision? Score was 5- 0 Montreal, although Montreal scored at 26:07 and Gardner didn't enter until 29:53. 6768 10/15/1967 MIN LOS Garry Bauman Cesare Maniago x NHL has Maniago enter at 48:11 - Los Angeles scored at 46:07 to go up 4-1. Assuming this is coach's decision but would be nice to be sure. 6768 12/30/1967 STL TOR Seth Martin Don Caley x What time did Martin leave with his groin injury? NHL box score has 30:00 exactly Martin 25:28, Caley 34:32. for both goalies, which seems too coincidental. 6768 1/30/1968 TOR MON Johnny Bower Bruce Gamble X NHL has Gamble playing 0:57; Montreal Gazette has Gamble playing "53 seconds during the third period". When exactly and why? 6768 1/31/1968 LOS MIN Terry Sawchuk Wayne Rutledge X NHL has Sawchuk finishing the second period - did he leave at Parise goal 38:52 Sawchuk 40:00, Rutledge 20:00 or finish the period? 6768 3/6/1968 TOR PHI Bruce Gamble Johnny Bower X NHL says Bower played for 1:43 (Camden Courier Times says "for a minute") - when did this happen and why? 6768 3/9/1968 TOR DET Bruce Gamble Johnny Bower X NHL has Bower playing for 0:51. -
Au-Delà Des Grilles
Au-delà des grilles Burt Lancaster et Le Prisonnier d'Alcatraz un livre de Doug Headline 2 3 S’il fallait ne retenir qu’une poignée de rôles marquants dans la longue et brillante carrière de Burt Lancaster, celui du détenu 594 de la prison d’Alcatraz ferait à l’évidence partie du lot. Lancaster, ancien acrobate de cirque devenu une star de premier plan, était-il prédestiné à incarner cet homme violent et intraitable au destin contrarié ? On peut le penser, si l’on remarque que dès ses débuts, dans ses tout premiers films, ses personnages devaient à chaque fois séjourner en prison… Le Suédois Ole Anderson, le forçat Joe Collins, le bootlegger Frankie Madison, tous vivaient une grande part de leur histoire sous les verrous. Mais aucun de ceux-là ne possédait la complexité de Robert Franklin Stroud, cet assassin récidiviste qui passa le plus clair de son existence derrière les barreaux et devint par le jeu des circonstances le symbole des égarements d’un système pénal américain contestable. À sa mort, en 1963, Robert Stroud était un homme de haute taille, voûté, au crâne rasé, au nez chaussé de lunettes rondes à monture d’acier. Stroud avait alors atteint ses soixante-treize ans. De ceux-ci, il en avait passé cinquante-quatre en prison, dont quarante-deux dans une solitude absolue, en quartier d’isolement. Dans sa nécrologie, le New York Times décrivait Stroud comme « un anticonformiste antisocial qui avait trop tard découvert qu’il possédait la nature et le talent d’un chercheur et d’un universitaire ». -
Titolo Anno Imdb ...All the Marbles 01/01/1981 10,000 Bc
TITOLO ANNO IMDB ...ALL THE MARBLES 01/01/1981 10,000 BC 01/01/2008 11TH HOUR 01/03/2008 15 MINUTES 01/01/2001 20,000 YEARS IN SING SING 01/01/1933 2001: A SPACE ODYSSEY 01/01/1968 2010 01/01/1984 3 MEN IN WHITE 01/01/1944 300 01/06/2007 300: RISE OF AN EMPIRE 01/05/2014 36 HOURS 01/01/1965 42 01/07/2013 42ND STREET 01/01/1933 50 MILLION FRENCHMEN 01/01/1931 6 DAY BIKE RIDER 01/01/1934 6,000 ENEMIES 01/01/1939 7 FACES OF DR. LAO 01/01/1964 7 WOMEN 01/01/1966 8 SECONDS 01/01/1994 A BIG HAND FOR THE LITTLE LADY 01/01/1966 A CERTAIN YOUNG MAN 01/01/1928 A CHILD IS BORN 01/01/1940 A CHRISTMAS CAROL 01/01/1938 A CHRISTMAS STORY 01/01/1983 A CINDERELLA STORY 01/02/2005 A CLOCKWORK ORANGE 01/01/2013 A COVENANT WITH DEATH 01/01/1967 A DATE WITH JUDY 01/01/1948 A DAY AT THE RACES 01/01/1937 A DISPATCH FROM REUTER'S 01/01/1940 A DISTANT TRUMPET 01/01/1964 A DOLPHIN TALE 01/03/2012 A DREAM OF KINGS 01/01/1970 A FACE IN THE CROWD 01/01/1957 A FAMILY AFFAIR 01/01/1937 A FAN'S NOTES 01/01/1972 A FEVER IN THE BLOOD 01/01/1961 A FINE MADNESS 01/01/1966 A FREE SOUL 01/01/1931 A FUGITIVE FROM JUSTICE 01/01/1940 A GLOBAL AFFAIR 01/01/1964 A GUY NAMED JOE 01/01/1943 A KISS IN THE DARK 01/01/1949 A LA SOMBRA DEL PUENTE 01/01/1948 A LADY OF CHANCE 01/01/1928 A LADY WITHOUT PASSPORT 01/01/1950 A LADY'S MORALS 01/01/1930 A LETTER FOR EVIE 01/01/1946 A LIFE OF HER OWN 01/01/1950 A LION IS IN THE STREETS 01/01/1953 A LITTLE JOURNEY 01/01/1927 A LITTLE PRINCESS 01/01/1995 A LITTLE ROMANCE 01/01/1979 A LOST LADY 01/01/1934 A MAJORITY OF ONE 01/01/1962 A MAN AND