The World on Stone
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White Gold Black Bodies
Black Bodies White Gold Art, Cotton, and Commerce in the Atlantic World · AnnA ArAbindAn-Kesson · BLACK BODIES, WHITE GOLD Arabindan_ALL_FF.indd 1 2/24/21 12:59 PM BLACK BODIES, WHITE GOLD Art, Cotton, and Commerce in the Atlantic World Anna Arabindan- Kesson Duke university Press · Durham anD LonDon { 2021 } Arabindan_ALL_FF.indd 3 2/24/21 12:59 PM © 2021 Duke university Press All rights reserved Printed in the United States of America on acid- free paper ∞ Project editor: Lisa Lawley Designed by Matthew Tauch Typeset in Portrait Text by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Arabindan- Kesson, Anna, author. Title: Black bodies, white gold : art, cotton, and commerce in the Atlantic world / Anna Arabindan- Kesson. Description: Durham : Duke University Press, 2021. | Includes bibliographical references and index. Identifiers:L ccn 2020030916 (print) Lccn 2020030917 (ebook) isbn 9781478011927 (hardcover) isbn 9781478014065 (paperback) isbn 9781478021377 (ebook) Subjects: Lcsh: Cotton in art. | Slavery in art. | Cotton trade—Atlantic Ocean Region—History—19th century. | Slavery—Atlantic Ocean Region—History—19th century. | Cotton growing—Atlantic Ocean Region—History—19th century. | Afri- can diaspora in art. | Atlantic Ocean Region—Commerce—History—19th century. Classification:L cc n8217.c64 a733 2021 (print) | Lcc n8217.c64 (ebook) | DDc 704.0396—dc23 Lc record available at https://lccn.loc.gov/2020030916 Lc ebook record available at https://lccn.loc.gov/2020030917 Cover art: Hank Willis Thomas, Black Hands, White Cotton, 2014. Screen print and Carborundum on paper, 87.6 × 87.3 cm. (34 1/2 × 34 3/8 in.) © Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York. -
Grosvenor Prints February 2009 New Web Listing
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books February 2009 New Web Listing 9723 Pierrot. Numbered '4' upper right. C.P.S. Mai. Mart. Enelbrecht A.V. [n.d., c.1740.] From the collection of Cecil Bisshopp Harmsworth, 1st Original hand coloured etching and engraving, 240 x Baron Harmsworth. 155mm. 9½ x 6". Some soiling; lower right corner of sheet missing. £220 9774 Aquatic Theatre, Sadler's Wells. In the Commedia dell'arte, Pedrolino, or Pierrot in Published Augt. 23, 1813, by Jas. Whittle & Richd. H. French pantomime, is a servant dressed in white. Here Laurie, 53, Fleet Street, London. he carries a musket over his shoulder, some hunting Hand coloured etching and engraving, 300 x 445mm. trophies hanging from his belt. 11¾ x 17½". Age toned; damage to margins. £260 By Martin Engelbrecht (1684 - 1756), engraver and View of Sadler's Wells Theatre, showing a horse- publisher in Augsburg. drawn carriage and figures fishing along the river in Numbered '5' upper right. the foreground. From the collection of Cecil Bisshopp Harmsworth, 1st Sadler's Wells Theatre on Rosebery Avenue, Baron Harmsworth. Clerkenwell. Many famous actors appeared at the theatre, including Edmund Kean, and popular 9721 Scaramouche. comedians such as Joseph Grimaldi (1778 - 1837), C.P.S. Maj. Mart. Engelbrecht A.V [n.d., c.1740.] originator of the painted clown. A tank under the stage Original hand coloured etching and engraving, 235 x could be flooded with water from the New River. -
The Falls of Tivoli with the Temple of Vesta POA REF:- 360368 Artist: WILLIAM WYLD R.I
The Falls of Tivoli with the Temple of Vesta POA REF:- 360368 Artist: WILLIAM WYLD R.I. Height: 91.7 cm (36") Width: 120.3 cm (47 1/4") Framed Height: 103 cm (40 1/2") Framed Width: 140.5 cm (55 1/4") 1 https://johnbennettfinepaintings.com/the-falls-of-tivoli-with-the-temple-of-vesta 26/09/2021 Short Description The Falls of Tivoli with the Temple of Vesta M H Grant, in his Dictionary of English Landscape Painters, writes of William Wyld that: “A notable painter who passed his life in Paris, where he influenced greatly the French artists around him.” Wyld was born to a family of comfortable means and influence having been well-to-do merchants for several generations. A young uncle, who had instilled an interest in painting in the child William, left his artist’s materials to him upon his premature death. The six year old displayed a precocious and prodigious talent for drawing but it was clear that his family had a diplomatic service career in mind for him as he was sent to Calais in 1826 to become secretary to the British Consulate, working under Lord Granville. The posting proved to be fortuitous for Wyld as he met there the French watercolourist and teacher of Richard Parkes Bonington, François Louis Thomas Francia. Francia, who had come to London as an émigré and had exhibited at the Royal Academy while he was resident there. Francia was a great admirer of the important English painter Thomas Girtin and agreed to take on Wyld as a pupil. -
A Winter in Russia
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES I j^ e^^i>2>t / (r^ A «- <^ / z<^^^ /z- ^^^ I c /' /^'^ ^ ' ^y / <5^ «^' '^ <^ ^^ ^ r t. «- <r ^ /;^7V A Winter in Russia FROM THE FJiENCS OF THf:OPHILE GAUTIER BY M. M. RIPLEY Tratislator ofMadame Craven's '' Fletirange''^ NEW YORK HENBY HOLT AND COMPANY 187.t /^.**-«. 1'rz^l^t'->. oj-: iJep^^ ^y Entered accortUng txj Act of Congress, in the year 1874, by HENRY HOLT, In the Office of the Librarian of Congress, at Washington. John F. Trow & Son, Printers, 205-213 East i2TH St., New York. Maclauchlan, Storeotypor, 145 & 147 Mulberry St., near Grand, N. Y. PK TO E. M. C. i.»<^fVvviG5x —— CONTENTS OnAPTER TAQB I, —Beblin 1 II.—IlAMBXIRa 13 III. —SCHLESWIG 23 rV,—LUBECK 44 v.—CBossiNa THE Baltic 56 VI.—St. Petersbueg 66 VIL—Winter.—The Neva 88 VIII.—Winter 100 IX. Races on the Neva 115 X. Details op Interiors 125 XI.—A Ball at the Winter Palace 136 XII. —The Theatres 145 XIII.—The Tchoukine-dvor 154 Xrv.—ZiCHY 103 XV.—St. Isaac's 187 XVI.—Moscow 236 XVn.—The Kremlin 2G1 XVIII.—Troitza 279 XIX.—Byzantine Art 298 XX. Eeturn to France 324 A WINTER IN RUSSIA. BEKLKSr. seem scarce!}^ to have started, and yet already WE inter- France lies far behind lis. Concerning the mediate space traversed in his flight by the nocturnal hijipogriff, I shall say nothing. Imagine me at Deutz, across the Ehine, contemplat- ing from the end of the bridge of boats that silhouette of^Cologne, which the Jean-Marie Farina boxes have rendered so familiar, now outlined against the splendors of a sunset sky; The bell of the Rhenish railway strikes. -
Sketchbook 46 Introduction
Introduction to SSB 46 (15 February–27 July 1857) by Philip Cottrell NB. All page references are to SSB 46 and catalogue numbers refer to items from the Art Treasures Exhibition’s Gallery of Ancient Masters unless otherwise specified. SSB 46 contains sketches of around seventy Art Treasures items, and encompasses the longest chronological span of any of the sketchbooks associated with the exhibition, a six- month period from mid-February to the end of July 1857. This has a lot to do with Scharf’s increasing workload at Old Trafford, and his inability to continuously update the content of the sketchbook for days, sometimes weeks, on end. Between February and April Scharf slowed and eventually concluded his countrywide survey of British collections, gradually abandoning plans for tours of Scotland, Ireland and the East of England. As paintings finally began to arrive at the Art Treasures Palace during March and April, he began hurriedly organising the hang of the Gallery of Ancient Masters in time for the opening of the exhibition on Tuesday 5 May.1 He was required to attend various official events associated with the exhibition thereafter, and worked intensively to complete his contribution to its definitive catalogue, which was not ready until the end of May (although a far more abbreviated, provisional edition had been issued in time for the exhibition’s opening). During this month and the next, Scharf was constantly shuttling between London and Manchester in order to fulfil a series of weekly Saturday lectures at Queens College, London. He also had to attend board meetings associated with his new appointment as Secretary to the recently formed National Portrait Gallery which he had secured in early March. -
Catalogue 101
Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street [email protected] Covent Garden www.grosvenorprints.com London WC2H 9JN Catalogue 101 Item 196: The Empire's Cricketers Cover: Detail of item 188 Back: Detail of Item 122 Registered in England No. 305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Ra ment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Tabula III Pictura, que Domus Titi fornices exornabat, plures exhibens Genios in bigis, variosque puerorum ludos, et Part IV: 8 plates (of 12?) plus extra two folding plates. piscationem, ultra alias principales figuras. Total 46 plates. Boards detached. £680 Petrus Sancte Bartoli delin. Rome [n.d.1635-1700]. The four parts are: 'Le Triomphe de la Mort', with Engraving. 430 x 525mm (15½ x 20¾"). Vertical 'Triumphus Divitiarum' & 'Triumphus Paupertatis'; 'La creasing down the centre. Some discolouring along top Passion de notre Seigneur'; 'Recueil de XII Costumes left margin. Both lower corners creased slightly. £480 Suisses Civils et Militaires, Hommes et Femmes, du This print depicts various figures and scenes from the Seizième Siècle'; and 'Portraits' ('8' added in pencil in House of Titus, including angels in chariots and boys blank part of title, equalling number of plates present). playing games, along with other typically Roman Compared to the BM collation, this example lacks the 'Portraits': 'Lais Corinthiaca', 'Venus et Amor' motifs. Stock: 54007 'Johannes Frobenius' & 'Thomas Morus'. The two extra plates, an aquatint of Thomas More and his family and an etched key, are described by Brunet as 'generally 2. -
The Royal Collection Trust
Annual Report 2009 mk4 pages.qxd:Annual Report 2004/5 corrected 03/07/2009 20:15 Page 1 THE ROYAL COLLECTION TRUST Annual Report for the year ended 31 March 2009 Company limited by guarantee, registered number 2713536 Registered Charity number 1016972 Scottish Charity number SC 039772 Annual Report 2009 mk4 pages.qxd:Annual Report 2004/5 corrected 03/07/2009 20:15 Page 2 TRUSTEES OF THE ROYAL COLLECTION TRUST Chairman of the Trustees HRH The Prince of Wales, KG, KT, GCB, OM, AK, QSO, ADC ϳ••ϳ Deputy Chairman The Earl Peel, GCVO ϳ••ϳ Trustees Lady Shaw-Stewart Mr Duncan Robinson, CBE, DL Mr Peter Troughton The Rt Hon. Christopher Geidt, CVO, OBE Sir Alan Reid, KCVO ϳ••ϳ Director of the Royal Collection Sir Hugh Roberts, KCVO, FSA Annual Report 2009 mk4 pages.qxd:Annual Report 2004/5 corrected 03/07/2009 20:15 Page 3 CONTENTS Chairman’s Foreword 5 Report of the Director of the Royal Collection 6 Custodial Control 11 Conservation 12 Pictures 12 Works of Art 13 Royal Library and Print Room 15 Royal Photograph Collection 16 Royal Archives 16 Access and Presentation 17 Buckingham Palace 17 The State Rooms 17 The Queen’s Gallery 19 The Royal Mews 19 Windsor Castle 20 The Drawings Gallery 20 Special Visits and Research Enquiries 20 Palace of Holyroodhouse 21 The Queen’s Gallery 22 Historic Royal Palaces 22 Loans from the Royal Collection 22 Interpretation 25 Education 25 Publishing 30 Electronic Access 33 Accessions and Acquisitions 34 Trading Activities 36 Financial Overview 38 Summarised Financial Statements 40 Appendices Exhibitions and Loans 43 Royal Collection Exhibitions 43 Combined Loans to External Exhibitions 44 Section Loans to External Exhibitions 45 Staff of the Royal Collection 48 External Appointments 48 Staff Training and Development 48 Staff Numbers 49 Staff List 50 Annual Report 2009 mk4 pages.qxd:Annual Report 2004/5 corrected 03/07/2009 20:15 Page 4 The official sixtieth birthday photograph of HRH The Prince of Wales was taken by Hugo Burnand at Clarence House in February 2008. -
Michel-Jean Cazabon Y Francisco Oller: Pintura Y Sociedad En El Caribe Decimonónico
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA TESIS DOCTORAL Michel-Jean Cazabon y Francisco Oller: pintura y sociedad en el Caribe decimonónico MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Tamara Nicole Díaz Calcaño Director Francisco Javier Pérez Segura Madrid © Tamara Nicole Díaz Calcaño, 2019 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Historia del Arte Tesis Doctoral MICHEL-JEAN CAZABON Y FRANCISCO OLLER: PINTURA Y SOCIEDAD EN EL CARIBE DECIMONÓNICO MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Tamara N. Díaz Calcaño Bajo la dirección del doctor: Francisco Javier Pérez Segura Madrid, 2019 Tamara N. Díaz Calcaño MICHEL-JEAN CAZABON Y FRANCISCO OLLER: PINTURA Y SOCIEDAD EN EL CARIBE DECIMONÓNICO Tesis doctoral dirigida por: FRACISCO JAVIER PÉREZ SEGURA Profesor Titular de Historia del Arte Departamento de Historia del Arte Facultad de Geografía e Historia UNIVERSIDAD COMPLUTENSE DE MADRID 2019 A mi madre Agradecimientos Al enfrentarme a la labor de redactar esta sección, se hace más que evidente que no hay proyecto que se desarrolle y concluya en soledad. Por ello extiendo mi más grato y profundo agradecimiento a: La Prof. María del Pilar González Lamela de la UPR, quien sembró la primera semilla de esta investigación, al sugerirme estudiar la historia del arte de Puerto Rico allá en tiempos de licenciatura. Haydee E. Venegas y Osiris Delgado Mercado por recibirme en sus respectivos hogares para hablar de la pasión que definió tanto de sus carreras. Lorraine Johnson de la Galería Nacional de Trinidad y Tobago por la invaluable información que me hizo llegar. -
Cat Talogu E 57
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Catalogue 57 Item 50: George Stubbs. Phillis. A Pointer of Lord Clermonts. All items listed are illustrated on our web site: www.grosvenorprints.com Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 ARTS 1. [Shepherd resting in a field.] Engraving, sheet 440 x 550mm (17½ x 21½"). Boyne [by John Boyne, 1806] Trimmed inside platemark; repaired tear at top. Foxed. Pen lithograph, sheet 225 x 310mm (8¾ x 12½"). Celadon at the centre, looking to the heavens with his Glued to original backing sheet at top corners with arms outstretched in disbelief and grief; Amelia lies printed border. Foxing. £450 dead at his feet. In the background a house with a Early lithograph by John Boyne (1750s-1810), Irish shepherd driving his sheep up a hill, on which is a watercolour painter and engraver who lived a colourful fortress. To right, a bay with stormy seas and a broken and varied life. After moving to England at 9 years old bridge. Verse from 'Summer' by James Thomson from and serving an apprenticeship to engraver William his 'The Seasons' below. Byrne, Boyne soon gave up printmaking to join a After an unlocated painting by Richard Wilson (1714 - company of strolling actors in Essex. -
Autumn 07 Cover
Charles Miller Ltd Maritime and Scientific Models, Instruments & Art London Tuesday 24th November 2020 Auction Enquiries and Information Sale Number: 026 Bidding at Auction: Code name: VENERABLE You will not be able to bid in person for this sale, however Enquiries Historical Consultant there are a number of ways you can still participate: Charles Miller Michael Naxton 1. Absentee bid – you can place a bid through our website: Sara Sturgess www.charlesmillerltd.com/next-auction or using the form Charles Miller Ltd on page 121 6 Imperial Studios, 3/11 Imperial Road 2. Online via one of the following platforms: LONDON SW6 2AG UKAuctioneers: 3% surcharge or a non- Tel: +44 (0) 207 806 5530 refundable flat-rate fee of £3.95. Fax: +44 (0) 207 806 5531 Email: [email protected] We will refund the flat-reate fee for successful bidders Catalogues using he UKAuctioneers service Printed catalogues available in person or Invaluable: 3% surcharge by post at £20 (plus postage). Additional images, condition reports and a pdf version of the catalogue can be found The Saleroom: 5% surcharge on our website: www.charlesmillerltd.com/next-auction PLEASE ENSURE YOU MAKE ARRANGEMENTS TO BID IN SUFFICIENT TIME BEFORE THE SALE. WE STRONGLY ADVISE BIDDING SOFTWARE IS TESTED IN ADVANCE. We regret we are unable to offer telephone bidding for this sale Important Information for Buyers All Lots are offered subject to Charles Miller Ltd.’s Conditions of Business and to reserves. The Conditions of Business for Buyers are published at the end of the catalogue. Estimates are published as a guide only and are subject to review. -
Government Samuel Crookes Romance
Harry Sir Harry Parkes Mr Edmunds Richard Bremridge Mr Brannigan Crispin John Levi George Carr Judge Fitzgerald Bosco Lieutenant Steward Mr Sheldon Miss Amy Sedgwick Henry South Mr Glaisher General Catterson Detective Swift Mr Edwin James Charged Mr Finlen Lord R Cecil's Majesty Government Samuel Crookes Romance Webb Baxter Inspector Garner Messrs Wright Mr Mansfield George Baxter Mr John Lewis Dr Ellis General Brignone John Bebbington Bls Id General Meza James Gordon Lancashire Yorkshire John Roberts Fancy Biscuit Curtis Marsh Captain Borland Haymarket Theatre Unaltered Regius Professorship Mr Goldwin Smith Warlike Beaming O Captain Ross Kent John Roach Jeremiah Allen Mr Rea Arrangement Elizabeth Williams Caroline Lefevre James Longhurst Lord Salisbury Mr Mack Principal Prince Amadeus Wizard Sixth Page Sulphuric Acid Prize Medal Money Market Mr Clark Gray Hair Colajuta Sumter Wotherspoon Victoria Lozenges Hugh Taylor — Bad Legs Corns Scalds Bad Breasts Cancers Sore Nipples Burns Contracted Bite Chapped Rowlands Honse Mr Calcraft Mr Worth Mr Mathews C S Kynnersley Discovery Thomas Dennis Professorship Mr John Wright William Mulholland Dr Henry Captain Peters Charles Smith Grand Ballet Madeira Triton Dr Liddell Show Rooms Thousand Envelopes Sir John Hanmer Barbara's General Burns Strange Daily Reason Doe French Meal Christmas Weather TorrenceMiss Pyne Harrison Richard Green Dr MaryMiddlesex Walker Hospital Sir James Graham Inspector Meloy George Hammond National Debt Moon Sarah Sheppard Mr Marshall Bad Legs Corns Scalds Bad Breasts Cancers -
British Art and the French Romantics
William Hauptman exhibition review of Constable to Delacroix: British Art and the French Romantics Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) Citation: William Hauptman, exhibition review of “Constable to Delacroix: British Art and the French Romantics,” Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003), http://www. 19thc-artworldwide.org/autumn03/269-constable-to-delacroix-british-art-and-the-french- romantics. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2003 Nineteenth-Century Art Worldwide Hauptman: Constable to Delacroix: British Art and the French Romantics Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) "Constable to Delacroix: British Art and the French Romantics" Tate Britain, London 5 February–11 May 2003 Minneapolis Institute of Arts, Minneapolis 8 June–7 September 2003 The Metropolitan Museum of Art, New York 7 October 2003–4 January 2004 Patrick Noon, with contributions by Stephen Bann, David Blayney Brown, Rachel Meredith, Christine Riding, and Marie Watteau Constable to Delacroix: British Art and the French Romantics London: Tate Publishing 296 pp.; 224 color ills., 30 b/w ills.; chronology, bibliography, index; £25 (paperback) ISBN 1854374591 This ambitious exhibition (fig. 1) traces the affinities between British and French painting from about 1815, when the French monarchy was restored, to 1837, when Queen Victoria came to the throne. The emphasis, as the title indicates, is on how knowledge and acceptance of British art of this period became a cardinal force in the development of romantic painting on both sides of the Channel, particularly in the 1820s.