Evajanzer Memorial Cello Center
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School Ofmusic
' . .. CHAMBER MUSIC CONCERT ( ~ ...... LEONE BUYSE,flute ~ .- MICHAEL WEBSTER, clarinet ., r BRIAN CONNELLY, piano - . KENNETH GOLDSMITH, violin ~ ROBERT BROPHY, v·iola - .J RICHARD BELCHER, cello ,..,. _,. ' Friday, February 6, 2004 8:00 p.m . • l Lillian H. Duncan Recital Hall ·1 RICE UNIVERSITY School~ - ' ofMusic 1 - ' • - PROGRAM • • Duet in G Major for Carl Philippe Emmanuel Bach Flute and Violin (1714-1788) Andante Allegro • 1 Allegretto ' .. ' I - ,_I Quartet for Clarinet and Strings Johan Nepomuk Hummel Allegro moderato (1778-1837) La Seccatura ("The Nuisance"): Allegro molto Andante Rondo: Allegretto INTERMISSION Sonata for Flute, Violin, and Piano Bohuslav Martinu Allegro poco moderato (1890-1959) Adagio Allegretto Moderato (poco Allegro) ~- Sonata a tre (1982) KarelHusa Con intensita (b. 1921) Con sensitivita Con velocita The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking of photographs and use of recording equipment are prohibited. BIOGRAPHIES LEONE BUYSE is Professor of Flute and Chamber Music at the Shepherd School ofMusic. In 199 3 she relinquished her principal posi tions with the Boston Symphony Orchestra to pursue a more active teach ~ · ing and solo career after twenty-two years as an orchestral musician. Previously assistant principal flutist of the San Francisco Symphony and ~_..; solo piccoloist of the Rochester Philharmonic Orchestra, Ms. Buyse has I appeared as soloist with those orchestras, as well as with l'Orchestre .. de la Suisse Romande, the Boston Symphony and Boston Pops, the Utah Symphony, and the New Hampshire Music Festival, of which she was I ., ' principal flutist for ten years. -
Richard Wernick
RICHARD WERNICK HAIKU OF BASHŌ Neva Pilgrim, soprano; Contemporary Chamber Players of The University of Chicago; Richard Wernick, conductor MOONSONGS FROM THE JAPANESE Neva Pilgrim, soprano RICHARD WERNICK (b. Boston, 1934) attended Brandeis University where he studied composition with Irving Fine and Harold Shapero, and received his M.A. degree from Mills College where he studied with Leon Kirchner. Since 1957, when he served as musical director and composer-in-residence of the Royal Winnipeg Ballet, he has received many awards and grants — including the 1977 Pulitzer Prize in Music and the award of the American Academy-Institute of Arts and Letters that made this recording possible. Wernick has been a faculty member of the University of Buffalo and the University of Chicago, and became Professor of Music at the University of Pennsylvania in 1968. He writes: “The HAIKU OF BASHŌ is a setting of five haiku by and (in one instance) about Matzuo Bashō (1643-94), generally acknowledged to be the foremost writer of this form of Japanese verse. The first four poems of the cycle are fine examples of how Bashō was able to capture the essence of seemingly inconsequential moments or vignettes and, with the most frugal means of literary expression, communicate to the reader a sense of the timeless and eternal. The fifth poem, written a century later, is more in the nature of a 17-syllable one- line-joke, a play on the word 'bashō' which means 'banana leaf,' “There are no programmatic connections between the haiku and the music, nor is there any attempt at word painting. -
Jeffrey Khaner, Flute and Charles Abramovic, Piano Tuesday, October 22 – 8:00 PM Settlement Music School
PREVIEW NOTES Jeffrey Khaner, flute and Charles Abramovic, piano Tuesday, October 22 – 8:00 PM Settlement Music School Program A Flutist’s Sketchbook Pieces of Eight James Primosch Richard Wernick Born: 1956 in Cleveland, Ohio Born: 01/16/1934 in Boston, Massachusetts Composed: 2013 Composed: 2013 World Premiere/PCMS Commission World Premiere/PCMS Commission Duration: N/A Duration: N/A A student of George Crumb, Mario Davidovsky, and Winner of the 1977 Pulitzer Prize in Music, Richard Richard Wernick, James Primosch has had works Wernick became renowned as a teacher during his performed by such ensembles as the Los Angeles tenure at the University of Pennsylvania. He has Philharmonic, the St. Paul Chamber Orchestra, Collage, composed numerous solo, chamber, and orchestral the New York New Music Ensemble, and the Twenty‐ works as well as a large body of music for theater, film, First Century Consort. Among his many honors are a ballet and television. He has been commissioned by grant from the National Endowment for the Arts and a some of the world’s leading performers and ensembles, Guggenheim Fellowship. Primosch’s music is described including the Philadelphia Orchestra, National as intensely lyrical and dazzlingly angular with hints of Symphony Orchestra, the American Composers jazz and sacred music. Orchestra, the Juilliard String Orchestra, and the Emerson String Quartet. From 1983‐89 he served as the Piano Sonata Philadelphia Orchestra’s Consultant for Contemporary Elliott Carter Music, and from 1989‐93 he served as Special Born: -
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today. -
Hideo Saito Memorial Fund Award Diaper Changing and Breastfeeding Rooms and Stroller Parking Spaces
Ⅲ. Fostering and Support of Young Artistic Talents Information on activities Organization and Sponsorship of International Competitions and Events Special Concert Series for Children Ⅰ . Provision of Opportunities for Children to Enjoy Quality Music Premium Concerts for Teens THE INTERNATIONAL OBOE COMPETITION OF JAPAN A concert series for the youth to enjoy quality music A triennial, worldly praised international competition dedicated solely to the oboe Organization, Planning and Commissioned Production of Concerts This concert series was launched in 2004 to offer first-hand “THE INTERNATIONAL OBOE COMPETITION OF JAPAN” has been held every three years since 1985, to experiences of works created by world-class artists. Mainly promote the true artistic value of oboe, as well as to contribute to the development of the culture of ~ ~ music with an international perspective by discovering and fostering talented musicians and help them Concert for Pre-Zero-Year-Olds Mom is My Premium Seat targeting teens, the series enjoy high popularity with A concert series since 1985 friendly to mothers-to-be descriptions of the music by performers themselves, expand their scope of activities in both Japan and abroad. With past winners going on to become reasonable price settings, and quality performances. The international figures making the world’s major orchestras their stages, it has established its recognition as Masaru Ibuka (1908-1997), Co-Founder of Sony Corporation, advocated concerts are open to children from first grade. an international competition which serves as the gateway to success for young oboists, The upcoming, the importance of prenatal nurturing of intelligence and sentiment. This 12th Competition is scheduled to take place in 2018. -
KPFA Folio
KPFAFOLIO July 1%9 FM94.1 Ibnfcmt. vacaimt lit KPFA July Folio page 1 acDcfton, «r thcConfcquencct of Qo'^irrrin^ Troops .n h popuroui STt^tr^laTCd Town, taken f ., A KPFA 94.1 FM Listener Supported Radio 2207 Shattuck Avenue Berkeley, California 94704 -mil: Im Tel: (415) 848-6767 ^^^i station Manager Al Silbowitz Administrative Assistant . Marion Timofei Bookkeeper Erna Heims Assistant Bookkeeper .... Mariori Jansen Program Director . Elsa Knight Thompson Promotion Assistant Tom Green i Jean Jean Molyneaux News Director Lincoln Bergman Public Affairs Program Producer Denny Smithson Public Affairs Secretary .... Bobbie Harms Acting Drama & Literature Director Eleanor Sully Children's Programming Director Anne Hedley SKoAfS g«Lt>eHi'o»i Chief Engineer Ned Seagoon [ Engineering Assistants . Hercules Grytpype- thyne, Count Jim Moriarty Senior Production Assistant . Joe Agos . TVt^Hi ttoopj a*c4_ t'-vo-i-to-LS, Production Assistants . Bob Bergstresser Dana Cannon Traffic Clerk Janice Legnitto Subscription Lady Marcia Bartlett »,vJi u/fUyi^elM*^ e«j M"^ K/c> Receptionist Mildred Cheatham FOLIO Secretary Barbara Margolies ^k- »76I i^t^-c«4>v i-'},ooPi M.aAci.«<< The KPFA Folio Pt-lO«tO Hm.lr<^*'rSuLCjCJt4^\f*JL ' ' "a^ cLcC, u>*A C**t". JblooA. July, 1969 Volume20, No. 7 ®1969 Pacifica Foundation All Rights Reserved The KPFA FOLIO is published monthly and is dislributed free as a service to the subscribers of this listener-support- ed station. The FOLIO provides a detailed schedule of J^rx, Ojt-I itl- K«.A^ +Tajy4;^, UCfA programs broadcast A limited edition is published in braille. »J Dates after program listings indicate a repeat broadcast KPFA IS a non-commercial, educational radio station which broadcasts with 59.000 watts at 94 1 MH ly^onday through Fnday Broadcasting begins at 7:00 am, and on V livi tV.t«< weekends and holidays at 8 00 am Programming usually iV AA cUa«.>5 -rtvMUo WeJc. -
A Performance Guide to George Rochberg's Caprice Variations For
A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin by YUNG-YU LIN A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by YUNG-YU LIN 2020 A Performance Guide to George Rochberg’s Caprice Variations for Solo Violin YUNG-YU LIN Doctor of Musical Arts Faculty of Music University of Toronto 2020 Abstract The American composer George Rochberg’s Caprice Variations, composed in 1970, draws on a vast array of historical stylistic references from the Baroque to the modern musical periods. For Rochberg serialism, arguably the most influential compositional technique of the twentieth century, could no longer convey the full extent of what he wanted to express in his music. After the death of his son Paul in 1964, he determined to renew his musical language by returning to tonality, yet without abandoning a twentieth-century musical idiom. His Caprice Variations marks one of his first attempts to bring together the two polar opposite worlds of tonality and atonality. This one-and-a-half-hour-long work for solo violin is based on the theme from Paganini’s 24 Caprices for Solo Violin, Op.1, No. 24, and presents a wide range of technical challenges for the violinist. Since the piece is long, difficult to play, and now fifty years old, a performance guide to assist violinists is a useful contribution to the pedagogical literature. With a thorough analysis of the piece, and a consideration of both compositional and violin practice issues, as well as discussions with the original editor of the work and two violinists who have recorded it, ii my research will offer a complete performance guide for performers, advanced violin students, and violin teachers to assist them in achieving a deeper understanding of the work and a high level of artistic performance. -
Gerhard Samuel Collection ARS.0049
http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
The Brief History of Suntory Hall (1986 - 2010)
The brief history of Suntory Hall (1986 - 2010) Performances Others 1986 Oct Suntory Hall opened (Oct.12) Total 79 performances including below were held as Suntory Hall Opening Series between Oct. 1986 and March 1987. ・ Berliner Philharmoniker conducted by Seiji Ozawa ・ Isaac Stern and his friends ・ Philharmonia Orchestra conducted by Giuseppe Sinopoli "Madame Butterfly" ・ Wiener Philharmoniker conducted by Claudio Abbado ・ International Program for Music Composition ・ All Mozart Piano Concertos by Mitsuko Uchida 1987 May NHK Symphony Orchestra Series started as one of Suntory Hall subscription concerts. Suntory Hall Organ Lecture Concert Series started. Sep Suntory Hall Members Club started. Oct Members Club "MUSE" magazine was first published. 1988 Jan New Year Concert started. May Berliner Philharmoniker conducted by Herbert von Karajan Herbert von Karajan commented that "Suntory Hall is like the Music Jewel Box." Oct Hiroshi Wakasugi / Tokyo Metropolitan Symphony Orchestra started Gustav Mahler Series (until May 1991). 1989 Jan Opera Concert Series started. The first concert was "La Traviata". Jun Japan Shinsei Symphony Orchestra (current Tokyo Philharmonic Orchestra) Subscription Concert started. Jul Suntory Hall New Artist Series started. (75 concerts were held until Dec. 2002) Sep Japan Philharmonic Orchestra Subscription Concert started. Nov Tokyo Metropolitan Symphony Orchestra Subscription Concert started. 1990 May Suntory Hall "Children's Day Concert" started. (until 2008) Jul London Symphony Orchestra conducted by Leonard Bernstein. (Bernstein's last concert in Japan) Oct Yomiuri Nippon Symphony Orchestra Subscription Concert started. "Suntory Award"was presented to the 12th International Chopin Piano Competition. 1991 Mar "Salzburg Mozart Music Festival" was held for three weeks co-hosted by Suntory Hall and TBS. -
Download the PDF Concert Program
Smithsonian American Art Museum Presents 21st CENTURY CONSORT March 12, 2016 Nan Tucker McEvoy Auditorium Smithsonian American Art Museum Smithsonian American Art Museum Smithsonian American Art Museum presents presents 21st Century Consort Pre-Concert Discussion Christopher Kendall, Andrea Clearfield, James Primosch Christopher Kendall, Artistic Director Boyd Sarratt, Manager Program Paul Cigan, clarinet Icons Lisa Emenheiser, piano Dan Foster, viola Largo Charles Ives Sarah Fuller, harp Lee Hinkle, percussion Mr. Cigan, Ms. Emenheiser, Ms. Osborne Mary Mackenzie, soprano Alexandra Osborne, violin Convergence Andrea Clearfield Sara Stern, flute Rachel Young, cello Ms. Emenheiser, Mr. Foster Mark Huffman, recording engineer Voice of the Whale George Crumb Saturday, March 12, 2016 Ms. Emenheiser, Ms. Stern, Ms. Young Pre-Concert Discussion 4:00 p.m. Concert 5:00 p.m. INTERMISSION Nan Tucker McEvoy Auditorium Smithsonian American Art Museum Icons James Primosch The 21st Century Consort dedicates this evening’s concert to our wonderful Mr. Cigan, Ms. Emenheiser friend and colleague Jo Ann Gillula, who, as Chief of External Affairs of the Smithsonian American Art Museum, was instrumental in establishing the Sparrows Joseph Schwantner Consort’s residency and has been an invaluable collaborator and supporter. We wish her every happiness in her retirement, and look forward to her return Mr. Cigan, Ms. Emenheiser, Mr. Foster, Ms. Fuller, Mr. Hinkle, visits to future Consort concerts. Mr. Kendall, Ms. Mackenzie, Ms. Osborne, Ms. Stern, Ms. Young ❖ ❖ ❖ The 21st Century Consort’s 2015-2016 activities are sponsored by the Smithsonian American Art Museum and funded in part by generous contributions The audience is invited to join the artists in the lobby from the Morris and Gwendolyn Cafritz Foundation, the National Endowment for following the performance for conversation and refreshments.