DOCSLIB.ORG

Runyon Book4cd.Pdf (1.107Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Runyon Book4cd.Pdf (1.107Mb) ORDER IN DISORDER ORDER IN DISORDER Intratextual Symmetry in Montaigne’s “Essais” Randolph Paul Runyon THE OHIO STATE UNIVERSITY PRESS | COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Runyon, Randolph, 1947– Order in disorder : intratextual symmetry in Montaigne’s Essais / Randolph Paul Runyon. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1240-0 (cloth : alk. paper) ISBN-10: 0-8142-1240-9 (cloth : alk. paper) ISBN-13: 978-0-8142-9342-3 (cd-rom) ISBN-10: 0-8142-9342-5 (cd-rom) Montaigne, Michel de, 1533–1592. Essais—Criticism and interpretation. 2. Symmetry in literature. I. Title. PQ1645.R86 2013 844'.3—dc23 2013012565 Cover design by Laurence J. Nozik Text design by Juliet Williams Type set in Adobe Garamond Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments ix INTRODUCTION: Marginal Symmetry 1 I. BOOK ONE 26 1. Of Means and Ends: I: 1 and I: 57 26 2. The Less Said: I: 2 and I: 56 31 3. Something to Hide: I: 3 and I: 55 36 4. Frivolous and Vain: I: 4 and I: 54 41 5. In or Out: I: 5 and I: 53 49 6. Trouble Back Home: I: 6 and I: 52 52 7. Words, in Effect: I: 7 and I: 51 55 8. Of Idleness and Horses: I: 8 and I: 50 58 9. Lying, After a Fashion: I: 9 and I: 49 63 10. Excess Baggage: I: 10 and I: 48 66 11. Enough Already: I: 11 and I: 47 70 12. Anagrams: I: 12 and I: 46 72 13. A Waiting Game: I: 13 and I: 45 74 14. More Than One Port in a Storm: I: 14 and I: 44 75 15. Custom and Princely Grandeur: I: 15 and I: 43 78 16. Judging Julian Judging: I: 16 and I: 42 80 17. Glory, Given and Taken: I: 17 and I: 41 82 18. Empty Signs: I: 18 and I: 40 84 vi Contents 19. Prolonging Life: I: 19 and I: 39 88 20. Unmasking Masks: I: 20 and I: 38 90 21. Powers of Attraction: I: 21 and I: 37 92 22. Complementarities and Buried Allusions: I: 22 and I: 36 95 23. Here and There: I: 23 and I: 35 96 24. How to Paint a Dog: I: 24 and I: 34 98 25. Well-Nourished Daughters: I: 25 and I: 33 102 26. God’s Wrath and the Weather: I: 26 and I: 32 106 27. Things to Come: I: 27 and I: 31 109 28. Of Immoderation: I: 28 and I: 30 112 II. BOOK TWO 119 1. Sorting Out the Pieces: II: 1 and II: 37 119 2. Slipping It In: II: 2 and II: 36 121 3. Suicide Is Painless: II: 3 and II: 35 125 4. Caesar the Procrastinator: II: 4 and II: 34 130 5. Suffering Innocence: II: 5 and II: 33 132 6. Parallel Deaths: II: 6 and II: 32 136 7. Rewards and Punishments: II: 7 and II: 31 141 8. Hidden Monsters: II: 8 and II: 30 143 9. Only When You Need It: II: 9 and II: 29 149 10. Act Your Age: II: 10 and II: 28 151 11. Doubly Cruel: II: 11 and II: 27 155 12. Opposable Thumbs: II: 12 and II: 26 159 13. Eyes Wide Shut: II: 13 and II: 25 167 14. Equivalent Equivalents: II: 14 and II: 24 172 15. Civil War vs. Civil War: II: 15 and II: 23 176 16. Spreading the News: II: 16 and II: 22 179 17. Spitting Images: II: 17 and II: 21 182 18. Consubstantial Consubstantiality: II: 18 and II: 20 187 III. BOOK THREE 190 1. Distant Harmonies: III: 1 and III: 13 190 2. Distant Theft: III: 2 and III: 12 197 3. Intercourse with the Lame: III: 3 and III: 11 203 4. The Little Things: III: 4 and III: 10 209 5. Sexual Vanity, Vain Sex: III: 5 and III: 9 213 6. Borrowed Wealth: III: 6 and III: 8 217 Contents vii IV. JOURNEY TO THE CENTER OF THE BOOK 225 I: 29, II: 19, and III: 7 225 EPILOGUE: The Playful Text 253 Appendix 257 Works Cited 265 Index of Names 273 Index to the Essays 275 ACKNOWLEDGMENTS My fascination with Montaigne was ignited many years ago by Pro- fessor Jean Paris in an inspiring seminar he taught at Johns Hopkins Uni- versity. With his generous encouragement I began what became a lifelong journey to the center of the Essays. He enabled early publication of some initial findings in 1973 in the Parisian journal Change and persuaded the organizers of a Renaissance Symposium held at SUNY-Albany in October 1975 to invite me to speak in his place. I continued to develop my read- ings of the Essays’ symmetries at conferences held by the Modern Language Association, the Sixteenth-Century Society, the Groupe de Recherche sur le Recueil, the University of Massachusetts at Amherst, and the University of Cincinnati. Earlier versions of my argument appeared in two volumes edited by Daniel Martin, The Order of Montaigne’s “Essays” (Hestia Press, 1989) and Montaigne and the Gods (Hestia Press, 1993); in Essays in European Literature for Walter Strauss, edited by Alice N. Benston and Marshall C. Olds (Studies in Twentieth-Century Literature, 1990); in Le Recueil littéraire: Pratiques et théorie d’une forme, edited by Irène Langlet (Presses Universitaires de Rennes, 2003); and in Freedom Over Servitude: Montaigne, La Boétie, and “On Vol- untary Servitude,” edited by David Lewis Schaefer (Greenwood Press, 1998). I am grateful to the students of my graduate seminars at Miami Univer- sity for allowing me to test out and clarify these readings of the Essays. I am indebted to the manuscript’s readers at The Ohio State University Press for ix x Acknowledgments helping me to improve it and avoid a number of errors, though of course they are not responsible for those it may still contain. Heartfelt thanks are due to the Press’s Eugene O’Connor for his eagle eye and most especially to Senior Editor Sandy Crooms for her unflagging and resourceful support. Most of all, thanks go to Elizabeth, who for years has patiently listened as I enthused over the Essays and told me what worked and what didn’t. My translation of La Boétie’s 29 sonnets, the original middle of Book One of the Essays, together with some additional discussion of the connec- tions between chapters 5 and 8 in Book Three, may be found in an online appendix at the following url: https://ohiostatepress.org/Books/Book%20 Pages/Runyon%20Order.html INTRODUCTION Marginal Symmetry Montaigne begins “De l’amitié” [Of friendship] (I: 28), the chapter1 that comes just before the middle of the first book of the Essays, by talking about a middle that corresponds to that one and hinting at the way his book may be arranged: Considerant la conduicte de la besoingne d’un peintre que j’ay, il m’a pris envie de l’ensuivre. Il choisit le plus noble endroit & milieu de chasque paroy, pour y loger un tableau elabouré de toute sa suffisance, & le vuide tout au tour il le remplit de crotesques, qui sont peintures fantasques, n’ayants grace qu’en la varieté & estrangeté. Que sont-ce icy aussi à la verité que crotesques & corps monstrueux, rappiecez de divers membres, sans cer- taine figure, n’ayants ordre, suite ny proportion que fortuite? Desinit in pes- cem mulier formosa superne. 1. I follow André Tournon in referring to the constituent parts of the Essays as chapters instead of essays: “the term essay being reserved, in line with Montaigne’s usage, for the operation that takes place throughout the text” (Route par ailleurs: Le « nouveau langage » des Essais [Paris: Honoré Cham- pion, 2006], 12). Patrick Henry argues that “It can never be overstressed . that the word ‘essais,’ as employed by Montaigne, refers to his entire work, not to the one hundred and seven individual seg- ments which he calls ‘chapitres.’ The latter term obviously suggests a unified work, parts of a whole, not independent pieces” (p. 859 of “Reading Montaigne Contextually: ‘De l’incommodité de la grandeur’ (III, 7)” (The French Review 61.6 [May 1988]: 859–65). 1 2 Introduction [As I was considering the way a painter I employ went about his work, I was taken with the desire to imitate him. He chooses the noblest place, the middle of each wall, to place a picture labored over with all his skill, and the empty space all around it he fills with grotesques, which are fantastic paint- ings whose only charm lies in their variety and strangeness. What are these here too, in truth, but grotesques and monstrous bodies, pieced together of divers members, with no definite shape, having no order, sequence, or pro- portion other than by chance? “A lovely woman tapers off into a fish.”] (I: 28, 183a, DM 252–53; 135*)2 When he asks “Que sont-ce icy” [What are these here] he means the Essays, as he is preparing the reader for the next chapter, the numerically central one of the fifty-seven of which Book One is composed, and thus “le plus noble endroit & milieu” [the noblest place, the middle] in which he will put a text borrowed from his late friend Etienne de La Boétie.
Load more

Recommended publications
  • The Hellenic Saga Gaia (Earth)
    The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10.
    [Show full text]
  • The Crisis of the Seventeenth Century  - Thecrisisof the Seventeenth Century
    The Crisis of the Seventeenth Century - TheCrisisof the Seventeenth Century , , HUGH TREVOR-ROPER LIBERTY FUND This book is published by Liberty Fund, Inc., a foundation established to en- courage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word ‘‘freedom’’ (amagi), or ‘‘liberty.’’ It is taken from a clay document written about 2300 .. in the Sumerian city-state of Lagash. © 1967 by Liberty Fund, Inc. Allrightsreserved Printed in the United States of America Frontispiece © 1999 by Ellen Warner 0504030201C54321 0504030201P54321 Library of Congress Cataloging-in-Publication Data Trevor-Roper, H. R. (Hugh Redwald), 1914– The crisis of the seventeenth century / H.R. Trevor-Roper. p. cm. Originally published: New York: Harper & Row, 1967. Includes bibliographical references and index. ISBN 0-86597-274-5 (alk. paper)—ISBN 0-86597-278-8 (pbk.: alk. paper) 1. Europe—History—17th century. I. Title: Crisis of the 17th century. II. Title. D246.T75 2001 940.2'52—dc21 00-025945 Liberty Fund, Inc. 8335 Allison Pointe Trail, Suite 300 Indianapolis, Indiana 46250-1684 vii ix 1 Religion, the Reformation, and Social Change 1 2 TheGeneralCrisisoftheSeventeenth Century 43 3 The European Witch-craze of the Sixteenth and Seventeenth Centuries 83 4 The Religious Origins of the Enlightenment 179 5 Three Foreigners: The Philosophers of the Puritan Revolution 219 6 The Fast Sermons of the Long Parliament 273 7 Oliver Cromwell and His Parliaments 317 8 Scotland and the Puritan Revolution 359 9 The Union of Britain in the Seventeenth Century 407 427 v Louis de Geer at the age of sixty-two.
    [Show full text]
  • “Summertime Is Always the Best of What Might Be.” NOVEMBER 2016 - ISSUE 22
    “Summertime is always the best of what might be.” NOVEMBER 2016 - ISSUE 22 In this newsletter we pay tribute to John Lamb for his input to Formosa Garden Village. During his tenure, we have witnessed substantial improvements. The ageing cottages are being up- graded; new cottages have been built; the laundry and staff ab- lutions were completed. In the Frailcare many improvements such as good beds & mod- ern showers have been provided. Through all the passage of progress, he was assisted by his wife Beth who has left us with a true “Garden” village. We wish to thank them for a long & selfless contribution to the lifestyle we all enjoy here. We are continuing with the addition of new cottages and have gone to tender on three more on the upper west area of the vil- lage. Contrary to the belief of some residents, we do not fore- see a water problem in the area, and this has been confirmed by a consulting engineer. The tenders have been submitted and have been adjudicated. The sponsoring process has started and the building of the new cottages will only commence in the new year. We will keep you appraised of progress. Don Ayres - House Committee Chairman Formosa Garden Village Management and 6 1 Welcome to new Residents Meet our new residents Since our last News- Roxana Sayer - Cottage 106 letter, we have wel- My name is Roxana Sayer and I am a brand comed more new new resident of FGV! I’ve been living in Plet- faces to FGV. tenberg Bay for seventeen years, and many of you will know my former little house be- They are, Ursula hind the hedge in Roche Bonne Avenue, Gordorr to cottage 20, where my husband Ian and I spent so many Roxana Sayer to happy times.
    [Show full text]
  • Bibliography
    Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza­ Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P.
    [Show full text]
  • High Performance Stallions Standing Abroad
    High Performance Stallions Standing Abroad High Performance Stallions Standing Abroad An extract from the Irish Sport Horse Studbook Stallion Book The Irish Sport Horse Studbook is maintained by Horse Sport Ireland and the Northern Ireland Horse Board Horse Sport Ireland First Floor, Beech House, Millennium Park, Osberstown, Naas, Co. Kildare, Ireland Telephone: 045 850800. Int: +353 45 850800 Fax: 045 850850. Int: +353 45 850850 Email: [email protected] Website: www.horsesportireland.ie Northern Ireland Horse Board Office Suite, Meadows Equestrian Centre Embankment Road, Lurgan Co. Armagh, BT66 6NE, Northern Ireland Telephone: 028 38 343355 Fax: 028 38 325332 Email: [email protected] Website: www.nihorseboard.org Copyright © Horse Sport Ireland 2015 HIGH PERFORMANCE STALLIONS STANDING ABROAD INDEX OF APPROVED STALLIONS BY BREED HIGH PERFORMANCE RECOGNISED FOREIGN BREED STALLIONS & STALLIONS STALLIONS STANDING ABROAD & ACANTUS GK....................................4 APPROVED THROUGH AI ACTION BREAKER.............................4 BALLOON [GBR] .............................10 KROONGRAAF............................... 62 AIR JORDAN Z.................................. 5 CANABIS Z......................................18 LAGON DE L'ABBAYE..................... 63 ALLIGATOR FONTAINE..................... 6 CANTURO.......................................19 LANDJUWEEL ST. HUBERT ............ 64 AMARETTO DARCO ......................... 7 CASALL LA SILLA.............................22 LARINO.......................................... 66
    [Show full text]
  • La Voix Humaine: a Technology Time Warp
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Proquest Dissertations
    Joyce Mansour's poetics: A discourse of plurality by a second-generation surrealist poet Item Type text; Dissertation-Reproduction (electronic) Authors Bachmann, Dominique Groslier Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 06:15:18 Link to Item http://hdl.handle.net/10150/280687 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge.
    [Show full text]
  • An Apology for Mythology
    An Apology for Mythology By Joseph Dalton Wright Submitted in Partial Fulfillment of the Degree of Bachelor Arts in the Integral Curriculum of Liberal Arts at Saint Mary’s College April 16, 2012 Advisor: Ms. Theodora Carlile Wright, 1 “Whence a lover of myth, too, is in a sense a philosopher, for a myth is composed of wonders” -Aristotle, Metaphysics1 1 Metaphysics, Book A, Chapter Two (Aristotle 1966) Wright, 2 Introduction What is the self, how does it operate? This question is the theme of Socrates’ final conversation in Plato’s dialogue Phaedo. The first word of the dialogue is αὐτός2 (self), and in the first sentence Plato connects this issue with the mixture of opposites. “Were you with Socrates yourself, Phaedo, on the day when he drank the poison in prison, or did you hear about it from someone else?” (Phaedo, 57A) Socrates drank the hemlock and fulfilled the Athenian court’s verdict. Plato uses the word φάρµακον3, which in Greek can mean both medicine and poison. If the φάρµακον is medicine, then Socrates is actually curing an illness, and liberating himself from disease, but is the hemlock medicine or poison? The φάρµακον embodies a critical question: how can opposites reconcile and collaborate? The opposing meanings meet, mix, and coordinate in the Φάρµακον; a unity-in-opposition of medicine and poison. Plato knows relationships like this are troubling, but the agony is beneficial, for the test reveals how our consciousness connects and creates. Socrates presents several opposites as candidates for reconciliation throughout the dialogue, such as pleasure and pain, and one and many.
    [Show full text]
  • Annual Report Therapeutic Riding Program Norwich VT
    High Horses 2015 Annual Report Therapeutic Riding Program Norwich VT relationships mobility confidence joy leadership communication “The more progress I have seen in myself, the more I have wanted to share this peace with fellow veterans. There is a companionship and loyalty in military service that is difficult to find in the civilian world and I have found that once again at High Horses.” - A veteran 93%of participants observed by independent raters demonstrated gains in skills in a goal area 49 New Participants in 2015 “I know A__ from working at her school. Her confidence has grown so much since she started riding with High Horses that you would never know she was the same kid! It is amazing what horses can do for our self -esteem.” - A school aid and High Horses volunteer www.highhorses.org High Horses Therapeutic Riding Program’s Mission: To improve the well-being of people with special needs through a therapeutic equine experience. Populations Served 231 participants ages 3-94 Cerebral Seniors, Veterans, Children, Teens, Adults Palsy 7% Autism Volunteers Spectrum Other disorder 13yrs Volunteers: Ageless 75yrs 37% 22% 4,557 hours contributed (VT rate = $21.65/hr) $98,659.05 Independent raters measuring outcomes: 29 Grey ADD/ADHD Horse 6% Down Volunteers are crucial to our PTSD 12% Syndrome success and are a valued 5% 11% member of the team that help participants reach their goals Finances Research and Development Grants/Community Funds awarded REVENUE 2014 2015 Alces Foundation F The Jack & Dorothy Byrne Program 63,2 87 69,260 o Foundation C Fundraising/grants 178,873 233,514 u Jane B.
    [Show full text]
  • Anthony Tropolle Life of Cicero
    ANTHONY TROPOLLE LIFE OF CICERO VOLUME I 2008 – All rights reserved Non commercial use permitted HE LIFE OF CICERO BY ANTHONY TROLLOPE _IN TWO VOLUMES_ VOL. I. CONTENTS OF VOLUME I. CHAPTER I. INTRODUCTION. CHAPTER II. HIS EDUCATION. CHAPTER III. THE CONDITION OF ROME. CHAPTER IV. HIS EARLY PLEADINGS.--SEXTUS ROSCIUS AMERINUS.--HIS INCOME. CHAPTER V. CICERO AS QUAESTOR. CHAPTER VI. VERSES. CHAPTER VII. CICERO AS AEDILE AND PRAETOR. CHAPTER VIII. CICERO AS CONSUL. CHAPTER IX. CATILINE. CHAPTER X. CICERO AFTER HIS CONSULSHIP. CHAPTER XI. THE TRIUMVIRATE. CHAPTER XII. HIS EXILE. * * * * * APPENDICES. APPENDIX A. APPENDIX B. APPENDIX C. APPENDIX D. APPENDIX E. THE LIFE OF CICERO. CHAPTER I. INTRODUCTION. I am conscious of a certain audacity in thus attempting to give a further life of Cicero which I feel I may probably fail in justifying by any new information; and on this account the enterprise, though it has been long considered, has been postponed, so that it may be left for those who come after me to burn or publish, as they may think proper; or, should it appear during my life, I may have become callous, through age, to criticism. The project of my work was anterior to the life by Mr. Forsyth, and was first suggested to me as I was reviewing the earlier volumes of Dean Merivale's History of the Romans under the Empire. In an article on the Dean's work, prepared for one of the magazines of the day, I inserted an apology for the character of Cicero, which was found to be too long as an episode, and was discarded by me, not without regret.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Saint Mark's Episcopal Church June 26, 2016
    LEADING TODAY'S SERVICES Celebrant, Preacher The Rev. Carri Patterson Grindon Music Director Lisa Sylvester Organist Mark Robson Eucharistic Ministers Celinda Pearson*, Bruce Linsenmayer, Tom Hooper-Rosebrook Altar Guild Tom Hooper-Rosebrook (Sat), Ann Osaki*, Ann Waddell Intercessors Joanne Morse*, Desiree Cardenas Lectors Valerie Barth, Al Grindon Healing Prayer Minister Roberta Goodman Nursery Olivia Brown, Sophie Grindon Sunday School Teachers Nic Arnzen, Ray Samoa Tellers Carol Peters, Anne Browne Ushers Jim Morse*, Beth Owen, Mary Moffitt *7:45 a.m. PARISH STAFF The Rev. Carri Patterson Grindon, Rector The Rev. Betsy Hooper-Rosebrook, Associate Rector The Rev. Colin Brown, Ph.D., D.D. The Rev. Pete Berry & The Rev. Joseph A. Lane, D.Min., The Very Rev. Sylvia Sweeney, Ph.D., Assisting SAINT MARK'S EPISCOPAL CHURCH Parker Garrett: Children, Youth and Family Director 1014 E. Altadena Drive Lisa Sylvester, Music Director; Mark Robson, Organist Altadena, CA 91001 (626) 798-6747 Kara Morgan, Choristers Director; David Key, 9:00 a.m. Musician Joanne Morse & Lisa Auyong, Administrative Assistants www.saintmarksaltadena.org Lee Ann Bechthold, Bookkeeper; Karen Kikkawa, Web-Sexton; Conner Poynter, Sexton Mrs. Jennifer Foley Tolbert, Head of School JUNE 26, 2016 VESTRY The Rev. Carri Patterson Grindon, Rector THE SIXTH SUNDAY AFTER PENTECOST Bruce Linsenmayer, Senior Warden; Traci Cecconello, Junior Warden Joanna Scott, Treasurer; Jannette Allen, Clerk 7:45 a.m. Holy Eucharist Valerie Barth, Diane Carey-Schmitz, Debbie DeCaro, Marti Farley, John Green, Paul McKinney, William Owen, 10:30 a.m. Choral Holy Eucharist Kara Ramirez, Robert Ross, Nathan Schroeder Jane Sobota, School Board Representative Reynolds Cafferata, Chancellor MISSION STATEMENT Saint Mark’s Episcopal Church welcomes all into our community of faith as we grow in Christ’s love through lives of worship, learning, service and fellowship.
    [Show full text]