ICPC - Programming Contest FAU Local Winter Contest 2007 27
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Simpsons Comics - Colossal Compendium: Volume 3 Pdf
FREE SIMPSONS COMICS - COLOSSAL COMPENDIUM: VOLUME 3 PDF Matt Groening | 176 pages | 26 Sep 2016 | Titan Books Ltd | 9781783296545 | English | London, United Kingdom Simpsons Comics Colossal Compendium: Volume 3 by Matt Groening Even a tyke-sized Homer tries his hand at some magical wishing, and Ralph Wiggum does a little role modeling. Finally, Simpsons Comics - Colossal Compendium: Volume 3 for your convenience, quickly cut and fold your very own Kwik-E-Mart! Simpsons Comics - Colossal Compendium: Volume 3 edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size image should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. Creators Matt Groening. Crab Dr. Hibbert Dr. Burns Mrs. Story Arcs. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
The Fifth Simpsons Packet.Pdf
Ground Zero; About Me; Model U.N.; International Relations; Web Pages; Internet Links The following packet was written by Hayden Hurst. Please direct any comments to [email protected]. The Fifth Simpsons Packet Toss-Ups 1. The Simpsons' first Emmy win for Outstanding Music and Lyrics in 1997 came for "We Put The Spring In Springfield". It's second came one year later, with a song that involved no traditional Simpsons cast members. It is, however, a relatively elaborate number - moving from Los Angeles to elsewhere in California - all while never leaving New York. Oh, and it also involves strapping down Liza Minelli. For ten points, name this song, a key feature of the Broadway play "Kickin' It". ANSWER: You're _CHECKING IN_ (accept ''I'm Checking In") (accept "We Put The Spring In Springfield" before it's said) 2. Its adjunct gets its name from Chief Starving Bear, and it's located on Bid Snake Lake and below Mount Avalanche. It was originally run by Mr. Black - afterwards, it was worse than Vietnam, Afghanistan, and Iraq put together. For ten points, name this Krustiest place on Earth. ANSWER: _KAMP KRUSTY_ 3. The answer is sort of a tie. In any case, it does not involve running around a beer truck or marrying Marge. It may involve a Krustyburger, an hour-long episode of Mama's family, and Lisa's birth. However, it's probably involves skipping church, winning a radio contest, making moon waffles, and finding a penny. For ten points, what am I talking about? ANSWER: _BEST DAY OF HOMER'S LIFE_ (accept equivalents) 4. -
Or, the Simpsons As Model Postmodern Biblical Interpreter
Berkeley Journal of Religion and Theology The Journal of the Graduate Theological Union Berkeley Journal of Religion and Theology Volume 2, Issue 1 ISSN 2380-7458 “It’s Somewhere Near the Back”: Or, The Simpsons as Model Postmodern Biblical Interpreter Author(s): Jessica L. TinklenBerg Source: Berkeley Journal of Religion and Theology 2, no. 1 (2016): 123-141. PuBlished By: Graduate Theological Union © 2016 Online article puBlished on: FeBruary 28, 2018 Copyright Notice: This file and its contents is copyright of the Graduate Theological Union © 2015. All rights reserved. Your use of the Archives of the Berkeley Journal of Religion and Theology (BJRT) indicates your acceptance of the BJRT’s policy regarding use of its resources, as discussed Below. Any redistriBution or reproduction of part or all of the contents in any form is prohiBited with the following exceptions: Ø You may download and print to a local hard disk this entire article for your personal and non-commercial use only. Ø You may quote short sections of this article in other puBlications with the proper citations and attriButions. Ø Permission has Been oBtained from the Journal’s management for eXceptions to redistriBution or reproduction. A written and signed letter from the Journal must Be secured eXpressing this permission. To oBtain permissions for eXceptions, or to contact the Journal regarding any questions regarding further use of this article, please e-mail the managing editor at [email protected] The Berkeley Journal of Religion and Theology aims to offer its scholarly contriButions free to the community in furtherance of the Graduate Theological Union’s scholarly mission. -
1 the Polis of Springfield: the Simpsons and the Teaching of Political Theory
University of Huddersfield Repository Woodcock, Pete The Polis of Springfield: The Simpsons and the Teaching of Political Theory Original Citation Woodcock, Pete (2006) The Polis of Springfield: The Simpsons and the Teaching of Political Theory. Politics, 26 (3). p. 192. ISSN 0263-3957 This version is available at http://eprints.hud.ac.uk/id/eprint/9515/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Polis of Springfield: The Simpsons and the Teaching of Political Theory Pete Woodcock – The University of Huddersfield Abstract When students commence the study of political theory, they often lack the vocabulary necessary for that study and any specific examples of political societies other than their own. As a result of this, this article examines The Simpsons for examples that might help teachers of political theory to communicate key themes in political thought to undergraduates. -
Notice of Opposition Opposer Information Applicant Information
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA697851 Filing date: 09/23/2015 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Twentieth Century Fox Film Corporation Granted to Date 09/23/2015 of previous ex- tension Address 10201 West Pico Blvd. Los Angeles, CA 90035 UNITED STATES Attorney informa- David M. Kelly tion Kelly IP, LLP 1919 M Street, N.W. Suite 610 Washington, DC 20036 UNITED STATES [email protected], [email protected], [email protected] Applicant Information Application No 86325966 Publication date 05/26/2015 Opposition Filing 09/23/2015 Opposition Peri- 09/23/2015 Date od Ends International Re- NONE International Re- NONE gistration No. gistration Date Applicant Allied Domecq Spirits & Wine Limited 72 Chancellors Road London, W69RS UNITED KINGDOM Goods/Services Affected by Opposition Class 033. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Alcoholic beverages except beers, namely, wines; spirits; liqueurs Grounds for Opposition Priority and likelihood of confusion Trademark Act section 2(d) Dilution Trademark Act section 43(c) Marks Cited by Opposer as Basis for Opposition U.S. Registration 4566718 Application Date 06/05/2013 No. Registration Date 07/15/2014 Foreign Priority NONE Date Word Mark DUFF Design Mark Description of NONE Mark Goods/Services Class 032. First use: First Use: 2013/06/01 First Use In Commerce: 2013/06/01 Beers U.S. -
Simpsons and The
"The Simpsons" and the Law: Revealing Truth and Justice to the Masses By Kevin K. Ho* I. INTRODUCTION In Law, Lawyers, and Popular Culture, Lawrence Friedman argues that legal culture and popular culture share a symbiotic relationship, with popular culture transmitting distorted information about the law to a generally ignorant public.' Friedman notes that relatively few members of the general public read casebooks, statutes, or administrative rules, unless they themselves need access to the legal system. 2 He theorizes that, as legal culture becomes more Byzantine and removed from the mainstream, popular culture will remain the main source of legal information for the general public. Unfortunately, it appears likely that members of the public will be even more reluctant to access the legal system after they have been exposed to the negative depictions of both the law and the legal actors often seen in the contemporary media. Furthermore, when this reluctance is considered in light of the fact that entertainment value is paramount in popular media, the prospects for an actual increase in the * J.D. Candidate, Boalt Hall School of Law, University of California at Berkeley. M.A. London, B.A. Washington University. I'd like to thank my friends, family and colleagues at Boalt Hall for helping me complete this comment. Lawrence M. Friedman, Law, Lawyers, and Popular Culture, 98 YALE L.J. 1579, 1594 (1989). 2 Id. (internal citations omitted). 276 UCLA ENTERTAINMENT LAW REVIEW [Vol. 10:2 general public's knowledge of the legal system seem even more dismal. References to the law in popular media, while pervasive, are not necessarily accurate. -
September Morn.Scw
THE SIMPSONS "SEPTEMBER MORN" WRITTEN By DANA L GOUDREAULT Page 2. Act One SCENE 1 FADE IN: EXT. A BRIGHT BLUE SKY - MORNING Unlike any other Simpsons opening, a bright blue screen is held for the opening moments as the voice of Lisa Simpson is heard. LISA It's been many years since that fateful day in September, when the lives of so many of us on this planet were changed forever in a matter of minutes, the reverberations of those cataclysmic moments still being felt throughout the world today and will continue to do so for many generations to come. LISA (CONT'D) Every person has a personal insight into the tragedy, every family a story of how things were before and after the events that struck New York, Washington, and a small field in Shanksville Pennsylvania. The list seems endless of communities that were affected by the loss of so many people on that day who were from other parts of the country, the world even, whose family members and friends continue to mourn their loss. Page 3. LISA (CONT'D) This is my personal recollection of the events of that day, September 11th, 2001 and how they affected the lives of people here in Springfield. Oddly enough, as tragedy was about to befall us, my family, like most others, started out that tuesday morning like any other, though my last recollection of that morning before the tragedy struck is of my Mom uncharacteristicly striking my Dad with, of all things, a frying pan...and right in the presense of our neighbor, Mr. -
Simpsons —From “Lisa’S Sax”
“Cross my heart and hope to die. Here’s the digits that make pi: 3.1415926535897932384…” Simpsons —From “Lisa’s Sax” Sarah J. Greenwald Rule! Appalachian State University Andrew Nestler Santa Monica College ow in its 14th season, The Simp- Pythagorean Theorem. sons is an award-winning global [Actually, borrowing again Season One DVD Collection. Season One DVD Npop culture phenomenon and the from a great movie, he longest-running sitcom in television his- recites, verbatim, what the tory. Did you know that The Simpsons Scarecrow says in the film also contains scores of instances of The Wizard of Oz upon All photos courtesy Fox Home Entertainment & The Simpsons mathematics, many designed to expose receiving his “brain.”] and poke fun at innumeracy? Several Homer: The sum of the square roots Police Chief Wiggum: Whoa, episodes of The Simpsons contain signif- of any two sides of an isosceles whoa—slow down, egghead! icant mathe- triangle is equal to the square root Frink: ...but suppose we extend the Al Jean, Executive matics, with of the remaining side. square beyond the two dimensions Producer and head material Man in stall: That’s a right triangle, of our universe, along the hypo- writer of The ranging you idiot! thetical z-axis, there. Simpsons, has a from arith- Homer: D’oh! Everyone: [gasps] bachelor's degree in metic to 3 Frink: This forms a three-dimen- mathematics from In the segment “Homer ” of the 6th geometry to sional object known as a “cube,” Harvard University. annual Halloween episode “Treehouse calculus. or a “Frinkahedron” in honor of its Of Horror VI,” Homer disappears into a There’s discoverer, n'hey, n'hey. -
Duffbeer Case
Is the Beer Really Better, Drunk by Your Idol? The DuffBeer case I. Introduction As marketing techniques and the means of communication expand in anticipa- tion of the next millennium, the law struggles to keep rein of commercial practices. In Australia, the tort of passing off has evolved at a great pace, to deal with the practice of exploiting the reputation and goodwill of both real and fictional characters. In Twentieth Century Fox Film Corporation & Anor v South Australian Brewing Co Ltd & Anor,l Tamberlin J considered the applica- bility of character merchandising principles to the more remote, though related, auspices of fictional products. The decision is indicative of the increasing scope of the tort of passing off, and is also a shining example of a successfbl claim under section 52 of the Trade Practices Act 1974 (Cth). As the protec- tion afforded by the tort of passing off in character merchandising cases be- comes increasingly broad, the need to re-assess the purpose of that protection becomes imminent. Both this issue, and the appropriateness of developing a general tort of misappropriating valuable intangibles, will be considered in the light of Tamberlin J's judgment. 2. The Facts and Legal Context The first applicant in this case ("Fox") was the maker and producer of the animated television series, "The Simpsons", and the second applicant ("Greening") was the creator of the characters, stories and titles of that series. Since February 1991, "The Simpsons" has been regularly broadcast across Australia during prime time, and has thereby "achieved wide coverage, deep market penetration, and broad recognition."2 "Homer Simpson", one of the leading characters in the series, is the "inept and bumbling but good natur- ed"3 father of the Simpson family, and a drinker of "Duff Beer". -
'Jurassic Bark'
'Jurassic Bark' Written by Ben Allman ([email protected]) Blackboard: I couldn't pull a better story out of my butt. Couch Gag: The Simpsons run in and the TV has swapped positions with the couch. They all sit on top of the TV. (Grampa is in the kitchen talking to himself) Grampa: And that's how the digestive system was invented. Hey where's everybody? I'll ring Matlock, he'll know. (Picks up and dials the phone) Hello! Hello! Woman: Hi there, sexy. Wanna chat? Grampa: Are you Matlock? Woman: I'm whoever you want me to be, baby! Grampa: Ooooooh! (Homer walks in in) Homer: Dad! What are you using the phone for? Grampa: Er, it's for you. Homer: (takes phone) Yello. Woman: Hiya big boy. Homer: Who is this? Woman: Anyone you want me to be. I know, I'm a naughty schoolgirl and need to be taught a lesson. Homer: Go ask your parents. (puts phone down) (We zoom to the other end of the phone line. It is Patty & Selma's appartment) Selma: (puts down phone) Hung up............again. (Back in the kitchen of the Simpsons house) Homer: Time for your pills, Dad. Grampa: Ohhhhhhhhh, I don't want any pills. I'm fine. (drops to the floor twitching, then gets up) See? Homer: Just take them. Grampa: No. (Homer opens a pill bottle and chases Grampa round the kitchen. Pills are spread everywhere. Grampa trips and knocks himself out. Homer pours the remaining pills into his Dad's mouth and drags him out of the back door, leaving him there.) Homer: (walking into kitchen) Old people.