The President and Fellows of Harvard College Peabody Museum of Archaeology and Ethnology Apparition Painting Author(s): Yukio Lippit Source: RES: Anthropology and Aesthetics, No. 55/56, Absconding (Spring - Autumn, 2009), pp. 61-86 Published by: The President and Fellows of Harvard College acting through the Peabody Museum of Archaeology and Ethnology Stable URL: http://www.jstor.org/stable/25608836 . Accessed: 20/07/2014 21:15 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The President and Fellows of Harvard College and Peabody Museum of Archaeology and Ethnology are collaborating with JSTOR to digitize, preserve and extend access to RES: Anthropology and Aesthetics. http://www.jstor.org This content downloaded from 128.103.149.52 on Sun, 20 Jul 2014 21:15:10 PM All use subject to JSTOR Terms and Conditions Apparition painting YUKIO LIPPIT An episode from the second chapter of the Zhuangzi, was used in reference to theworks of the Chan (J.Zen) just before the famous parable concerning Zhuang monk Zhirong (1114-1193), who was known above all Zhou's dream of the butterfly, involves a conversation for his pictorial renderings of oxen and Chan Buddhist between Penumbra and Shadow: exemplars.