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Karlheinz Stockhausen: Works for Ensemble English
composed 137 works for ensemble (2 players or more) from 1950 to 2007. SCORES , compact discs, books , posters, videos, music boxes may be ordered directly from the Stockhausen-Verlag . A complete list of Stockhausen ’s works and CDs is available free of charge from the Stockhausen-Verlag , Kettenberg 15, 51515 Kürten, Germany (Fax: +49 [0 ] 2268-1813; e-mail [email protected]) www.stockhausen.org Karlheinz Stockhausen Works for ensemble (2 players or more) (Among these works for more than 18 players which are usu al ly not per formed by orches tras, but rath er by cham ber ensem bles such as the Lon don Sin fo niet ta , the Ensem ble Inter con tem po rain , the Asko Ensem ble , or Ensem ble Mod ern .) All works which were composed until 1969 (work numbers ¿ to 29) are pub lished by Uni ver sal Edi tion in Vien na, with the excep tion of ETUDE, Elec tron ic STUD IES I and II, GESANG DER JÜNGLINGE , KON TAKTE, MOMENTE, and HYM NEN , which are pub lished since 1993 by the Stock hau sen -Ver lag , and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP and START. Start ing with work num ber 30, all com po si tions are pub lished by the Stock hau sen -Ver lag , Ket ten berg 15, 51515 Kürten, Ger ma ny, and may be ordered di rect ly. [9 ’21”] = dura tion of 9 min utes and 21 sec onds (dura tions with min utes and sec onds: CD dura tions of the Com plete Edi tion ). -
A Symphonic Poem on Dante's Inferno and a Study on Karlheinz Stockhausen and His Effect on the Trumpet
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet Michael Joseph Berthelot Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Berthelot, Michael Joseph, "A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet" (2008). LSU Doctoral Dissertations. 3187. https://digitalcommons.lsu.edu/gradschool_dissertations/3187 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SYMPHONIC POEM ON DANTE’S INFERNO AND A STUDY ON KARLHEINZ STOCKHAUSEN AND HIS EFFECT ON THE TRUMPET A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Michael J Berthelot B.M., Louisiana State University, 2000 M.M., Louisiana State University, 2006 December 2008 Jackie ii ACKNOWLEDGEMENTS I would like to thank Dinos Constantinides most of all, because it was his constant support that made this dissertation possible. His patience in guiding me through this entire process was remarkable. It was Dr. Constantinides that taught great things to me about composition, music, and life. -
Confessions of a Frigid Man: a Philosopher's Journey Into the Hidden Layers of Men's Sexuality
Confessions of a Frigid Man A Philosopher’s Journey into the Hidden Layers of Men’s Sexuality Masahiro Morioka CC BY-ND 4.0 This work is licensed under a Creative Commons Attribution 4.0 International license. This book is also available at Amazon.com, Amazon.co.uk, Amazon.de, Amazon.fr, Amazon.it, Amazon.es, and Kindle stores. Confessions of a Frigid Man A Philosopher’s Journey into the Hidden Layers of Men’s Sexuality Masahiro Morioka Tokyo Philosophy Project Tokyo Originally published in Japanese by Chikuma Shobō Ltd., Tokyo, in 2005 and 2013 (ISBN:4-480-06221-1, ISBN:4-480-43057-1) Copyright: © 2005, 2013 by Masahiro Morioka English translation: CC BY-ND 4.0, 2017 by Robert Chapeskie and Masahiro Morioka Translated by Robert Chapeskie (Preface, Chapters 1 through 5, Afterword–2004) and Masahiro Morioka (Foreword, Epilogue, Afterword–2017) Published in Japan by Tokyo Philosophy Project, Waseda University, 2-579-15 Mikajima, Tokorozawa, Saitama 3591192, Japan www.philosophyoflife.org/tpp/ First edition: January 20, 2017 Contents Foreword to English Readers 1 Preface 7 Chapter 1 As Long as There’s a Miniskirt I Don’t Need a 11 Flesh and Blood Woman!? Chapter 2 Men Who Avert Their Eyes from “Male 23 Frigidity” Chapter 3 Why am I Attracted to School Uniforms? 57 Chapter 4 Delving into the Psychology of Men with 85 “Lolita Complexes” Chapter 5 Moving Beyond Being a “Frigid Man” 133 Afterword – 2004 165 Epilogue Further Thoughts on a Frigid Man – 2013 167 Afterword – 2017 193 Foreword to English Readers This book was published under the title A Frigid Man (Kanjinai Otoko) in Japanese in 2005. -
M Usic , M Oviesand M
Nov.Nov. 3,3, 20052005 Music,M u s i c , MMovieso v i e s anda n d MoreM o r e ‘Saw II’ rips through theaters MUSIC: Neil YYoungoung, GZA and AAshleeshlee Simpson brbringing new music ttoo fanfanss MOVIE: ‘L‘Legendegend of ZZorro’orro’ makes marmark,k, ‘Nor‘Northth CCountry’ountry’ ttouchesouches audiencaudienceses MORE: RReadead fforor yyourour ststomach,omach, plus the lalatesttest enentertainmenttertainment newnewss 2 THE BUZZ the cover of the December-Janu- ary 2006 … Barbara Walters will Contents ary issue of Teen People. Jessica be presenting her “10 Most Fasci- Simpson, 25, a self-proclaimed nating People of 2005.” Some of THE ditz, tells the magazine she went to the infl uential people who made The Inside Buzz therapy during her publicity over- the cut include Kanye West, Sec- 02 I N S I D E load; sister Ashlee opens up about retary of State Condoleezza Rice her recent singing fl ops, like the and even Tom Mesereau, Michael 03 Girls That Rock Series - Part 3 infamous “Saturday Night Live” Jackson’s lawyer. The show will BUZZ lip-synching debacle and the Or- air on Nov. 29 on ABC at 10 p.m. ange Bowl fi asco … 33-year-old … Notable CD releases out Tues- 04 New Movie Reviews actress Gabrielle Union has sepa- day were Santana All That I Am rated from husband, Chris How- … Rammstein Rosenrot [Import] 05 New Movie Reviews ard, a former Jacksonville Jaguar … John Fogerty The Long Road running back. … Mary J. Blige Home: Ultimate John Fogerty 06 Flashback Favorite will receive the VLegend Award Creedence Collection … new By MAHSA KHALILIFAR from Vibe at the 3rd annual awards DVD releases this week include Daily Titan Asst. -
The Computational Attitude in Music Theory
The Computational Attitude in Music Theory Eamonn Bell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Eamonn Bell All rights reserved ABSTRACT The Computational Attitude in Music Theory Eamonn Bell Music studies’s turn to computation during the twentieth century has engendered particular habits of thought about music, habits that remain in operation long after the music scholar has stepped away from the computer. The computational attitude is a way of thinking about music that is learned at the computer but can be applied away from it. It may be manifest in actual computer use, or in invocations of computationalism, a theory of mind whose influence on twentieth-century music theory is palpable. It may also be manifest in more informal discussions about music, which make liberal use of computational metaphors. In Chapter 1, I describe this attitude, the stakes for considering the computer as one of its instruments, and the kinds of historical sources and methodologies we might draw on to chart its ascendance. The remainder of this dissertation considers distinct and varied cases from the mid-twentieth century in which computers or computationalist musical ideas were used to pursue new musical objects, to quantify and classify musical scores as data, and to instantiate a generally music-structuralist mode of analysis. I present an account of the decades-long effort to prepare an exhaustive and accurate catalog of the all-interval twelve-tone series (Chapter 2). This problem was first posed in the 1920s but was not solved until 1959, when the composer Hanns Jelinek collaborated with the computer engineer Heinz Zemanek to jointly develop and run a computer program. -
Selected Speaker Biographies (Where Provided)
Selected Speaker Biographies (where provided) Please note speakers are arranged A-Z by first name. Aaron Brooks grew up in Lynchburg, Virginia. He received his B.S. in mathematics from Liberty University, an M.Div. from Duke University, and an M.A. and Ph.D. in philosophy from Florida State University. His primary area of research is in value theory and its relation to how we should live. In particular, he specializes on life’s meaning. He has been published in Unisinos Journal of Philosophy. He is currently an Instructor of Philosophy at Durham Technical Community College. Angel On Ki TING received her PhD from Hong Kong University of Science and Technology in 2013 and is currently a lecturer in philosophy at School of Continuing Education of Hong Kong Baptist University. She teaches applied ethics and introduction to philosophy. Her research interests include bioethics, meaning in/of life, moral psychology, ethics, comparative philosophy, early Confucianism and Zhuangzi. 1 Anton Heinrich Rennesland obtained his MA and BA Philosophy degrees from the University of Santo Tomas, Manila, Philippines, where he is currently a faculty member of the Department of Philosophy. He published several journal articles and has forthcoming book chapters on his fields of interest: Friedrich Nietzsche, Peter Sloterdijk, Comparative Philosophy, and the Anthropocene. Aribiah David Attoe is a post-doctoral research fellow at the Centre for Leadership ethics in Africa, University of Fort Hare, South Africa. He is a recipient of the Global Excellence Stature scholarship from the University of Johannesburg, South Africa. He also holds a Doctoral Degree from the University of Johannesburg, a Master’s degree in philosophy of mind and a Bachelor’s degree (Hons.) from the University of Calabar, Nigeria. -
TEXTE Zur MUSIK Band 4 Werk-Einführungen Elektronische Musik Weltmusik Vorschläge Und Standpunkte Zum Werk Anderer
Inhalt TEXTE zur MUSIK Band 4 Werk-Einführungen Elektronische Musik Weltmusik Vorschläge und Standpunkte Zum Werk Anderer „Glauben Sie, daβ eine Gesellschaft ohne Wertvorstellungen leben kann?” „Was steht in TEXTE Band 4?” I Werk-Einführungen CHÖRE FÜR DORIS und CHORAl DREI LIEDER SONATINE KREUZSPIEL FORMEL SPIEL SCHLAGTRIO MOMENTE MIXTUR STOP HYMNEN mit Orchester Zur Uraufführung der Orchesterfassung Eine ‚amerikanische’ Aufführung im Freien PROZESSION AUS DEN SIEBEN TAGEN RICHTIGE DAUERN UNBEGRENZT VERBINDUNG TREFFPUNKT NACHTMUSIK ABWÄRTS OBEN UND UNTEN INTENSITÄT SETZ DIE SEGEL ZUR SONNE KOMMUNION ES Fragen und Antworten zur Intuitiven Musik GOLDSTAUB POLE und EXPO MANTRA FÜR KOMMENDE ZEITEN STERNKLANG 1 TRANS ALPHABET Am Himmel wandre ich... YLEM INORI Neues in INORI Vortrag über Hu Atmen gibt das Leben HERBSTMUSIK MUSIK IM BAUCH TIERKREIS Version für Kammerorchester HARLEKIN DER KLEINE HARLEKIN SIRIUS AMOUR JUBILÄUM IN FREUNDSCHAFT DER JAHRESLAUF II Elektronische Musik Vier Kriterien der Elektronischen Musik Fragen und Antworten zu den Vier Kriterien… Die Zukunft der elektroakustischen Apparaturen in der Musik III Weltmusik Erinnerungen an Japan Moderne Japanische Musik und Tradition Weltmusik IV Vorschläge und Standpunkte Interview I: Gespräch mit holländischem Kunstkreis Interview II: Zur Situation (Darmstädter Ferienkurse ΄74) Interview III: Denn alles ist Musik... Interview IV Die Musik und das Kind Du bist, was Du singst – Du wirst, was Du hörst – Vorschläge für die Zukunft des Orchesters Ein Briefwechsel ‚im Geiste der Zeit’ 2 Brief an den Deutschen Musikrat Briefwechsel über das Urheberrecht Silvester-Umfrage Fragen, die keine sind Finden Sie die Programmierung gut ? (Beethoven – Webern – Stockhausen) V Zum Werk Anderer Mahlers Biographie Niemand kann über seinen Schatten springen? Eine Buchbesprechung Über John Cage Zu Schönbergs 100. -
Karlheinz Stockhausen List of Works
Karlheinz Stockhausen List of Works All works which were composed until 1969 (work numbers ¿ to 29) are published by Universal Edition in Vienna, with the exception of ETUDE, Electronic STUDIES I and II, GESANG DER JÜNGLINGE, KONTAKTE, MOMENTE, and HYMNEN, which are published since 1993 by the Stockhausen-Verlag, and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP and START. Starting with work number 30, all compositions are published by the Stockhausen-Verlag, Kettenberg 15, 51515 Kürten, Germany, and may be ordered directly. 1 = numeration of the individually performable works. r1 = orchestra works with at least 19 players (or fewer when the instrumentation is unconventional), and works for orchestra with choir. o1 = chamber music works. Among these are several which have more than 18 players, but are usually not performed by orchestras, but rather by chamber ensembles such as the London Sinfonietta, the Ensemble Intercontemporain, the Asko Ensemble, or Ensemble Modern. J35 = Works, which may also be performed as “chamber music” (for example INORI with 2 dancer- mimes and tape [instead of orchestra] or works for choir in which the choir may be played back on tape. 1. ex 47 = 1st derivative of Work No. 47. [9’21”] = duration of 9 minutes and 21 seconds (durations with minutes and seconds: CD durations of the Complete Edition). U. E. = Universal Edition. St. = Stockhausen-Verlag. For most of the works, an electro-acoustic installation is indicated. Detailed information about the required equipment may be found in the scores. In very small halls (for less than 100 people), it is possible to omit amplification for some solo works and works for small ensembles. -
Kreuzspiel, Louange À L'éternité De Jésus, and Mashups Three
Kreuzspiel, Louange à l’Éternité de Jésus, and Mashups Three Analytical Essays on Music from the Twentieth and Twenty-First Centuries Thomas Johnson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2013 Committee: Jonathan Bernard, Chair Áine Heneghan Program Authorized to Offer Degree: Music ©Copyright 2013 Thomas Johnson Johnson, Kreuzspiel, Louange, and Mashups TABLE OF CONTENTS Page Chapter 1: Stockhausen’s Kreuzspiel and its Connection to his Oeuvre ….….….….….…........1 Chapter 2: Harmonic Development and The Theme of Eternity In Messiaen’s Louange à l’Éternité de Jésus …………………………………….....37 Chapter 3: Meaning and Structure in Mashups ………………………………………………….60 Appendix I: Mashups and Constituent Songs from the Text with Links ……………………....103 Appendix II: List of Ways Charles Ives Used Existing Musical Material ….….….….……...104 Appendix III: DJ Overdub’s “Five Step” with Constituent Samples ……………………….....105 Bibliography …………………………………........……...…………….…………………….106 i Johnson, Kreuzspiel, Louange, and Mashups LIST OF EXAMPLES EXAMPLE 1.1. Phase 1 pitched instruments ……………………………………………....………5 EXAMPLE 1.2. Phase 1 tom-toms …………………………………………………………………5 EXAMPLE 1.3. Registral rotation with linked pitches in measures 14-91 ………………………...6 EXAMPLE 1.4. Tumbas part from measures 7-9, with duration values above …………………....7 EXAMPLE 1.5. Phase 1 tumba series, measures 7-85 ……………………………………………..7 EXAMPLE 1.6. The serial treatment of the tom-toms in Phase 1 …………………………........…9 EXAMPLE 1.7. Phase two pitched mode ………………………………………………....……...11 EXAMPLE 1.8. Phase two percussion mode ………………………………………………....…..11 EXAMPLE 1.9. Pitched instruments section II …………………………………………………...13 EXAMPLE 1.10. Segmental grouping in pitched instruments in section II ………………….......14 EXAMPLE 1.11. -
BULLETIN HEIDEGGÉRIEN (Bhdg)
Bhdg – 8, 2018 ISSN 2034-7189 BULLETIN HEIDEGGÉRIEN (Bhdg) - Secrétaires : Christophe PERRIN (Université catholique de Louvain) Sylvain CAMILLERI (Université catholique de Louvain) - Comité scientifique : Jeffrey Andrew BARASH (Université de Picardie Jules Verne) Rudolf BERNET (Katholieke Universiteit Leuven) Steven CROWELL (Rice University) Jean-François COURTINE (Université Paris-Sorbonne) Dan DAHLSTROM (Boston University) Françoise DASTUR (Université de Nice Sophia-Antipolis) Günter FIGAL (Albert-Ludwigs-Universität Freiburg) Jean GRONDIN (Université de Montréal) Theodore KISIEL (Northern Illinois University) Richard POLT (Xavier University) Jean-Luc MARION (Académie française) Claude ROMANO (Université Paris-Sorbonne) Hans RUIN (Södertörn University) Thomas SHEEHAN (Stanford University) Makito SHIGERU (Aoyama Gakuin Daigaku) Christian SOMMER (CNRS, Paris) Peter TRAWNY (Bergische Universität Wuppertal) Jean-Marie VAYSSE (Université de Toulouse-Le Mirail) † Helmut VETTER (Universität Wien) Holger ZABOROWSKI (Philosophisch-Theologische Hochschule Vallendar) - Comité de rédaction : Diana AURENQUE (Universidad de Santiago de Chile) Vincent BLOK (Radboud University Nijmegen) Cristian CIOCAN (Universitatea din Bucuresti) Guillaume FAGNIEZ (FNRS-Université libre de Bruxelles) Dean KOMEL (Univerza v Ljubljani) François JARAN (Universitat de València) - Correspondants locaux : Claudio CALABRESE (Universidad Panamericana) Tziovanis GEORGAKIS (Πανεπιστήμιο Κύπρου) Urs GOESKEN (Université de Berne) Takashi IKEDA (University of Tokyo) Celso MARQUES -
How a Japanese Philosopher Encountered Bioethics Masahiro Morioka -- Rövekamp, Frank / Bosse, Friederike (Eds.)
How a Japanese Philosopher Encountered Bioethics Masahiro Morioka -- Rövekamp, Frank / Bosse, Friederike (eds.). Ethics in Science and Society: German and Japanese Views. IUDICIUM Verlag GmbH. (2013):27-41. *Page numbers in the original are marked by [(preceding page) / (following page)]. 1. Philosophy, Ethics, and I In this essay I will illustrate how a Japanese philosopher reacted to a newly imported discipline, “bioethics,” in the 1980s and then tried to create an alternative way of looking at “life” in the field of philosophy. This essay might serve as an interesting case study in which a contemporary “western” way of thinking succeeded in capturing, but finally failed to persuade, a then-young Japanese researcher’s mind. I awoke to philosophy when I was first seized by the fear of death at the age of around ten to twelve. One night I came up with the idea that the whole [27/28] universe might disappear when I die. My world filled with the sense of security collapsed inside me. I was thrown into an unimaginable world of solitude and loneliness, and I became a philosopher in the strict sense of the word. Although I had never read philosophical books, nor had I even known the word philosophy until then, I became a person who could not live without thinking about the fundamental mysteries and secrets of the world I was living in. In my younger days, the central topics of my philosophical investigation were focused on issues in the actual world surrounding me. I was an “applied philosopher” from the moment I first became a philosopher. -
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