DOCSLIB.ORG

01 General Info.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
01 General Info.Indd 1 GENERAL INFORMATION 2006 - 2007 2 GENERAL INFORMATION The University Catalog serves as the master catalog for all policies, procedures, and guidelines relative to all academic programs of the University. Each graduate program, the Management and Adult Studies program, and the Christian Ministries program provide additional infor- mation in each program’s supplemental catalog; however, the program catalog is viewed only as an extension of the University Catalog document. University Academic Calendar 2006–2007 Faculty/Administrator Workshops ............................................................................................................................ August 17-24 President’s Dinner ................................................... .............. ......................................................................................... August 19 Beginning of Fall Semester ......................................................................................................................................... August 29* Graduation Application Deadline- December 2006 Graduates ....................................................................................................................................September 30 Fall Board of Trustees Meeting ...............................................................................................................................November 2-4 Homecoming ................................................... ................................................... ........................ ..............................November 3-4 Thanksgiving Break ................................................... ........... ...............................................................................November 22-24 End of Fall Semester ................................................... .......... ...................................................................................December 11* Graduation Application Deadline- May/August 2007 Graduates ............................................. .....................................................................................December 31 Beginning of Spring Semester .............................................. .......................................................................................January 10* Spring Board of Trustees Meeting ................................................... ................................................... ....................... March 15-17 Top Nazarene Talent (TNT) at TNU ........................................................................................................................... April 12-14 End of Spring Semester ...................................................................................................................................................April 27* Baccalaureate ........................................................................................................................................................................May 4 Commencement ....................................................................................................................................................................May 5 Beginning of Summer Semester .........................................................................................................................................May 7* End of Summer Semester ............................................................................................................................................ August 15* * Starting and ending dates for classes in undergraduate and all graduate programs vary within the framework of each semester. The Management and Human Relations Program is structured on the basis of three consecutive semesters beginning at the start date for a cohort group. Dates for these programs are listed in the appropriate program catalog and should be referred to by the student enrolled in each program. Other Important Dates for Undergraduate Program 2006-07 FALL SEMESTER 2006 Summer Freshman Orientation . June 15-17 Beginning of Term for Medical Technology . June 4 Student Teachers Orientation. August 7-8 New Student Orientation . August 25-26 New Student Registration . August 26 Returning Student Registration . August 28 Classes Begin. August 29 Last Day to Register and Add Classes. September 4 Fall Break. October 9-10 Class Advising for Spring Semester . October 16-27 Last Day to Drop a Class with a “W” . November 3 Final Exams—Fall Semester . December 12-14 SPRING SEMESTER 2007 New Student Orientation . January 10 New Student Registration . January 10-11 Classes Begin. January 10 Last Day to Register and Add Classes. January 18 Spring Break . March 5-9 Class Advising for Summer and Fall Semesters . March 12-23 Last Day to Drop a Class with a “W” . March 23 Easter Break. April 6-9 Final Exams—Spring Semester. April 30–May 2 SUMMER SESSION 2007 All Summer Term . May 7-June 15 Mini-Term I . May 7-23 Mid-Session Break. May 24-29 Mini-Term II . May 30–June 15 Ending of Term for Medical Technology . June 22 Summer Freshman Orientation . June 14-16 3 GENERAL INFORMATION Table of Contents UNIVERSITY CALENDAR . 2 A WORD FROM THE PRESIDENT . 4 GENERAL INFORMATION . 4 STUDENT LIFE . 9 University Services . 9 Student Organizations and Activities . 10 Academic Organizations . 11 ADMISSIONS . 12 Traditional Undergraduate . 12 Non-Traditional Undergraduate. 16 Post Baccalaureate Undergraduate . 166 Graduate Programs . 16 FINANCIAL INFORMATION . 18 Schedule of Charges . 18 Financial Aid . 19 ACADEMIC POLICIES . 31 General Academic Information . 31 Requirements for Graduation . ..
Load more

Recommended publications
  • HECORELENT Vvi WHO in the WORLD of '
    SECTION 2 DECEMBER 30,196, PRICE $1 25 iIIbpa HECORELENT Vvi WHO IN THE WORLD OF ' oit . - -r: ;:1-4-.1.4V.ii2g.;:t.r.;7-7,;.'..017,:i-Oi-,`ifEY:'7.`i..ei-S. 1 ffr : N'. .... '4 t o , 7 Zt. 1.Z44:')4 e: : A.': .-, .!,........;, ...,7, ,......-,.:, .,...:.4.,..4,rt,:,..,......;.. tt- . 4.0 .. *.limeNnek. N Xe-e,y_412etnii,,--,,,,-4z4.4,4-ix.:A.:.,4A,-*,,, -..:,:m, 44...1.777M"Y.70E"M. -...,,.- ......." - OW/ O./ RAVI SHAN/fail -RECORD ARTIST OF THE YEAR )- 1 L THE. RUF1I'L. NI.EV BIOS. CO.ii.TOU IS DY:tE THE ELG11..S T-IE VEL1.1ELETTES & THE !S BREIOA HOLLOM CHUCK JACKSON RECORD CORPORATION r-Te, sc..4 -ALS( SMOKEY JR. WALKEI ROBINSON ALL STARS II & THE B LLY ECKSTINE MIRACLES filcNAIR THE CHRIS CLARK 1 THE SPINNERS I THE MONITORS THE MESSENGERS GLADYS KNIGHT & THE PIPS BOBBY TAYLOR VANCOUVEI MARTHf REEVE: & THE V ANDELLAJ Tifrhtowa ,7..ct(touyl MOTOWN RECORD CORP. JOBEIE MUSIC CO., INC. STEIN & VAN STOCK INTERNATIONAL TALENT MANAGEMENT, INC. Management: SAL BONAFEDE ASHER DANN ELEKTRA RECORDS 6721Sunset Bl+d , Los Angeles,California 6 Who's Who in the World of Music Billboard 1968is ED AMES ea& _..."47 - 4:1VmftammilltipMEMP .411E. inem: - "NW.. 4.1"4111111smwomIll ...1111111nt,-.1111," 141"52E110--- LPM 3913 (M) LSP 3913 (S WHO WILL ANSWER? ALBUM TO BE RELEASED SHORTLY PERSONAL MGT. BURKE WEEMS / RISEI 1000HECORIRENERION WHO'S WHO IN THE WORLD OF MUSIC CONTENTS EDITORIAL OFFICE: 165 W. 46thSt., New York, N.Y. 10036. Area Code 212, PL 7-2800 Cable: BILLBOARD NEWYORK ARTIST OF THE YEAR 10 TOP ARTISTS -1967 14 Publisher: HAL B.
    [Show full text]
  • A Piece of History
    A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers.
    [Show full text]
  • O Ntryp Ing Esjtee'ews 4,41Bu Ed'ew
    o ntryp ing esjtee'ews 4,41bu ed'ew DON WILLIAMS (ABC -Dot DO -17717) COUNTRY COMES TO CARNEGIE HALL - Hank Thompson, I'm Just A Country Boy (3:07) (Folkway Music Pub. - BMI) (Marshall Barer/Fred Brooks) Freddy Fender, Roy Clark, Don Williams - ABC/Dot DO - Possibly the best ever from Don and sure to please all age groups at pop, country and 2087/2 - Producers: Jim Foglesong, Huey P. Meaux, Uncle MOR levels. Ordinary background work, but smooth Williams vocals. Mickey Moody - List: 8.98 The live recording of this historic concert of country music at BILLIE JO SPEARS (United Artists UA-XW1041) Carnegie Hall is a collector's item of songs and performances Too Much Is Not Enough (2:13) (Hungry Mountain Music - BMI) (K. O'Dell) that represent the outreach of this art form in the last few years. The str ng arrangements included in Bill Justis' and Larry Butler's production highlight Hank Thompson leads off with his own brand of Texas swing. this single, while Billie Jo's vocal work flows very nicely. Freddy Fender's vocal performances include "Before The Next Teardrop Falls" and "Wasted Days And Wasted Nights". Roy JIM REEVES (RCA JH -11060) Clark picks along with Buck Trent through "Banjo Buck" and Little Ole Dime (2:47) (Tuckahoe Music - BMI) (Jim Carroll) demonstrates his guitar vituosity on "Malanguena." Finally, Don This tune sounds as fresh as if it were cut yesterday and is a sure chart record to follow Williams mellows the audience while cajoling their participation Reeves' recent "It's Nothing To Me." on "You're My Best Friend".
    [Show full text]
  • Come Enjoy the Music! 6 North Coast Voice Magazine | Northcoastvoice.Com • (440) 415-0999 | November 4 - 18, 2015
    Live Music Weekends OPEN Sun-Thurs 12-6 ALL Winery Open daily at Noon YEAR! Year Round Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | November 4 - 18, 2015 Ohio Wines Trunk Program Ferrante Winery & Ristorante November 9, 7-8:30pm Join the Ferrante staff and Donniella Winchell of the Ohio Wine Producers for an evening of fun and education. The ‘Ohio Wines Trunk’ program is patterned after a very popular California Women for Winesense project. You will discover a bit about the history of our industry, understand why wine glasses’ shapes make a difference, learn why bottles are shaped and colored differently, realize why some wines have ‘real’ corks and others screwcaps, see an Fall/Winter Tasting Room hours: actual grapevine and understand why great wines are born in the vineyard and much much more. Closed Mondays Connect 534 This 90 minute program will conclude with a tasting of a selection of fi ne Ferrante wines. You’ll Open Tuesday-Sunday 11-6 was designed around take home recipes to match the wines you tasted and lots of other little ‘goodies.’ Please join JOIN US FOR LUNCH! creating and marketing us at 7 pm on November 9 for a fun fi lled and informative evening at their lovely Grand River Tuesday-Saturday 11-4pm Valley winery.
    [Show full text]
  • Blair Quarternote Final2
    BLAIR VANDERBILTUNIVERSITY Chinese drums await the fall concert season at Blair See pull-out, pages 10 & 11 Musicology scholars on a roll page 3 F A L L 2 0 0 8 Cover photo by John Russell The BLAIR QUARTER NOTE, the newsletter Global Music Archive of the Blair School of Music, is published twice a year in cooperation with Development and Alumni Relations Communications for alumni, current now “live” on the Internet students and other friends of the school. The BLAIR QUARTER NOTE, Volume 32, he Global Music Archive recent- ister of culture and the director of the Number 2, Fall 2008 ly launched its first database, the National Theatre in Uganda in hopes of © 2008 by Vanderbilt University. Department All rights reserved. T Digital Collection of East creating a partnership with Makerere African Recordings, consisting of over University that would provide training Editor, Bonnie Arant Ertelt Art Director, Donna DeVore Pritchett 2,000 discrete musical performances for the project, so that the staff and fac- The musicology department at Blair is a place where scholars flourish Designer, Chris Collins recorded by Centurio Balikoowa, a ulty there can make local contributions JOHN RUSSELL Contributors, Jim Patterson, Kami Rice, musician from Uganda. Co-curators, t would seem that to be a musicolo- and Holling Smith-Borne Holling Smith-Borne, director of the gist, one must be a scholarly jack- Associate Dean for Development and Wilson Music Library, and Gregory F. of-all-trades,a proverbial “Renaissance” Alimni Relations, Virginia Payne RenaissanceI Director of External Affairs, Cindy Steine Barz, associate professor of musicology man or woman, for the discipline takes (ethnomusicology) at Blair, are pleased its direction from multiple viewpoints Precollege, adult and undergraduate alumni are encouraged to send their to provide free access to this digital and employs multiple modes of inquiry.
    [Show full text]
  • Living History Interview Archive
    Living History Interview Archive To request transcripts and/or interview footage, email [email protected] Lou Adler Art Davis B.B. King* Bill Rice* James Alexander Clive Davis Coretta Scott King* Sir Mack Rice* Joe Allison* Louvain Demps* George Klein* Billy Lee Riley* Mose Allison Bill Denny* Gladys Knight* Johnny Rivers Herb Alpert Jim Dickinson Art Laboe Smokey Robinson Bill Anderson Danny Dill* Red Lane Kenny Rogers Casey Anderson* Joel Dorn Sam Lay Johnny Rotella Liz Anderson* Lamont Dozier Harold Levanthal* Johnny Russell* Peter Asher Dr. John Herman Leonard Jerry Schilling* Jack Ashford John Eargle Tommy Lipuma Al Schlesinger* Chet Atkins* Ramblin’ Jack Elliot Alan Livingston Al Schmitt George Avakian Ahmet Ertegun Kurt Loder Pete Seeger Ray Baker* Don Everly* John D. Loudermilk Sid Selvidge Harold Battiste Donna Fargo* Andrew Love* Whitey Shafer* Bob Beckham* Christine Farnon Bruce Lundvall* Sam the Sham Al Bell Jose Feliciano Kevin Lyman* Artie Shaw Miriam Bienstock Jim Foglesong Bill Mack* George Shearing James Blackwood Fred Foster* Jack Maher* Jean Shepard Hal Blaine Jerry Foster* Herbie Mann* Thomas Z. Shephard Royal Blakeman* Dallas Frazier* Arif Mardin Corky Siegel Bobby “Blue” Bland John Fry Robert Margouleff George T. Simon Rory Bourke Milt Gabler Ellis Marsalis Jr. Connie Smith Bobby Braddock* Al Gallico John Meglen Patrick Stansfield* Harold Bradley Marshall Grant Bob McDill* Allan Steckler* Jerry Bradley Kenneth Gamble Mitch Miller Henry Steinway Oscar Brand Mickey Gilley Walter Miller Morton Subotnik Chuck
    [Show full text]
  • Richard Sterban, “I Was a Fan of the Oaks Before I Became a Member
    A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers.
    [Show full text]
  • “Making Music Matter” DOUGLAS LOWRY 1951 – 2013 Creating MUSIC in Her Own Way
    EASTMAN NOTESSPRING 2014 “Making Music Matter” DOUGLAS LOWRY 1951 – 2013 Creating MUSIC in Her Own Way On the ship from her native Germany to her new home, whenever her mother was looking for Dietlinde Payne she knew she would find her intently watching the accordion player perform. And when Dietlinde settled in Rochester as a teenager, one of her passions quickly became taking the bus to watch Eastman students perform. After retiring from a teaching career, she decided to giveback to the University through a George Eastman Circle Scholarship that supports the students who bring her so much joy. “I’d like to see them become musicians or maybe even music teachers, combining two of the things that are so important.” —Dietlinde Payne ’64 Retired Teacher Rochester, New York Supports: Eastman School of Music To learn more about the new George Eastman Members of the George Eastman Circle, the University of Rochester’s leadership annual giving Circle Scholarship program, please visit society, can establish scholarships to help students in www.GeorgeEastmanCircle.com/Scholarships the schools they care about most by committing at least $5,000 annually for a minimum of five years. To learn more about joining, call (800) 598-1330 or visit www.GeorgeEastmanCircle.com. Your gift can help create the next generation of All gifts count toward The Meliora Challenge, a University-wide musicians or teachers—or both—who will inspire us all. fundraising Campaign that was launched in October 2011 and runs through June 30, 2016. Visit campaign.rochester.edu. { SPRING 2014 } At the end of Eastman’s memorial tribute for Douglas Lowry on November 3, Neil Varon and the Eastman Philharmonia performed Lowry’s Geo (inspired by George Eastman) while a collage of photographs was shown on a screen above the stage.
    [Show full text]
  • October 25, 2010 Issue 215 Radio to Taylor: You Belong with Me the Media Assault for Taylor Swift’S Speak Now May Be Unprecedented in Scope
    October 25, 2010 Issue 215 Radio To Taylor: You Belong With Me The media assault for Taylor Swift’s Speak Now may be unprecedented in scope. As a national, if not international, event, the launch comes in an era marked by even more pervasive media and pseudo-media outlets than at any time in history. To wit: Tonight’s triple play on MTV Networks (CMT/MTV/VH1), old grey dames like the Times (New York and Los Angeles versions) and quite literally millions of fans tweeting, facebooking and otherwise socialing (we made up a word). Not lost in this deluge, certainly not to Big Machine, Swift or the readers of this publication, is broad, multi-format radio Big Bad Jim: Jimmy Dean’s daughter, Connie Dean Taylor, looks heavenward after accepting her father’s Country Music Hall of Fame play. So we asked a small panel of experts if, amid this multi- induction medallion from Bill Anderson. media blizzard, it’s important for Country stations to try to assert “ownership” of Swift as an artist and, if so, how. Dean, Williams Receive Highest Honor Universally, our respondents say Taylor’s cross-media, cross- Don Williams and the late Jimmy Dean were inducted into the format popularity is a positive. “She got her wholesome start and Country Music Hall of Fame last night, joining 2010 classmates image in Country,” says KUPL/Portland PD Scott Mahalick. Ferlin Husky and Billy Sherrill who were enshrined last May. “It’s even better for the format for her to cross over. All boats This particular Medallion Ceremony had a strange feel to it, since rise when that happens.
    [Show full text]
  • Blair on The
    Quarternote Blair VANDERBILT UNIVERSITY Volume 24, Number 3, Spring 2000 Published by the Blair School of Music Blair on the Row page 8 from the dean PEYTON HOGE his issue of the QUARTER NOTE fea- this issue, we have added a class in song- tures the growing role the Blair writing. The Blair School is committed to tSchool plays in the thriving music sharing these and other courses with all collaborative concerto industry in Nashville. Many of you those who are interested in the diverse are already familiar with Jim Foglesong’s and vital musical scene in our society. popular class The Business of Music, Soon after you receive this issue, the Eberle to Premier Kurek’s Violin Concerto with Nashville Symphony which has attracted many Vanderbilt stu- new instructional wing just to the west of dents and area citizens over the years. our current building will be completed, You may not know, however, that many and we expect to move into our new stu- Associate Professor Michael Kurek, chair of the compo- DIANE ALANCRAIG Blair faculty members have been active dios, classrooms, and practice rooms dur- sition/theory department and precollege violinist as studio musicians on recordings of some ing the summer. These new quarters will Kathryn Eberle have collaborated on his new work enti- of the industry’s most acclaimed artists. greatly enhance the learning environment tled Concerto for Violin and Orchestra to be premiered (I remember being startled—and delight- for all our students, from preschool chil- by Eberle with the Nashville Symphony as part of the ed—a few years ago when, channel-surf- dren through adults.
    [Show full text]
  • Necessary Factors for the Creation of a Master's Degree in Commercial Music
    Necessary Factors for the Creation of a Master’s Degree in Commercial Music Chapter 1: Introduction Drucker (1995) writes, “In the next 50 years schools and universities will change more and more drastically than they have since they assumed their present form more than 300 years ago. every organization has to prepare for the abandonment of everything it does” (p. 79). The present economy is driven, and it is predicted will be driven in the future by knowledge, the knowledge our students must have to be successful in their chosen career paths and lives (Oblinger & Katz, 1999, p. 302). According to Glazer (1988) the music institutions of today must provide not only music degrees but also job-oriented skill training, which is exemplified at the Master’s Degree level. Institutions react to the pressures from external demands resulting in a wide diversity of program options (Glazer, 1988). The call for change, according to Drucker, has led to a plethora of master’s degree programs with no strategic plan evident for their creation or to address future needs. Many programs are reactive rather than proactive concluding that changes must be made to the degree program based on responses from external sources (Jay & Smith, 1974). The infusion of reactive changes with “. the absence of explicit program goals or objectives creates a major stumbling block to the program’s development and evaluation” (Steele, 1999, p. 79). This phenomenon has resulted in a lack of “cohesion” (p. 80) within the program. The eventual assessment of the program’s success is impossible due to the lack of a vision, a mission statement, or goals.
    [Show full text]
  • Eastman Celebrates Debussy at 150 October 11–14, 2012
    EASTMAN NOTESSUMMER 2012 Eastman Celebrates Debussy at 150 October 11–14, 2012 • 50th reunion celebration Join your fellow (classes of 1961 and 1962) • Recognition of the 1961–62 Eastman Eastman alumni for Philharmonia European Tour • A tribute to Eastman’s legendary jazz a spectacular weekend! professor and renowned arranger, Rayburn Wright, and a reunion of his students Reunion class members, all alumni, • A Catherine Filene Shouse Arts parents, and families are welcome. Leadership Program (ALP) reunion • 20th anniversary celebration of Visit www.esm.rochester.edu/alumni/weekend Eastman’s guitar program for full information and regular updates! • Prismatic Debussy: Celebrate Debussy’s 150th birthday with an all-ensembles REGISTER BY OCTOBER 1, 2012 concert of his music in Kodak Hall { SUMMER 2012 } Before he was “Claude de France,” Debussy was a favorite son. The composer is shown here in a 1906 photograph with his mother, Victorine, and his father, Manuel-Achille. 3 Brief Notes 26 School News 30 Recordings 18 22 The Sound David 33 Celebrating Alumni Notes 10 World of Craighead 37 Debussy’s 150th a Baroque and Tributes, Master Zvi Zeitlin In Memoriam Extravagant, intimate, experimental, and more: Eastman explores the many Eastman Rochester A student and a 38 Organ Initiative colleague remember Faculty Notes facets of France’s great composer on his investigates J.S. Bach two legendary 39 150th birthday. and the organ. Eastman musicians. Student Notes 40 ON THE COVER: Our cover pays homage to Claude Debussy with a colorful collage by New York artist Doug Fitch From the Dean that brings together several Debussyan elements; see page 14 for a key.
    [Show full text]