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Leonard Slatkin at 70: the DSO's Music Director Was Born for The
Leonard Slatkin at 70: The DSO’s music director was born for the podium By Lawrence B. Johnson Some bright young musicians know early on that they want to be a conductor. Leonard Slatkin, who turned 70 Slatkin at 70: on September 1, had a more specific vision. He believed himself born to be a music director. Greatest Hits “First off, it was pretty clear that I would go into conducting once I had the opportunity to actually lead an orchestra,” says Slatkin, music director of the Detroit Symphony Orchestra since 2008 and occupant of the same post with the Orchestre National de Lyon since 2011. “The study process suited my own ethic and, at least for me, I felt relatively comfortable with the technical part of the job.” “But perhaps more important, I knew that I would also be a music director. Mind you, this is a very different job from just getting on the podium and waving your arms. The decision making process and the ability to shape a single ensemble into a cohesive whole, including administration, somehow felt natural to me.” Slatkin arrived at the DSO with two directorships already under his belt – the Saint Louis Symphony (1979-96) and the National Symphony in Washington, D.C. (1996-2008) – and an earful of caution about the economically distressed city and the hard-pressed orchestra to which he was being lured. But it was a challenge that excited him. “Almost everyone warned me about the impending demise of the orchestra,” the conductor says. “A lot of people said that I should not take it. -
RAY STEVENS' Cabaray NASHVILLEPUBLIC TV 201 NEW
1. REVISION #3 3/20/2017 RAY STEVENS’ CabaRay NASHVILLEPUBLIC TV SYNDICATED EPISODES 201 - 252 PBS SHOW # GUEST(S) PERFORMANCES FEED DATE 201 Harold Bradley “Sgt. Preston of the Mounties” . NEW SHOW 7.07.2017 “Jeremiah Peabody’s Poly-Unsaturated, w.Mandy Barnett Quick Dissolving, Fast-Actin’, Pleasant Tastin’, Green and Purple Pills” .”Harry, The Hairy Ape” (RAY) “Crazy” & “I’m Confessin’” (MANDY) * 202 “Ned Nostril” (Ray) 7.14.2017 “Only You” (Ray) “Two Dozen Roses” (Shenandoah) “Sleepwalk” (A-Team) “I Want To Be Loved Like That” (Shenandoah) “Church On The Cumberland Road” (Shenandoah) * 203 Michael W. Smith “Dry Bones” (RAY) 7.21.2017 (GOSPEL THEME) “Would Jesus Wear A Rolex” (RAY) “This Ole House” (Ray) “I’ll Fly Away” (Duet w.Smitty) “Shine On Me” (SMITTY) 204 BJ Thomas ‘Hound Dog” (RAY) 7.28.2017 “Mr. Businessman” (duet w.BJ) “I Saw Elvis In A UFO” (RAY) “Rain Drops Keep Fallin’ On My Head” (chorus & verse BJ) “Somebody Done Somebody Wrong Song” (BJ) * 205 Rhonda Vincent “King of the Road” (RAY) 8.04.2017 “Chug-A-Lug” (RAY) “Just A Closer Walk With Thee” (Duet w.Rhonda) “Jolene” * 206 Restless Heart “That Ole Black Magic” (RAY) 8.11.2017 Larry Steward “Spiders And Snakes” (RAY) John Dittrich “Everything Is Beautiful” (duet Paul Gregg With Restless Heart) David Innis “Bluest Eyes In Texas” (RESTLESS) Greg Jennings * 207 John Michael “Get Your Tongue Out 8.18.2017 Montgomery Of My Mouth, I’m Kissing You Goodbye” & “Retired” (RAY) “Letters From Home” & “Sold” (JOHN MICHAEL) 208 Ballie and the Boys “Little Egypt” & “Poison Ivy” (RAY) 8.25.2017 Kathie Bonagoura “(Wish I Had) A Heart of Stone” & Michael Bonagoura “House My Daddy Built” (BAILLIE) Molly Cherryholmes 2. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
2017 20Th/21St-Century Piano Festival
Piano Area presents 2017 th st 20 / 21 - Century Piano Festival Dr. Sookkyung Cho, Director Dr. Helen Marlais, Founding Director Saturday, October 28, 2017 Sherman Van Solkema Recital Hall Haas Center for Performing Arts Composer-in-Residence For 25 years Bill Ryan has been a tireless advocate of contemporary music. Through his work as a composer, conductor, producer and educator, he has engaged audiences throughout the country with the music of our time. He has won the American Composers Forum Champion of New Music Award, the Michigan Governor’s Award in Arts Education, and the Distinguished Contribution to a Discipline Award at Grand Valley State University. As a concert producer, Bill has presented over 65 events in his Open Ears and Free Play concert series, gaining national recognition with three ASCAP/Chamber Music America Adventurous Programming Awards. Notable guests have included eighth blackbird, Prism, So Percussion, Ethel, Lisa Moore, Todd Reynolds, Julia Wolfe, Talujon, Michael Lowenstern, and the Michael Gordon Band. -
Boston Symphony Orchestra Concert Programs, Summer, 2000
DALE CH I HU LY INSTALLATIONS AND SCULPTURE ;.,^AU(((^ HOLSTE N GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 41 3.298.3044 www.holstengalleries.com Outlet shopping never looked so eood up to 70% off regular retail prices CVCry Q3.y GIORGIO ARMANI BROOKS (general Otore BROTHERS VERSACE COMPANY STORE ^accoAat CCX^CH ) Polo lr Ralph Lauren Calvin Klein :OLE-HAAN JJ.CREWFACTORY STORE MICK HILTON Men COLLECTION The Cosmetics Edmonds Company Store Company Shoe Store ® MOVADO. ESCADA COMPANY STORE GODIVA THE HICKEY-FREEMAN FACTORY STORE limberiand^ kipliNqVr JE3J3 OyiLe* DANSK TSE JQAN QshKosh IrOvfi TOD Outlet SEIKO COMPANY STORE JONES NEW YORK CRABTREE & E V E L Y N maidenforrrr PERUVIAN CONNECTION Garnet Hill JOHNSTON SWVlURPHY CATALOG OUTLET Manchester Designer Outlets Style has a country home routes 7A and 11/30 manchestervermont.com 1-800-955-SHOP OfllGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship, fullyfunded in perpetuity Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairmn Ray Stata, Vice-Chairman Harlan E. Anderson William F Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
OBHOF INDUCTEES Why We Honor Them 2104
OBHOF INDUCTEES 2104 Why We HonorThem: Dr. Harold Aldridge March 3, 2014 Aldridge sings the blues Dr. Harold Aldridge is a retired professor of psychology at NSU in Tahlequah. Tahlequah Daily Press By RENEE FITE Special Writer TAHLEQUAH — The gray is beginning to cover his once-black hair, and it shows when the tall, lanky musician adjusts his black felt cowboy hat. He’s admits to being a little nervous. To keep his hands busy and mind occupied before the show begins, he tunes his guitar, glancing around the room, waving or nodding to friends. “An Evening of Blues Music,” presented at Webb Tower by Dr. Harold Aldridge, professor emeritus of psychology at Northeastern State University, was in observance of Black History month. After a brief introduction and enthusiastic applause, Aldridge began with a joke. “As the milk cow said to the dairy man, ‘Thanks for the warm hand,’” he said. For the next hour, the audience was taken on a journey through black history via the blues, from deep in the Mississippi Delta, to Alabama, the East Coast, Kansas City, Oklahoma, Texas and California. “I’m going to tell you the history of blues, and hopefully, it will be entertaining,” Aldridge said. “I stick with the old stuff, from Memphis, Mississippi, Alabama, and Tennessee.” According to Aldridge, blues music is evolving. “It’s almost like rock in some places; I guess next we’ll have rap blues,” he said. As his story unfolded, the audience learned the blues has changed with varying locations and situations. “The blues originated in West Africa and came here as a feeling, the soul of it, the spirit of high John the Conqueror,” said the Aldridge. -
New Music Festival March 26Th – March 28Th, 2018 Co-Directors
Illinois State University RED NOTE new music festival March 26th – March 28th, 2018 co-directors , distinguished guest composer , distinguished guest composer , guest performers CALENDAR OF EVENTS MONDAY, MARCH 26TH 8 pm, Center for the Performing Arts The Festival opens with a concert featuring the Illinois State University Wind Symphony and Illinois State University choruses. Professor Anthony Marinello conducts the ISU Wind Symphony in a performance of the winning work in this year’s Composition Competition for Wind Ensemble, Patrick Lenz’s Pillar of Fire. The Wind Symphony also performs guest composer William Bolcom’s Concerto for Soprano Saxophone with ISU faculty Paul Nolen, and the world premiere of faculty composer Martha Horst’s work Who Has Seen the Wind? The ISU Concert Choir and Madrigal Singers, conducted by Dr. Karyl Carlson, perform the winning piece in the Composition Competition for Chorus, Wind on the Island by Michael D’Ambrosio, as well as William Bolcom’s Song for Saint Cecilia’s Day. TUESDAY, MARCH 27TH 7:30 pm, Kemp Recital Hall ISU students and faculty present a program of works by featured guest composers Gabriela Lena Frank and William Bolcom. The concert will also include the winning work in this year’s Composition Competition for Chamber Ensemble, Downloads, by Jack Frerer. WEDNESDAY, MARCH 28TH 7:30 pm, Kemp Recital Hall Ensemble Dal Niente takes the stage to perform music of contemporary European composers, including Salvatore Sciarrino, Kaija Saariaho, and György Kurtag. THURSDAY, MARCH 29TH 7:30 pm, Kemp Recital Hall The Festival concludes with a concert of premieres by the participants in the RED NOTE New Music Festival Composition Workshop: James Chu, Joshua Hey, Howie Kenty, Joungmin Lee, Minzuo Lu, Mert Morali, Erik Ransom, and Mac Vinetz. -
Senior Recital: Jeff Rubin, Horn Jeff Rubin
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2004 Senior Recital: Jeff Rubin, horn Jeff Rubin Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Rubin, Jeff, "Senior Recital: Jeff Rubin, horn" (2004). All Concert & Recital Programs. 3526. https://digitalcommons.ithaca.edu/music_programs/3526 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. SENIOR RECITAL Jeff Rubin, horn Kathy Hansen, piano FORD HALL SATURDAY, APRIL 17, 2004 9:00 P.M. ITHACA . Assisted by: Ian Rafalak, guitar; Ian Craft, mandolin Xander Lott, double bass Steve Peterson, dramatic interpreter Brian Jack, tambourine and falsetto soprano ROTARY Christian Carichner, piano; Mary Gardner, drums Brian Hoeflschweiger, lead and rhythm guitar, vocals Ryan Muehlbauer, acoustic guitar and vocals · Tyler Ogilvie, bass Jeff Rubin, lead vocals, slide, lead, and rhythm guitar Matt Beale, audio technician PROGRAM Sonata in E minor, Opus 38 Johannes Brahms (1833-1897) I. Allegro non troppo trans. by Stott Brubaker II. Allegro quasi minuetto III. Allegro INTERMISSION Thema und Variationen Franz Strauss (1822-1905) Introduktion Theme Variation I Variation II Andante Cantabile Rondo Short Trip Home Edgar Meyer (b. 1960) trans. by Jeff Rubin PAUSE Why is my Patsy? Poem and Music Brian Jack and Jeff Rubin My Heart Will Go On James Horner (b. 1953) Free Bird Words and Music Ronnie Van Zant and Allen Collins Senior Recital is presented in partial fulfillment for the degree Bachelor of Music in Performance and Education.