Robert E. Litan's CV
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1 Why Societies Stay Stuck in Bad Equilibrium: Insights From
Why Societies Stay Stuck in Bad Equilibrium: Insights from Happiness Studies amidst Prosperity and Adversity Carol Graham1 The Brookings Institution Paper presented to the IZA Conference on Frontiers in Labor Economics: The Economics of Well-Being and Happiness October 2009 Some individuals who are destitute report to be happy, while others who are very wealthy report to be miserable. There are many possible explanations for this paradox; this paper focuses on the role of adaptation. Adaptation is the subject of much work in economics, but its definition is a psychological one. Adaptations are defense mechanisms; there are bad ones like paranoia, and healthy ones like humor, anticipation, and sublimation. Set point theory – which is the subject of much debate in psychology – posits that people can adapt to anything – such as bad health, divorce, and extreme poverty – and return to a natural level of cheerfulness. My research from around the world, meanwhile, suggests that people are remarkably adaptable. Respondents in Afghanistan, for example, are as happy as Latin Americans and 20% more likely to smile in a day than Cubans. I posit that while this may be a good thing from an individual psychological perspective, it may also facilitate collective tolerance for bad equilibrium. I provide examples from the economics, democracy, crime, corruption and health arenas. 1 The author is Senior Fellow and Charles Robinson Chair at the Brookings Institution and College Park Professor at the University of Maryland. She would like to thank the participants at a Legatum Institute symposium in London in June 2009 for their helpful comments, as well as Bruno Frey and Sabina Alkatire for more detailed reviews. -
RAY STEVENS' Cabaray NASHVILLEPUBLIC TV 201 NEW
1. REVISION #3 3/20/2017 RAY STEVENS’ CabaRay NASHVILLEPUBLIC TV SYNDICATED EPISODES 201 - 252 PBS SHOW # GUEST(S) PERFORMANCES FEED DATE 201 Harold Bradley “Sgt. Preston of the Mounties” . NEW SHOW 7.07.2017 “Jeremiah Peabody’s Poly-Unsaturated, w.Mandy Barnett Quick Dissolving, Fast-Actin’, Pleasant Tastin’, Green and Purple Pills” .”Harry, The Hairy Ape” (RAY) “Crazy” & “I’m Confessin’” (MANDY) * 202 “Ned Nostril” (Ray) 7.14.2017 “Only You” (Ray) “Two Dozen Roses” (Shenandoah) “Sleepwalk” (A-Team) “I Want To Be Loved Like That” (Shenandoah) “Church On The Cumberland Road” (Shenandoah) * 203 Michael W. Smith “Dry Bones” (RAY) 7.21.2017 (GOSPEL THEME) “Would Jesus Wear A Rolex” (RAY) “This Ole House” (Ray) “I’ll Fly Away” (Duet w.Smitty) “Shine On Me” (SMITTY) 204 BJ Thomas ‘Hound Dog” (RAY) 7.28.2017 “Mr. Businessman” (duet w.BJ) “I Saw Elvis In A UFO” (RAY) “Rain Drops Keep Fallin’ On My Head” (chorus & verse BJ) “Somebody Done Somebody Wrong Song” (BJ) * 205 Rhonda Vincent “King of the Road” (RAY) 8.04.2017 “Chug-A-Lug” (RAY) “Just A Closer Walk With Thee” (Duet w.Rhonda) “Jolene” * 206 Restless Heart “That Ole Black Magic” (RAY) 8.11.2017 Larry Steward “Spiders And Snakes” (RAY) John Dittrich “Everything Is Beautiful” (duet Paul Gregg With Restless Heart) David Innis “Bluest Eyes In Texas” (RESTLESS) Greg Jennings * 207 John Michael “Get Your Tongue Out 8.18.2017 Montgomery Of My Mouth, I’m Kissing You Goodbye” & “Retired” (RAY) “Letters From Home” & “Sold” (JOHN MICHAEL) 208 Ballie and the Boys “Little Egypt” & “Poison Ivy” (RAY) 8.25.2017 Kathie Bonagoura “(Wish I Had) A Heart of Stone” & Michael Bonagoura “House My Daddy Built” (BAILLIE) Molly Cherryholmes 2. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
OBHOF INDUCTEES Why We Honor Them 2104
OBHOF INDUCTEES 2104 Why We HonorThem: Dr. Harold Aldridge March 3, 2014 Aldridge sings the blues Dr. Harold Aldridge is a retired professor of psychology at NSU in Tahlequah. Tahlequah Daily Press By RENEE FITE Special Writer TAHLEQUAH — The gray is beginning to cover his once-black hair, and it shows when the tall, lanky musician adjusts his black felt cowboy hat. He’s admits to being a little nervous. To keep his hands busy and mind occupied before the show begins, he tunes his guitar, glancing around the room, waving or nodding to friends. “An Evening of Blues Music,” presented at Webb Tower by Dr. Harold Aldridge, professor emeritus of psychology at Northeastern State University, was in observance of Black History month. After a brief introduction and enthusiastic applause, Aldridge began with a joke. “As the milk cow said to the dairy man, ‘Thanks for the warm hand,’” he said. For the next hour, the audience was taken on a journey through black history via the blues, from deep in the Mississippi Delta, to Alabama, the East Coast, Kansas City, Oklahoma, Texas and California. “I’m going to tell you the history of blues, and hopefully, it will be entertaining,” Aldridge said. “I stick with the old stuff, from Memphis, Mississippi, Alabama, and Tennessee.” According to Aldridge, blues music is evolving. “It’s almost like rock in some places; I guess next we’ll have rap blues,” he said. As his story unfolded, the audience learned the blues has changed with varying locations and situations. “The blues originated in West Africa and came here as a feeling, the soul of it, the spirit of high John the Conqueror,” said the Aldridge. -
Curriculum Vitae Carol Lee Graham
CURRICULUM VITAE CAROL LEE GRAHAM CURRENT POSITIONS Leo Pasvolsky Senior Fellow, Global Economy and Development Program, The Brookings Institution College Park Professor, School of Public Policy, University of Maryland Senior Scientist, the Gallup Organization Research Fellow, Institute for the Study of Labor (IZA), Bonn Expertise: poverty, inequality, subjective well-being, economics of happiness; development economics PREVIOUS POSITIONS Professor, School of Public Policy, University of Maryland, 2005-2008. Co-Director, Center on Social and Economic Dynamics, and Senior Fellow, Economic Studies, The Brookings Institution, 1998-2006. Vice President and Director, Governance Studies Program, The Brookings Institution, July 2002-June 2004. Visiting Professor, Department of Economics, Johns Hopkins University, 1999-2000 Special Advisor to the Deputy Managing Director, International Monetary Fund Fall, 2001. Special Advisor to the Executive Vice President, Inter-American Development Bank, 1997-98. Visiting Fellow, World Bank, Office of the Chief Economist and Vice Presidency for Human Resources, 1994-95. Participated in design and implementation of safety net programs in Latin America and Eastern Europe. Developed comparative research project on political sustainability of reform. Georgetown University, Department of Government, Adjunct Professor, 1990-1994. Guest Scholar, Foreign Policy Studies, The Brookings Institution, 1990 - 1994. Research on safety nets and the sustainability of economic reform in Latin America, Africa, and Eastern Europe. Funded by World Bank, IDB, and the MacArthur Foundation. Duke University, Department of Political Science, Assistant Professor, August 1989 - May 1990. Carol Lee Graham/2 of 24 02/18/18 EDUCATION 1980-1984 Princeton University - A.B. (High Honors) Woodrow Wilson School of Public and International Affairs 1985-1986 The Johns Hopkins University School of Advanced International Studies - M.A. -
Bobby Karl Works the Room Chapter 323 There Was Joy in the Schermerhorn Associated with Inductee Chet Atkins, Symphony Center Monday Night (10/12)
page 1 Wednesday, October 14, 2009 Bobby Karl Works The Room Chapter 323 There was joy in the Schermerhorn associated with inductee Chet Atkins, Symphony Center Monday night (10/12). both in tandem with Paul Yandell and Performer after performer at the solo. third annual Musicians Hall of Fame Chet’s daughter, Merle Atkins ceremony conveyed just how much pure Russell accepted. “It’s a wonderful pleasure there is in making the music night,” she said. “It was all about music, you love. for Daddy. This is huge.” “I’ve been a very blessed person, Harold Bradley described inductee working in the business I love,” said Foster as “a nonconformist” and “a producer inductee Fred Foster. visionary” for having signed and “When you do that, you’re produced such talents as Roy not working, you’re Orbison, Dolly Parton and playing.” Kris Kristofferson, all of “For all the loyal fans, whom appeared in a video thank you for keeping the tribute. Fred-produced spirit alive,” said inductee Tony Joe White got a Billy Cox after performing a standing ovation for a super blistering rock set with his funky workout on “Polk Salad group, featuring guest drummer Annie.” Chris Layton from Stevie Ray “This is a great honor Vaughn’s band Double Trouble. that goes in my memory book for Gary Puckett gleefully turned many visits in the future,” said Fred. the mic over to the audience for a Al Jardine of The Beach Boys sing-along rendition of “Young Girl.” He enthusiastically sang “Help Me Rhonda” inducted percussion, keyboard and vibes before inducting Dick Dale, the King of “musician’s musician” Victor Feldman. -
Insights from Happiness Studies from Around the World Downloaded From
Adaptation amidst Prosperity and Adversity: Insights from Happiness Studies from around the World Downloaded from Carol Graham Some individuals who are destitute report to be happy, while others who are very wbro.oxfordjournals.org wealthy report to be miserable. There are many possible explanations for this paradox; the author focuses on the role of adaptation. Adaptation is the subject of much work in economics, but its definition is a psychological one. Adaptations are defense mechanisms; there are bad ones like paranoia, and healthy ones like humor, anticipation, and sublima- tion. Set point theory—which is the subject of much debate in psychology—posits that people can adapt to anything, such as bad health, divorce, and extreme poverty, and at Joint Bank/Fund Library on February 7, 2011 return to a natural level of cheerfulness. The author’s research from around the world suggests that people are remarkably adaptable. Respondents in Afghanistan are as happy as Latin Americans and 20 percent more likely to smile in a day than Cubans. The find- ings suggest that while this may be a good thing from an individual psychological per- spective, it may also shed insights into different development outcomes, including collective tolerance for bad equilibrium. The author provides examples from the econ- omics, democracy, crime, corruption, and health arenas. JEL codes: I31, I32 When I sell liquor, it’s called bootlegging; when my patrons serve it on Lake Shore Drive, it’s called hospitality. (Al Capone) In the past few years there has been a burgeoning literature on the economics of happiness. While the understanding and pursuit of happiness has been a topic for philosophers—and psychologists—for decades, it is a novel one for economists. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
CAROL LEE GRAHAM CURRENT POSITIONS Leo Pasvolsky
CAROL LEE GRAHAM CURRENT POSITIONS Leo Pasvolsky Senior Fellow, Global Economy and Development Program, The Brookings Institution College Park Professor, School of Public Policy, University of Maryland Senior Scientist, The Gallup Organization Research Fellow, Institute for the Study of Labor (IZA), Bonn Expertise: poverty, inequality, subjective well-being, economics of happiness; development economics Regions: Latin American, Africa, Eastern Europe; U.S. PREVIOUS POSITIONS Professor, School of Public Policy, University of Maryland, 2005-2008. Co-Director, Center on Social and Economic Dynamics, and Senior Fellow, Economic Studies, The Brookings Institution, 1998-2006. Vice President and Director, Governance Studies Program, The Brookings Institution, July 2002-June 2004. Visiting Professor, Department of Economics, Johns Hopkins University, 1999-2000 Special Advisor to the Deputy Managing Director, International Monetary Fund Fall, 2001. Special Advisor to the Executive Vice President, Inter-American Development Bank, 1997-98. Visiting Fellow, World Bank, Office of the Chief Economist and Vice Presidency for Human Resources, 1994-95. Participated in design and implementation of safety net programs in Latin America and Eastern Europe. Developed comparative research project on political sustainability of reform. Georgetown University, Department of Government, Adjunct Professor, 1990-1994. Guest Scholar, Foreign Policy Studies, The Brookings Institution, 1990 - 1994. Research on safety nets and the sustainability of economic reform in Latin America, Africa, and Eastern Europe. Funded by World Bank, IDB, and the MacArthur Foundation. Carol Lee Graham/2 of 24 12/18/20 Duke University, Department of Political Science, Assistant Professor, August 1989 - May 1990. EDUCATION 1980-1984 Princeton University - A.B. (High Honors) Woodrow Wilson School of Public and International Affairs 1985-1986 The Johns Hopkins University School of Advanced International Studies - M.A. -
THE ROAD to HEMISPHERIC COOPERATION: BEYOND the CARTAGENA SUMMIT of the AMERICAS the Brookings Institution I Washington, D.C
THE ROAD TO HEMISPHERIC COOPERATION: BEYOND THE CARTAGENA SUMMIT OF THE AMERICAS The Brookings Institution I Washington, D.C. I July 2012 1 The Road to Hemispheric Cooperation: Beyond the Cartagena Summit of the Americas THE ROAD TO HEMISPHERIC COOPERATION: BEYOND THE CARTAGENA SUMMIT OF THE AMERICAS The Brookings Institution I Washington, D.C. I July 2012 Ted Piccone Inés Bustillo Antoni Estevadeordal Jeffrey M. Puryear Tamara Ortega Goodspeed Thomas A. O’Keefe Kevin Casas-Zamora Lucía Dammert Rubén Perina Jaime Aparicio-Otero ACKNOWLEDGEMENTS The Latin America Initiative undertook an intensive review of The Brookings Institution is a private non-profit organiza- the state of hemispheric cooperation as part of its overarch- tion. Its mission is to conduct high-quality, independent re- ing mission to derive practical policy recommendations from search and, based on that research, to provide innovative, rigorous, empirical research. The authors of these papers are practical recommendations for policymakers and the pub- to be congratulated for meeting this standard. We are also in- lic. The conclusions and recommendations of any Brook- debted to the State Department, particularly John Feeley, Dan ings publication are solely those of its author(s), and do Erikson and Daniel Kurtz-Phelan, for their active participation not reflect the views of the Institution, its management, or and input. We want to give special thanks to the team of the its other scholars. Latin America Initiative—Consuelo Amat, who coordinated this Support for this publication was generously provided by the final publication with utmost professionalism, Diana Caicedo, Ford Foundation. Carlos Aramayo, Emily Alinikoff and Ashley Miller—and to Carol Graham and Kevin Casas-Zamora for their leadership Brookings recognizes that the value it provides is in its ab- as the Initiative prepared to welcome its new Director, Dr. -
BUDDY HOLLY (Charles Hardin Holley) 7Th September 1936 - 3Rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie Van Varik
BUDDY HOLLY (Charles Hardin Holley) 7th September 1936 - 3rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie van Varik. Buddy Holly was born Charles Hardin Holley on 7th September 1936 in Lubbock, Texas. At a young age he learned to play guitar, fiddle and piano. He released only three albums during his short lifetime, before his untimely death in an airplane crash that fateful “day the music died”, 3rd February 1959. However, he had been a prolific writer and a couple of albums consisting of unreleased material and demo recordings were issued posthumously. Buddy Holly was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986, together with The Everly Brothers. The songs are as performed in principal recordings (or demos) by Buddy Holly alone and/or with The Crickets plus those released by other artistes where Buddy was involved. Additionally included, for diehard collectors of all things Holly, are songs where lyrics refer to Buddy Holly or his songs. The bracketed date following the title denotes the year of the initial recording. Where it was difficult to detect precisely what is being sung, queries/gaps or alternative suggestions are included in blue and/or indicated by ??. Details of backing musicians are shown both for the pre and posthumous releases. Reference to The Picks 1980s/90s additional overdubs is omitted. Some very obscure titles have been discovered; information is wanted - dates and any recordings. NB: the notes are from various, sometimes contradictory, sources. In many instances Norman Petty (25th May 1927 - 15th August 1984) is included as a co-composing credit.