Seminole Tribe Breaks Ground for New Lakeland Community
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
March 30 2018 Seminole Tribune
BC cattle steer into Brooke Simpson relives time Heritage’s Stubbs sisters the past on “The Voice” win state title COMMUNITY v 7A Arts & Entertainment v 4B SPORTS v 1C Volume XLII • Number 3 March 30, 2018 National Folk Museum 7,000-year-old of Korea researches burial site found Seminole dolls in Manasota Key BY LI COHEN Duggins said. Copy Editor Paul Backhouse, director of the Ah-Tah- Thi-Ki Museum, found out about the site about six months ago. He said that nobody BY LI COHEN About two years ago, a diver looking for Copy Editor expected such historical artifacts to turn up in shark teeth bit off a little more than he could the Gulf of Mexico and he, along with many chew in Manasota Key. About a quarter-mile others, were surprised by the discovery. HOLLYWOOD — An honored Native off the key, local diver Joshua Frank found a “We have not had a situation where American tradition is moving beyond the human jaw. there’s organic material present in underwater horizon of the U.S. On March 14, a team of After eventually realizing that he had context in the Gulf of Mexico,” Backhouse researchers from the National Folk Museum a skeletal centerpiece sitting on his kitchen said. “Having 7,000-year-old organic material of Korea visited the Hollywood Reservation table, Frank notified the Florida Bureau of surviving in salt water is very surprising and to learn about the history and culture Archaeological Research. From analyzing that surprise turned to concern because our surrounding Seminole dolls. -
Afraid of Bear to Zuni: Surnames in English of Native American Origin Found Within
RAYNOR MEMORIAL LIBRARIES Indian origin names, were eventually shortened to one-word names, making a few indistinguishable from names of non-Indian origin. Name Categories: Personal and family names of Indian origin contrast markedly with names of non-Indian Afraid of Bear to Zuni: Surnames in origin. English of Native American Origin 1. Personal and family names from found within Marquette University Christian saints (e.g. Juan, Johnson): Archival Collections natives- rare; non-natives- common 2. Family names from jobs (e.g. Oftentimes names of Native Miller): natives- rare; non-natives- American origin are based on objects common with descriptive adjectives. The 3. Family names from places (e.g. following list, which is not Rivera): natives- rare; non-native- comprehensive, comprises common approximately 1,000 name variations in 4. Personal and family names from English found within the Marquette achievements, attributes, or incidents University archival collections. The relating to the person or an ancestor names originate from over 50 tribes (e.g. Shot with two arrows): natives- based in 15 states and Canada. Tribal yes; non-natives- yes affiliations and place of residence are 5. Personal and family names from noted. their clan or totem (e.g. White bear): natives- yes; non-natives- no History: In ancient times it was 6. Personal or family names from customary for children to be named at dreams and visions of the person or birth with a name relating to an animal an ancestor (e.g. Black elk): natives- or physical phenominon. Later males in yes; non-natives- no particular received names noting personal achievements, special Tribes/ Ethnic Groups: Names encounters, inspirations from dreams, or are expressed according to the following physical handicaps. -
March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
A Tribute to Betty Price Thank You, Betty
IMPROVING LIVES THROUGH THE ARTSNEWSLETTER OF THE OKLAHOMA ARTS COUNCIL FALL 2007 Thank You, Betty or 33 years, Betty Price has been the voice of the Oklahoma Arts Council. Recently retired Fas Executive Director, Price has been at the helm of this state agency for most of its existence. We couldn’t think of anyone more eloquent than her good friend, Judge Robert Henry to celebrate Betty and her passionate commitment to Oklahoma and to the arts. We join Judge Henry and countless friends in wishing Betty a long, happy and productive retirement. A Tribute to Betty Price From Judge Robert Henry ur great President John Fitzgerald Kennedy once noted: “To further the appreciation of Oculture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art -- this is one of the fascinating challenges of these days.” Betty Price took that challenge more seriously than any other Oklahoman. And, it is almost impossible to imagine what Oklahoma’s cultural landscape would look like without her gentle, dignified, and incredibly Betty in front of the We Belong to the Land mural by Jeff Dodd. persistent vision. Photo by Keith Rinerson forMattison Avenue Publishing Interim Director. Finally, she was selected by the Council to serve as its Executive Director. Betty, it seems, has survived more Oklahoma governors than any institution except our capitol; she has done it with unparalleled integrity and artistic accomplishment. Betty and Judge Robert Henry during the dedication of the Ada Lois Sipuel Fisher portrait by Mitsuno Reedy. -
Pbr Tours & World Finals
PBR TOURS & WORLD FINALS PBR TOURS & WORLD FINALS PBR USA Tours ............................... 2 PBR Unleash The Beast ........................ 2 PBR Pendleton Whisky Velocity Tour ............. 3 PBR Touring Pro Division ....................... 4 PBR Australia ................................. 5 PBR Brazil ................................... 6 PBR Canada .................................. 7 PBR Mexico .................................. 8 PBR World Finals ............................. 9 2020 PBR World Champion .................... 10 2020 PBR World Finals Event Winner and Rookie of the Year ........................ 12 2020 YETI PBR World Champion Bull ........... 13 2020 PBR World Finals Awards ................ 15 2020 PBR World Finals Event Results ........... 16 PBR TOURS & WORLD FINALS PBR USA TOURS The PBR brings “America’s Original Extreme Sport” to major arenas across the United States with the nationally-televised Unleash The Beast, featuring the Top 35 bull riders in the world, in addition to the Pendleton Whisky Velocity Tour and Touring Pro Division, the PBR’s expansion and developmental tours. respectively. Each event pits the toughest bull riders in the world against the top bovine athletes on the planet. During two hours of heart-pounding, bone-crushing, edge-of-your-seat excitement fans are entertained by the thrills and spills on the dirt against the back drop of the show’s rocking music and pyrotechnics. It is world class athleticism and entertainment rolled into one, unlike any other major-league sport. UNLEASH THE BEAST The PBR’s nationally- televised Unleash The Beast (UTB) features the world’s Top 35 bull riders going head-to-head against the fiercest bucking bulls on the planet. During a regular-season, two-day UTB event, each of the 30 riders will ride in one round each day - Round 1 and Round 2. -
Inting in the Sap Francisco Bay Area Series
Regional Oral History Office University of California The Bancrof t Library Berkeley, California Books and Printing in the Sap Francisco Bay Area Series Leah Wollenberg Stella Patri Duncan Olmsted Stephen Gale Herrick Barbara Fallon Hiller THE HAND BOOKBINDING TRADITION IN THE SAN FRANCISCO BAY AREA With an Introduction by Deborah M. Evetts Interviews Conducted by Ruth Teiser and Catherine Harroun 1980-1981 Copyright @ 1982 by Thi Regents of the University of California This manuscript is made available for research purposes. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Wbrary of the University of California at Berkeley. Requests for permission to quote for publication should be addressed to the Regional Oral History Office, 486 Library, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. It is recommended that this oral history be cited as follows: To cite the volume: The Hand Bookbinding Tradition in the San Francisco Bay Area,. an oral history series conducted 1980-1981, Regional Oral History Office, The Bancroft Wbrary, University of California, Berkeley, 1982. To cite individual interview: Stella Patri, "An Interview with Stella Patri," an oral history conducted in 1980 by Ruth Teiser and Catherine Harroun, in The Hand Bookbinding Tradition in the San Francisco Bay Area, Regional Oral History Office, The Bancroft Library,- - University of ~alifornia,Berkeley, 1982 Copy no. -
Call the Seminole Tribune Hamilton, MT
Seminole Grass Dancers honored at Fair, see special section. Tribe gives Broward Commisioners framed Seminole Heritage Celebration poster. Shark attack, page 10. Bulk Rate U.S. Postage Paid Lake Placid FL Permit No. 128 TheSEMINOLE TRIBUNE “Voice of the Unconquered” 50c www.seminoletribe.com Volume XXI Number 3 March 3, 2000 Hunting Gator By Colin Kenny BIG CYPRESS — Jay Young has handled many a gator on his father’s alligator farm for the last 13 years. He has done it all, from wrestling the surly reptiles in front of gaping spectators and rais- ing the mega-lizards from birth to nursing some really sickly saurians back Colorado Gator Farmers to health. Unlike many alligator wrestlers, though, Jay has yet to have a close encounter with the scaly beastie in its natural habitat. But then again, one doesn’t encounter too many wild gators — in Colorado. As the main alligator wrangler out west, it was Jay who got the call to bring one to New Mexico last November. The caller was Seminole Chief Jim Billie who wanted to bring a live gator on stage with him at the Native American Music Awards (NAMA) in Albuquerque, N.M. A few hours after the Chief called, Jay, 25, and Paul Wertz, 28, of Colorado Gators were carry- ing an eight-foot gator to the stage while the Chief performed his signature song “Big Alligator” to a frenzied, sold out Popejoy Hall crowd at the University of New Mexico. Chief Billie returned the favor last week by having the two young men, Jay’s pregnant wife, Cathy, and Paul’s fiancée, Fawn, flown to Big Cypress, Florida for some real live gator huntin.’ Chief Billie — along with experienced gator-men Joe Don Billie, Danny Johns, and Roscoe Coon — took the Coloradoans down Snake Road to a spot near the Seminole/Miccosukee reservation line where a fairly large gator had been spotted ear- lier on the bank of the canal. -
Front Desk Concierge Book Table of Contents
FRONT DESK CONCIERGE BOOK TABLE OF CONTENTS I II III HISTORY MUSEUMS DESTINATION 1.1 Miami Beach 2.1 Bass Museum of Art ENTERTAINMENT 1.2 Founding Fathers 2.2 The Wolfsonian 3.1 Miami Metro Zoo 1.3 The Leslie Hotels 2.3 World Erotic Art Museum (WEAM) 3.2 Miami Children’s Museum 1.4 The Nassau Suite Hotel 2.4 Pérez Art Museum Miami (PAMM) 3.3 Jungle Island 1.5 The Shepley Hotel 2.5 Miami Science Museum 3.4 Rapids Water Park 2.6 Vizcaya Museum & Gardens 3.5 Miami Sea Aquarium 2.7 Frost Art Museum 3.6 Lion Country Safari 2.8 Museum of Contemporary Art (MOCA) 3.7 Seminole Tribe of Florida 2.9 Lowe Art Museum 3.8 Monkey Jungle 2.10 Flagler Museum 3.9 Venetian Pool 3.10 Everglades Alligator Farm TABLE OF CONTENTS IV V VI VII VIII IX SHOPPING MALLS MOVIE THEATERS PERFORMING CASINO & GAMING SPORTS ACTIVITIES SPORTING EVENTS 4.1 The Shops at Fifth & Alton 5.1 Regal South Beach VENUES 7.1 Magic City Casino 8.1 Tennis 4.2 Lincoln Road Mall 5.2 Miami Beach Cinematheque (Indep.) 7.2 Seminole Hard Rock Casino 8.2 Lap/Swimming Pool 6.1 New World Symphony 9.1 Sunlife Stadium 5.3 O Cinema Miami Beach (Indep.) 7.3 Gulfstream Park Casino 8.3 Basketball 4.3 Bal Harbour Shops 9.2 American Airlines Arena 6.2 The Fillmore Miami Beach 7.4 Hialeah Park Race Track 8.4 Golf 9.3 Marlins Park 6.3 Adrienne Arscht Center 8.5 Biking 9.4 Ice Hockey 6.4 American Airlines Arena 8.6 Rowing 9.5 Crandon Park Tennis Center 6.5 Gusman Center 8.7 Sailing 6.6 Broward Center 8.8 Kayaking 6.7 Hard Rock Live 8.9 Paddleboarding 6.8 BB&T Center 8.10 Snorkeling 8.11 Scuba Diving 8.12 -
Introduction Since Time Immemorial, Human Beings Have Used Narrative
Chapter 1 – Introduction Since time immemorial, human beings have used narrative to help us make sense of our experience of life. From the fireside to the theatre, from the television and silver screen to the more recent manifestations of the virtual world, we have used storytelling as a means of providing structure, order, and coherence to what can otherwise appear an overwhelming infinity of random, unrelated events. In ordering the perceived chaos of the world around us into a structure we can grasp, narrative provides insight and understanding not only of events themselves, but on a more fundamental level, of the very essence of what it means to live as a human being. As the primary means by which historical writing is organized, narrative has attracted a large body of historians and philosophers who have grappled with its impact on our understanding of the past. Underlying their work is the tension between historical writing as a reflection of what took place in the past, and the essence of narrative as a creative, imaginative act. The very structure of Aristotelian narrative, with its causal link between events, its clearly defined beginning, middle and end, its promise of catharsis, its theme or moral, reflects an act of imagination on the part of its author. While an effective narrative first and foremost strives to draw us into its world of story and keep us there until the ending, the primary goal of historical writing, in theory at least, is to increase our understanding about the past. While these two goals are not inherently incompatible, they do not always work in concert. -
A Compass for Understanding and Using American Community Survey Data
A Compass for Understanding and Using Issued American Community Survey Data August 2009 What Users of Data for Rural Areas Need to Know USCENSUSBUREAU U.S. Department of Commerce WhatEconomics Users and of Stat Dataistics Administra for Ruraltion Areas Need to Know i U.S. CENSUS BUREAU HelpingU.S. Census You Bureau,Make A InformedCompass for Understanding Decisions and Using American Community Survey Data Acknowledgments Paul R. Voss, Senior Spatial Analyst, Odum Institute for Research in Social Science, University of North Carolina at Chapel Hill, Katherine J. Curtis, Department of Rural Sociology, University of Wisconsin-Madison/Extension, and Daniel Veroff , Director, Applied Population Laboratory, Department of Rural Sociology, University of Wisconsin-Madison/Extension, drafted this handbook for the U.S. Census Bureau’s American Community Survey Office. Kennon R. Copeland and John H. Thompson of National Opinion Research Center at the University of Chicago drafted the technical appendixes. Edward J. Spar, Executive Director, Council of Professional Associations on Federal Statistics, Frederick J. Cavanaugh, Executive Business Director, Sabre Systems, Inc., Susan P. Love, Consultant, Linda A. Jacobsen, Vice President, Domestic Programs, Population Reference Bureau, and Mark Mather, Associate Vice President, Domestic Programs, Population Reference Bureau, provided initial review of this handbook. Deborah H. Griffin, Special Assistant to the Chief of the American Community Survey Office, provided the concept and directed the development and release of a series of handbooks entitled A Compass for Understanding and Using American Community Survey Data. Cheryl V. Chambers, Colleen D. Flannery, Cynthia Davis Hollingsworth, Susan L. Hostetter, Pamela M. Klein, Anna M. Owens, Clive R. Richmond, Enid Santana, and Nancy K. -
The Jamison Galleries Collection
THE JAMISON GALLERIES COLLECTION BETTY W. AND ZEB B. CONLEY PAPERS New Mexico Museum of Art Library and Archives Dates: 1950 - 1995 Extent: 7.33 linear feet Contents Part One. Materials on Artists and Sculptors Part Two. Photographs of Works Part Three. Additional Material Revised 01/11/2018 Preliminary Comments The Jamison Galleries [hereafter referred to simply as “the Gallery”] were located on East Palace Avenue, Santa Fe, from August 1964 until January 1993, at which time it was moved to Montezuma Street. There it remained until December 1997, when it closed its doors forever. Originally owned by Margaret Jamison, it was sold by her in 1974 to Betty W. and Zeb B. Conley. The Library of the Museum of Fine Arts is indebted to the couple for the donation of this Collection. A similar collection was acquired earlier by the Library of the records of the Contemporaries Gallery. Some of the artists who exhibited their works at this Gallery also showed at The Contemporaries Gallery. Included in the works described in this collection are those of several artists whose main material is indexed in their own Collections. This collection deals with the works of a vast array of talented artists and sculptors; and together with The Contemporaries Gallery Collection, they comprise a definitive representation of southwestern art of the late 20th Century. Part One contains 207 numbered Folders. Because the contents of some are too voluminous to be limited to one folder, they have been split into lettered sub-Folders [viz. Folder 79-A, 79-B, etc.]. Each numbered Folder contains material relating to a single artist or sculptor, all arranged — and numbered — alphabetically.