Silver Anniversary Fest a Blast! Plans Underway For
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Part 2 of Selected Discography
Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics -
J. Dorsey, Earl Hines Also Swell Trombone Showcased
DOWN BEAT Chicago. April 15. 1941 Chicago fl by his latest cutting. Everything Depends On You, in which he spots Gems of Jazz’ and Kirby Madeline Green and a male vocal trio. On BBird 11036, it’s a side which shows a new Hines, a Hines who can bow to the public’s de Albarns Draw Big Raves; mands and yet maintain a high artistic plane. Backer is In Suiamp Lande, a juniper, with the leader’s I—Oh Le 88, Franz Jackson’s tenor and a »—New ' J. Dorsey, Earl Hines Also swell trombone showcased. Je Uy, 3—dmapi Jelly (BBird 11065) slow 4—Perfid by DAVE DEXTER, JR. blues with more sprightly Hines, 5—The A and a Pha Terrelish v ical by Bill 6—High I JvlUSICIANS SHOULD FIND the new “Gems of Jazz” and Eckstein. Flipover, I’m Falling 7—There' For You, is the only really bad John Kirby albums of interest, for the two collections em side of the four. It’s a draggy pop 9—Chapeí brace a little bit of everything in the jazz field. The “Gems” with too much Eckstein. [O—Th> l include 12 exceptional sides featuring Mildred Bailey, Jess 11—f Unti Stacy, Lux Lewis, Joe Marsala and Bud Freeman. Made in Jimmy Dorsey 12—Frenes 1936, they’ were issued only in England on Parlophone and Hot as a gang of ants on a WATCH O have been unavailable domestically until now. warm rock, Jim and his gang click again with two new Tudi« Cama Ma «mvng tl B a i 1 ey’s rata versions uf Yours (the Man Behind the Counter in soda-jerk getup in that rat. -
JAZZ WORTH READING: “THE BOSTON JAZZ CHRONICLES: FACES, PLACES and NIGHTLIFE 1937-1962″ Posted on February 20, 2014
From Michael Steinman’s blog JAZZ LIVES MAY YOUR HAPPINESS INCREASE. Jazz: where "lives" is both noun and verb JAZZ WORTH READING: “THE BOSTON JAZZ CHRONICLES: FACES, PLACES AND NIGHTLIFE 1937-1962″ Posted on February 20, 2014 Some of my readers will already know about Richard Vacca’s superb book, published in 2012 by Troy Street Publishing. I first encountered his work in Tom Hustad’s splendid book on Ruby Braff, BORN TO PLAY. Vacca’s book is even better than I could have expected. Much of the literature about jazz, although not all, retells known stories, often with an ideological slant or a “new” interpretation. Thus it’s often difficult to find a book that presents new information in a balanced way. BOSTON JAZZ CHRONICLES is a model of what can be done. And you don’t have to be particularly interested in Boston, or, for that matter, jazz, to admire its many virtues. Vacca writes that the book grew out of his early idea of a walking tour of Boston jazz spots, but as he found out that this landscape had been obliterated (as has happened in New York City), he decided to write a history of the scene, choosing starting and ending points that made the book manageable. The book has much to offer several different audiences: a jazz- lover who wants to know the Boston history / anecdotal biography / reportage / topography of those years; someone with local pride in the recent past of his home city; someone who wishes to trace the paths of his favorite — and some obscure — jazz heroes and heroines. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
George Wein's Dixie-Victors Featuring Ruby Braff
George Wein's Dixie-Victors The Magic Horn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Stage & Screen Album: The Magic Horn Country: Canada Released: 1956 Style: Dixieland MP3 version RAR size: 1879 mb FLAC version RAR size: 1285 mb WMA version RAR size: 1808 mb Rating: 4.6 Votes: 870 Other Formats: VOC APE AA VOX XM DMF TTA Tracklist A1 The Magic Horn A2 Sugar A3 Struttin' With Some Barbecue A4 Ain't Gonna Give Nobody None Of My Jellyroll B1 A Monday Date B2 Squeeze Me B3 On The Sunny Side Of The Street B4 Loveless Love B5 Dippermouth Blues Credits Banjo – Danny Barker Baritone Saxophone – Ernie Caceres Bass – Milt Hinton Clarinet – Bill Stegmeyer, Peanuts Hucko Drums – Buzzy Drootin Piano, Creative Director [Musical Director] – George Wein Trombone – Vic Dickenson Trumpet – Jimmy McPartland, Ruby Braff Notes Black label with silver print, white dog logo at top, and "Long Play" at bottom. Studio performances by group assembled for NBC-TV production, "The Magic Horn". Many of the musicians had acting roles in the show, as detailed on the back cover. Other versions Category Artist Title (Format) Label Category Country Year George Wein's Dixie George Wein's Dixie Victors, Ruby Braff - The RCA A10V 0090 A10V 0090 Italy 1956 Victors, Ruby Braff Magic Horn (10", Album, Italiana Mono) George Wein's Dixie- George Wein's Dixie- Victors* Featuring Ruby RCA LPM-1332 Victors* Featuring LPM-1332 US 1956 Braff - The Magic Horn (LP, Victor Ruby Braff Album, Mono) Related Music albums to The Magic Horn by George Wein's Dixie-Victors Ruby Braff & His New England Songhounds - Volume One George Wein And His All-Stars - George Wein Is Alive And Well In Mexico Ruby Braff And Ellis Larkins - 2 X 2 Ruby Braff - Born To Play Ruby Braff Octet - Hey, Ruby! Ruby Braff - Holiday In Braff Various - Jazz A La Midnight Buster Bailey, Vic Dickenson, Marty Napoleon, Arvell Shaw, Rex Stewart, George Wettling, "Pee Wee" Irwin, Claude Hopkins, Milt Hinton - Drum Sticks • Trumpet • And Dixieland. -
Library to Open Summer Library Test to Be Tonight, Tomorrow
/ THURSDAY, MAY 12, 1966 PAGE Z GEORGIA STAn: SIGNAL Library To Open Summer Dr. William R. Pullen, librar- ian at State, said he now ex- pects the new library to be opened by the beginning of Summer Quarter. If there are no further delays, he said he hopes the move can be made during the quarter break. Pullen said construction of the three floors to be added to the present structure is sched- uled to begin in OCtober. He estimated the cost of the cur- rent phase of construction at $1.75 million. The total cost of the finished library, including the addition and furnishings, GLASS REFLECTS KELL, SPARKS HALL State's New Library Due to Open by Summer Quarter will be approximately $4.5 mil- lion. The new library will provide two coin-operated Xerox ma- chines and facilities for listening Library Test to Be to records checked out from the circulation department. Tonight, Tomorrow SJ.\I':I~{IlelO Until lounges for llstening to the records are built in the new The freshman library test will be given for the last times addition, headsets will be fur- prior to preregistration today and tomorrow in the Assembly SCRIIIDE I nished with the stereo cabinets. Hall. The test will be given tonight at six o'clock. Tomorrow it Soft as a puppy, The fourth and fifth floors of will be given at 2 and 3 p.m. yet rugged as an old hound dog. the completed llbrary will in- This will be the final oppor- Salty Dog, the original all-cotton clude shelves interspersed with tunity for freshman who enter- Scrubdenim by Canton" .. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
ISSUE 22 ° May 2011
Ne w s L E T T e R Editor: Dave Gelly ISSUE 22 ° May 2011 Ready for the Second Round We have now success- packs on the theme ‘The fully completed the devel- Story of British Jazz’, empha- opment phase of the sising the people and places Simon Spillett Talkin’ (and Access Development involved, and also the wider Playin’) Tubby Project for the Heritage social and cultural aspect of A celebration of the Music, Life Lottery Fund bid. Working the times. Some of these are NATIONAL JAZZ ARCHIVE JAZZ NATIONAL and times of the late, great British with Essex Record Office touched on in the Archive’s and Flow Associates, our exhibition at the Barbican jazz legend Tubby Hayes education and outreach Music Library (see below). With John Critchinson (piano), consultants, we have Alec Dankworth (bass) and developed our plans to Clark Tracey (drums) apply for the second NJA Exhibition Saturday 23 July 2011 round – funding of £388,000 opens at Barbican 1.30 - 4.30pm, at Loughton Methodist Church for a three-year delivery Music Library project. Tickets £10 from David Nathan at The Archive’s exhibition the Archive (cheques payable to This will involve building at the Barbican Music Library National Jazz Archive) on what we have so far is set to open on Tuesday 3rd See also Pages 5 & 6 achieved in increasing access May. It presents the people, to our collections during the places, bands and great jazz development phase - con- events, portrayed in rare serving, cataloguing, digitis- photos, posters, books, ing, developing outreach magazines and ephemera facilities, and collaborating from our fast-growing on projects with those who collection. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered. -
At Last We Are Able to Offer the 5 Missing Jazz Oracle Titles Again!
They’re back!!! At last we are able to offer the 5 missing Jazz Oracle titles again! RE-PRESSED! ROGER WOLFE KAHN – Recorded in New York 1925-1928 BDW8013 1 CD £12.99 A selection of the most jazz-oriented recordings by this fine dance orchestra made for Victor, Perfect, Brunswick and Columbia. Features Miff Mole, Arthur Schutt, Joe Venuti, Eddie Lang, Artie Shaw, and Charlie Teagarden. Also includes a previously unissued performance of Rhythm of the Day. RE-PRESSED! DALLAS RHYTHM – Recorded in Dallas and St Louis 1924-1929 BDW8021 1 CD £12.99 Includes the complete recordings of Dallas-based bandleader Jack Gardner, as well as selected recordings by Randolph McCurtain, Phil Baxter and Herman Waldman. The 32-page booklet includes extensive liner notes by researcher Dick Raichelson, as well as previously unpublished information and newly-found details of the activities of these territory bandleaders. RE-PRESSED! DIME STORE HOT DANCE 1927-1930 BDW8023 1 CD £12.99 A selection of hot dance recordings from 1927 to 1930 made for release on the Plaza and Compo stable of labels. Features hot solo work by Tommy Gott, Bob Effros, Tommy Dorsey, Jimmy Dorsey, Arthur Schutt and others. Exhaustive booklet with full band personnel and recording dates. RE-PRESSED! ARCADIA SHUFFLE 1924-1925 BDW8027 1 CD £12.99 The complete recordings of the Arcadian Serenaders and the Original Crescent City Jazzers, and selected recordings by the Arcadia Peacock Orchestra of St. Louis. Includes extensive notes by James K. Williams and many recently- discovered photographs. Plus full recording details, personnel and dates. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
17.4.1930 – 2.3.2021
CHRIS BARBER - 17.4.1930 – 2.3.2021 A very sad message has reached us! On March 2nd, 2021 Chris Barber died at the age of 90years. Thus, one of the best known, most interesting and versatile jazz musicians in Europe, has left the world’s musical stage. Having been born into a middle-class family in Welwyn Garden City on 17th April 1930, Chris showed a special aptitude for numbers and calculation and began studies in mathematics and statistics, however, as jazz records began to filter into post-war Britain, he changed direction and entered the Guildhall School Of Music in London to study trombone and double bass. He formed his first band in 1949 and the following year changed to a 2-cornet frontline based on the classic King Oliver Creole Jazz Band of 1923. It was on 31st May 1954 when Chris Barber took over leadership of the Ken Colyer Jazz Band due to Ken being dismissed because of “artistic differences” , that the CB success story really began. Ken was replaced by Pat Halcox from the Albemarle Jazz Band and he stayed with Chris Barber for over 54 years, making it the longest partnership in jazz history!! Chris was not only a pioneer of European traditional jazz from 1950 till 2019 but also a significant promoter and developer of the European jazz, blues and R&B scene. Although his music was based on traditional jazz, he experimented with new styles and different musicians from all over the world and incorporated them into his repertoire at an early stage.