Australian Citizenship
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fred Hollows Fact Sheet
“ I believe that the basic attribute of mankind is to look after each other” Professor Fred Hollows Photo: Michael Amendolia Professor Fred Hollows Who was Fred Hollows? Fred Hollows was an eye doctor who spent his life helping those who couldn’t afford, or access, basic eye care. He worked really hard to end avoidable blindness and improve the health of Indigenous Australians. In the late 1960s and 1970s Fred was shocked to discover that Aboriginal Australians were suffering from some of the worst eye diseases he had ever seen. So he decided to do something about it. He What is an eye doctor? travelled with a team of 80 doctors to 465 remote communities, helping more than 60,000 Indigenous people and giving away over An eye doctor, also called an 10,000 pair of glasses. This was just the beginning of Fred’s long Ophthalmologist, is a campaign to improve health services for Aboriginal people. medical doctor who In the 1980s and 90s, Fred discovered that millions of people in poor specialises in the diagnosis communities around the world were also going blind because of eye and treatment of diseases of disease. Most of them were suffering from cataract blindness, an eye the eye. Eye doctors are disease that causes the lens of the eye to become cloudy and fuzzy. trained to provide a full Luckily, cataract blindness is easy to fix. Eye doctors just take out the range of eye care, old cloudy lens and replace it with a new plastic one, allowing people everything from prescribing to see again. -
Tim Flannery, the Weather Makers: the History and Future Impact of Climate Change
Tim Flannery, The Weather Makers: The History and Future Impact of Climate Change. Melbourne: Text Publishing, 2005. ISBN 1-920-88584-6 Paul Starr There are three modes of analysis in Tim Flannery’s recent climate change book: the historical, the diagnostic, and the prescriptive. The first two modes – charting the history of climate change, the history of climate science, and working out the parameters of our current predicament – take up almost all of the book. The move into prescription out of diagnosis, into what people can do to avoid or mitigate the impacts of climate change, happens in the last pages of the book, and this imbalance points to an important bind in which popular non-fiction writing about climate change for a general audience often finds itself. I will come back to this bind at the end of this review. Tim Flannery is well known in Australia, and to a lesser extent overseas, as a science- based provocateur. Earlier books based on his fieldwork in Papua New Guinea have drawn on archaeology and anthropology to explain issues such as biodiversity loss to a general audience. Books such as The Future Eaters and Throwim Way Leg contributed to popular debates on issues as diverse as the impacts of human cultures on historical ecosystems and the causes of past extinction events (such as those of Australian giant marsupials), through to the capacity of current societies to see how their behaviours contribute to, or detract from, the quality of human and non-human futures. Climate change was in many ways a new subject for Flannery. -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
National Portrait Gallery of Australia Annual Report 18/19
National Portrait Gallery of Australia Annual Report 18/19 Study of Louis Nowra 2018 by Imants Tillers commissioned with funds provided by Tim Bednall, Jillian Broadbent ao, John Kaldor ao and Naomi Milgrom ao, Anna Meares 2018 by Narelle Autio commissioned with funds provided by King & Wood Mallesons and Li Cunxin 2017–18 by Jun Chen commissioned with funds provided by Tim Fairfax ac. On display as part of the 20/20: Celebrating twenty years with twenty new portrait commissions exhibition. b National Portrait Gallery of Australia Annual Report 18/19 © National Portrait Gallery The National Portrait Gallery is located on of Australia 2019 King Edward Terrace in the Parliamentary Zone of Canberra. issn 2204-0811 Location and opening hours All rights reserved. No part of this publication The National Portrait Gallery is situated in front may be reproduced or transmitted in any form of the High Court and alongside the National or by any means, electronic or mechanical Gallery of Australia. The Gallery is open daily (including photocopying, recording or any from 10.00am to 5.00pm, except for Christmas information storage and retrieval system), Day 25, December. For more information visit without permission from the publisher. portrait.gov.au All photographs unless otherwise stated Parking by Mark Mohell. The underground public car park can be accessed from Parkes Place. The car park is open seven This report is also accessible on the days per week and closes at 5.30pm. Parking National Portrait Gallery’s website spaces for people with mobility difficulties are portrait.gov.au provided in the car park close to the public access lifts. -
Official Hansard Report
2020/2021 SESSION of the BERMUDA SENATE OFFICIAL HANSARD REPORT 24 MARCH 2021 Virtual Sitting Sitting10 of the 2020/2021 Session (pages 205–274) Sen. The Hon. Joan E. Dillas-Wright, MBE, JP President Disclaimer: The electronic version of the Official Hansard Report is for informational purposes only. The printed version remains the official record. Official Hansard Report 24 March 2021 205 BERMUDA SENATE OFFICIAL HANSARD REPORT VIRTUAL SITTING 24 MARCH 2021 10:08 AM Sitting Number 10 of the 2020/21 Session [Sen. the Hon. Joan E. Dillas-Wright, President, pre- MESSAGE FROM HOUSE OF ASSEMBLY siding] APPROPRIATION ACT 2021 The President: Good morning, Senators, and the lis- tening audience. The Senate is in session. The Clerk: Yes, we do, Madam President. Shall we pray? The message is number 9, and the message reads: PRAYERS “To the Honourable the President and Mem- bers of the Senate: The House of Assembly has the [Prayers read by Sen. the Hon. Joan E. Dillas-Wright, honour to forward herewith the undernoted Bill for the President] concurrence of your House, the Appropriation Act 2021. Copies of the Estimates of Revenue and Ex- CONFIRMATION OF MINUTES penditure for 2021/22 are also forwarded for the in- [Minutes of 3 March 2021] formation of your House.” And that is signed by the Speaker, the Hon- The President: The second item on our agenda is the ourable Dennis P. Lister, [Jr.] JP, MP, and dated confirmation of minutes, Senator Michelle Simmons. March 22, 2021. Sen. Michelle Simmons: Good morning, Madam The President: Thank you, Mr. Somner. -
Thinking About Climate Change Change Climate About Thinking
THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS THINKING ABOUT THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS Written for teachers by teachers, this resource is designed to make teaching about climate change easy and accessible. It provides ideas for teachers in all states across key learning areas, and prepared worksheets appropriate for years 7–10. Including material drawn from Tim Flannery’s CLIMATE We Are the Weather Makers, it offers a valuable learning opportunity for students and will help develop both their thinking skills and understanding of climate change—the science, impacts and solutions. Also available online at www.theweathermakers.com NOT FOR SALE This is a free publication. Based on Tim Flannery’s CHAWE ARE THE A GUIDENG FOR TEACHERS AND STUDENTSE WEATHER MAKERS TEXT PUBLISHING COVER PHOTOGRAPH: GETTY IMAGES DESIGN: SUSAN MILLER THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS devised by: David Harding Rose Iser Sally Stevens TEXT PUBLISHING The Text Publishing Company Swann House 22 William Street Melbourne Victoria 3000 Australia www.textpublishing.com.au Copyright © Text Publishing 2007 Excerpts © Tim Flannery ALL RIGHTS RESERVED. All or part of this publication may be photocopied or printed providing it is for educational, non-profit purposes only. No part may be otherwise reproduced, stored in or introduced into a retrieval system, or transmitted in any form by any means electronic, mechanical or recording without the prior consent of the copyright owner and the publisher of this book. Book design & typesetting: Susan Miller Illustrations: Angela Ho Printed and bound in Australia by Print Bound NOT FOR SALE This is a free publication. -
Tim Flannery's
‘He can visualise our world in fifty years, and this vision haunts him’: Tim Flannery’s ‘Now or Never: A Sustainable Future for Australia?’1 Issue 9, December 2008 | David Hodgkinson If human beings follow a business-as-usual course, continuing to exploit fossil fuel resources without reducing carbon emissions or capturing and sequestering them before they warm the atmosphere, the eventual effects on climate and life may be comparable to those at the time of mass extinctions. Life will survive, but it will do so on a transformed planet. For all foreseeable human generations, it will be a far more desolate world than the one in which civilization developed and flourished during the past several thousand years. - Professor James Hansen, Director of the NASA Goddard Institute for Space Studies and Adjunct Professor of Earth and Environmental Sciences, Earth Institute, Columbia University2 Until a few years ago Tim Flannery was best known for his book The Future Eaters,3 an ecological history of Australia. The Future Eaters is, in part, about the subtle interaction that makes an ecosystem work. It also presents an argument for sustainability, and climate change in a sustainability context has been the focus of Flannery’s work ever since. He was the Australian of the Year in 2007. In September 2008 Flannery appeared on Enough Rope with Andrew Denton, and Denton said to him: ‘Australian of the Year is not supposed to be political in his or her comments. Was it perhaps a useful place to put you, where you couldn’t be political?’4 He responded: ‘it might have been, but I sort of made it clear on the day that I got the Award that I wasn’t going to shut up. -
EYE2EYE 2The Magazine of the Leaders in Collaborative Eye Care
Quarter 1 2020 VOLUME 23 ISSUE 1 EYE2EYE 2the magazine of the leaders in collaborative eye care IN THIS Australia Day Honours Increased Physical Activity Triathlete Couple RANZCO Welcome Two pg.28 Keeps the Mind Healthy Conquers Ironman New Board Directors ISSUE: pg.32 pg.49 pg.52 Paired for Performance STELLARIS ELITE ™ + CAPSULE GUARD ® CapsuleGuard® Handpiece Excellent in all phases of I/A “ The aptly named CapsuleGuard is the best IA device I have used to date. It provides more degrees of freedom than any other I/A device: the soft, smooth, relatively transparent silicon tip obviates metal on capsule contact and three different tip angulations Built for the next generation. cater for various surgeon proclivities. The optimised But ready for this one. aspiration port allows safe, efficient cortical cleanup and polishing of both anterior and posterior capsule “ I believe that the Stellaris Elite is one of the most and also, removal of epinucleus if required. The dual advanced Phaco platforms on the market today, and irrigation ports allow uniform capsular irrigation and one of the most efficient cataract surgical devices maintenance of capsular bag space. Overall this “ I have ever worked with. For cortical cleanup, device adds a safety margin previously unattainable. CapsuleGuard is an excellent choice to combine with Prof Minas T Coroneo the Elite platform. The one piece disposable silicone I/A comes in several diameters which allows for a water tight closure of the incision “ during I/A which helps in reducing fluid utilization. Dr Mitch Shultz Call Today to Test Drive Stellaris Elite ™ with CapsuleGuard ® 1800 251 150 © 2019 Bausch & Lomb Incorporated. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes. -
The Life and Times of the Remarkable Alf Pollard
1 FROM FARMBOY TO SUPERSTAR: THE LIFE AND TIMES OF THE REMARKABLE ALF POLLARD John S. Croucher B.A. (Hons) (Macq) MSc PhD (Minn) PhD (Macq) PhD (Hon) (DWU) FRSA FAustMS A dissertation submitted for the degree of Doctor of Philosophy University of Technology, Sydney Faculty of Arts and Social Sciences August 2014 2 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12 August 2014 3 INTRODUCTION Alf Pollard’s contribution to the business history of Australia is as yet unwritten—both as a biography of the man himself, but also his singular, albeit often quiet, achievements. He helped to shape the business world in which he operated and, in parallel, made outstanding contributions to Australian society. Cultural deprivation theory tells us that people who are working class have themselves to blame for the failure of their children in education1 and Alf was certainly from a low socio-economic, indeed extremely poor, family. He fitted such a child to the letter, although he later turned out to be an outstanding counter-example despite having no ‘built-in’ advantage as he not been socialised in a dominant wealthy culture. -
Annual Report 2011 the University of New South Wales
Annual Report 2011 The University of New South Wales Never Stand Still The Tyree Energy Technologies Building is our new home for interdisciplinary energy research and teaching under the umbrella of the Australian Energy Research Institute. This state of the art, 6 Star Green Star building was supported by $75 million in funding from the Federal Government and a major philanthropic donation from UNSW alumnus Sir William Tyree. Photos: Maja Baska and Paul Henderson-Kelly THE WORLD IS CONSTANTLY CHANGING AND EVER SURPRISING. WE’RE FOCUSED ON FINDING SOLUTIONS TO THE BIG ISSUES OF THE 21ST CENTURY. UNSW. NEVER STAND STILL. Contents UNSW Annual Report – Volume 01 02 Message from the Chancellor & Vice-Chancellor 05 At a glance 06 Snapshot 08 Year in review 12 Governance 15 Research 23 Student Experience 31 Community Engagement 39 Capabilities & Resources 46 Leadership The University’s 2011 Financial & Statutory reports are in Volume 02. Cover Photo: MajaCover Photo: Baska Message from the Chancellor & Vice-Chancellor This has been an outstanding year for UNSW. The many achievements covered in this report would have been impossible without the efforts of our talented students and staff, and to them we extend a warm ‘thank you and well done’. The quality of our research was recognised with top ratings in the inaugural Excellence in Research for Australia report, which evaluated research in the nation’s higher education institutions. UNSW was the top-ranking university in NSW and fourth nationally, with the report assessing our performances in all broad fields of research as at, or above, world standard. In addition, we maintained our place among the world’s top 50 universities in the QS rankings, confirming our standing as a leading research-intensive university.