1. Edgar Allan Poe Was One of ______Siblings

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A&E Biography Video Notes Name:___________________________ 1. Edgar Allan Poe was one of ________ siblings. 2. His mother Eliza Poe was a(n) ________________ (occupation). 3. Poe’s father abandoned his family when Poe was ________________ (age). 4. Poe’s mother died of ________________. 5. Poe was adopted by ________________ and her husband, ________________. 6. Poe’s step mother died of ________________. 7. Poe thought women should be ________________________________________________. 8. Poe attended college at ________________________________. 9. Poe’s classmates couldn’t decide whether Poe would be a ________________ or a ________________ because he was equally talented. 10. Poe was an athletic individual but downplayed physical activity later in life saying, “Even a ________________ could do it.” 11. John Allan gave Poe enough money to get to college but not enough to pay for anything, as a result Poe ended racking up a debt of ________________ during his college years. 12. To avoid debtor’s prison, Poe ________________________________________________. 13. Poe enlisted under this name: ________________________________. 14. Poe was born in ________________ (city). 15. By the age of ________________, Poe published two books of ________________. 16. After his time in the army, Poe moved to ________________ to live with the Clemm family. 17. John Allan left ________________ (amount) to Poe in his will. 18. Poe ended up marrying ________________________________ (name). She was his ________________ (relation). 19. At the time of the marriage, she was ________________ and Poe was ________________. 20. Poe was able to secure a meeting with President________________________________ for a government job but showed up drunk on the day of the meeting. 21. Poe is the father of ________________ (genre) stories, creating them. 22. People suspect that he created these because of the need for ________________ and ________________ in his life. 23. ________________ is another name for tuberculosis. 24. While singing, Virginia showed her first signs of ________________. 25. ________________ (this story/poem) was Poe’s first real success. 26. Poe earned ________________(amount) for The Raven. 27. Often during times of high stress or a succession of negative events, Poe would fall back to ________________(this activity) to lighten the pain. 28. Poe wrote ________________ as a homage to his deceased wife Virginia. 29. Poe was engaged but never married to a few different women and wrote love letters to others, even proposing in a ________________(location) 30. When on his way to share good news with his aunt, Poe disappeared. He was found a few days later, semi-conscious in a street in ________________(city). 31. Poe was wearing ________________ clothing. 32. One of the theories on Poe’s death include it being a ________________________________. 33. Poe’s last words in a hospital were, “God, ________________ my ________________ soul.” 34. Poe was alive during the ________________ century. .

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203 N. Amity Street
http://knowingpoe.thinkport.org/ 203 N. Amity Street Content Overview In this interactive. students will take a virtual tour of the Edgar Allan Poe House and Museum located at 29 Amity Street, Baltimore. This outline includes all text on the tour. The activity also includes images. A special thanks to the Edgar Allan Poe House and Museum for authorizing this interactive tour. You might consider taking your class on a field trip to the “Poe House”. For more information: http://www.eapoe.org/balt/poehse.htm Intro Poe’s House at 203 N. Amity Street. Click on any of the highlighted rooms of the house (shown at left) to bring up a floorplan of the room. Then click on highlights in the room views shown below to see details. You may also see a larger version of any image by clicking on it at right. The Garret The About the According to most authorities, Poe lived in the garret, or attic, of the Garret Garret house on Amity Street. We don’t have any direct evidence of what kind of furniture Poe had in his room. However, scholars of the Edgar Allan Poe Society of Baltimore have recreated what the room probably looked like from records of other homes at the time. Though all the Poe house furniture has been long lost, the items in the room date to the 1830’s and are typical examples of what a poor family could have afforded. Roll over parts of the floor plan below to explore Poe’s bedroom at 3 Amity Street.
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EBSCOhost Page 1 of 12 Record: 1 Title: THE HUMBUG. Authors: Lepore, Jill Source: New Yorker. 4/27/2009, Vol. 85 Issue 11, p65-71. 7p. 1 Color Photograph. Document Type: Article Subject Terms: *AMERICAN authors *AMERICAN horror tales *19TH century American literature *AMERICAN literature -- History & criticism *BIOGRAPHY (Literary form) 19TH century Geographic Terms: UNITED States People: POE, Edgar Allan, 1809-1849 Abstract: The article discusses the approach to writing of 19th-century American author Edgar Allan Poe. Poe's publishing career is discussed, as is the critical reception of his stories and poems of horror and mystery. The relation of his tales to the U.S. politics and economics of his time is also discussed, along with Poe's financial and mental instability. Full Text Word Count: 6040 ISSN: 0028-792X Accession Number: 37839147 Database: Academic Search Premier Section: A CRITIC AT LARGE THE HUMBUG Edgar Allan Poe and the economy of horror Edgar Allan Poe once wrote an essay called "The Philosophy of Composition," to explain why he wrote "The Raven" backward. The poem tells the story of a man who, "once upon a midnight dreary," while mourning his dead love, Lenore, answers a tapping at his chamber door, to find "darkness there and nothing more." He peers into the darkness, "dreaming dreams no mortal ever dared to dream before," and meets a silence broken only by his whispered word, "Lenore?" He closes the door. The tapping starts again. He flings open his shutter and, "with many a flirt and flutter," in flies a raven, "grim, ungainly, ghastly, gaunt, and ominous bird of yore." The bird speaks just one word: "Nevermore." That word is the poem's last, but it's where Poe began.
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Department of English and American Studies English Language And
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Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2012 Monster Quest: Background Myth and Contemporary Context of Edgar Allan Poe's "The Conqueror Worm" Farrah Senn Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the American Literature Commons Recommended Citation Senn, Farrah, "Monster Quest: Background Myth and Contemporary Context of Edgar Allan Poe's "The Conqueror Worm"" (2012). Electronic Theses and Dissertations. 5. https://digitalcommons.georgiasouthern.edu/etd/5 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Senn 1 MONSTER QUEST: BACKGROUND MYTH AND CONTEMPORARY CONTEXT OF EDGAR ALLAN POE’S “THE CONQUEROR WORM” by FARRAH SENN (Under the direction of Caren Town) ABSTRACT Poe’s short story “Ligeia” and its companion poem “The Conqueror Worm” have garnered little critical attention, though he believed them to be his best works. Considering the archetypal image of the worm, contemporary references, and Poe’s other uses of the symbol, an analysis of the poem and its context within the short story reveals the identity of the “hero” described in the final verse. This paper explores the archetypal nature of the worm by looking at snake myths from across the globe and applying Platonic/Jungian ideas to the image and its function in the poem.
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AKADEMIN FÖR UTBILDNING OCH EKONOMI Avdelningen för humaniora ”Nameless here forevermore” A study of the expression of sorrow, in the life and works of Edgar Allan Poe Robin Kaas 2018 Självständigt arbete, C-nivå, 15 hp Engelska Fristående kurs Engelska 61-90 hp Handledare: Iulian Cananau Examinator: Marko Modiano Abstract Despite being one of the most influential writers of his era, Edgar Allan Poe led a mostly tragic life of impoverishment and personal failures and tragedies. This essay explores to what extent this affected Poe’s writing, by examining the portrayals of the emotions of grief and sorrow in some of Poe’s work, via close-reading. Further, the essay contains a shorter biographical analysis of Poe’s life and work, in order to establish a connection between the two. The meaning of the emotions of grief and sorrow within Poe’s works are discussed, and connected to Poe’s biography. The results show that Poe’s works are sometimes converging with tragedies from his own life, his personal tragedies and his stories featuring death, grief and sorrow converge on several occasions throughout his intense career. Robin Kaas Index 1 Introduction ............................................................................................................................ 4 2 Aim ......................................................................................................................................... 4 3 Theory ....................................................................................................................................
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Selected Bibliography
SELECTED BIBLIOGRAPHY What follows is a highly selective list of suggested readings about Edgar A. Poe whose headings correspond chronologically to the places and concepts exam- ined in this volume. After the frst three sections devoted to biographical sources, general studies, and theoretical approaches concerning place and space, the remaining sections are devoted to the geographical, imaginary, imagined, and intuited spaces related to Poe’s life and refected in his works. All of the books and articles have been recommended for inclusion by the chapter authors. These selections are provided as a place for readers to begin their search for more information on these topics and to supplement the notes at the end of each chapter. This bibliography is by no means intended to be exhaustive. BIOGRAPHY Allen, Hervey. Israfel: The Life and Times of Edgar Allan Poe. 2 vols. New York: George H. Doran, 1926. Bittner, William R. Poe: A Biography. Boston: Little, Brown, 1962. Bonaparte, Marie. The Life and Works of Edgar Allan Poe a Psycho-Analytic Interpretation. Translated by John Rodker. London: Imago, 1949. Published in French in 1933. Dwight, Thomas, and David K. Jackson. The Poe Log: A Documentary Life of Edgar Allan Poe, 1809–1849. New York: G. K. Hall, 1987. Griswold, Rufus Wilmot. “Edgar Allan Poe.” In The Poets and Poetry of America (First published in 1842), 387. © The Editor(s) (if applicable) and The Author(s), under 369 exclusive license to Springer Nature Switzerland AG 2018 P. E. Phillips (ed.), Poe and Place, Geocriticism and Spatial Literary Studies, https://doi.org/10.1007/978-3-319-96788-2 370 SELECTED BIBLIOGRAPHY ———.
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