Copyrighted Material

Total Page:16

File Type:pdf, Size:1020Kb

Copyrighted Material Trim Size: 170mm x 244mm Miller bindex.tex V2 - 06/10/2014 10:00 A.M. Page 485 Index Note: page numbers in italics denote illustrations Abelard 163–164, 362–365 Polyphemus and Galatea in a landscape Absyrtus 284 37, Plate 1 accessus 4, 115, 118, 126, 162, 170, 189, aition 65, 223, 226, 296 196, 199 Ajax 95, 226 Achaemenides 27–31 Alcides see Hercules Achelous 94–95 Alcion see Alcyone Acis 347, 375, 378–380 Alcyone 190–191, 103, 193, 299, 314, 378, Acrisius 77–78 476 Actaeon 12, 25, 51, 79–80, 95–97, 135, Alexander I, Tsar 402 139, 177, 184, 241, 295–296, 357, 374, allegory 115–125, 129, 135–138, 166–167, 418–420, 439–442, 444–446, 472, 476 170–171, 177, 187, 189–191, 195, Adam 176, 298, 330–336 198–199, 291–292, 307, 339–340, Adicia 292–293 342–343, 345, 347–349, 356, 372, 377, Adonis 94, 224, 226, 232, 294–295, 299, 410, 416, 460 342–343, 349, 378, 380–382 Almond, Maureen 436–439, 450–451 Garden of 224, 226, 294, 300–301 Oyster Baby 436–439, 450–451 Adrastus 77–78 Alpheus 135, 374, 376 Aeneas 27, 30–33, 72, 80, 94, 97, 171, 174, Altman, Robert 480 176–177, 193, 214, 219, 279, 297, Brewster McCloud 480 300 Amor see Cupid aetas Ovidiana 144,COPYRIGHTED 162, 339, 386, 388 Amphion MATERIAL 64 Aethiopis 33 Amphitryo 76 Agamemnon 30, 33, 193 Amymone 46 Agave 79, 293 Anaxarete 292 Aglauros 294, 472 Anchises 301 Agrippa Postumus, villa of 37 Andreas Capellanus 164 A Handbook to the Reception of Ovid, First Edition. Edited by John F. Miller and Carole E. Newlands. © 2014 John Wiley & Sons, Inc. Published 2014 by John Wiley & Sons, Inc. Trim Size: 170mm x 244mm Miller bindex.tex V2 - 06/10/2014 10:00 A.M. Page 486 486 Index Andromeda 37, 71–73, 76–77, 210, Athamas 176, 178 308–310, 374–378 Atlas 76 Anius 97 Attis 376, 388 Antioch 40–41 Aubrey, John 221, 324 Antoninus Liberalis 129, 131, 138 Auden, W.H. 414, 440 Aphthonius 237 audience Apollo 2, 42, 48, 64, 122–125, 130–134, Christian 114 139, 182–183, 185, 193, 199, 203, female 164 205–210, 213–214, 281, 297, 341, 345, in opera 375–376 373–381, 421, 438, 475 popular 56, 138–139, 355–356, 362, Apollo Belvedere 208, 213 392–393 Apollonius 378–379 scholarly 392 apotheosis 16, 24, 27, 32–33, 58, 60 vernacular 165, 169 Apuleius 86–97, 138 Augustine, St. 90, 100, 102, 182, 197 Asinus Aureus 90 Augustus 9–12, 15–17, 30, 32–33, 57, Metamorphoses 86–97, 138 59–61, 66, 70, 104–105, 161, 163, 177, Arabian Nights 22 218–220, 247–249, 253, 256, 278, Arachne 25, 93, 139, 213–214, 225, 285–287, 301, 389, 393–396, 402, 475, 299–300, 378, 396, 463 477 Arethusa 135, 175, 177, 180, 279, 292, 295, Aurora 33, 314 374, 376 Ausonius 101, 255 Argo 75 Aziz+Cucher 430–432 (in Dante) 182, 185 Chimera #2 430–432, 431 Argonauts 72, 95 Argossee Argus Bacchus 42–46, 77, 120–122, 139, Argus 135, 212, 364, 376, 382 n.4 211–212, 382 n.3, 388 Ariadne 42–46, 169–170, 193, 311–312, Balmer, Josephine 446–448, 451 314, 374–375, 381, 398 The Word for Sorrow 446–448, 451 Arion 64–65, 390 Barbato da Sulmona 154 Ariosto 294, 306–320 Basmanova, Maria 412 Orlando Furioso 306–320 Batiushkov, Konstantin 409 Aristotle 175, 373 Baucis 94, 360–364, 380, 382 Arnulf of Orléans 117, 119–120, Baudri, Bourgueil 163 136–137 Bayle, Pierre 251 Allegoriae 116, 136–137 Beatrice 174, 182–185, 266 Arrigo da Settimello 144–145 Beaumont, Francis 342 Elegia 144–145 Beccari da Ferrara, Antonio 153–154 Aronofsky, Darren 473–474 Behn, Aphra 2, 228 n.16, 355, 364–365 Ars d’amours 165, 167–168 bella scola 174–175 Artegall 224, 297–298 Bene da Firenze 146–147 Ascalaphus 91 Bernini 202–210, 213, 215 Ascham, Roger 238 Apollo and Daphne 205–210, 207 Asquith, Anthony 472 Medusa 210 Atalanta 50, 94, 379, 382 Pluto and Persephone 209–210, 209 Atedius Melior 65 Beroe 184 Trim Size: 170mm x 244mm Miller bindex.tex V2 - 06/10/2014 10:00 A.M. Page 487 Index 487 Bersuire, Pierre 115–116, 119–125, 137, Buch, Kristina 432–433 177, 179, 189, 291 The Lover 432–433, 432 De formis figurisque deorum 119, 122, bucolicsee pastoral 125, 177 Bulfinch, Thomas 138–139 Ovidius moralizatus 115–116, 119–125, Bunuel,˜ Luis 474–475 137, 177, 189 Burke, Edmund 355 Reductorium morale 119–121 Buti, Francesco 372, 375 Bible 121–122, 163, 188, 220, 234 Byblis 12, 177, 297, 357, 382 n.3 Black Swan 473–474, 474 Byrne-Jones, Edward 471 Blanche of Lancaster 190–191 Byrrhaena 94–97 Blow, John 378 Bobrov, S.S. 401–402, 411 Cacus 32, 281 Bobyshev, Dmitrii 412 Cadmus 79–80, 139, 175, 177, 375–376 Boccaccio, Giovanni 138, 192, 227 n.7 Caesar, Julius 33, 279, 286 Decameron 138 Calasso, Roberto 139–140 De mulieribus claris 227 n.7 The Marriage of Cadmus and Harmony Filostrato 192 139–140 Genealogie deorum gentilium 138, 227 n.7 Calchas 178 Boethius 108, 144, 147, 149, 187 Caligula 402 Boiardo, Matteo 316, 319 Callimachus 56, 131 Orlando Innamorato 316 Calliope 175, 177, 179–183, 279, 374, 376 Boios 124 Callisto 139, 295, 418, 420, 439 Bonaventure, St. 119 Calypso 22–24, 284 Boncompagno da Signa 149 Cambert, Robert 375 Bono da Lucca 147 Cambridge 324, 326 Bonsignori, Giovanni 138 Camden, William 246, 258 Borghese 205, 209 Camus, Marcel 469 Borowczyk, Walerian 477–479 Canace 169 The Art of Love 477–479, 478 Can Grande 175, 178, 183 Botticelli 5, 203–204, 207, 215, 226, Capece, Carlo Sigismondo 378 287 Caravaggio 202 Primavera 5, 203–204, 226, 287, Plate 2 career, literary 14–17, 30, 190, 280, 291 Boucher, François 202 Carew, Thomas 271 Bower of Bliss 224, 300 Carolingian period 144, 162 Boyle, Danny 480–481 Carrasco, Sansón 283, 286 Sunshine 480–481 Cartari, Vincenzo 138, 227 n.75 Brecht, Bertolt 391 Casaubon, Isaac 246 Breugel, Pieter the Elder 202, 212 Cassils, Heather 428–430 Fall of Icarus 212 Tiresias 428–430, 429 Briareus 280 Castor 279 Brinsley, John 236 catasterism 72, 279, 359 Britomart 224, 297–298, 301 Cato 72, 283–285, 403 Broch, Hermann 391 Catullus 42, 56, 58, 61, 75, 238, 247, Brodsky, Joseph 401, 410–414 251–252, 254, 264, 272, 311–312, 374 Bronzino, Agnolo 202 Caunus 357, 382 n.3 Trim Size: 170mm x 244mm Miller bindex.tex V2 - 06/10/2014 10:00 A.M. Page 488 488 Index Cavalli, Francesco 375 Coltellini, Marco 379 Caxton, William 340 Congreve, William 346, 355, 359, 379 Ceixsee Ceyx Conon 40 Celsus 103–104 Conrad of Mure 132 censorship 3, 249–250, 278, 283–289, 359, Constantine 104, 176 403 Conti Guidi 178 Ceuxsee Ceyx Corinna 10, 88, 106, 109, 263, 265, Ceyx 190–191, 193, 299, 314, 319, 376, 378, 267–268, 271–272, 293 476 Cornacchioli, Giacinto 374 Ceres 76, 131, 176, 180, 279 Correggio, Antonio Allegri da 204–205, Chandler, Raymond 262 215 changesee metamorphosis Jupiter and Io 204–205 Chapman, George 340, 342, 347 Corsi, Jacopo 373 Charles I 220, 223 Corydon 29 Charles II 378 Cowper, William 355 Charles V 278 Coypel 202 Chaucer, Geoffrey 115, 121, 124, 165, Cranach, Lucas, the Elder 202 168–171, 187–200, 299, 301, 340, 351, Crocus 226 359 Cronin, Patricia 425–426 Book of the Duchess 190, 193–194, 340 Medusa 426, 427 Canterbury Tales 168, 198–199 Cupid 10, 43, 86, 88–90, 94–95, 109, Knight’s Tale 198 122–123, 125, 138, 147–148, 151, 153, Manciple’s Tale 199 166–167, 170–171, 190, 254–256, 264, Man of Law’s Tale, Prologue 169–170 266, 269, 273, 297, 309, 317, 373–375, Miller’s Tale 198 379, 441, 476 Nun’s Priest’s Tale 188 Curdy, Averill 448–451 Wife of Bath’s Tale 115, 122, 168, 198 Curll, Edmund 346 House of Fame 169–171, 192–194, 340 Cygnus 377, 473 The Legend of Good Women 170–171, Cynthia (goddess)see Diana 188, 190, 194 Cynthia (in Propertius) 266–268, 274 Parliament of Fowls 193–194 Cynthia (in Spenser) 301–302 Troilus and Crisyede 169–170, 191–194, Cyparissus 475 198 Cypassis 263 Chlorissee Flora Chrétien de Troyes 164–165, 171 da Correggio, Niccolò 372 Cligés 164–165, 171 Daedalus 82 n.8, 214, 225, 318–319, 469, Christsee Jesus 472, 480 Christine de Pizan 2, 165–167 Dali, Salvador 202 Churchyard, Thomas 248, 253 damnatio memoriae 248 Cicero 125, 246, 249, 395 Danae 46 Cino da Pistoia 152–153 D’Annunzio, Gabriele 469–470, 472, 481 Cinyras 343, 349, 446 Dante 145–150, 152–154, 171, 174–185, Circe 27–28, 30, 95, 193, 284 214–215, 266, 301, 392, 397, 409–410, Claudian 104 414, 480 Clymene 375, 377 canzone 146–150, 152, 154 Cocteau, Jean 423, 469 Commedia 145, 174–185, 307 Trim Size: 170mm x 244mm Miller bindex.tex V2 - 06/10/2014 10:00 A.M. Page 489 Index 489 Inferno 145, 174–181 Dryden, John 345–352, 355–358, Paradiso 178, 182–185 360–362 Purgatorio 177–183 “Baucis and Philemon” 360–361 Vita Nuova 171, 409, 480 Examen Poeticum 346–351 De vulgari eloquentia 146–148 Fables Ancient and Modern 347–348, 351 Daphne 24–25, 64, 122–125, 132–133, Preface to Ovid’s Epistles 348–349 135, 139, 203, 205–210, 265–267, 292, Silvae 348 297–298, 344–345, 372–374, Duffy, Carol Ann 436 386–387, 390, 398, 438, 470 Dulcinea 278, 283, 286–288 Da Ponte, Lorenzo 380 du Maurier, George 472 Dares 171 Daumier, Honoré 202 Eberle, Joseph 393 Davies, John 344 Ebersbach, Volker 395 de’ Calzabigi, Ranieri 372 Ecclesiasticus 123 de Cervantes, Miguel 277–289 Echo 40–41, 211–212, 241, 373, 375, 378, Don Quixote 277–289 382, 396, 463, 465 Persiles 280 Eclogue of Theodulus 120 Deianira 193 Ede, Minna Moore 418–420 deificationsee apotheosis Eden 176, 331–335 Delia 267–268, 412 Egeria 12, 177 Delphic oracle 123 ekphrasis 63, 75, 77–78, 97, 170, 294, Demophoon 193 299–300, 377 Deucalion 176, 198, 205, 298 ‘‘ekphrastic eye” 63–66 De Vetula 4, 117 Eliot, T.S.
Recommended publications
  • Wavebid > Buyers Guide
    Auction Catalog April25-May 2 Auction 2021 - Date Posted is When Online Auction Date: Sunday, Apr 25 2021 Bidding Starts: 10:00 AM EDT Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 04/26/2021 05:10 PM Lot Title & Description Number 1 1994 Florence Limited Ed. Walt Disney's Ariel Figurine by Giuseppe Armani - made in Italy #1623/1500 (great condition) {in house shipping available} Mixed Metal Los Castillo Taxco Mexico Tipping Inlaid Hard Stone Bird Pitcher - 6 1/4" tall, 4 1/2" wide with handle, maker mark on 2 bottom, {in house shipping available} Franklin Mint Star Trek Starship Enterprise Ship - pewter ships on stands, authorized by Paramount Pictures (one arm of ship has 3 started to pull away from ship and both arms are bent down) {in house shipping available} Spectacular 1998 Vincent Trabucco Art Glass Paperweight - beautiful detailed floral design on white lace - signed on bottom {in house 4 shipping available} Mt Washington Peachblow JIP Tulip and Enameled Blue Glass Victorian Vases - 8" rib optic Victorian blue glass vase with black 5 cartouche enamel decoration surrounding raised gold bird scenic and additional floral decorations, 9" slender tulip lip vase with classic Mt Washington soft white to blush satin body - in house shipping available 6 Lalique Satin Finish Sparrow and Accented Filicaria vase - 4.5" Filicaria with fern like leaf cuttings in original box and 3" x 4.5" sparrow (no box) - in house shipping available Steiff Quality European Construction Vintage Mohair Stuffed 3 Piece Showroom Size Deer Family - 36" high buck with head raised and sewn leather 10 point antler rack, 20" tall momma deer with big eye lashes and head lowered to the side, and 13" fawn with head 7 raised to nuzzle with momma - European construction, they all have beautiful mohair coats over sturdy frame, tan underbellies and air brushed spotted coats, leather hooves and glass eyes.
    [Show full text]
  • Center for Information, Technology & Society
    Center for Information, Technology & Society Furthering Advances in Communication, Computers, and Networks for Improved Education, Health, and Humanity 466 Pleasant Street Melrose, MA 02176-4522 (fax: 781-662-6882) 781-662-4044 [email protected], www.CyberTrails.Org Response to FCC Docket No. 99-360 "Public Interest Obligations TV Broadcast Licensees" By: The Center for Information, Technology & Society (CITS) Date: March 20, 2000 For the record, CITS is a 501(c)3 charitable nonprofit dedicated to improving all forms of communications that better society, culture, and knowledge. Introduction: CITS was originally the Program for Information, Technology & Society at MIT. In 1986 the Center became a freestanding nonprofit. In 1996, the Director, Dr. W. Curtiss Priest, was recognized by Newsweek as "one of the 50 people who matter most on the Internet." The Center has worked closely with government agencies, including the U.S. Department of Education, in developing an Internet world that is informative and constructive for students in K-12 education. With the Corporation for Public Broadcasting, the Center has developed a web-based volunteer organization site. Links are provided at the Center's web site CyberTrails.Org Preface: CITS recognizes that this country is witnessing a degree of privatization that is unparalleled in its history. That this privatization has produced many efficiencies is also acknowledged. Nonetheless, this organization does not believe that self-serving corporate interests will provide the healthy world for its citizens nor its children. Thus, it is firmly in support of a vigorous role for the FCC to champion the "public good." That there are significant political forces that would dissolve the FCC also cannot be ignored.
    [Show full text]
  • Happily Ever Ancient
    HAPPILY EVER ANCIENT Visions of Antiquity for children in visual media HAPPILY EVER ANCIENT This work is subject to an International Creative Commons License Attribution- NonCommercial-ShareAlike 4.0, for a copy visit: http://creativecommons.org/licenses/by-nc-sa/4.0/ Visions of Antiquity for children in visual media First Edition, December 2020 ...still facing COVID-19. Editor: Asociación para la Investigación y la Difusión de la Arqueología Pública, JAS Arqueología Plaza de Mondariz, 6 28029 - Madrid www.jasarqueologia.es Attribution: In each chapter Cover: Jaime Almansa Sánchez, from nuptial lebetes at the National Archaeological Museum of Athens, Greece. ISBN: 978-84-16725-32-8 Depósito Legal: M-29023-2020 Printer: Service Pointwww.servicepoint.es Impreso y hecho en España - Printed and made in Spain CONTENTS INTRODUCTION: A CONTEMPORARY ANTIQUITY FOR CHILDREN AND YOUNG AUDIENCES IN FILMS AND CARTOONS Julián PELEGRÍN CAMPO 1 FAMILY LOVE AND HAPPILY MARRIAGES: REINVENTING MYTHICAL SOCIETY IN DISNEY’S HERCULES (1997) Elena DUCE PASTOR 19 OVER 5,000,000.001: ANALYZING HADES AND HIS PEOPLE IN DISNEY’S HERCULES Chiara CAPPANERA 41 FROM PLATO’S ATLANTIS TO INTERESTELLAR GATES: THE DISTORTED MYTH Irene CISNEROS ABELLÁN 61 MOANA AND MALINOWSKI: AN ANTHROPOLOGICAL APPROACH TO MODERN ANIMATION Emma PERAZZONE RIVERO 79 ANIMATING ANTIQUITY ON CHILDREN’S TELEVISION: THE VISUAL WORLDS OF ULYSSES 31 AND SAMURAI JACK Sarah MILES 95 SALPICADURAS DE MOTIVOS CLÁSICOS EN LA SERIE ONE PIECE Noelia GÓMEZ SAN JUAN 113 “WHAT A NOSE!” VISIONS OF CLEOPATRA AT THE CINEMA & TV FOR CHILDREN AND TEENAGERS Nerea TARANCÓN HUARTE 135 ONCE UPON A TIME IN MACEDON.
    [Show full text]
  • Is the Three-Hour Rule Living up to Its Potential? an Analysis of Educational Television for Children in the 1999/2000 Broadcast Season
    THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA Is the Three-Hour Rule Living Up to Its Potential? An Analysis of Educational Television for Children in the 1999/2000 Broadcast Season By Amy B. Jordan, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania EXECUTIVE SUMMARY 3 INTRODUCTION 5 PART ONE: E/I PROGRAM SCHEDULES 11 PART TWO: E/I PROGRAM CONTENT 16 PART THREE: A WEEK’S WORTH OF E/I PROGRAMS AIRING IN PHILADELPHIA 23 SUMMARY 25 CONCLUSIONS 27 REFERENCES 34 Copyright © 2000 The Annenberg Public Policy Center appcpenn.org 1 Is the Three-Hour Rule Living up to Its Potential? Amy B. Jordan is Senior Research Investigator for the Annenberg Public Policy Center of the University of Pennsylvania. She holds a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. _______________ Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. _______________ RESEARCHERS Amy Jordan, Ph.D. Kelly Schmitt, Ph.D. Cory Allen Lubianska Espinosa David Park John Sindoni ACKNOWLEDGEMENTS Laura Duff Lorie Slass Emory H. Woodard, IV, Ph.D. ABOUT THE ANNENBERG PUBLIC POLICY CENTER The Annenberg Public Policy Center was established by publisher and philanthropist Walter Annenberg in 1994 to create a community of scholars within the University of Pennsylvania that would address public policy issues at the local, state, and federal levels. Consistent with the mission of the Annenberg School for Communication, the Center has four ongoing foci: Information and Society; Media and the Developing Mind; Media and the Dialogue of Democracy; and Health Communication.
    [Show full text]
  • Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945
    Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 By Charles David Shaw A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Victoria Frede-Montemayor Professor Victoria E. Bonnell Summer 2015 Abstract Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 by Charles David Shaw Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair This dissertation addresses the impact of World War II on Uzbek society and contends that the war era should be seen as seen as equally transformative to the tumultuous 1920s and 1930s for Soviet Central Asia. It argues that via the processes of military service, labor mobilization, and the evacuation of Soviet elites and common citizens that Uzbeks joined the broader “Soviet people” or sovetskii narod and overcame the prejudices of being “formerly backward” in Marxist ideology. The dissertation argues that the army was a flexible institution that both catered to national cultural (including Islamic ritual) and linguistic difference but also offered avenues for assimilation to become Ivan-Uzbeks, part of a Russian-speaking, pan-Soviet community of victors. Yet as the war wound down the reemergence of tradition and violence against women made clear the limits of this integration. The dissertation contends that the war shaped the contours of Central Asian society that endured through 1991 and created the basis for thinking of the “Soviet people” as a nation in the 1950s and 1960s.
    [Show full text]
  • Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
    Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind.
    [Show full text]
  • Independent Filmmakers and Commercials
    Vol.Vol. 33 IssueIssue 77 October 1998 Independent Filmmakers and Commercials Balancing Commercials & Personal Work William Kentridge ItalyÕs Indy Scene U.K. Opps for Independents Max and His Special Problem Plus: The Budweiser Frogs & Lizards, Barry Purves and Glenn Vilppu TABLE OF CONTENTS OCTOBER 1998 VOL.3 NO.7 Table of Contents October 1998 Vol. 3, No. 7 4 Editor’s Notebook The inventiveness of independents... 5 Letters: [email protected] 7 Dig This! Animation World Magazine takes a jaunt into the innovative and remarkable: this month we look at fashion designer Rebecca Moses’ animated film, The Discovery of India. INDEPENDENT FILMMAKERS 8 William Kentridge: Quite the Opposite of Cartoons The amazing animation films of South African William Kentridge are discussed in depth by Philippe Moins. Available in English and French. 14 Italian Independent Animators Andrea Martignoni relates the current situation of independent animation in Italy and profiles three current indepen- dents: Ursula Ferrara, Alberto D’Amico, and Saul Saguatti. Available in English and Italian. 21 Eating and Animating: Balancing the Basics for U.K. Independents 1998 Marie Beardmore relays the main paths that U.K. animators, seeking to make their own works, use in order to obtain funding to animate...and eat! 25 Animation in Bosnia And Herzegovina:A Start and an Abrupt Stop In the shadow of Zagreb, animation in Bosnia and Herzegovina never truly developed until soon before the war...only to be abruptly halted. Rada Sesic explains. COMMERCIALS 30 Bud-Weis-Er: Computer-Generated Frogs and Lizards Give Bud a Boost As Karen Raugust explains, sometimes companies get lucky and their commercials become their own licensing phe- nomena.
    [Show full text]
  • Naito, Hiroaki (2014) Vietnam Fought and Imagined: the Images of the Mythic Frontier in American Vietnam War Literature
    Naito, Hiroaki (2014) Vietnam fought and imagined: the images of the mythic frontier in American Vietnam War literature. PhD thesis. http://theses.gla.ac.uk/5101/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Vietnam Fought and Imagined: the Images of the Mythic Western Frontier in American Vietnam War Literature Hiroaki Naito Submitted in Fulfilment of the Requirement for the Degree of PhD School of Critical Studies College of Arts University of Glasgow December 2013 1 Abstract This thesis seeks to examine how a particularly American ideological formation called the frontier myth has been re-enacted, challenged, and redefined in the literary works written by several American authors. Existing researches about the pervasiveness of the frontier mythology in American culture written by scholars such as Richard Slotkin, Richard Drinnon, and others demonstrate that, as the myth of the frontier–––the popular discourse that romanticizes early white settlers’ violent confrontation with American Indians in the New World wilderness–––has been deeply inscribed in America’s collective consciousness, when they faced with the war in a remote Southeast Asian country, many Americans have adopted its conventional narrative patterns, images, and vocabulary to narrate their experiences therein.
    [Show full text]
  • Deep Ecology and Seld-Realization In
    DEEP ECOLOGY AND SELF-REALIZATION IN SHAKESPEARE’S A MIDSUMMER NIGHT’S DREAM A Thesis Presented to the Faculty of California State University Dominguez Hills In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities by Swetlana Nasrawi Schmidt Spring 2019 Dedicated to my Bella. Now let’s go places. ii ACKNOWLEDGEMENTS I wish to express my deepest gratitude to Professor Daniel Greenspan who continued to challenge my thinking by asking the tough questions and encouraging deeper reflection. His feedback and wisdom have broadened my own thinking, and for that I am indebted. I would also like to thank Dr. Matthew Luckett for cleaning up my little messes along the way, as well as his tireless dedication to the program; and also to Dr. Debra Best, who has demonstrated generosity of her time and expertise. Finally, I would like to give special thanks to my personal Jack Bottom, a true ecological artisan: a warm thank you for our three years in the dream, and your willingness to talk this out with me. iii TABLE OF CONTENTS PAGE DEDICATION…………………………………………………………………………… ii ACKNOWLEDGEMENTS……………………………………………………………... iii TABLE OF CONTENTS…………………………………………………………………iv ABSTRACT.........................................................................................................................v CHAPTER 1. INTRODUCTION……………………………………………………………………... 1 2. TOWARD AN ECOLOGICAL IDENTITY…………………………………………..11 3. 1595: CONTEXT, TRANSITION, AND ALLEGORY IN A MIDSUMMER NIGHT’S DREAM..................................…...……………………..20
    [Show full text]
  • Changing Dress As a Display of Masculinity in the Superhero Genre
    Fashion Theory The Journal of Dress, Body and Culture ISSN: 1362-704X (Print) 1751-7419 (Online) Journal homepage: http://www.tandfonline.com/loi/rfft20 Masque-ulinities: Changing Dress as a Display of Masculinity in the Superhero Genre Friedrich Weltzien To cite this article: Friedrich Weltzien (2005) Masque-ulinities: Changing Dress as a Display of Masculinity in the Superhero Genre, Fashion Theory, 9:2, 229-250, DOI: 10.2752/136270405778051374 To link to this article: https://doi.org/10.2752/136270405778051374 Published online: 27 Apr 2015. Submit your article to this journal Article views: 550 Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rfft20 Masque-ulinities 229 Fashion Theory, Volume 9, Issue 2, pp. 229–250 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2005 Berg. Masque-ulinities: Changing Dress as a Display of Masculinity in the Friedrich Weltzien Superhero Genre Weltzien studied art history, Because of its use in differentiating between women and men, dress is an archaeology, and philosophy in important resource in defining gender as a social dimension. In what Freiburg, Vienna, Cologne, and Berlin. He received his PhD in follows, I do not want to examine which modes of dress signify masculin- 2001, for work on the philosophy ity specifically; rather, I would like to raise another question. Namely, to of the body and body concepts what extent is gender constructed by the act of changing dress? The in Europe after 1945. He currently serves as Research analysis will not focus on the costume itself but on the difference between Assistant in the Department of two alternative costumes and the circumstances under which the change Art History at the Free University is performed.
    [Show full text]
  • In Children's Television from ABC/123 to I Love
    Changing Definitions of ‘Educational’ in Children’s Television from ABC/123 to I Love You/You Love Me: The Unintended Consequences of the Three-Hour Rule A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Caitlin E. Malone August 2008 This thesis titled Changing Definitions of ‘Educational’ in Children’s Television from ABC/123 to I Love You/You Love Me: The Unintended Consequences of the Three-Hour Rule by CAITLIN E. MALONE has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Norma Pecora Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT MALONE, CAITLIN E., M.A., August 2008, Telecommunication Changing Definitions of ‘Educational’ in Children’s Television from ABC/123 to I Love You/You Love Me: The Unintended Consequences of the Three-Hour Rule (110 pp.) Director of Thesis: Norma Pecora This thesis examines the children’s programming being aired by ABC, NBC, CBS, and FOX owned and operated stations in Manhattan, New York in compliance with the Three-Hour Rule during the first quarter of 2008. A case study of WABC, WNBC, WCBS, and WNYW comparing children’s programming before the Children’s Television Act, after the Children’s Television Act, and after the Three-Hour Rule revealed that the Three-Hour Rule has not brought significant changes in the amount of programming for children, but that more prosocial programming was produced as a result of the regulation.
    [Show full text]
  • PATHFINDER: Greek Mythology ENG 2D
    BMLSS Library and Learning Commons PATHFINDER: Greek Mythology ENG 2D This pathfinder will help you focus your research on Greek mythology. The sources below are created by credible authors and cover many of the major Greek myths. GETTING STARTED SEARCH ENGINES Visit Encyclopedia Britannica on the BMLSS library website to Reduce unreliable get background on Greek gods and myths. This is a reliable sites by using iseek source that has been fact-checked by professionals. (education) which eliminates commercial Also check out the EBSCO database on the BMLSS library web- and amateur sites. You site. The database includes graphic novels and encyclopedia en- can also refine your tries on many Greek myths. search using the cate- gories in the left-hand column. Another site WEBSITES that helps you refine by subject is yippy . Encyclopedia Mythica: One of the best places to start your re- search, this site provides an overview of almost all major Greek myths. Use the search function to find entries written by academ- HOME ACCESS ics and experts in the field. Go to resources. Historyforkids.org: A site compiled by a retired history professor. tldsb.ca/stu and login Use the search function to find information on specific myths. with the same pass- word and student Historylink101: Made by a high-school teacher, this site includes number you use for summaries of some popular myths written in accessible language. the computers at school. Type the data- Mythweb.com: Using Homer’s Illiad and Odyssey as some of its base name in the main sources, this site offers overviews of many Greek figures and search field.
    [Show full text]