Audienc E G Uide

Total Page:16

File Type:pdf, Size:1020Kb

Audienc E G Uide AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 2 Issue | Season 59th Our 2019 | November 16 - December 30, 2018 Music by Marc Shaiman Lyrics by Marc Shaiman and Scott Wittman Book by Thomas Meehan and Mark O’Donnell IN THIS ISSUE Authors and composer Hairspray is a bold, beloved blockbuster dancer on The Corny Collins Show, a John Waters musical with depth and heart. It takes on local TV dance show similar to Synopsis important community issues with wit, a American Bandstand. great score, a diverse cast and high- She uses her newfound power to energy dancing. It addresses the need integrate the TV network and win the for racial harmony while making a affection of the town’s heartthrob. strong case against bullying. It also Hairspray reminds us of the importance offers a positive message about being of individuality and the acceptance of yourself and owning the talents you one another: a timely thought to share possess. today. Hairspray is based on the 1988 movie Hairspray is a story full of youthful created by legendary, underground film- enthusiasm and optimism that change is maker John Waters, who called it “a possible and that there is brighter future comedy about integration.” The for everyone. At the heart of this Broadway adaptation won eight Tony hilarious, yet socially important show is Awards in 2003, including Best Musical. an ensemble of teenagers. Skylight is It features music by Marc Shaiman, who proud to present 17 area junior high and also wrote lyrics with Scott Wittman, high school students performing in our with a book by Mark O’Donnell and production. Thomas Meehan. Everything about Hairspray will make Hairspray is set in Baltimore in 1962. It you smile. It has a heart of gold, with its is the story of plus-size teen Tracy message of acceptance, understanding Turnblad, who wrestles with body image and being kind to one another. issues and bullying, then undergoes a transformation from social outcast to Enjoy! sudden star when she becomes a This guide is available online at skylightmusictheatre.org Marc Shaiman: Music and Lyrics; Scott Wittman: Lyrics This production is generously Season Sponsors Scott Wittman Marc Shaiman was born in 1959 in Hairspray is just one of Scott Newark, New Jersey. When he was Wittman’s many successful efforts as only 16, he left school to pursue a a director, lyricist, and writer for career in New York. Shaiman began Broadway, concerts, and television. his professional career as Bette Midler’s vocal arranger, eventually Born in 1954 in Nanuet, New York, he becoming her musical director and co- got an early career start in New York producer of many of her recordings, City directing a show for a Greenwich including The Wind Beneath My Village club. He soon directed Wings and From a Distance. concerts for such artists as Bette He also worked on Saturday Night Midler, Christine Ebersole, Raquel Live as an arranger/writer and Welch, Dame Edna Everage and Lypsinka. portrayed Skip St. Thomas, the pianist for The Sweeney Sisters, played by Nora Dunn and Jan Hooks, which In addition to Hairspray, Wittman earned him an Emmy nomination. conceived, wrote lyrics for, and directed Martin Short: Fame Becomes Shaiman has worked on over 50 Me and conceived and directed movies including Broadcast Matters of the Heart, a solo concert by News, Beaches, When Harry Met Patti LuPone in 2000. Sally, City Slickers, The Addams Family, Sister Act, Sleepless in Research/Writing by Seattle , The First Wives Club and Shaiman and Wittman worked with Terrence McNally on Catch Me If You Justine Leonard for ENLIGHTEN, South Park: Bigger, Longer & Uncut. Can, a musical adaptation of the Skylight Music Theatre’s Education Program Steven Spielberg film. The musical His work on Hairspray with Scott opened on Broadway in April 2011 Edited by Ray Jivoff Wittman earned the team a Tony [email protected] Award, a Drama Desk Award and a They also worked together on Charlie Grammy. They also collaborated on and the Chocolate Factory the Catch Me if You Can and the Musical, which premiered in London in television series, Smash. 2013. The show was reworked for a Broadway production in 2017. It ran In 2007 he was honored with almost nine months before closing in ASCAP’s Henry Mancini Award for January 2018. his outstanding contributions to the music of film and television. In 2013, Wittman and Shaiman co- wrote the score for Bombshell, a Shaiman married Lieutenant musical about Marilyn Monroe within Commander Louis Mirabal in 2016. the context of the NBC television show Smash. A soundtrack was They have homes in New York and 158 N. Broadway Los Angeles where he continues to released later that same year. His Milwaukee, WI 53202 write and compose. current project is the upcoming Mary (414) 291-7811 Poppins Returns, starring Emily Blunt and Lin Manuel-Miranda. www.skylightmusictheatre.org AUDIENCE GUIDE | HAIRSPRAY Book writers Thomas Meehan and Mark O’Donnell Thomas Meehan (1929-2017) was a key collaborator on some of the most memorable productions in recent Broadway history. Always a prolific writer, Meehan in his 70s wrote or co- wrote three shows that each ran over 2,000 performances on Broadway: Annie (1977), 2,377 performances; The Producers (2001) written with Mel Brooks, 2,502 performances and Hairspray (2002), written with Mark O'Donnell, running for 2,642 performances. Meehan won or shared Tony Awards for all three shows. Mark O’Donnell and Thomas Meehan He wrote the books for other musicals shared the 2003 Musical and the including I Remember Mama (1979), Drama Desk Award for Outstanding Ain’t Broadway Grand (1993), Bombay Meehan joined forces with Mel Brooks Book of a Musical for their work on Dreams (2004), with Meera Syal; to write the screenplay for 1983’s To Hairspray, and they wrote the 2007 Young Frankenstein (2007), again with Be or Not to Be, a remake of a 1942 film adaptation. The pair also worked Mel Brooks; Cry Baby (2008), an movie spoofing Nazi Germany. Four on another John Waters musical adaptation of the John Waters film with years later, they collaborated on adaptation, Cry-Baby, for which they Mark O'Donnell; Elf: The Musical Spaceballs (1987), a sendup of sci-fi received a 2008 Tony nomination. (2010), with Bob Martin; Limelight: The films. The pair made Broadway history Story of Charlie Chaplin (2012) and with the musical version of Brooks’ Born in Cleveland, Ohio, O’Donnell Rocky (2014) with Sylvester Stallone. 1967 film The Producers. The show received his BA from Harvard College opened in 2001 to sold-out houses, in 1976. He was a member of The Nice work for a kid from Ossining, New rave reviews and shattered Tony Harvard Lampoon, and was the writer York, where he was born in 1929. history when it won a record-setting 12 and librettist for three musicals for the Meehan graduated in 1951 from statues. (Even Hamilton fell one short Hasty Pudding Theatricals group at Hamilton College in Clinton, N.Y., and of that accomplishment in 2016.) Harvard. then served as an Army intelligence Meehan and Brooks later adapted the officer for two years. He joined the musical into a film, thus transforming a His plays include That's It, Folks, staff of the New Yorker in the mid- movie into a stage play and back into Fables for Friends, The Nice and the 1950s where his work was noticed by a movie. Nasty, Strangers on Earth, Vertigo composer-director-producer Martin Park along with the book and lyrics for Charnin. It was the beginning of a life- In reaction to Meehan’s death in 2017, the musical Tots in Tinseltown. He and long friendship and creative Mel Brooks wrote on Twitter: "Stunned Bill Irwin wrote Scapin, a 1997 play partnership. by the news that my friend/co-writer adapted from the original by Molière. Tom Meehan has died. I’ll miss his In the mid-1960s, Meehan earned an sweetness & talent. We have all lost a His books include Elementary Emmy nomination for writing for That giant of the theatre." Was the Week That Was, a forerunner Education, Vertigo Park and Other Tall of today’s satirical TV programs about Tales, Getting Over Homer and Let Similar to Brooks, Hamilton creator Lin current events such as The Daily Nothing You Dismay. He contributed -Manuel Miranda released a statement Show. He won an Emmy in 1970, the to The New Yorker, The New York on Twitter stating: "RIP to Thomas co-writer of Annie: The Women in the Times, The Atlantic, Esquire and Spy. Meehan, one of the best around.” Life of a Man, a TV special that starred He was also a writer for the 1981-1982 actress Anne Bancroft, the wife of Mel season of Saturday Night Live. Brooks. O'Donnell was a longtime editorial advisor to the Yale Record and taught In 1972, Meehan, Martin Charnin and a popular comedy-writing seminar at composer Charles Strouse wrote Yale University. Annie, a musical adaptation of the comic strip Little Orphan Annie. The He died in 2012 after collapsing at his apartment in Manhattan. He was 58. show is now a classic. They all won Tony Awards for that show. 2018-2019 | SKYLIGHT MUSIC THEATRE John Waters – Creator of the Original Hairspray and his subject matter more shocking, John Waters Presents Movies That his audiences grew bigger. By the Will Corrupt You. early 1970s he was making features which he managed to get shown in Waters has continued to set all his midnight screenings in art cinemas. films in Baltimore, keeping true to his particular skewed vision and Success came with Pink Flamingos delighting audiences with his tales of (1972), a deliberate exercise in ultra- eccentric characters who revel in the bad taste.
Recommended publications
  • Atom Smashersrel
    FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit itvs.org/pressroom/photos/ For the program companion website, visit pbs.org/independentlens/atomsmashers “THE ATOM SMASHERS,” AN EXCITING INSIDE LOOK AT THE FRONTIER OF SCIENTIFIC RESEARCH, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY ® AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, NOVEMBER 25, AT 10 PM “Finding this Higgs particle will help scientists figure out why the universe is made of something instead of nothing, why there are atoms, people, planets, stars and galaxies. But it also will do much more than that. It will open a door to a hidden world of physics, where scientists hope to find unimagined wonders that will make relativity and quantum mechanics seem like Tinker Toys.” —Ronald Kotulak, Chicago Tribune (San Francisco, CA)—Physicists at Fermilab, the world’s most powerful particle accelerator laboratory, are closing in on one of the universe’s best-kept secrets, the Holy Grail of physics: why everything has mass. With the Tevatron, an underground particle accelerator buried deep beneath the Illinois prairie, Fermilab scientists smash matter together, accelerating protons and antiprotons in a four-mile-long ring at nearly the speed of light, to find a particle—the Higgs boson—whose existence was theorized nearly 40 years ago by Scottish scientist Peter Higgs. The physicists searching for the Higgs boson are excited; they may be approaching the discovery of a lifetime, and there’s almost certainly a Nobel Prize for whoever finally finds it.
    [Show full text]
  • Directing and Assisting Credits American Theatre
    917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White.
    [Show full text]
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • PLAYHOUSE SQUARE January 12-17, 2016
    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
    [Show full text]
  • “Serving Nob Hill and Beyond” Reuben’S TV Show “Pee Wee’S Was Elected President
    San Francisco Herald However, performing suited his outgoing show together; though it bothered him personality more than drawing did, so he that he didn’t have a recurring character May 2019 eventually joined the Groundlings, the like Dana Carvey’s Church Lady or Jon revered comedy troupe in Hollywood. Lovitz’s The Liar. SanFranciscoHerald.Net His first break came as a recurring character on Paul “Pee Wee Herman” That changed, kind of, when Bill Clinton “Serving Nob Hill and Beyond” Reuben’s TV show “Pee Wee’s was elected president. Though Phil was a fan of Clinton’s policies, Clinton wasn’t XXXXXXXXXX Playhouse.” Phil also helped Reuben write the movie “Pee Wee’s Big a fan of Phil’s lampoons of him. Adventure.” The Society Page While on “Saturday Night Live,” Phil In the summer of 1986, at age 38, he married his third wife, Brynn Omdahl, By Gene Mahoney auditioned to be a cast member on who had done some modeling and aspired to become an actress. (During Russian Hill Upholstery &Décor is still “Saturday Night Live” (you can view the the opening credits of the show’s 1990 – located in Nob Hill, not Russian Hill. audition on YouTube). He got the job – along with Jon Lovitz, Dennis Miller, 91 season, Phil is talking to a blonde XXXXXXXXXX Kevin Nealon, Dana Carvey, Victoria woman whose back is turned to the Jackson, Jan Hooks, and Nora Dunn. camera – that’s her.) It was a sunny day in May, 1998, when I walked by a newspaper stand on Sutter A friend of Phil told him not to marry and Polk to pick up a copy of the Brynn.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Motion Picture
    Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, ..
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
    Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009).
    [Show full text]
  • Where Are They Now?
    CATHOLIC CENTRAL HIGH SCHOOL | SPRING 2014 ALUMNINEWS WHERE ARE THEY NOW? SCHOOL NEWS | ALUMNI NEWS | ADVANCEMENT NEWS | FOUNDATION NEWS ALUMNINEWS FROM THE PRINCIPAL 3 PRINCIPAL’S LETTER Dear Friends of CC, This spring we will graduate our 108th 4 WHERE ARE THEY NOW? Alumni News class at Catholic Central High School. Since tracks down former teachers and students. before the invention of instant coffee, color 9 SCHOOL NEWS photography, and the modern zipper, we’ve been educating students in spirit, mind, and 12 ADVANCEMENT NEWS body. We are so proud of our alumni who have to advise their clients of our school with correct information. built our reputation of producing competent and compassionate It’s important for any family, new to town or those relocating 15 FOUNDATION NEWS graduates who excel in higher education, the workplace, and within within Kent County, to have the confidence to purchase a home their communities, and who are ministers of the Gospel by word within a 30 minute radius of downtown knowing there is an 16 ALUMNI NEWS and example. outstanding educational option at 319 Sheldon Blvd. Our alumni are a vast source of energy, advocacy, and support The program featured the Capella Choir, testimonials from 18 IN MEMORIAM for the future of Catholic Central High School. Perhaps alumni, the school’s video, a student address, a Q/A session, and a unbeknown to you, all graduates of CC are members of our tour of the facilities. The Treadstone office was able to attract over 19 CLASS NOTES alumni association, The Pride. Through reunions, special events, 40 real estate agents to the event, all of whom learned about the publications and correspondences, The Pride seeks to enrich exciting and transformative happenings at CC.
    [Show full text]
  • PR 2011 Hairspray
    * PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * June 19, 2011 For Immediate Release Contact: Alan Anderson 503.906.2380 [email protected] You Can!t Stop the Beat! Broadway Rose Theatre Company Presents Hairspray Tigard, OR – Broadway Rose Theatre Company launches its 20th summer season with the big musical comedy Hairspray. Directed by Peggy Taphorn, with choreography by Jacob Toth and musical direction by Rick Lewis, Hairspray will be performed at the Deb Fennell Auditorium. Preview performance is June 30 with opening night on Friday, July 1, and performances through July 24, 2011. Evening performances are Thursdays through Saturdays at 7:30 p.m. Matinees are at 2 p.m. on Sundays, on Saturday, July 16, and on Broadway Rose Theatre Company • P.O. Box 231004, Tigard, OR 97281 • 503.620.5262 Saturday, July 23. The Deb Fennell Auditorium is located at 9000 SW Durham Road in Tigard. Tickets prices are $28 to $35 for adults, with $20 tickets available for ages 6 – 25. For a full listing of show performances or to order tickets visit www.broadwayrose.org, or call the box office at 503.620.5262. You'll tap your feet to the beat as Tracy Turnblad and friends triumph over high school bullies, racism, and enemies everywhere of big girls with big hair. With music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and book by Mark O'Donnell and Thomas Meehan, viewers young and old will be shimmying in their seats as they enjoy hit favorites such as "I Can Hear The Bells" and "You Can't Stop The Beat." The cast includes Blythe Woodland as Tracy Turnblad, Dan Murphy as Edna, Ron Daum as Wilbur, Sara Catherine Wheatley as Velma, Steven Bryan Dawson as Link, Jay Kelly as Seaweed, and !Lacretta Nicole as Motormouth Maybelle.
    [Show full text]
  • A Linguistic Analysis of Postmodern Comedy by Barbara Ann Karman
    Postmodern Power Plays: A linguistic Analysis of Postmodern Comedy by Barbara Ann Karman Submitted in partial Fulfillment of the Requirements for the Degree of Master ofArts in the English Program Youngstown State University August, 1998 Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy Barbara Ann Karman I hereby release this thesis to the public. I understand this thesis will be housed at the Circulation Desk of the University library and will be available for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ~ Ii q;;. ~~QL<~ Student Date Approvals: Thesis Advisor Date LC~L L}~lGl ~~b~ L~{S-.-..;;;;~ 0 --c' __(s+-II CommitteiMember 0 Date iii Abstract Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy The goal of this thesis is to first acquaint readers with the literature on humor that will be useful in analyzing postmodern comedy from a linguistic perspective. As a genre-specific theoretical tool for viewers-- and readers-- of television texts, this thesis provides a means to an end: a way to "fine tune" our perception and understanding ofpostmodern comedy, and more importantly, provide concrete means to analyze the structure and implicit messages of one of its primary modes of expression--the prime time television situation comedy. Two case studies will consider the linguistic and textual construction of The Simpsons and Home Improvement and show how each sitcom relies on a postmodern power play between competing interests to engage the audience, subvert, and yet also subtly reinforce some ofour traditional notions ofgender and family relations in a patriarchal society.
    [Show full text]