In Re Napster, Inc. Copyright Litigation Was Pending
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Taking Intellectual Property Into Their Own Hands
Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc. -
4:08-Cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 1 of 2 - Page ID # 64
4:08-cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 1 of 2 - Page ID # 64 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF NEBRASKA BMG MUSIC, a New York general ) partnership; ATLANTIC RECORDING ) CORPORATION, a Delaware corporation; ) ARISTA RECORDS LLC, a Delaware ) limited liability company; CAPITOL ) RECORDS, INC., a Delaware corporation; ) ELEKTRA ENTERTAINMENT GROUP INC., ) a Delaware corporation; INTERSCOPE ) RECORDS, a California general ) partnership; MOTOWN RECORD ) COMPANY, L.P., a California limited ) partnership; PRIORITY RECORDS LLC, a ) Delaware limited liability company; SONY ) BMG MUSIC ENTERTAINMENT, a ) Delaware general partnership; UMG ) 4:08CV3088 RECORDINGS, INC., a Delaware ) corporation; WARNER BROS. RECORDS ) ORDER TO SHOW CAUSE INC., a Delaware corporation; and ZOMBA ) RECORDING LLC, a Delaware limited ) liability company, ) ) Plaintiffs, ) ) vs. ) ) DOES 1-6, ) ) Defendants. ) Several of the plaintiffs are corporations. The Clerk of the Court served notice on plaintiffs' counsel on May 1, 2008 (Filing 3). The Notice states: TEXT NOTICE REGARDING CORPORATE DISCLOSURE STATEMENT by Deputy Clerk as to Plaintiffs Interscope Records, Motown Record, Priority Records, Sony BMG Music Entertainment, UMG Recordings, BMG Music, Warner Bros. Records, Zomba Recording, Atlantic Recording, Arista Records, Capitol Records, Elektra Entertainment Group. Pursuant to Fed. R. Civ. P. 7.1, non-governmental corporate parties are required to file Corporate Disclosure Statements (Statements). The parties shall use the form Corporate Disclosure Statement, available on the Web site of the court at http://www.ned.uscourts.gov/forms/. If you have not filed your Statement, you must do so within 15 days of the date of this notice. If you have already filed your Statement in this case, you are reminded to file a Supplemental Statement within a reasonable time of any change in the information that the statement requires.(PCV, ) (Entered: 05/01/2008) 4:08-cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 2 of 2 - Page ID # 65 Fed. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Exhibit O-137-DP
Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said. -
0948-9975-2008-1.Pdf
����������Freiburger ������������Geschlechter � � Studien������� � Kindheit, Jugend, Sozialisation jos fritz verlag Ausgabe 22/ 2008 3 Freiburger GeschlechterStudien 22 Herausgeberin der Reihe: Zentrum für Anthropologie und Gender Studies (ZAG)/ Abteilung Gender Studies. Herausgeberin der Ausgabe 22: Meike Penkwitt. Wissenschaftliche Leitung: Prof. Dr. Nina Degele, Prof. Dr. Joseph Jurt, Prof. Dr. Eva Manske. Die Verantwortung für die einzelnen Beiträge liegt bei den jeweiligen AutorInnen. Redaktion: Franziska Bergmann, Stephanie Bethmann, Ruth Brand-Schock, Dr. Ursula Degener, Antonia Eder, Dr. Annegret Erbes, Dr. Regula Giuliani, Dr. Martina Grimmig, Mona Hanafi El Siofi, Antje Harms, Irmtraud Hnilica, Antonia Ingelfinger, Jennifer Jäckel, Christa Klein, Gertraud Lenz, Jennifer Moos, Claudia Münzing, Meike Penkwitt, Bettina Schreck, Eva Voß, Nina Wehner. Öffentlichkeitsarbeit: Susanne Grimm, Meike Penkwitt und Sebastian Fritz Wolfram Umschlaggestaltung: Elmar Laubender, Meike Penkwitt. Satz: Christoph Gebler, Elmar Laubender, Coral Romà Garcia. Verlag: jos fritz Verlag, Wilhelmstr. 15, 79098 Freiburg. Druck: Hausdruckerei der Albert-Ludwigs-Universität Freiburg i. Brsg. Umschlagsdruck: Druckwerkstatt im Grün, Auflage: 350. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen National- bibliographie; Detaillierte Daten sind im Internet unter http://dnb.ddb.de abrufbar. Dieses Werk einschließlich seiner Teile ist urheberrechtlich geschützt. Jede Art der Verwertung -
“Straight Outta Compton”—NWA (1988)
“Straight Outta Compton”—N.W.A (1988) Added to the National Registry: 2016 Essay by Ben Westhoff (guest post)* “Straight Outta Compton” LP N..W.A Gangsta rap existed before “Straight Outta Compton,” but N.W.A’s landmark 1988 album popularized the genre and serves as its standard bearer even today. The mythology of the artists behind its creation also continues to loom large: Eazy-E, the Compton crack dealer who used his profits to finance a hip-hop career; Dr. Dre, his neighbor who’d most recently been DJ-ing in flamboyant, sequined outfits for a song-and-dance group; Ice Cube, the ostentatious high school rapper from South Central Los Angeles whose writing gifts matched his aggressive delivery. But it was the characters they imagined--both militarized street kids sick of being humiliated by the cops and brash punks on the hunt for sex and cheap booze--that shaped the album, marching in time to Dr. Dre’s assault of chopped samples, wailing sirens, guitar riffs, and rapid drum machine beats, all of it more tuneful than it sounds on paper. Rounded out by the group’s other firebrand rapper, MC Ren, Dr. Dre’s production partner, MC Yella, and electro-rap holdover Arabian Prince--not to mention hugely influential ghostwriter D.O.C.--N.W.A reshaped hip-hop music in their own image. They called it “reality rap,” but in the beginning it was far from clear that N.W.A would rap unvarnished lyrics threatening the status quo. Dr. Dre and Ice Cube’s earlier music disparaged the gang lifestyle, and just about everyone in the group admired Prince. -
Amici Curiae Brief of Erik Nielson, Charis E
No. 15-666 __________________________________________ In the Supreme Court of the United States _____ ____ TAYLOR BELL, Petitioner, V. ITAWAMBA COUNTY SCHOOL BOARD, Respondent. _____ ____ On Petition for a Writ of Certiorari to the United States Court Of Appeals for the Fifth Circuit ______ ___ AMICI CURIAE BRIEF OF ERIK NIELSON, CHARIS E. KUBRIN, TRAVIS L. GOSA, MICHAEL RENDER (AKA “KILLER MIKE”) AND OTHER SCHOLARS AND ARTISTS IN SUPPORT OF PETITIONER _____ ____ CHARLES “CHAD” BARUCH Counsel of Record COYT RANDAL JOHNSTON JR. JOHNSTON TOBEY BARUCH 3308 Oak Grove Avenue Dallas, Texas 75204 (214) 741-6260 [email protected] Counsel for Amici Curiae __________________________________________ LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS Table of Contents ........................................................ i Table of Authorities ................................................... ii Interests of Amici Curiae ........................................... 1 Summary of Argument .............................................. 3 Argument .................................................................... 6 A. “Fight the power”: The politics of hip hop .......... 6 B. “Put my Glock away, I got a stronger weapon that never runs out of ammunition”: The non- literal rhetoric of hip hop .................................. 12 C. “They ain’t scared of rap music—they scared of us”: Rap’s bad rap .............................................. 19 Conclusion ............................................................... -
Color” with a Disability
1 O B S E R V E R Thursday, October 2, 1997• Vol. XXXI No. 29 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S STUDENT SENATE Committee tackles bevy of residence life issues By DEREK BETCHER Keeping lunch open until 2 p.m. and Associate News Editor extending breakfast grab-and-go until 11 a.m. were among the senate letter’s The Residence Life Committee proposals that Prentkowski told Szabo reported progress on several fronts — and Tomko he is willing to seriously among them dining times, laundry in examine. men’s dorms, parking and social space “The most significant part of the reclassification — at yesterday’s meeting is that [Prentkowski] is really Student Senate meeting. w illin g to use the senate and come to Most of the news stemmed from an us for input on this issue,” Szabo told earlier meeting between Morrissey the senate. senator Matt Szabo, Knott senator Matt Immediate, tangible improvements Tomko, director of food services David also resulted from the meeting: Szabo Prentkowski and South Dining Hall announced to the senate that Food general manager William Yarbrough. Services agreed to extend Huddle The meeting was in response to a letter hours one hour further into the morn the senators sent recommending ing. adjusted dining times for the dining Beginning Monday, the Huddle will halls. remain open until 2 a.m. on Mondays, “It sounds like he’s very open to Tuesdays and Wednesdays and until 3 The Observer/Liz Lang making some changes,” Tomko said. a.m. on Thursday through Sunday. -
Umoja Damaged by Billiard Balls Early Morning Pelting Under Investigation Seven Billiard Balls Were Sharp Shots, a Lot Like Gunshots
Umoja Damaged by Billiard Balls Early Morning Pelting Under Investigation Seven billiard balls were sharp shots, a lot like gunshots. -By Mark Russell- thrown at the Umoja House at They were about a half second Manag'mg Editor 3:15 am. The balls broke a screen apart. It was so loud that 1 thought and a storm window and damaged that someone was inside the Last Saturday, most of the the siding on the west side of the house." students on campus were cele- house. Bryant then woke up Jean St. brating the end of the year with According to Otis Bryant' 90, Louis '91, who was asleep up- formals and other parties. For one of the residents of Umoja stairs. "We went downstairs and some students, however, Satur- House, he was awake studying at checked every room, because we day night was a night of terror. 3 am when he heard "two very thought that someone was inside the house," said Bryant. "That look about 3 minutes. " PAA Marches Through Classes After finding no one down- stairs, Bryant turned to go back -By Mark Russell- upstairs. "Igothalfwayupthrough Managing Editor the kitchen when I heard a loud Please see Saturday, Page 3. po°l Balls did this damage to the Umoja House. Photo by SueMuik People in Life Science and McCook who thought their 9:30 am class would be boring yesterday were in for quite a surprise. A group of about 25 Black students marched from classroom to classroom, interrupting each lecture to read a prepared statement Sunday Concert Avoids Showers condemning the recent incident at the Umoja House. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.