The International Status of Education About the Holocaust
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20 Dokumentar Stücke Zum Holocaust in Hamburg Von Michael Batz
„Hört damit auf!“ 20 Dokumentar stücke zum Holocaust in „Hört damit auf!“ „Hört damit auf!“ 20 Dokumentar stücke Hamburg Festsaal mit Blick auf Bahnhof, Wald und uns 20 Dokumentar stücke zum zum Holocaust in Hamburg Das Hamburger Polizei- Bataillon 101 in Polen 1942 – 1944 Betr.: Holocaust in Hamburg Ehem. jüd. Eigentum Die Versteigerungen beweglicher jüdischer von Michael Batz von Michael Batz Habe in Hamburg Pempe, Albine und das ewige Leben der Roma und Sinti Oratorium zum Holocaust am fahrenden Volk Spiegel- Herausgegeben grund und der Weg dorthin Zur Geschichte der Alsterdorfer Anstal- von der Hamburgischen ten 1933 – 1945 Hafenrundfahrt zur Erinnerung Der Hamburger Bürgerschaft Hafen 1933 – 1945 Morgen und Abend der Chinesen Das Schicksal der chinesischen Kolonie in Hamburg 1933 – 1944 Der Hannoversche Bahnhof Zur Geschichte des Hamburger Deportationsbahnhofes am Lohseplatz Hamburg Hongkew Die Emigration Hamburger Juden nach Shanghai Es sollte eigentlich ein Musik-Abend sein Die Kulturabende der jüdischen Hausgemeinschaft Bornstraße 16 Bitte nicht wecken Suizide Hamburger Juden am Vorabend der Deporta- tionen Nach Riga Deportation und Ermordung Hamburger Juden nach und in Lettland 39 Tage Curiohaus Der Prozess der britischen Militärregierung gegen die ehemalige Lagerleitung des KZ Neuengam- me 18. März bis 3. Mai 1946 im Curiohaus Hamburg Sonderbehand- lung nach Abschluss der Akte Die Unterdrückung sogenannter „Ost“- und „Fremdarbeiter“ durch die Hamburger Gestapo Plötzlicher Herztod durch Erschießen NS-Wehrmachtjustiz und Hinrichtungen -
The Myth of the Extermination of the Jews: Part II
The Myth of the Extermination of the Jews: Part II CARL0 MATTOGNO 1. Birth and Development of Revisionism ational Socialist policy in the matter of Jewish emigration, N pursued officially until the beginning of February 1942, thus posed a question that really was "throbbing," to use again the adjective employed by Poliakov. If it was true that exterminating the Jews "conformed to the fundamental objective of National social ism"^; if it was true that it was not "the coming to a head of an unforeseeable explosion of violence, or of a betrayal of trust by subordinates, but the fruit of an ideology of death and of an organic design"^; if it was true that "according to Hitler, among the ends that had to be achieved thanks to the war, the general extermination of the Jews had a very important place, to the realization of which the German government would devote a large part of its forces,"3 for what mysterious reason did Adolf Hitler deprive himself of at least a million victims by allowing them to emigrate? It was thus inevitable that so atrocious an accusation, based essentially on "third and fourth hand accounts," on 'Wle game of psychological deductions," knowing that "all these could offer was fragile and speculative," and on "fragmentary and sometimes hypothetical answers," be placed in doubt. In the immediate post-war period and in the following years severe criticisms were formulated in regard to the trials of those who were called "Nazi war criminalsn-in particular, the Nuremberg trial4-and concerning the behavior of the Allies during the war.5 The first to raise doubt about the reality of the "extermination" of the Jews was the Frenchman, Paul Rassinier,a who is justly considered to be the precursor of present-day Revisionism. -
SS-Totenkopfverbände from Wikipedia, the Free Encyclopedia (Redirected from SS-Totenkopfverbande)
Create account Log in Article Talk Read Edit View history SS-Totenkopfverbände From Wikipedia, the free encyclopedia (Redirected from SS-Totenkopfverbande) Navigation Not to be confused with 3rd SS Division Totenkopf, the Waffen-SS fighting unit. Main page This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason Contents has been specified. Please help improve this article if you can. (December 2010) Featured content Current events This article needs additional citations for verification. Please help improve this article by adding Random article citations to reliable sources. Unsourced material may be challenged and removed. (September 2010) Donate to Wikipedia [2] SS-Totenkopfverbände (SS-TV), rendered in English as "Death's-Head Units" (literally SS-TV meaning "Skull Units"), was the SS organization responsible for administering the Nazi SS-Totenkopfverbände Interaction concentration camps for the Third Reich. Help The SS-TV was an independent unit within the SS with its own ranks and command About Wikipedia structure. It ran the camps throughout Germany, such as Dachau, Bergen-Belsen and Community portal Buchenwald; in Nazi-occupied Europe, it ran Auschwitz in German occupied Poland and Recent changes Mauthausen in Austria as well as numerous other concentration and death camps. The Contact Wikipedia death camps' primary function was genocide and included Treblinka, Bełżec extermination camp and Sobibor. It was responsible for facilitating what was called the Final Solution, Totenkopf (Death's head) collar insignia, 13th Standarte known since as the Holocaust, in collaboration with the Reich Main Security Office[3] and the Toolbox of the SS-Totenkopfverbände SS Economic and Administrative Main Office or WVHA. -
GSI Newsletter May 2018
[email protected] [email protected] www.genshoah.org Generations of the Shoah International Newsletter May 2018 Dear Members and Friends, Registration is now open for the intergenerational conference GSI is having in conjunction with the World Federation of Jewish Child Survivors of the Holocaust and Descendants. For dates and registration information please see the November 9th conference listing below. Generations of the Shoah International (GSI) Membership in our interactive leadership listserv is open to leaders / representatives of landsmanschaften and other Holocaust-related groups. If your local survivor, second generation or third generation group has not yet delegated a representative to join the GSI interactive online discussion / listserv group, please join us now. We already have dozens of members throughout the USA and from other countries. This global interactive listserv is the fastest way to reach the survivor community: [email protected]. For event submissions: www.genshoah.org/contact_gsi.html. Please fill out the information requested in the text areas and submit it to us at [email protected]. You must send us your information no later than the 23rd of the month if you wish for it to appear in the upcoming month’s issue. To search the newsletter by geographic area: Search by country for programs outside the USA or use the city and / or state abbreviations for those areas in the USA. All times listed below are local unless otherwise stated. Visit our GSI website at www.genshoah.org for updated information on new books, films, helpful links to Holocaust-related organizations and institutions, etc. Survivors, their children and grandchildren are welcome to post contact information for their local groups on our website. -
V for Vendetta’: Book and Film
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro Dissertação orientada por Doutora Teresa Cid MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 Abstract The current work seeks to contrast the book version of Alan Moore and David Lloyd‟s V for Vendetta (1981-1988) with its cinematic counterpart produced by the Wachowski brothers and directed by James McTeigue (2005). This dissertation looks at these two forms of the same enunciation and attempts to analise them both as cultural artifacts that belong to a specific time and place and as pseudo-political manifestos which extemporize to form a plethora of alternative actions and reactions. Whilst the former was written/drawn during the Thatcher years, the film adaptation has claimed the work as a herald for an alternative viewpoint thus pitting the original intent of the book with the sociological events of post 9/11 United States. Taking the original text as a basis for contrast, I have relied also on Professor James Keller‟s work V for Vendetta as Cultural Pastiche with which to enunciate what I consider to be lacunae in the film interpretation and to understand the reasons for the alterations undertaken from the book to the screen version. An attempt has also been made to correlate Alan Moore‟s original influences into the medium of a film made with a completely different political and cultural agenda. -
UNCREDIBLE: Broke Out
SPRING 201620162016 ••• NUMBER 333 A JOURNALJOURNALJOURNAL OFOFOF CHRISTIANITYCHRISTIANITYCHRISTIANITY &&& AMERICANAMERICANAMERICAN FOREIGNFOREIGNFOREIGN POLICYPOLICYPOLICY THE MORALMORAL UNDERPINNINGSUNDERPINNINGS OFOF JUSTJUST RETRIBUTION:RETRIBUTION: JUSTICE && CHARITYCHARITY ININ SYMBIOSISSYMBIOSIS BY JJ DDARYL CCHARLES MORAL MULTILATERALISM:MULTILATERALISM: SPONSORED BYBYBY THE OBAMAOBAMA DOCTRINE’SDOCTRINE’S CHRISTIANCHRISTIAN REALISMREALISM BY MMATT NN GGOBUSH SPRING SPRING SPRING UNCREDIBLE: OBAMA && THETHE ENDEND OFOF AMERICANAMERICAN POWERPOWER 2016 2016 2016 BY MMARC LLIIVECCHE • • • ALSO:: MMARK TTOOLEY ON TTRUMP && THE INADEQUACYINADEQUACY OF “A“AMERICA FFIRSTIRST”” •• BBRIAN AAUTEN ON JUSTJUST NUMBER NUMBER NUMBER SURVEILLANCESURVEILLANCE •• FFREDERICK DDOUGLAS ON CHOOSING RIGHT FROM WRONG •• AANDREW T.T. WWALKER ON A BBAPTIST VIEW OF WOMEN ININ WAR •• AAUGUST LLANDMESSER FOLDS HIS ARMS •• AALAN DDOWD REFLECTS ON THE NATION STATESTATE && INTERNATIONALINTERNATIONAL ORDER •• SSUSANNAH BBLACK && THE CCALIPHATE •• GENERAL GGEORGE MMARSHALL’’SS VISION FOR AAMERICA •• GGIDEONIDEON SSTRAUSS ON POLITICAL HOPE FOR 3 3 3 AFRICA •• RROBERT NNICHOLSONICHOLSON ON IISLAMSLAM,, CCHRISTIANITY,, && THE END OF PPALESTINE Providence_spring16_final_cover_spine.inddProvidence_spring16_final_cover_spine.indd 111 5/31/165/31/16 8:368:368:36 AMAMAM It is worth touching on two men who had killed him to a and puts us instead on a foot- points. First, and surprisingly parley, and put to them the case ing for war. Hardheaded realism perhaps, Dayan -
USHMM Individual Profile Cards
INDIVIDUAL PROFILE CARDS UNITED STATES HOLOCAUST MEMORIAL MUSEUM Faiga (Fanny) Orenbach was born into an Orthodox Jewish family in Łódź, Poland. The family moved to Brussels, Belgium when she was a young child, where her parents became active in the Jewish community. Fanny earned a art degree and designed clothing for the Royal House of Belgium. In May 1938, Fanny married Jacques Aizenberg, and less than a year later, gave birth to a daughter, Josiane. Germany invaded Belgium on May 10, 1940. Jacques left immediately to join the military, and after Belgium was defeated, he evacuated to England. Although she was Jewish, Fanny soon became actively involved in the resistance movement, hiding refugees in her attic. In October 1942, a few months after Fanny’s father was arrested, Fanny put Josiane in hiding. Fanny and her mother, Rivke, also went into hiding, but the Gestapo discovered and arrested them in 1943. They were beaten and taken to the Mechelen (Malines) transit camp. After ten days in Mechelen, Fanny and Rivke were deported to Auschwitz. Upon arrival at Auschwitz, Fanny and Rivke were placed in separate lines. Fanny Orenbach Aizenberg Fanny never saw her mother again. Fanny found encouragement from a group of six women. Together, they endured beatings, forced labor in a grenade factory, cruel and painful medical experiments, and the many other Born 1916 horrors of Auschwitz. Łódź, Poland In January 1945, the SS evacuated Auschwitz, sending Fanny and tens of thousands of prisoners on a forced march in frozen temperatures. After four months, Fanny and the other survivors were liberated near the Elbe River by the Soviet Red Army. -
This Cannot Happen Here Studies of the Niod Institute for War, Holocaust and Genocide Studies
This Cannot Happen Here studies of the niod institute for war, holocaust and genocide studies This niod series covers peer reviewed studies on war, holocaust and genocide in twentieth century societies, covering a broad range of historical approaches including social, economic, political, diplomatic, intellectual and cultural, and focusing on war, mass violence, anti- Semitism, fascism, colonialism, racism, transitional regimes and the legacy and memory of war and crises. board of editors: Madelon de Keizer Conny Kristel Peter Romijn i Ralf Futselaar — Lard, Lice and Longevity. The standard of living in occupied Denmark and the Netherlands 1940-1945 isbn 978 90 5260 253 0 2 Martijn Eickhoff (translated by Peter Mason) — In the Name of Science? P.J.W. Debye and his career in Nazi Germany isbn 978 90 5260 327 8 3 Johan den Hertog & Samuël Kruizinga (eds.) — Caught in the Middle. Neutrals, neutrality, and the First World War isbn 978 90 5260 370 4 4 Jolande Withuis, Annet Mooij (eds.) — The Politics of War Trauma. The aftermath of World War ii in eleven European countries isbn 978 90 5260 371 1 5 Peter Romijn, Giles Scott-Smith, Joes Segal (eds.) — Divided Dreamworlds? The Cultural Cold War in East and West isbn 978 90 8964 436 7 6 Ben Braber — This Cannot Happen Here. Integration and Jewish Resistance in the Netherlands, 1940-1945 isbn 978 90 8964 483 8 This Cannot Happen Here Integration and Jewish Resistance in the Netherlands, 1940-1945 Ben Braber Amsterdam University Press 2013 This book is published in print and online through the online oapen library (www.oapen.org) oapen (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. -
Natan Rapoport's Soviet Style of the Yad Mordechai and Negba Memorials
Chapter 14 Natan Rapoport’s Soviet Style of the Yad Mordechai and Negba Memorials 14.1 Ghetto Heroism and Israeli Valor The very same year of the Herzl gravesite competition, art critic Eugen Kolb met Russian-Jewish sculptor Natan Rapoport (mentioned in chapter 8) in Tel- Aviv. The meeting resulted in an article in which he shared basic, primary ideas about the nature of future Israeli memorials: At a time that many among us begin to design memorials for our War of Independence … Kibbutz Yad Mordechai did well in taking upon itself the initiative to entrust Natan Rapoport with the mission of erect- ing the suitable memorial for the Kibbutz Fallen and to the hero of the Warsaw Ghetto, whose name was adopted by that kibbutz—Mordechai Anilewizc.1 Connecting the Warsaw Ghetto fighters with those of Israel’s Independence War was a popular contemporary Zionist concept. Idit Zartal explains it as wishing to integrate the Ghetto uprisings into the narrative of Israel’s Independence War, one link in a chain of battles for the Land of Israel. It would show that the Diaspora Jews participated in the fight for a Jewish State and that the Zionist struggle for the Jewish state meant life or death. It associated the destiny of European Jewry with the right for the establishment of a Jewish state after World War II.2 Kolb’s great admiration for Natan Rapoport is quite understandable in this context; The Russian sculptor arrived in Israel a few days after the unveiling of his memorial to the Warsaw ghetto uprising in Warsaw (April 19, 1949). -
An Introduction by David Robinson
how it Happened Here: An Introduction by David Robinson Every viewing of It Happened Here, I find, requires the same adjustment. You always prepare yourself to make allowances, to be indulgent because, after all, it is only an amateur film, made on half a shoestring – schoolboys’ pocket-money virtually – with the barest of technical resources and volunteer personnel who came and went as the shooting stretched on. Yet within the first few minutes, practically within the first few shots, you find that allowances and indulgences are quite misplaced, because what you are seeing is simply a good film at any level and by any standards. As sheer professional filmcraft it is admirable. The staging of the war and the war period have a conviction which eludes more glossy and expensive ‘historical’ productions. The narrative structure is loose and casual, which makes it all the more remarkable that the film has a dramatic drive which carries through from the first shot to the last. The credit titles are backed with martial music. Then, over an animated map of the British Isles, the voice of John Snagge sketches in the ‘historical’ background which is the premise of the film: ‘The German invasion of England took place in July 1940 after the British retreat from Dunkirk. Strongly resisted at first, the German army took many months to restore order. But the resistance movement, lacking outside support, was finally crushed. For three years it lay dormant. Collaboration increased as the population became adjusted to the tedium of occupation... Then, in 1944, the resistance movement reappeared ...’ The heroine, Pauline Murray, is one of the population trying to adjust to the circumstances of occupation. -
Jewish Behavior During the Holocaust
VICTIMS’ POLITICS: JEWISH BEHAVIOR DURING THE HOLOCAUST by Evgeny Finkel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) at the UNIVERSITY OF WISCONSIN–MADISON 2012 Date of final oral examination: 07/12/12 The dissertation is approved by the following members of the Final Oral Committee: Yoshiko M. Herrera, Associate Professor, Political Science Scott G. Gehlbach, Professor, Political Science Andrew Kydd, Associate Professor, Political Science Nadav G. Shelef, Assistant Professor, Political Science Scott Straus, Professor, International Studies © Copyright by Evgeny Finkel 2012 All Rights Reserved i ACKNOWLEDGMENTS This dissertation could not have been written without the encouragement, support and help of many people to whom I am grateful and feel intellectually, personally, and emotionally indebted. Throughout the whole period of my graduate studies Yoshiko Herrera has been the advisor most comparativists can only dream of. Her endless enthusiasm for this project, razor- sharp comments, constant encouragement to think broadly, theoretically, and not to fear uncharted grounds were exactly what I needed. Nadav Shelef has been extremely generous with his time, support, advice, and encouragement since my first day in graduate school. I always knew that a couple of hours after I sent him a chapter, there would be a detailed, careful, thoughtful, constructive, and critical (when needed) reaction to it waiting in my inbox. This awareness has made the process of writing a dissertation much less frustrating then it could have been. In the future, if I am able to do for my students even a half of what Nadav has done for me, I will consider myself an excellent teacher and mentor. -
The Battle of Britain, 1945–1965 : the Air Ministry and the Few / Garry Campion
Copyrighted material – 978–0–230–28454–8 © Garry Campion 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–28454–8 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library.