Missives to Mythlore
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Holocaust Fiction with a Twist: Christians Imagining Jews in the Shoah a Paper Presented at the Association of Jewish Libraries
1 Holocaust Fiction with a Twist: Christians Imagining Jews in the Shoah A Paper Presented at the Association of Jewish Libraries Annual Convention, Pasadena, CA June 19, 2012 Mark Stover California State University, Northridge Abstract Over the past 25 years, evangelical Christian authors have written dozens of popular novels across a spectrum of genres that have one theme in common: Jewish characters interacting with Christians during and after the Holocaust. In this paper, I will describe and analyze the works of multiple Christian authors who have written fictional narratives that imagine Jewish characters in a variety of situations related to the Shoah. Many of these books contain what are often referred to as "conversion narratives." I will critique these narratives and will address such questions as intended audience, the legitimacy of writing from an outsider's perspective, and the controversial nature of writing about religious conversion. Introduction I begin this paper by quoting from Yaakov Ariel, who has written a great deal about the nature of evangelical Christian attitudes toward Jews: "One must conclude that the evangelical attitudes toward the Jewish people and their activities on the Jews' behalf derive first and foremost from their evangelical messianic hope, which in its turn represents an entire worldview, conservative and reactive in nature. The evangelicals' pro- Israel attitude and their keen concern for the physical well-being of Jews derive from their beliefs about the function of the Jews in the advancement of history toward the arrival of the Lord. ... Evangelical Christians cannot, therefore, be described as philosemites. Their support of Jewish causes represent an attempt to promote their own agenda and their opinions on Jews have not always been flattering. -
THE SIGNIFICANCE of ALLEGORICAL CHRISTIAN to REPRESENT BUNYAN's LIFE in the PILGRIM's PROGRESS a Thesis Presented to The
THE SIGNIFICANCE OF ALLEGORICAL CHRISTIAN TO REPRESENT BUNYAN’S LIFE IN THE PILGRIM’S PROGRESS A Thesis Presented to The Graduate Program in English Language Studies in Partial Fulfillment of the Requirements for the Degree of Magister Humaniora (M.Hum) in English Language Studies by Baja Tigor Hasudungan Pasaribu 06. 6332. 014 SANATA DHARMA UNIVERSITY 2010 Dedicated to My dear mother, Hartini and brother, Oka, v ACKNOWLEDGEMENTS I would acknowledge my supervisor Dr. B.B. Dwijadmoko, M.A. for his supervision. Thank you, Pak Dwi for being so patient, encouraging and supportive. I also thank Mike for his help with my study/thesis. I am grateful for the trust that God has given me to undertake a Masters degree under His financial support. I particularly want to thank mum and bro for the prayers, supports, and encouragements. You have been the best parent and brother God has given me. 8 February 2010 Baja Tigor Hasudungan Pasaribu vi ABSTRACT Baja Tigor Hasudungan Pasaribu. (2009). THE SIGNIFICANCE OF ALLEGORICAL CHRISTIAN TO REPRESENT BUNYAN’S LIFE IN THE PILGRIM’S PROGRESS, Yogyakarta: English Language Studies. Graduate Program. Sanata Dharma University. This thesis talks about The Pilgrim’s Progress, one of the most widely read books in English literature. It is a fiction-prose allegory relating the journey and adventures of Christian, a man who flees the City of Destruction and sets out for the Celestial City. Bunyan uses The Pilgrim’s Progress as a narrative strategy to express his own attitude toward his society and government in his life time. Bunyan personified his own life experiences and faith through the main character of the text (Christian), and bad characters in the text personified all the figure who had suppressed or persecuted him in real life. -
Christian Universalism in the Novels of Denise Giardina William Jolliff George Fox University, [email protected]
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2016 The ideW Reach of Salvation: Christian Universalism in the Novels of Denise Giardina William Jolliff George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Recommended Citation Jolliff, William, "The ideW Reach of Salvation: Christian Universalism in the Novels of Denise Giardina" (2016). Faculty Publications - Department of English. 28. http://digitalcommons.georgefox.edu/eng_fac/28 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. The Wide Reach of Salvation: Christian Universalism in the Novels of Denise Giardina William Jolliff It would be careless and reductive to refer to Denise Giardina as a regionalist; she is simply someone paying attention to her life. - W. Dale Brown Maybe Denise Giardina has written too well about Appalachia. Storming Heaven (1987) and The Unquiet Earth (1992), the two novels set in the West Virginia coalfields of the author's childhood, have received serious critical attention: but with few exceptions, her other novels have been ignored by academic commentators. Had Giardina written with such perfect and articulate craft about Dublin or London or New York, critics might be slower to think of her simply as a regionalist or even a writer of place. And I suspect she would have less trouble being heard when she says, as she has many times, "As much as I'm an Appalachian writer, I get called a political writer, but the label that is most appropriate for my writing is theological writing" (Douglass 34). -
Irrigating Deserts with Moral Imagination by PETER J
Copyright © 2004 The Center for Christian Ethics at Baylor University 21 Irrigating Deserts with Moral Imagination BY PETER J. SCHAKEL Without the imagination, morality remains ethics—ab- stract reflections on principles that we might never put into practice. With imagination, we connect principles to everyday life and relate to the injustices faced by oth- ers as we picture what they experience and feel. Stories feed the moral imagination, C. S. Lewis reminds us, and nurture the judgments of our heart. xcept for salvation, imagination is the most important matter in the thought and life of C. S. Lewis. He believed the imagination was a Ecrucial contributor to the moral life, as well as an important source of pleasure in life and a vital evangelistic tool (much of Lewis’s effectiveness as an apologist lies in his ability to illuminate difficult concepts through apt analogies). Without the imagination, morality remains ethics—abstract re- flections on principles that we might never put into practice. The imagina- tion enables us to connect abstract principles to everyday life, and to relate to the injustices faced by others as we imagine what they experience and feel. Though Lewis did not use the term “moral imagination” and recent writers on moral imagination rarely cite or draw upon him, he presented a clear, accessible, and powerful delineation of the concept long before it be- came popularized in the 1980s and 1990s.1 The term originated with the Irish philosopher and political thinker Edmund Burke (1729-1797), in his Reflections on the Revolution in France (1790), a book Lewis mentions in a letter to his father as the best introduc- tion to the medieval idea of love.2 The French Revolution, Burke asserts, 22 Inklings of Glory put an end to the system of opinion and sentiment that had given Europe its distinct character. -
Visions/Versions of the Medieval in C.S. Lewis's the Chronicles of Narnia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boise State University - ScholarWorks VISIONS/VERSIONS OF THE MEDIEVAL IN C.S. LEWIS’S THE CHRONICLES OF NARNIA by Heather Herrick Jennings A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University Summer 2009 © 2009 Heather Herrick Jennings ALL RIGHTS RESERVED v TABLE OF CONTENTS LIST OF ABBREVIATIONS .................................................................................... vii CHAPTER ONE: INTRODUCTION ........................................................................ 1 Lewis and the Middle Ages ............................................................................ 6 The Discarded Image ...................................................................................... 8 A Medieval Atmosphere ................................................................................. 10 CHAPTER TWO: THE HEAVENS OF NARNIA .................................................... 13 The Stars above Narnia ................................................................................... 15 The Narnian Planets ........................................................................................ 18 The Influence of the Planets ........................................................................... 19 The Moon and Fortune in Narnia ................................................................... 22 An Inside-Out Universe ................................................................................. -
CS Lewis and the Lion
Volume 15 Number 1 Article 3 Fall 10-15-1988 C.S. Lewis and the Lion: Primitivism and Archetype in the Chronicles of Narnia Sue Matheson Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Matheson, Sue (1988) "C.S. Lewis and the Lion: Primitivism and Archetype in the Chronicles of Narnia," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 1 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol15/iss1/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A reading of the Narnian chronicles as fantasy, not Christian allegory, and notes “the tension between allegory and symbol” in the Chronicles. Sees the character of Aslan, and his use of magic, as the “primordial image” which gives the fantasy its power. -
Ungit's Character, Role, and Meaninig in C. S. Lewis's Christian Framework of Till We Have Faces
Ungit's Character, Role, and Meaninig in C. S. Lewis's Christian Framework of Till We Have Faces Crnogorac, Petar Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:756179 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Petar Crnogorac Ungit's Character, Role, and Meaning in C. S. Lewis's Christian Framework of Till We Have Faces Diplomski rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Ungit's Character, Role, and Meaning in C. S. Lewis's Christian Framework of Till We Have Faces Diplomski rad Student/ica: Mentor/ica: Petar Crnogorac Doc. dr. sc. Marko Lukić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Petar Crnogorac, ovime izjavljujem da je moj diplomski rad pod naslovom Ungit's Character, Role, and Meaning in C.S. Lewis's Christian Framework of Till We Have Faces rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. -
The Reception of CS Lewis in Britain and America
i The Reception of C. S. Lewis in Britain and America Stephanie L. Derrick Department of History and Politics School of Arts and Humanities University of Stirling A thesis submitted for the degree of Doctor of Philosophy Supervised by Professor David W. Bebbington 30 September 2013 ii I, Stephanie L. Derrick, declare that this thesis has been composed by me and that the work which it embodies is my work and has not been included in another thesis. iii Acknowledgements Support has been extended to me by many people while I was doing research and writing for this dissertation. Professor David Hempton encouraged me when the idea for the project took root in his course on Evangelicalism, back in 2007. Professor David Bebbington has been attentive and patient in the process of seeing it through as a dissertation at the University of Stirling and to him I am truly grateful. Special thanks to Laura Schmidt at the Marion E. Wade Center in Wheaton, Illinois, as well as library staff at the National Library of Scotland, the Bodleian Library, the BBC Written Archives Centre, especially Samantha Blake, the Seven Stories Collection in Newcastle, especially Paula Wride, the British Library, the Penguin Archive in Bristol, and the Wilson Library in Chapel Hill, North Carolina. Gratitude is extended to the Royal Historical Society for a travel bursary. Thanks also are due Walter Hooper, Dr. Michael Ward, Dr. Chris Mitchell, Dr. Marjorie Mead, Dr. Lucy Pearson, Dr. Emma Macleod and to the many others who have given me guidance. I want to express my true gratitude to the people who took time from their busy schedules to speak with me about C. -
Narnian (An)Aesthetics
Narnian (An)aesthetics [Unpublished paper delivered at The Museum of Childhood, Bethnal Green, London, 2000 on the occasion of the 50th Anniversary of the publication The Lion, the Witch, and the Wardrobe] Björn Sundmark In Calormen, story-telling (whether the stories are true or made up) is a thing you’re taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays. (Lewis, The Horse and His Boy, p. 36). In this essay I am going to talk about two things, both of which are implied in the quotation from The Horse and His Boy by C. S. Lewis: storytelling as a craft and what we value in narratives, specifically in fairy tales. I am going to pose the question whether Lewis follows the aesthetic precept above, or whether his Narnian writing deviates from the traditional norms of storytelling in such a way that readers could be put off by it. Has the writing too much of the “English essay” in it and too little of the “grand Calormene manner”? In other words, are the stories aesthetically pleasing or not? The etymology of aesthetics as “things perceptible by the senses” is rather illuminating, I find. Stories are aesthetic when they are heard, when they are read, when they are relished, and when they are in touch with your being. In fact, the idea of sensual perception in connection with the experience of fiction is expressed in a whole range of words and phrases and metaphors. -
A Cosmic Shift in the Screwtape Letters
Volume 39 Number 1 Article 1 Fall 10-15-2020 A Cosmic Shift in The Screwtape Letters Brenton D.G. Dickieson University of Prince Edward Island Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Dickieson, Brenton D.G. (2020) "A Cosmic Shift in The Screwtape Letters," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 39 : No. 1 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol39/iss1/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol39/iss1/1 COSMIC SHIFT IN THE SCREWTAPE LETTERS BRENTON D.G. DICKIESON HOUGH IT WAS THE BOOK THAT LAUNCHED LEWIS INTO PUBLIC FAME, and T although he returned eighteen years later with a “Toast,” by all accounts, Lewis had no desire to capitalize on The Screwtape Letters. -
The Christy Award: Excellence in Christian Fiction, an Annotated Bibliography
Scholars Crossing Faculty Publications and Presentations Jerry Falwell Library January 2003 The Christy Award: Excellence in Christian Fiction, An Annotated Bibliography. Rachel Schwedt Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/lib_fac_pubs Recommended Citation Schwedt, Rachel, "The Christy Award: Excellence in Christian Fiction, An Annotated Bibliography." (2003). Faculty Publications and Presentations. 6. https://digitalcommons.liberty.edu/lib_fac_pubs/6 This Article is brought to you for free and open access by the Jerry Falwell Library at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. The Christy Award The burgeoning interest in Christian fiction that has marked recent years has brought with it a proliferation of new writers who are trying to make their way into the mainstream market. Alongside this growth has come a need to establish guidelines that would encourage a high standard of quality in the field. The Christian publishing industry itself responded to this challenge in 1999 by establishing an award that would identify novels and novelists of excellence. By acknowledging authors worthy of note, they hoped to encourage both creativity and quality in writing, broaden readership of the genre, and bring recognition and exposure to authors who had not yet reached a large readership. Supporters of this award are dedicated to the genre. Their website states their belief in the power of story. “In a postmodern age in which the power of story has an even more significant place than in the past for establishing new ideas, influencing thought, and captivating people’s minds and emotions, Christian fiction has an increasingly important role to play in the church and to a new generation of seekers. -
F NARNIA by PHANIDA SUTHAMCHAI Bachelor of Arts Tham
THE FUSION OF CHRISTIAN AND FICTIONAL ELEMENTS IN C. S. LEWIS'S CHRONICLES ~F NARNIA By PHANIDA SUTHAMCHAI \ \' Bachelor of Arts Thammasat University Bangkok, Thailand . 1976 Master of Arts Northeast Missouri State University Kirksville, Missouri 1978 Submitted to the Faculty of the Gr~duate College of the.Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 1985 I Thesis Approved: Thesis Adviser () sL~ ~~ - 0 - 12/Jl a c ~f(tf-n-- Dean of the Graduate College AC KN OWL EDGME~TS wish to express my deep appreciation to the members of my disser tation committee--Dr. David S. Berkeley, Dr. Paul Klemp, Dr. Sherry Southard, and Dr. Clyde B. Knight. In writing this dissertation, I am greatly indebted to Dr. David S. Berkeley, my major adviser and dissertation chairman, for not only pro viding indispensable and invaluable assistance and suggestions, but also for kindly lending me his collection of C. S. Lewis books, which benefit ed me tremendously. The inspiration of his scholastic encouragement, his endless generosity, and his patience will remain with me throughout my 1 i fe. would 1 ike to thank Dr. Paul Klemp, who took the trouble of read ing and giving me detailed comments. His insight has been an enormous help in improving my dissertation. wish to express my special thanks to Dr. Sherry Southard for giv ing me invaluable advice and for proofreading my dissertation. Her moral support, generosity, and friendship have always been of a great value to me. I also wish to acknowledge Dr.