Ungit's Character, Role, and Meaninig in C. S. Lewis's Christian Framework of Till We Have Faces
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Holocaust Fiction with a Twist: Christians Imagining Jews in the Shoah a Paper Presented at the Association of Jewish Libraries
1 Holocaust Fiction with a Twist: Christians Imagining Jews in the Shoah A Paper Presented at the Association of Jewish Libraries Annual Convention, Pasadena, CA June 19, 2012 Mark Stover California State University, Northridge Abstract Over the past 25 years, evangelical Christian authors have written dozens of popular novels across a spectrum of genres that have one theme in common: Jewish characters interacting with Christians during and after the Holocaust. In this paper, I will describe and analyze the works of multiple Christian authors who have written fictional narratives that imagine Jewish characters in a variety of situations related to the Shoah. Many of these books contain what are often referred to as "conversion narratives." I will critique these narratives and will address such questions as intended audience, the legitimacy of writing from an outsider's perspective, and the controversial nature of writing about religious conversion. Introduction I begin this paper by quoting from Yaakov Ariel, who has written a great deal about the nature of evangelical Christian attitudes toward Jews: "One must conclude that the evangelical attitudes toward the Jewish people and their activities on the Jews' behalf derive first and foremost from their evangelical messianic hope, which in its turn represents an entire worldview, conservative and reactive in nature. The evangelicals' pro- Israel attitude and their keen concern for the physical well-being of Jews derive from their beliefs about the function of the Jews in the advancement of history toward the arrival of the Lord. ... Evangelical Christians cannot, therefore, be described as philosemites. Their support of Jewish causes represent an attempt to promote their own agenda and their opinions on Jews have not always been flattering. -
Till We Have Faces and the Spiritual Conflicts of CS Lewi
Running head: HOLY PLACES, DARK PATHS 1 Holy Places, Dark Paths: Till We Have Faces and the Spiritual Conflicts of C.S. Lewis Joshua Novalis A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2015 HOLY PLACES, DARK PATHS 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Carl Curtis, Ph.D. Thesis Chair ______________________________ Karen Swallow Prior, Ph.D. Committee Member ______________________________ Edward Martin, Ph.D. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date HOLY PLACES, DARK PATHS 3 Abstract Although Till We Have Faces (1956) was written late in C.S. Lewis’s life (1898-1963), during the peak of his literary renown, the novel remains one of Lewis’s least known and least accessible works. Due to its relatively ancient and obscure source material, as well as its tendency towards the esoteric, a healthy interpretation of the novel necessitates a wider look at Lewis’s life-long body of work. By approaching Till We Have Faces through the framework of Lewis and the corpus of his work, the reader can see two principal conflicts that characterize the work as a whole, and, more specifically, the protagonist Orual’s attempts at reconciliation with the gods. The first is Orual’s tension between rationalism and romanticism, as seen through the framework of Lewis’s The Pilgrim’s Regress and Surprised by Joy; the second is Orual’s perverted sense of love, particularly her affection for her sister Psyche, as understood through Lewis’s The Four Loves and The Great Divorce. -
THE SIGNIFICANCE of ALLEGORICAL CHRISTIAN to REPRESENT BUNYAN's LIFE in the PILGRIM's PROGRESS a Thesis Presented to The
THE SIGNIFICANCE OF ALLEGORICAL CHRISTIAN TO REPRESENT BUNYAN’S LIFE IN THE PILGRIM’S PROGRESS A Thesis Presented to The Graduate Program in English Language Studies in Partial Fulfillment of the Requirements for the Degree of Magister Humaniora (M.Hum) in English Language Studies by Baja Tigor Hasudungan Pasaribu 06. 6332. 014 SANATA DHARMA UNIVERSITY 2010 Dedicated to My dear mother, Hartini and brother, Oka, v ACKNOWLEDGEMENTS I would acknowledge my supervisor Dr. B.B. Dwijadmoko, M.A. for his supervision. Thank you, Pak Dwi for being so patient, encouraging and supportive. I also thank Mike for his help with my study/thesis. I am grateful for the trust that God has given me to undertake a Masters degree under His financial support. I particularly want to thank mum and bro for the prayers, supports, and encouragements. You have been the best parent and brother God has given me. 8 February 2010 Baja Tigor Hasudungan Pasaribu vi ABSTRACT Baja Tigor Hasudungan Pasaribu. (2009). THE SIGNIFICANCE OF ALLEGORICAL CHRISTIAN TO REPRESENT BUNYAN’S LIFE IN THE PILGRIM’S PROGRESS, Yogyakarta: English Language Studies. Graduate Program. Sanata Dharma University. This thesis talks about The Pilgrim’s Progress, one of the most widely read books in English literature. It is a fiction-prose allegory relating the journey and adventures of Christian, a man who flees the City of Destruction and sets out for the Celestial City. Bunyan uses The Pilgrim’s Progress as a narrative strategy to express his own attitude toward his society and government in his life time. Bunyan personified his own life experiences and faith through the main character of the text (Christian), and bad characters in the text personified all the figure who had suppressed or persecuted him in real life. -
Christian Universalism in the Novels of Denise Giardina William Jolliff George Fox University, [email protected]
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2016 The ideW Reach of Salvation: Christian Universalism in the Novels of Denise Giardina William Jolliff George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Recommended Citation Jolliff, William, "The ideW Reach of Salvation: Christian Universalism in the Novels of Denise Giardina" (2016). Faculty Publications - Department of English. 28. http://digitalcommons.georgefox.edu/eng_fac/28 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. The Wide Reach of Salvation: Christian Universalism in the Novels of Denise Giardina William Jolliff It would be careless and reductive to refer to Denise Giardina as a regionalist; she is simply someone paying attention to her life. - W. Dale Brown Maybe Denise Giardina has written too well about Appalachia. Storming Heaven (1987) and The Unquiet Earth (1992), the two novels set in the West Virginia coalfields of the author's childhood, have received serious critical attention: but with few exceptions, her other novels have been ignored by academic commentators. Had Giardina written with such perfect and articulate craft about Dublin or London or New York, critics might be slower to think of her simply as a regionalist or even a writer of place. And I suspect she would have less trouble being heard when she says, as she has many times, "As much as I'm an Appalachian writer, I get called a political writer, but the label that is most appropriate for my writing is theological writing" (Douglass 34). -
Daily Reading Outlines for CS Lewis's Till We Have Faces
s for downloading this sample packet! Thank We are glad that you have downloaded this sample product to review. We want you to be able to fully evaluate our products, so that you can purchase with confidence, knowing how accessible, effective, and delightful our materials are. Free! Classical Academic Press offers several levels of free help! The Free Resources page on the website lists suggested schedules, extra worksheets, audio pronunciation files, coloring pages, handy grammar charts, and flash cards, as well as articles and recorded mp3 talks about teaching. Click here to open the Free Resources page in a web browser. Be sure to check out the free practice for your student at HeadventureLand.com! This free website offers games, videos, stories, and other resources to support students studying Latin, Spanish, and Greek. The activities are geared toward students using curricula from Classical Academic Press, but are useful for any language student. Headventure Land will always be a safe and family-friendly website for students to enjoy and is appropriate and appealing to students of all ages. As teachers and parents, you will find the For Teachers resource page particularly beneficial. It features many downloadable supplements to our curriculum, such as printable flashcards, worksheets, and audio files to aid language pronunciation. Click here to open HeadventureLand.com in a web browser. Discounts! We offer bundle discounts to make it easier to buy the whole curriculum. When you’re ready, you can purchase this curriculum on our website. Click here to open ClassicalAcademicPress.com in a web browser. Teacher’s Edition walking TO wisdom literature guide series Till We Have Faces C.S. -
Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
Images of Spirit in the Fiction of Clive Staples Lewis
Volume 14 Number 2 Article 7 Winter 12-15-1987 Images of Spirit in the Fiction of Clive Staples Lewis Charlotte Spivak Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Spivak, Charlotte (1987) "Images of Spirit in the Fiction of Clive Staples Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol14/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Shows how Lewis, in his fiction, explor“ es the phenomenology of Spirit through his creation of several numinous figures who reflect medieval paradigms.” These figures reflect both medieval allegorical meanings and Jungian archetypes. Additional Keywords Lewis, C.S. Fiction—Representation of spirit; Spirit in Jung—Relation to C.S. -
Possessive, Sacrificial and Divine Love in Till We Have Faces Andrew Neel Taylor University
Inklings Forever Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on C.S. Lewis & Article 16 Friends 5-29-2008 The Three Loves: Possessive, Sacrificial and Divine Love in Till We Have Faces Andrew Neel Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Neel, Andrew (2008) "The Three Loves: Possessive, Sacrificial and Divine Love in Till We Have Faces," Inklings Forever: Vol. 6 , Article 16. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/16 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. The Three Loves: Possessive, Sacrificial and Divine Love in Till We Have Faces Cover Page Footnote Undergraduate Student Essay This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol6/iss1/16 The Three Loves: Possessive, Sacrificial and Divine Love in Till We Have Faces AndrewNeel In Till We Have Faces, C.S. Lewis presents a bold of her own feelings. [ .. ] As others notice reinterpretation of an ancient myth and creates a story Psyche, praise her, do obeisance to her, Orual which questions the true nature of love. This essay may even at this point be protesting against will show how Lewis represented possessive love and sharing Psyche with others, against Psyche's sacrificial love in Till We Have Faces. -
The Style and Diction of Till We Have Faces: Medieval and Renaissance Undertones
Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 28 Friends 6-2006 The tS yle and Diction of Till We Have Faces: Medieval and Renaissance Undertones Larry E. Fink Hardin-Simmons University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Fink, Larry E. (2006) "The tS yle and Diction of Till We Have Faces: Medieval and Renaissance Undertones," Inklings Forever: Vol. 5 , Article 28. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/28 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana The Style and Diction of Till We Have Faces: Medieval and Renaissance Undertones Larry E. Fink Fink, Larry E. “The Style and Diction of Till We Have Faces: Medieval and Renaissance Undertones.” Inklings Forever 5 (2006) www.taylor.edu/cslewis The Style and Diction of Till We Have Faces: Medieval and Renaissance Undertones Larry E. Fink This exploration began with a single word noticed flooding whatever was colourless with scarlet in a happy coincidence. -
CS Lewis' <I>Till We Have Faces</I>
Volume 11 Number 1 Article 2 Summer 7-15-1984 A Myth Retold: C.S. Lewis' Till We Have Faces Ake Bergvall Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergvall, Ake (1984) "A Myth Retold: C.S. Lewis' Till We Have Faces," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 11 : No. 1 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol11/iss1/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Attempts to show that 1) Till We Have Faces is “first and foremost [...] a myth working on various levels, although with realistic elements”; and 2) “the second part is a true answer to the earlier questions and is a satisfying coda to the novel.” Additional Keywords Lewis, C.S.—Characters—Orual; Lewis, C.S.—Characters—Psyche; Lewis, C.S. Till We Have Faces; Lewis, C.S. Till We Have Faces—As myth This article is available in Mythlore: A Journal of J.R.R. -
The Renaissance Influence in CS
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 Sacred and Profane Loves: The Renaissance Influence in C.S. Lewis' Till We Have Faces Kevin Corr Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Christianity Commons, Classical Literature and Philology Commons, Comparative Literature Commons, Literature in English, British Isles Commons, Medieval Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Corr, Kevin, "Sacred and Profane Loves: The Renaissance Influence in .SC . Lewis' Till We Have Faces" (2018). Electronic Theses and Dissertations. 1771. https://digitalcommons.georgiasouthern.edu/etd/1771 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. SACRED AND PROFANE LOVES: THE RENAISSANCE INFLUENCE IN C.S. LEWIS’ TILL WE HAVE FACES by KEVIN CORR (Under the Direction of Julia Griffin) ABSTRACT C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces.