Debates of the Senate
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Life & Legacy®
Shalom SPRING 2021 CONNECTING THE ATLANTIC JEWISH COMMUNITY THE “HONOURING RUTH” PROJECT LIFE & LEGACY® IN ATLANTIC CANADA INTERVIEW WITH GARY BARWIN YOUR JEWISH LEGACY MATTERS! You have poured your heart and soul into this Jewish community and made a difference.Whether your greatest passion is Israel, your synagogue, the AJC or Camp Kadimah, your ongoing commitment stands as a testament to your values. Now is the time to take the next step and commit to securing the Jewish Future of Atlantic Canada. Be remembered forever by the Atlantic Jewish Community with a gift in your will, trust, retirement plan or life insurance policy. “As my ancestors planted for me, so do I plant for those who will come after me”—The Talmud Please contact Naomi Rosenfeld at [email protected] or 902.422.7493 to learn more or to make your commitment. IN THIS ISSUE SPRING 2021 VOL. 46 | NO. 1 Shalom TEVET 5781 SHALOM MAGAZINE ON THE COVER FEATURES President 15 The “Honouring Ruth” Project MARILYN KAUFMAN 17 Interview with Gary Barwin Executive Director 19 In Search of Kol Kehila NAOMI ROSENFELD Caves-of-Qumran 20 My Favourite Tastes of Israel Editor (Israel), A Short Story EDNA LEVINE by Tom Forrestall 22 LIFE & LEGACY® Graphic Designer This beautiful, original watercolour is 15” x 22” IN ATLANTIC CANADA MEGHAN RUSHTON on paper, from the 25 Remembered: Natan Nevo Z”L Advertising series 35 Days in Israel is available for purchase EDNA LEVINE from the AJC: $4,100 framed (plus delivery), please contact Naomi Rosenfeld, AJC executive director, Address all correspondence, [email protected] IN EVERY ISSUE including advertising enquires, to: In March 2021, eighty fragments of parchment were 4 President’s Message: Marilyn Kaufman the fi rst new pieces of Dead Sea Scrolls found by EDITOR, C/O SHALOM archeologists in the desert caves of Qumran in 60 years. -
2006-2007, Etc
Depuis plus de 125 ans, la Société nationale de l’Acadie défend avec ardeur les intérêts des communautés francophones et acadienne des provinces atlantiques, tout en favorisant l’essor culturel, économique et social de l’Acadie en Amérique du Nord. En réalisant sa mission, la Société contribue non seulement au bien-être des francophones et des Acadiens, mais aussi à la réussite de notre pays. En effet, le dynamisme de l’Acadie renforce notre francophonie et permet au Canada de jouer un rôle de chef de file dans la promotion du fait français ici et à l’étranger. À titre de ministre de la Coopération internationale et ministre de la Francophonie et des Langues officielles, je félicite toutes les personnes qui œuvrent au sein de la Société nationale de l’Acadie. Votre travail et vos réalisations sont remarquables, et je vous encourage à poursuivre sur cette lancée. Josée Verner Message du ministre En mon nom, et au nom du gouvernement du Nouveau Brunswick, je tiens à féliciter le conseil d’administration, les membres et le personnel de la Société nationale de l’Acadie pour votre excellent travail. Au cours de la dernière année, vous avez de nouveau dirigé d’importantes initiatives. Vos efforts ont permis à l’Acadie de se faire connaître tant sur le plan culturel que sur le plan touristique. Je tiens à souligner votre exercice de repositionnement qui, je crois, réaffirme votre engagement à l’épanouissement du peuple acadien. En tant que membre du regroupement des organisations internationales non gouvernementales de l’Organisation internationale de la Francophonie, vous jouez un rôle important de promotion de la culture acadienne à travers le monde. -
2018-23 Renewed Global Strategy
Renewed Global Strategy The Renewed Global Strategy is a road map adopted by the Acadian community of New Brunswick. Designed to promote the development of New Brunswick’s Acadian community, it serves as a guide for integrating the arts, culture, and heritage into ve sectoral strategies: - Development of professional artists; - Development of arts, culture, and heritage organizations; - Development of cultural enterprises and industries; - Integrating art and culture into education; - Community growth through regional cultural development. This societal project actively engages stakeholders and leaders in all sectors of activity, political ocials, and governmental and non-prot partners in a bold citizen mobilization exercise. ISBN 978-1-895819-54-0 Title: Renewed Global Strategy for the Integration of Arts and Culture into Acadian Society in New Brunswick Main title: Trajectoire 18-23 Subtitle: Renewed Global Strategy Production team: Direction: Carmen Gibbs Coordination: Chantal Abord-Hugon, Carmen Gibbs Writing: Chantal Abord-Hugon, Catherine Voyer-Léger Writing support: Philippe Beaulieu, Jean-Pierre Caissie, Catherine Blondin, Delphina Adeikalam, Dominic Langlois, Roland Bryar Linguistic revision: Réjean Ouellette Graphic design: MANCHU mark young design, Catherine Arseneault © Association Acadienne des artistes professionnel.le.s du Nouveau-Brunswick, 2018 140 Botsford Street, Suite 29 Moncton, New Brunswick E1C 4X5 Telephone: (506) 852-3313 Email: [email protected] Website: www.aaapnb.ca Legal Deposit: September 2018 Renewed Global Strategy (publication imprimée) : ISBN 978-1-895819-60-1 Renewed Global Strategy (publication pdf) : ISBN 978-1-895819-61-8 Document presented in Moncton, N.B. as Sept. 18, 2018 English translation prepared for ArtsLink NB, December 2019 Cover: L’école buissonnière (Playing Hooky) by PPS Danse. -
SIMON DANIEL Pop-Alternative / Dream Pop
SIMON DANIEL Pop-alternative / Dream pop Dossier de presse Avril 2021 Gérance / Label / Booking Le Grenier musique Carol Doucet – Directrice [email protected] 37 Portledge, Moncton (NB) E1C 5S6 – CANADA 506-384 6897 www.legreniermusique.com www.facebook.com/legreniermusique BIOGRAPHIE Depuis ses débuts en 2014, Simon Daniel ne cesse d’explorer l’univers pop alternatif. S’inspirant des rythmes et de l’atmosphère de sa ville natale de Moncton au Nouveau-Brunswick, Simon s’emploie à partager son attachement à cette ville, à la fois source et sanctuaire, qui nourrit ses cycles, sa musicalité et ses émotions. Élégant dans sa démarche et recherchant l’alliance parfaite entre esthétisme et innovation musicale, Simon fait évoluer son projet pour être au plus près de l’actualité. Valorisant le chiac dans ses textes, l’artiste se démarque par sa voix unique à la fois soyeuse et puissante. Fort d’un 1er EP “Jaune” en octobre 2015 qui lui a permis de jouer plus d'une centaine de spectacles au Canada (Maritimes, Québec, Ontario, Ouest canadien) et en Europe (France, Belgique, Suisse), il rafle de nombreux prix et distinctions. En octobre 2018, il lance son premier album « Nightcrawler » en CD et en vinyle sous l’étiquette Le Grenier musique, distribué par Distribution Plages. Cet opus de 9 titres en français, frôle les marges expérimentales de la pop alternative où l’artiste explore les forces de la nuit par un voyage introspectif dans les marécages brumeux de sa ville. Simon transporte et séduit son auditoire partout où il passe que ce soit -
Association Acadienne Des Artistes Professionnel.Le.S Du Nouveau-Brunswick Inc
140, rue Botsford, bureau 29 Association acadienne Moncton, Nouveau-Brunswick E1C 4X5 Canada 2015 +1 (506) 852-3313 • [email protected] des artistes professionnel.le.s du Nouveau-Brunswick 2016 www.aaapnb.ca © Association acadienne des artistes professionnel.le.s du Nouveau-Brunswick inc. Dépôt légal : Bibliothèque et Archives nationales Canada et Centre d’études acadiennes Anselme-Chiasson, juin 2016 ISBN 978-1-895819-50-2 Association acadienne des artistes professionnel.le.s du Nouveau-Brunswick 140, rue Botsford, bureau 29, Moncton NB E1C 4X5 Canada +1 506 852-3313 [email protected] www.aaapnb.ca www.facebook.com/aaapnb www.facebook.com/leseloizes www.twitter.com/aaapnb www.instagram.com/aaapnb www.youtube.com/aaapnb Équipe de production Direction : Carmen Gibbs Rédaction : Jean-Pierre Caissie Révision : Rose Després Conception et réalisation : Jacques Rousseau et Emmanuelle Dubé, Productions Rouj Page couverture : TRÉTEAU(X), Une coproduction du Théâtre populaire d’Acadie et de Satellite Théâtre (2014-2015). De gauche à droite : Annik Landry, Mathieu Chouinard et Marc-André Charron. Toutes les photos sont de l’AAAPNB, sauf indication contraire. RAPPORT A N N U E L 2015-2016 TRÉTEAU(X) Une coproduction du Théâtre populaire d’Acadie et de Satellite Théâtre (2014-2015). De gauche à droite : Annik Landry, Mathieu Chouinard et Marc-André Charron. Photo : Marc Paulin Table des matières Élu.e.s et équipe 5 Mise en contexte, vision, mission et mandat 6 Messages du président et de la directrice générale 8 Les réalisations 2015-2016 10 1. Développement de la pratique professionnelle 10 2. Développement de l’écosystème artistique 21 3. -
Liste Des Finalistes Aux Éloizes Artiste De L'année En Arts Visuels 2014
Liste des finalistes aux Éloizes Artiste de l’année en arts visuels 2014 Marie Hélène Allain : Exposition rétrospective - Le caractère sacré de la pierre / The Numinosity of Stone Luc A. Charette : Exposition - Portraitures: peintures 2011-2012 Jocelyn Jean : Exposition - La pointe de l'iceberg 2012 Anne-Marie Sirois, exposition Sculpture de fer et livre Pourquoi 100 fers Georges Goguen, exposition 5 décennies de recherche Éveline Gallant Fournier, installation permanente Khronos 2010 Joël Boudreau - Exposition Lieux transitoires Luc A.Charette - Expositions Œuvres d’Amérique et Dénominateur André Lapointe - Exposition Paysages secrets 2008 Gilbert LeBlanc - Divers jardins 2006-2007 Georgette Bourgeois - L'Esprit de Grand Pré Raymonde Fortin - Expositions 2006-2007 2007 Gilbert LeBlanc - Expositions 2005-2006 Roméo Savoie - Peintures, 1964-2004 Marie Hélène Allain - Secrets de varnes 2005 Lise Robichaud - Installation Origines François Gaudet - Expositions en 2004-2005 Roger H. Vautour – Expositions en 2004-2005 2004 Luc A. Charrette - IMAGITÉ Francis Coutellier - L’été des mariages alentour du 15 août Danielle Ouellet - Il était une fois… la mer 2003 Léopold L. Foulem - Mélange Francis Coutellier - Relations publiques Jean-Sébastien Roy – Énigme et affrontement 2002 Raymond Martin - L’abstraction dans l’art rend la race humaine folle. Même les vaches en souffrent. Gisèle Ouellette - Repère Roger Vautour - Ensemble des expositions 2001-2002 2001 Marie-Hélène Allain - Une pierre pour toi Yvon Gallant - Rétrospective François Gaudet - Exposition -
Legislative Proceedings
HANSARD 12-35 DEBATES AND PROCEEDINGS Speaker: Honourable Gordon Gosse Published by Order of the Legislature by Hansard Reporting Services and printed by the Queen's Printer. Available on INTERNET at http://nslegislature.ca/index.php/proceedings/hansard/ Fourth Session THURSDAY, OCTOBER 25, 2012 TABLE OF CONTENTS PAGE PRESENTING AND READING PETITIONS: TIR - MacLellan Mtn. Rd. - Pave, Mr. C. MacKinnon .............................................................................................2486 NSP Rate Increase (2013, 2014, 2015) - Deny, Mr. L. Glavine....................................................................................................2486 N.S. Electoral Boundaries Commn.: Shelburne Co. - Split Oppose, Hon. S. Belliveau ...............................................................................................2486 N.S. Electoral Boundaries Commn.: Yarmouth Riding - Maintain, Mr. Z. Churchill .................................................................................................2487 TIR: Shore Rd. (Clifton) - Pave, Mr. G. Burrill .....................................................................................................2487 TABLING REPORTS, REGULATIONS AND OTHER PAPERS: N.S. Electoral Boundaries Commn. - Final Rept., Hon. R. Landry ..................................................................................................2488 GOVERNMENT NOTICES OF MOTION: Res. 1394, Respiratory Therapists Wk. (10/21 - 10/27/12) - Celebrate, Hon. D. Wilson..............................................................................2488 -
Donor-Report-2013-En.Pdf
TABLE OF CONTENTS Message from the Chair /2 About the Canadian Museum of Immigration at Pier 21 /3 Recognizing our Patrons /4 A Tribute to Ruth M. Goldbloom, O.C., O.N.S. /6 Ralph and Rose Chiodo /8 TD Bank Group /10 Special Event Fundraisers /12 Breakfast with a Fascinating Canadian /14 California Wine Dinner /16 Impact Highlights /18 Learning at the Museum /20 Community Engagement /26 Engaging with History /32 Donor Acknowledgement /38 For the Canadian Museum of Immigration at Pier 21, Canada has been profoundly shaped by the year 2012-2013 has been another of tremendous immigration. The Canadian Museum of growth and opportunity. This was made possible Immigration at Pier 21 aims to inspire and through the ongoing and generous support of our many partners, donors and patrons. A sincere thank enable Canadians to explore their relationships you to all whose contributions continue to enable ABOUT THE with those migrations. We envision opening up us to collect, share and pay tribute to the Canadian that conversation on a national scale. immigration story. CANADIAN The Canadian Museum of Immigration at Pier 21 This year, with the support of our individual donors MUSEUM OF and corporate sponsors, we have offered new and collects, shares and pays tribute to the Canadian inspirational exhibitions, engaging activities for all immigration story. The Museum is situated at Pier 21, ages, interactive educational workshops and outreach ImmIGRATION the National Historic Site that served as the gateway to initiatives. AT PIER 21 Canada for one million immigrants between 1928 and Thanks to our generous donors, we are able to provide 1971. -
Negotiating with Oral Histories at the Canadian Museum of Immigration at Pier 21
Negotiating with Oral Histories at the Canadian Museum of Immigration at Pier 21 Ashley Clarkson A Thesis in The Department Of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada January 2015 © Ashley Clarkson, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Ashley Clarkson Entitled: Negotiating with Oral Histories at the Canadian Museum of Immigration at Pier 21 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) Complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Shannon McSheffrey Chair Elena Razlogova Examiner Erica Lehrer Examiner Steven High Supervisor Approved by: Chair of Department or Graduate Program Director Dean of Faculty Abstract This thesis explores the transition of Pier 21 from a local heritage group to its designation as a national museum in 2009. How it is balancing its role as national historic site, with a large source community, and its mandate to represent the national history of Canadian immigration. The emphasis on intangible cultural heritage, or people’s recorded stories, rather than material artifacts, places Pier 21 in the position to adopt new technologies and to connect on-and offline interpretation. In the beginning Pier 21 brought together a community of immigrants and it was oral histories that helped activate that community in order to bring the institution to life. When Pier 21 is referred to as the ‘museum of memories,’ it invokes not only the memories rooted in the exhibits but in the memories that permeate the site itself. -
Impact Report
2 0 17- 2 0 18 IMPACT REPORT Canadian Museum of Immigration at Pier 21 Canadian Museum of Immigration at Pier 21 1055 Marginal Road Halifax, Nova Scotia B3H 4P7 T: 902-425-7770 | F: 902-423-4045 Toll free: 1-855-526-4721 Pier21.ca | [email protected] Published by Canadian Museum of Immigration at Pier 21 Table of Contents 3 Message From the Chair 4 Celebrating Your Transformational Gifts 16 Recognizing Our Patrons 20 Special Event Fundraisers 26 Impact Highlights 38 Commemorating Your Contributions 42 Ruth Goldbloom Educational Bursary 43 Donor Acknowledgement Listing This is the first Impact Report I have overseen as MESSAGE FROM Chair and I am impressed with all that has been accomplished this past year thanks to the generosity THE CHAIR of our donors. From the wonderful Refuge Canada exhibition, to the many programs that welcomed thousands to the Museum, to acting as a platform for youth education, we are truly touching hearts and minds across the Nation. We are, of course, a museum of stories and it is our privilege and honour to celebrate the story of Canadian immigration and the individual stories of immigrants to Canada. Part of that celebration is the important process of finding, collecting and archiving those stories. Moreover, we make them available for our visitors in a way that will allow them to find sparks of connection and inspiration as they encounter these stories in the Museum. Thanks to our dedicated supporters, we are able to continue this vital undertaking, bringing Canada’s immigration story to light and life through our programs and interpretations of the stories we gather. -
Mount Saint Vincent University Academic Calendar 1999-2000
Mount Saint Vincent University Academic Calendar 1999-2000 1. The University hereby gives notice that while the information contained in this Calendar is considered accurate at the time of its preparation, there may be changes made subsequent to publication without prior notice. 2. In the interpretation of academic regulations, the Senate is the final authority. 3. Although advice is readily available on request, the responsibility of selecting the appropriate courses for graduation must ultimately rest with the student. 4. Not all courses listed in the Calendar are offered each year. Students are advised to check the timetable, which is available from the Registrar, for the availability of a course. 5. The academic calendar year begins on September 1 and extends through the following August 31 in any given year. Students who begin study at any point within this period are governed by the regulations in the Calendar which came into effect on the previous September 1. 6. Notwithstanding any other provision of the Calendar, it is expressly understood by all students that Mount Saint Vincent University accepts no responsibility to provide any course of instruction, program or class, residential or other services including the normal range of academic, residential and/or other services in circumstances of utility interruptions, fire, flood, strikes, work stoppages, labour disputes, war, insurrection, the operation of law or acts of God or any other cause (whether similar or dissimilar to those enumerated) which reasonably prevent their provision. -
Annual Report 2011–2012
Annual Report 2011–2012 “My future great work has begun.” Anna Leonowens, on staying in Halifax, educating her grandchildren and establishing a school of art and design Message from the President By Dr. Daniel O’Brien On behalf of NSCAD University, it is my pleasure to extend warm greetings to all who receive our Annual Report 2011–2012. Contained herein are reports from management and academic leaders which outline area-specific activities, accomplishments and challenges experienced over the past year. My report focuses on institution-wide challenges and responses of the past year. When a new history of NSCAD is written I am sure that 2012 will be noted as a year of great significance, a year in which our very existence was the subject of public scrutiny, a year in which our collective resilience was tested, a year of unprecedented firsts, and a year in which courageous and responsible actions were set in motion to address criticisms and chart a sustainable future. As all will recall, the early fall of 2011 set the stage for the struggle which ensued. Reacting to dissatisfaction with successive and growing annual deficits incurred by the university, the province appointed Howard Windsor, a retired civil servant, to review NSCAD’s operations, in particular its finances, and offer Photo: Jacob Mailman recommendations to the province on its continuing support of the university. which could be achieved by imposing cost controls, which are largely within NSCAD’s control. This model contains few The public release of theWindsor Report in December hard-to-meet assumptions. While this model (identified as precipitated an unwelcomed public debate on the Model A) produces substantial savings over a status-quo budget role, purpose and affordability of an independent, approach, it would result in a continuing budget shortfall of publicly funded art and design university.