DOCSLIB.ORG

Call for Entry

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Call for Entry Call for Entry The Exhibition The Winter Festival Juried Art Show & Sale is the premier art event of Northern Saskatchewan with over 100 artists and 200 artworks created by emerging and professional artists from across the province. The exhibition is now entering into its 38th year and was originally conceived as the visual art component of the Prince Albert Winter Festival which is celebrating its 50th Anniversary in 2014. While predominantly a local show & sale, the Winter Festival Juried Art Show & Sale reflects the incredible level of artistic production in the visual arts and strong community support through local sponsorships and awards. For many, it is a rare opportunity to show their work in a professional gallery space. The Process All artists and artisans are invited to participate in the exhibition, but they must be members of the Mann Art Gallery. A maximum of two artworks can be submitted (See Eligibility and Entry Instructions for details). The artwork is dropped off at the gallery on the specified days in January. Over the course of the following two weeks, artworks are juried into one of the three gallery spaces by an independent guest juror. Past jurors' include Sandra Fraser (Mendel Art Gallery), Marsha Kennedy (University of Regina) and Alison Norlen (University of Saskatchewan). Everyone who enters is guaranteed inclusion! During the Gala Reception, various awards are handed out including a number of artworks purchased for the Mann Art Gallery’s Permanent Collection. The day after the reception, the juror will provide a walkthrough and talk about the processes and decisions made. The exhibition typically lasts six weeks and at the conclusion artists must pick up any unsold artworks. Important Dates Artwork Drop-off Date: Sunday, January 19th, 2014 and Monday, January 20th, 2014 | 1:00pm – 5:00pm Gala Opening Reception: Friday, February 7th, 2014 | 7:00pm Reception Admission: General Public: $15.00 | Gallery Members - $10.00 | Participating Artists Only – FREE Juror’s Talk / Walkthrough Tour: Saturday, February 8th, 2014 | 10:00 am - 1:00 pm Artwork Pick-up Date: Sunday, March 23rd, 2014 – Monday, March 24th, 2014 | 1:00pm – 5:00pm The Awards The Mayor’s Prize / First Place Award The Second Place Award Sponsored by the City of Prince Albert Sponsored by the Prince Albert Council for the Arts The Honorable Mention Award Lorraine Mathiason Memorial Pottery Award Sponsored by the Prince Albert Arts Board Sponsored by the Prince Albert Council for the Arts The Kyla Memorial Award Fibre Art Award Sponsored by the Kyla Art Group Sponsored by Spinners and Weavers Guild Photography Award Christina’s Framing Gallery & Art School Fine Arts Award Sponsored by Northern Image Photographers Sponsored by Christina’s Framing Gallery & Art School Mid-Pro Rock and Gem Society Lapidary Award Dana Wareing Popescul Memorial Award for Mixed Media Sponsored by the Mid-Pro Rock and Gem Society John and Marjorie Hicks Memorial Award Sandy and Peggy Kerr Memorial Award ________________________________________________________________________________________________________ 142 - 12th Street West | Prince Albert, SK | S6V 3B5 [p] 306.763.7080 [f] 306.763.7838 [e] [email protected] [w] www.mannartgallery.ca Guest Jurors Levi Nicholat & Donald Roach The Gallery / Art Placement Inc. Levi Nicholat and Donald Roach became the new owners of The Gallery / Art Placement Inc. (Art Placement) in July 2013. Art Placement was originally founded in 1978 by Bonnie Bentham, Douglas Bentham, Robert Christie and Minerva Gossen as a gallery and art consultation service. It is now the longest operating commercial art gallery in the City of Saskatoon. The focus of the gallery remains mid-career and established Saskatchewan and Western Canadian artists, with a primary emphasis on landscape and abstract painting. The Gallery represents some of the province’s most distinguished artists including Robert Christie, Reta Cowley, Ruth Cuthand, Greg Hardy, Dorothy Knowles, William Perehudoff, and Lorna Russell. Custom framing was added to Art Placement’s list of services not long after it was founded and what began a few years later as a single rack of Stevenson paints for university art students has expanded to become one of the best stocked art supply stores in the province. With over 12,000 items in regular inventory, Art Placement’s art supply store caters to artists of all ages and abilities. Art Placement is centrally located in downtown Saskatoon in a unique back alley location that it has occupied since 1981. Levi Nicholat was born in Saskatoon. He holds a Bachelor’s Degree in Fine Arts (Honours) and an Master’s Degree in Fine Arts in studio art with a focus on painting from the University of Saskatchewan. His thesis exhibition, “That is not it at all”, was awarded the University of Saskatchewan Graduate Thesis Award in 2011. He was the recipient of the Simon Chang and Phyllis Levine Scholarship and the James and Mary Girgulis Memorial Scholarship as well as two consecutive University of Saskatchewan Graduate Scholarships. He managed the art supplies store at Art Placement from 2010 to 2013 and now oversees the general operations of the business. Donald Roach was born in Cape Breton, Nova Scotia. He has lived in several cities throughout Canada and Japan before settling in Saskatoon in 2008. He holds a Bachelor’s Degree in Science from Mount Allison University (Sackville, NB), a Bachelor’s Degree in Education from Dalhousie University (Halifax, NS), a Bachelor’s in Fine Arts Degree (Painting and Drawing) from Concordia University (Montreal, QC) and a Master’s Degree in Fine Arts in studio art with a focus on painting from the University of Saskatchewan. He was the recipient of the Royal Academy of Art C. D. Howe Scholarship, two consecutive University of Saskatchewan Graduate Scholarships, and has twice been granted an Elizabeth Greenshields Award. His paintings have been exhibited in Montreal, Nova Scotia and Saskatoon where he is currently holding the position of Registrar at the Mendel Art Gallery. Workshops Create Your Own Pigments with Tamara Rusnak (Saskatoon, SK) Sunday, February 8th, 2014 | 10:00am - 5:00pm | Pre-registration required In this full day workshop, participants will learn how to make their own paints from natural pigments and ingredients such as egg (tempera) and milk (casein). COST: $100.00 for members and $110.00 for non-members (all materials included). CARFAC Workshop: How to Prepare and Present an Artist Talk with Holly Fay (Regina, SK) Sunday, March 16th, 2014 | 2:30pm - 4:00pm | Admission is Free! | Pre-registration required Giving an artist talk provides a valuable opportunity to offer insight into your work. However, forming and giving a public talk can be very daunting task. This workshop will deliver practical information on preparing and presenting a successful artist talk. The workshop will take participants through an outline for preparation, plus give tips and strategies on presenting. ________________________________________________________________________________________________________ 142 - 12th Street West | Prince Albert, SK | S6V 3B5 [p] 306.763.7080 [f] 306.763.7838 [e] [email protected] [w] www.mannartgallery.ca ELIGIBILITY AND ENTRY INSTRUCTIONS Artists MUST be 18 years of age or older. All Artists MUST be members of the Mann Art Gallery. Due to inquiries of CARFAC exhibition fees by previous applicants to the Winter Festival, the Mann Art Gallery Board of Director’s, in consultation with CARFAC, have established that ALL ENTRIES MUST BE FOR SALE which overrules our obligation to pay these fees. If the Mann Art Gallery were required to pay these fees, this one festival would cost over $60,000 in exhibition fees and would simply not be financially feasible. If you have any questions or concerns regarding this declaration, please contact the gallery at your earliest convenience. Artists and collaborative groups are limited to TWO works per artist/group. Artworks will be completed of a recent date (within the last two years) and not previously exhibited in the gallery. Entries will be the artist’s original design (no copies, reproductions, or commercial kits). Artworks must be ready for installation. Frail or excessively heavy or poorly prepared works will be rejected. Hanging Hardware (ie. D-Rings – Figure: 1) must be attached to all two-dimensional pieces. D-Rings can be found at most local hardware stores or online at www.leevalley.com. We will NOT accept wire / string as a means to hang (Figure: 2). Hanging hardware is to be measured equal distances from the top of the frame to the D-Rings on the right and left side of the piece (Figure: 3) Figure 1: Example of Figure 2: No Picture Hanging Wire Allowed Figure 3: Example of D-Ring Location D-Ring Each entry of artwork must have attached on the rear: the artist’s name, title, date, size, medium and sale price. Artwork must be delivered and unpacked / picked up and repacked, in person, by the artist or their representative. The name and phone number, whether it is the artist or representative, must be listed on the entry form. ENTRIES SHIPPED BY BUS, MAIL, OR COURIER WILL NOT BE ACCEPTED. The gallery does not have space to store packing materials. These must be taken away and brought back if required. Any materials left in the gallery will be disposed. The gallery reserves the right not to exhibit works that exceed 3’ x 3’ for pieces hung outside the Main Gallery. All pieces Juried into the Main Gallery will be accommodated regardless of size. Exceptions to these rules will no longer be accepted. ________________________________________________________________________________________________________ 142 - 12th Street West | Prince Albert, SK | S6V 3B5 [p] 306.763.7080 [f] 306.763.7838 [e] [email protected] [w] www.mannartgallery.ca Registration: All entries must be delivered in person to: The Mann Art Gallery 142 – 12th St., West Prince Albert, SK S6V 3B5 (306) 763-7080 DROP OFF DATES: Sunday, January 19th, 2014 | 1:00pm – 5:00pm OR Monday, January 20th, 2014 | 1:00pm – 5:00pm If, for extraordinary reasons, you cannot register at the appropriate time, call the Gallery before Wednesday, January 15th, 2014.
Load more

Recommended publications
  • Contributors
    Contributors Andres Ajens is a Chilean poet, essayist, and translator. His latest works include /E (Das Kapital, 2015) and Bolivian Sea (Flying Island, 2015). He co-directs lntemperie Ediciones (www.intemperie. cl) and Mar con Soroche (www.intemperie.cl/soroche.htm). In English: quase ftanders, quase extramadura, translated by Erin Moure from Mas intimas mistura (La Mano Izquierda, 2008), and Poetry After the Invention ofAmerica: D on't L ight the Flower, translated by Michelle Gil-Montero (Palgrave Macmillan, 2011). Mike Borkent holds a doctorate from and teaches at the University of British Columbia. His research focuses on cognitive approaches to multimodal literatures, focusing on North American visual poetry and graphic narratives. He recently co-edited the volume Language and the Creative Mind (CSLI 2013) with Barbara Dancygier and Jennifer Hinnell, and has authored several articles and reviews on poetry, comics, and criticism. He was also the head developer and co-author of CanLit Guides (www. canlitguides.ca) for the journal Canadian L iterature (2011-14). Hailing from Africadia (Black Nova Scotia), George Elliott Clarke is a founder of the field of African-Canadian literature. Revered as a poet, he is currently the (4th) Poet Laureate of T oronto (2012-15). The poems appearing here are from his epic, "Canticles," due out in November 2016 from Guernica Editions. Ruth Cuthand was born in Prince Albert and grew up in various communities throughout Alberta and Saskatchewan. With her Plains Cree heritage, Cuthand's practice explores the frictions between cultures, the failures of representation, and the political uses of anger. Her mid-career retrospective exhibition, Back Talk, curated by Jen Budney from the Mendel Art Gallery in Saskatoon, has been touring Canada since 2011.
    [Show full text]
  • A Translocal Approach to Dialogue-Based Art
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2017 A Translocal Approach to Dialogue-based Art KNOWLES, RACHELLE MARIE VIADER http://hdl.handle.net/10026.1/10269 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. A translocal approach to dialogue-based art by Rachelle Marie Viader Knowles A thesis submitted to Plymouth University in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY August 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. Acknowledgements First and foremost, I would like to thank my supervisors, Dr Sarah Bennett (Director of Studies) and Dr Geoff Cox (Second Supervisor). At every step of this journey, Sarah and Geoff have supported, provoked, challenged and pushed my thinking always a step further than I thought it or I could go. I am deeply grateful for the attention, diligence and commitment they have given to this process and the exceptional support they have given to me. Thank you. The experience of undertaking this PhD has been one of joyful collegiality and friendship with a group of peers beyond anything I could have hoped for.
    [Show full text]
  • Ruth Cuthand CV
    RUTH CUTHAND Born in 1954 in Prince Albert, SK, Canada. Lives and works in Saskatoon, SK, Canada. EDUCATION 1992 MFA, University of Saskatchewan, Saskatoon, SK, Canada 1983 BFA, University of Saskatchewan, Saskatoon, SK, Canada SOLO EXHIBITIONS 2016 Don’t Breathe, Don’t Drink, dc3 Art Projects, Edmonton, AB, Canada 2015 Don’t Drink, Don’t Breathe, Mann Art Gallery, Prince Albert, SK, Canada 2014 BACK TALK: Ruth Cuthand (works 1983-2009), Plug In ICA, Winnipeg, MB, Canada 2013 BACK TALK: Ruth Cuthand (works 1983-2009), Thunder Bay Art Gallery,Thunder Bay, ON, Canada 2012 BACK TALK: Ruth Cuthand (works 1983-2009), Confederation Art Centre, Charlottetown, PEI, Canada BACK TALK: Ruth Cuthand (works 1983-2009), Mount Saint Vincent University Art Gallery, Halifax, NS, Canada 2011 BACK TALK: Ruth Cuthand (works 1983-2009), Mendel Art Gallery, Saskatoon, SK, Canada 2010 Dis-Ease, Red Shift Gallery, Saskatoon, SK, Canada 1999 Indian Portraits: Late 20th Century, Wanuskewin Museum, Saskatoon, SK, Canada 1993 Location/Dislocation, Mendel Art Gallery, Saskatoon, SK, Canada 1992 Misuse is Abuse II, MFA Exhibition, University of Saskatchewan, Saskatoon, SK, Canada 1990 Misuse is Abuse, Mendel Art Gallery, Saskatoon, SK, Canada Traces of the Ghost Dance, Artists with Their Work, MacKenzie Art Gallery, Regina, SK, Canada SELECTED GROUP EXHIBITIONS 2016 Counter History and the Other, Wanuskewin Heritage Park, Saskatoon, SK, Canada 2015 Oh, Canada, Glenbow Museum, Illingworth Kerr Gallery, The Esker Foundation and Nickle Galleries, Calgary, AB, Canada
    [Show full text]
  • The Numinous Land: Examples of Sacred Geometry and Geopiety in Formalist and Landscape Paintings of the Prairies a Thesis Submit
    The Numinous Land: Examples of Sacred Geometry and Geopiety in Formalist and Landscape Paintings of the Prairies A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Art and Art History University of Saskatchewan Saskatoon By Kim Ennis © Copyright Kim Ennis, April 2012. All rights reserved. Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of Art and Art History University of Saskatchewan 3 Campus Drive Saskatoon, Saskatchewan S7N 5A4 Canada i Abstract Landscape painting and formalist painting, both terms taken in their broadest possible sense, have been the predominant forms of painting on the prairie, particularly in Saskatchewan, for several decades.
    [Show full text]
  • 2014-2015 Manitoba Arts Council Annual Report
    MISSION The Manitoba Arts Council is an arm’s-length agency of the provincial government dedicated to artistic excellence. We offer a broad-based granting program for professional artists and arts organizations. We will promote, preserve, support, and advocate for the arts as essential to the quality of life of all the people of Manitoba. VISION The Manitoba Arts Council envisions a province with a creative spirit brought about by arts at the heart of community life where: • Manitobans value a range of artistic and cultural expression; • The arts are energetically promoted as an essential component of educational excellence; and • The arts landscape is characterized by province-wide participation that spans our diverse people and communities. ORGANIZATION The Manitoba Arts Council (MAC) offers a broad range of grants and services to professional artists and arts organizations in all art forms. MAC uses the peer assessment process to award most grants. Grant applications are evaluated by a group of artists and/or arts professionals currently practicing in the types of art relevant to each application. Grants are awarded based on artistic excellence. Works of artistic excellence are characterized by qualities such as vitality, originality, relevance, creativity, innovation, experimentation, and technical and professional expertise. MAC recognizes that notions of artistic excellence evolve and that decisions based on aesthetic values will vary MANITOBA ARTS COUNCIL from one peer to the next. annual report 2014 |2015 2014 -2015 COUNCIL AND STAFF MEMBERS OF COUNCIL MANDATE In accordance with the Memorandum of Understanding with the Keith Bellamy Cheryl Bear Dr. Michael Kim CHAIR, WINNIPEG PEGUIS FIRST NATION BRANDON Province, Council supports the professional arts of demonstrated or Cynthia Brenda Blaikie Crystal Kolt potential artistic excellence for individuals, groups, and organizations; Rempel Patrick WINNIPEG FLIN FLON including funding for arts training institutions, professional assessment, 1 VICE-CHAIR, STEINBACH Jan Brancewicz Dr.
    [Show full text]
  • Annual Report 2020 / 2021 3 President’S Message
    ANNUAL REPORT 2020 / 2021 3 PRESIDENT’S MESSAGE 5 EXECUTIVE DIRECTOR & CEO’S MESSAGE 7 YEAR IN REVIEW 9 EXHIBITIONS & PUBLIC PROGRAMS 21 COMMUNITY SUPPORT 23 DONORS & SPONSORS 27 ACQUISITION HIGHLIGHTS 31 MEMBERS & VOLUNTEERS 37 BOARD OF TRUSTEES & STAFF 39 SUMMARY FINANCIAL STATEMENTS CORE FUNDING PROVIDED BY ADDITIONAL SUPPORT PROVIDED BY Divya Mehra, There is nothing you can possess which I cannot take away (Not Vishnu: New ways of Darsána), 2020, coffee, sand, chamois leather, leather cord, metal grommets, 2.4 lbs. Photo by Sarah Fuller. Image courtesy the artist and Georgia Scherman Projects. Collection of the MacKenzie Art Gallery. ANNUAL REPORT PRESIDENT’S MESSAGE Out of an abundance of caution we cancelled several key In July, the Gallery bid farewell to Executive Director & excited by John’s forward-thinking vision, and we are fundraising events in 2020 including Holiday Baazart, CEO Anthony Keindl. I want to acknowledge his many confident that his dynamic range of curatorial experience, the Gala Art Auction, and a new in-Gallery dinner series achievements during his six-year tenure at the Gallery. sound leadership, and community mindedness will help slated to launch in early December. Although this had He was instrumental in the realization of a number of us continue to grow and inspire as we enter a new phase a significant financial impact, the Gallery continued to strategic goals including the commissioning a major public of understanding our role as cultural caretakers in this receive support from our community. We extend our artwork, Duane Linklater’s Kâkikę / Forever, stewarding territory. I’d like to thank our volunteer search committee, deepest appreciation to our members, donors, and the donation of over 1,000 Indigenous artworks through Searchlight Recruiters, and members of the Board for corporate sponsors for their ongoing generosity.
    [Show full text]
  • Proquest Dissertations
    Mapping the Post-Colonial Landscape Project: A Critical Analysis Michael Frederick Rattray A Thesis In The Department Of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada September 2008 © Michael Frederick Rattray, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45711-5 Our file Notre reference ISBN: 978-0-494-45711-5 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • UAAC-AAUC-2019-Programme-Long
    2019 Conference of the Universities Art Room AssociationDufferin of Canada Back to schedule Congrès 2019 de l’Association d’art des universités du Canada October 25–27 octobre 2019 Hilton Quebec 1 Message du président L’intérêt grandissant que suscite le congrès de l’AAUC fait en sorte que nous devons nous adapter à la croissance tout en préservant le caractère informel qui, au fil de plusieurs décennies, s’est avéré adaptable et productif. Cette situation enviable explique que le congrès de cette année se déroule dans un centre de congrès, un format qui sera de plus en plus important à l’avenir. Je suis heureux de terminer mon mandat de président lors de cet événement remarquable et dans ce cadre magnifique. Je tiens à remercier les organisateurs Ersy Contogouris, Erin Silver et Maxime Coulombe, et je suis ravi de voir le nouveau numéro de RACAR, qu’Ersy a codirigé avec Mélanie Boucher, et qui porte sur les tableaux vivants. Je remercie également Fran Pauzé, l’administratrice de l’AAUC, pour son travail au soutien du congrès de cette année et pour m’avoir aidé à rester sur la bonne voie pendant mon mandat au CA de l’AAUC, d’abord comme trésorier, puis comme président. Les compétences financières de Fran — un modèle d’efficacité et de clarté, je le dis sou- vent — expliquent en grande partie le succès durable de l’Association. Je me sens privilégié d’avoir été au service de ma communauté professionnelle de cette manière et j’ai hâte de participer de façons différentes au cours des années à venir, en commençant par le congrès de Vancouver en 2020.
    [Show full text]
  • Eskimo Sculpture & Prints
    1. Possibly 1956 Tarascan Art of Ancient Mexico - Norman Mackenzie Art Gallery Publication: Tarascan Art of Ancient Mexico Clare Herzog The Gallery of Contemporary Art, 1956, 8pp. 2. 15 – 30 October 1961 Eskimo Sculpture & Prints - Norman Mackenzie Art Gallery Note:[Glenbow Foundation/WCAC] 3. 22 June – 27 July 1973 Eskimo Prints and Sculpture - Norman Mackenzie Art Gallery Note:A Community Programme Exhibition Circulation: Publication:Eskimo Prints and Sculpture Paul H. Fudge Norman Mackenzie Art Gallery, 1973, 12 p. 4. 2 – 30 July 1974 The Eskimo Art Collection of the TD Bank - Norman Mackenzie Art Gallery Note:[Toronto Dominion Bank] Circulation: Publication:The Eskimo Art Collection of the Toronto-Dominion Bank Paul Duval Toronto Dominion Bank, 1974, 48 pp. 5. 19 September – 13 October 1975 Saskatchewan Native Painters of the Past - Organized by the Norman Mackenzie Art Gallery Note:A SASKARTIST Series Exhibition/ A Prairie Artist Series Exhibition Developed by Jack Severson, Curatorial Assistant Publication:Saskatchewan Native Artists of the Past no author Norman Mackenzie Art Gallery, 1975, 4 p. ISBN: n\a 6. 17 May – 29 June 1975 The Legacy: Contemporary British Columbia Indian Art - Organized by the British Columbia Provincial Museums Note: [B.C. Provincial Museum] 7. 12 December – 18 January 1975 100 Years of Saskatchewan Indian Art 1830 – 1930 - Organized by the Norman Mackenzie Art Gallery Note:Community Programme Exhibition Circulation: Publication:100 Years of Saskatchewan Indian Art 1830 – 1930 Bob Boyer Norman Mackenzie Art Gallery, 1975, two books 12 p. and one book 16 p. ISBN: 8. 1 June – 9 August 1976 Eskimo Prints and Sculptures - Organized by the Community Programme of the Norman Mackenzie Art Gallery 9.
    [Show full text]
  • Curriculum Vitae Lethbridge, AB (587) 220-5756 [email protected] | Populust.Ca
    Megan Morman - Curriculum Vitae Lethbridge, AB (587) 220-5756 [email protected] | populust.ca Solo Exhibitions Assume the Position (thesis exhibition), Penny Building Gallery, Lethbridge, AB July 2016 Now You See It, Manning Hall commission, Art Gallery of Alberta, Edmonton, AB Aug 2013-Feb 2014 Art Party, Stride Gallery, Calgary, AB Jan-Feb 2014 Art Party & Super Bingo, Galerie Sans Nom, Moncton, NB Sep-Nov 2013 Art Party, Latitude 53, Edmonton, AB Jul-Aug 2013 Wordgames with Friends, ARTSPACE Artist Run Centre, Peterborough, ON Jun-Aug 2013 Cat Party, Parlour windowspace, Lethbridge, AB Feb-Mar 2013 Art Party, Artists by Artists show, mentor Ruth Cuthand, Mendel Art Gallery, Saskatoon, SK Sep 2012-Jan 2013 Friends of Friends, Neutral Ground Artist Run Centre, Regina, SK Apr-May 2009 Friends of Friends, Sushiro, Saskatoon, SK Aug-Sep 2007 Public Projects and Festivals “Downtown Lethbridge”, permanent public work commissioned by the SAAG, Lethbridge, AB Oct 2014 Ottawa Super Bingo, Westfest, hosted by Gallery 101, Ottawa, ON Jun 2013 Cooler, Mountain Standard Time Performative Art Festival, Calgary, AB Oct 2012 Cooler, Visualeyez Festival of Performance Art, Latitude 53 Gallery, Edmonton, AB Sep 2009 Calgary Super Bingo, Artcity Public Art Festival, Calgary, AB Sep 2008 Overlook, temp. installation commissioned by Riversdale Business Improvement District, Saskatoon Sep 2007 Selected Group Exhibitions & Performances Broken Telephone curated by Emily McKibbon, MacLaren Art Centre, Barrie Fall 2019 Scutelliphily curated by Zoe Schneider, SK Craft Council Affinity Gallery, Saskatoon Apr-May 2017 Best of the Cabinets of Queeriosities curated by Leila Armstrong, The Works Festival, Edmonton Jun-Jul 2016 Then & Now, curated by Jessica Fisher & Courteny Green, Southern Alberta Art Gallery May-June 2016 Way In, Snelgrove Gallery, Saskatoon & Way Out, Penny Building Gallery, Lethbridge Jan & Feb 2016 Friends of Friends touring with Hi-Fibre Content curated by Zoe Schneider, Org.
    [Show full text]
  • Tanya Harnett RCA MFA Suite 1606, 9717- 111 Street Curriculum Vitae Edmonton, AB, T5K 2M6 Email: [email protected]
    Tanya Harnett RCA MFA Suite 1606, 9717- 111 Street Curriculum Vitae Edmonton, AB, T5K 2M6 email: [email protected] Born: 1970 Regina, Saskatchewan, Canada. Nakota, Carry The Kettle band member. Education: 1999- 2001 University of Alberta, Edmonton, Alberta. Master of Fine Art in Drawing 1992- 1995 University of Alberta, Edmonton, Alberta. Bachelor of Fine Art in Painting and Printmaking. 1990- 1992 Grant MacEwan Community College, Edmonton, Alberta. Fine Art Diploma. Solo Exhibitions: 2016 Lebret Residential Petroglyphs, Society of Northern Alberta Print-artists, Edmonton, Alberta. 2016 Indian Residential School Settlement Agreement, Society of Northern Alberta Print-artists, Edmonton, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Sod Busters Museum, Strome, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Spruce Grove Public Library, Spruce Grove, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Evergreen Elementary, Drayton Valley, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Highlands Schools, Edmonton, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Fox Creek Municipal Library, Fox Creek, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, Millerville Library 2016 Lebret Residential Petroglyphs, TREX touring exhibit ion, Belvedere-parkway School, Calgary, Alberta. 2016 Lebret Residential Petroglyphs, TREX touring exhibition, James Fowler High School, Calgary, Alberta. 2016 Lebret Residential Petroglyphs,
    [Show full text]
  • Cultivating The
    SASKATCHEWAN ARTS BOARD 2016-2017 ANNUAL REPORT Cultivating the ARTS TABLE OF CONTENTS Letter of Transmittal 2 Message from the Chair 3 Message from the Chief Executive Officer 4 Board & Staff 5 Stories 6 Permanent Collection: New Acquisitions 35 Permanent Collection: Works on Loan 38 In Memory 40 Strategic Planning 41 Grants & Funding 42 Jurors, Assessors & Advisors 47 Management Responsibility for Financial Information 50 Auditor's Report 51 Financial Statements 52 Notes to the Financial Statements 55 MISSION: The Saskatchewan Arts Board recognizes, encourages and supports the arts to enrich community well-being, creativity, diversity and artistic prosperity. VISION: A creative society where the arts and artistic expression play a dynamic role and are accessible to everyone in Saskatchewan. VALUES: Excellence: We support artists, organizations and communities striving for excellence in the arts. Diversity: We are committed to supporting artists and arts activities that are reflective of the diversity of Saskatchewan. Adaptability: We support artists and arts organizations as they pursue new and innovative practices. Accountability: Our policies and processes are transparent and reflect a commitment to effective stewardship of the public trust we hold. Leadership: We strive to lead through consultation, collaboration, responsiveness and advocacy. Cover: Laura St. Pierre Fruits and Flowers of the Spectral Garden (Avalon) (detail), 2014 archival inkjet on somerset velvet paper Photo courtesy of the artist See page 48 for full image. 2 SASKATCHEWAN ARTS BOARD 2016-2017 ANNUAL REPORT Artists Speak… “Artistic expression is the paint on the canvas that is our province. It takes something otherwise functional and makes it not only liveable, but lovable.
    [Show full text]