UAAC-AAUC-2019-Programme-Long
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Roskilde Festival 50 © RAGNAROCK Og Forlaget Columbus 2021 1
ROSKILDE FESTIVAL50 EN MATERIALESAMLING TIL HISTORIE OG SAMFUNDSFAG PÅ UNGDOMSUDDANNELSERNE Udvalgt og redigeret af Jakob Caspersen Louise Dahl Christensen Sebastian Gyrst–Longsig Christensen Roskilde Festival 50 © RAGNAROCK og Forlaget Columbus 2021 1. udgave, 1. oplag Forlagsredaktion: Anders Hassing Grafisk tilrettelæggelse og omslag: Klahr Tryk: Tarm Bogtryk Forlaget har forsøgt at finde og kontakte eventuelle rettighedshavere, som kan tilkomme honorar i henhold til lov om ophavsret. Skulle der mod forventning være rettighedshavere, som måtte have krav på vederlag, vil forlaget udbetale et sådant, som om der var indgået en aftale. Printed in Denmark 2021 ISBN: 978-87-7970-693-4 Kopiering fra denne bog må kun finde sted på institutioner, der har indgået aftale med Copydan og kun inden for de i aftalen nævnte rammer. Roskilde Festival 50 er udgivet med støtte fra #ALLE TIDERS MUSIKBY Forlaget Columbus Østerbrogade 54c 2100 København Ø Tlf. 35420051 www.forlagetcolumbus.dk [email protected] INDHOLD INDLEDNING EN VERDEN UDEN ROSKILDE FESTIVAL 5 HISTORIE ROSKILDE FESTIVAL IGENNEM 50 ÅR 7 Tema 1: Ungdomsoprøret i Roskilde – den første festival i skæret af ungdomsoprøret 9 Tema 2: Et omstridt oprør 17 Tema 3: Køn, krop, sex og frirum 23 SAMFUNDSFAG ROSKILDE FESTIVAL – ET SOCIALT LABORATORIUM 33 Tema 1: Er klimakampen det nye ungdomsoprør? 35 Tema 2: Identitetspolitik – krænkelsesparate eller privilegieblinde? 45 Tema 3: Er friheden grænseløs? 53 4 INDLEDNING EN VERDEN UDEN ROSKILDE FESTIVAL ”Sommeren i år bliver som en vinter uden Roskilde Festival beskrives ofte som et jul.”1 socialt laboratorium, hvor det er muligt I 2020 blev Roskilde Festivals 50–års ju- at kigge, studere og undersøge ungdoms- bilæum aflyst. -
Contributors
Contributors Andres Ajens is a Chilean poet, essayist, and translator. His latest works include /E (Das Kapital, 2015) and Bolivian Sea (Flying Island, 2015). He co-directs lntemperie Ediciones (www.intemperie. cl) and Mar con Soroche (www.intemperie.cl/soroche.htm). In English: quase ftanders, quase extramadura, translated by Erin Moure from Mas intimas mistura (La Mano Izquierda, 2008), and Poetry After the Invention ofAmerica: D on't L ight the Flower, translated by Michelle Gil-Montero (Palgrave Macmillan, 2011). Mike Borkent holds a doctorate from and teaches at the University of British Columbia. His research focuses on cognitive approaches to multimodal literatures, focusing on North American visual poetry and graphic narratives. He recently co-edited the volume Language and the Creative Mind (CSLI 2013) with Barbara Dancygier and Jennifer Hinnell, and has authored several articles and reviews on poetry, comics, and criticism. He was also the head developer and co-author of CanLit Guides (www. canlitguides.ca) for the journal Canadian L iterature (2011-14). Hailing from Africadia (Black Nova Scotia), George Elliott Clarke is a founder of the field of African-Canadian literature. Revered as a poet, he is currently the (4th) Poet Laureate of T oronto (2012-15). The poems appearing here are from his epic, "Canticles," due out in November 2016 from Guernica Editions. Ruth Cuthand was born in Prince Albert and grew up in various communities throughout Alberta and Saskatchewan. With her Plains Cree heritage, Cuthand's practice explores the frictions between cultures, the failures of representation, and the political uses of anger. Her mid-career retrospective exhibition, Back Talk, curated by Jen Budney from the Mendel Art Gallery in Saskatoon, has been touring Canada since 2011. -
Introduction It Is the 51St Millennium, and the War Continues. There Was No Great Conflagration Or Calamitous Final Battle. Acro
Introduction It is the 51st Millennium, and the war continues. There was no great conflagration or calamitous final battle. Across the vastness of the galaxy, the Imperium died. Not with a bang, but with a whimper. The galactic empire of humanity crumbled, its enemies too many, too great and too terrible to imagine. The great conflict of Octavius had no victory, a war without end. In the fiery chasm of strife, the locust and the green holocaust fused, as beast looked upon barbarian and both saw the other as kin. The new entity spread with a speed undreamt of by ork or tyranid. War and hunger melded into a singular desire to ravage, rape and remake all in the image of the new devourer. The Devourer’s hybrid nightmares were regenerative, and spore-born, combining into a grand horror, which murdered the galaxy, leaving naught but fragments as it left. Metallic sentinels of unflinching dread rose up on some worlds, leaving them safe from the new devourer waaagh, but instead made them slaves to the silver sentinels, and fodder for their glowing metal gods. The Eldar who had held on to life for so long, slowly winked out of existence one craftworld at a time. Eventually, even the rumbling hearts of the avatars fell silent. For a time... In the dead craftworlds, something slithers through the infinity circuit to this day. Unfortunately, the great god of the dead, Ynnead, is trapped within this infinity circuit, howling its mournful song into the darkness, eternally hungry in its desire to wreak vengeance on She Who Thirsts. -
200210 IND 150+Ottawa Press Release Feb
FOR IMMEDIATE RELEASE CELEBRATING INUIT STORYTELLING WITH OTTAWA PREMIERE OF ONE OF CANADA’S TOP 10 FILMS OF 2019 ‘ONE DAY IN THE LIFE OF NOAH PIUGATTUK’ Actor Apayata KotiEr, who plays tHE rolE of NoaH Piugattuk bEing confrontEd by actor Kim Bodnia, playing tHE rolE of Isumataq (Boss). PHoto courtEsy Isuma Distribution. ‘A TOP 10 FILM OF 2019’ - TIFF Monday FEbruary 10th, 2019 -- Coming to Ottawa for it’s Ottawa Public PrEmiErE is OnE Day in tHE LifE of NoaH Piugattuk, the latest film by award-winning, master filmmaker and Order of Canada recipient, Dr. ZacHarias Kunuk. Attending and speaking after the event will be Isuma team member and the film’s assistant director, Lucy Tulugarjuk, and Tessa Kunuk who debuts in the film in the role of Nattuk. The film tells a story of Igloolik elder NoaH Piugattuk who was born in 1900 and passed away in 1996. Noah’s life story is that of Canada’s Inuit in the 20th century – and the film allows the audience to feel and experience for themselves how the movement of Inuit to settlements affected a family, as well as the independence of Inuit people as a nation. Joining the conversation will be Inuit EldEr David SErkoak, educator and speaker on Inuit culture, and former Principal of Nunavut Arctic College. Leading and moderating the discussion will be BernadEttE Dean, Inuit culture and history expert. In the film we meet Noah Piugattuk’s nomadic Inuit band who live and hunt by dogteam, just as his ancestors did when he was born in 1900. -
Artists and Labels
Roskilde Festival 2019 Artists and labels Artist/Kunstner Label/Pladeselskab Distribution 700 BLISS Don Giovanni ALDOUS HARDING 4AD Playground ALKYMIST ALMA PME Warner AMNESIA SCANNER PAN AMYL & THE SNIFFERS Rough Trade Playground ARRE! ARRE! ARTIGEARDIT Artige ASMÂA HAMZAOUI & BNAT TIMBOUKTOU ASTRID SONNE Escho AUÐUR AURORA Universal BABY IN VAIN X CORPUS Partisan BAEST Century Media BANTOU MENTALE BARSELONA Universal BEHEMOTH Nuclear Blast BIKSTOK Mermaid Sony BLACK MIDI Rough Trade Playground BLAWAN Ternesc BOB DYLAN WITH HIS BAND Columbia Sony Music BOMBINO Partisan BOUNDARIES BRENN. Big Day BRING ME THE HORIZON Sony Music BROCKHAMPTON Question Everything Sony CARDI B Atlantic Warner CARPENTER BRUT No Quarter Prod Universal CATFISH AND THE BOTTLEMEN Island Universal CHANCE THE RAPPER CHARLOTTE BENDIKS CHRISTINE AND THE QUEENS Caroline Universal CLAN CAIMÁN COLLIDER CONVERGE Epitaph Playground CRACK CLOUD Meat Machine CROATIAN AMOR Posh Isolation CULT LEADER Deathwish CUPCAKKE CYPRESS HILL BMG Rights Friendly DAWDA JOBARTEH FEAT. CTM DEATH GRIPS Harvest Universal DENZEL CURRY Loma Vista Universal DESCARTES A KANT Cleopatra DISCOSHAMAN DJ KOZE Pampa DŽAMBO AGUŠEVI ORCHESTRA ARC EA KAYA No3 ELBA EMILY DUST (DJ) EMPIRE OF THE SUN Universal ENA COSOVIC (DJ) FARVEBLIND Mermaid Sony/Friendly FATOUMATA DIAWARA Montuno Wagram FLEXLIKEKEV FLOHIO Alpha FONTAINES D.C. Partisan FOULI disco:wax FULL OF HELL & THE BODY Thrill Jockey FUNERAL FUTURE Kulør GAYE SU AKYOL Glitterbeat GHETTO KUMBÉ Galletas Calientes GIORGIA ANGIULI Stol vor Talent GIRLCRUSH -
CCMVV1801E Consulting for Sustainability - Harnessing Business Models and Innovation
CCMVV1801E Consulting for Sustainability - Harnessing Business Models and Innovation Written product - 23.05.2019 Sustainability case #3 - Waste reduction at Folkemødet Lise Aulnette-Turpin 121712 Kristian Bo Schiøler 130500 Jascha Monzer 121696 Jacob Møller 113280 Øyvind Hegstad 116568 Table of Content Table of Content 2 Part A – The Management Report 2 Problem definition 2 Problem analysis 3 Main findings and subsequent proposals 4 Part B – The Full Report 6 1. Introduction 6 1.1 Justification & relevance of the project 6 1.2 Project design and methodology 7 1.3 Data sources and collection 8 1.4 Analytical framework 9 2. Case description and its external context 10 3. Description & discussion of the developed solutions 13 3.1 Biodegradable tableware 13 3.2 Refund system 16 3.3 DropBucket 18 3.4 Application form 20 3.5 Idea Generation Lab 23 4. Conclusion 25 6. References 27 7. Appendices 30 Part A – The Management Report Problem definition The Folkemødet festival, an annual Political event hosted on the Danish Island Bornholm inviting people and politicians for 4 days, is providing the framework for events about current political issues. Whereas sustainability and addressing our current environmental problems are integral contents of these debates and presentations during the festival, it has become evident that the festival itself is lacking sustainable 1 approaches in context of its organizational execution. Not only the rapid increase from a modest gathering of 10,000 visitors in 2011 to over 113,000 visitors in 2018 (Folkemoedet.dk (2019) Tidligere Folkemøder), but also the remote venue of the festival taking place on the island of Bornholm cause this deficiency. -
Nine Meals from Anarchy Oil Dependence, Climate Change and the Transition to Resilience
Nine Meals from Anarchy Oil dependence, climate change and the transition to resilience new economics foundation nef is an independent think-and-do tank that inspires and demonstrates real economic well-being. We aim to improve quality of life by promoting innovative solutions that challenge mainstream thinking on economic, environmental and social issues. We work in partnership and put people and the planet first. nef centres for: global thriving well-being future interdependence communities economy nef (the new economics foundation) is a registered charity founded in 1986 by the leaders of The Other Economic Summit (TOES), which forced issues such as international debt onto the agenda of the G8 summit meetings. It has taken a lead in helping establish new coalitions and organisations such as the Jubilee 2000 debt campaign; the Ethical Trading Initiative; the UK Social Investment Forum; and new ways to measure social and economic well-being. new economics foundation Nine Meals from Anarchy Oil dependence, climate change and the transition to resilience Schumacher Lecture, 2008 Schumacher North, Leeds, UK by Andrew Simms new economics foundation ‘Such essays cannot awat the permanence of the book. They do not belong n the learned journal. They resst packagng n perodcals.’ Ivan Illich Contents ‘Apparently sold financal nsttutons have tumbled. So, what else that we currently take for granted mght be prone to sudden collapse?’ Schumacher Lecture, 4 October 2008 Delivered by Andrew Simms Schumacher North, Leeds, UK To begin with – the world as it is 1 Nine meals from anarchy 3 Enough of problems 17 Conclusion 30 Endnotes 32 ‘Perhaps we cannot rase the wnds. -
America's Defense Meltdown
AMERICA’S DEFENSE MELTDOWN ★ ★ ★ Pentagon Reform for President Obama and the New Congress 13 non-partisan Pentagon insiders, retired military officers & defense specialists speak out The World Security Institute’s Center for Defense Information (CDI) provides expert analysis on various components of U.S. national security, international security and defense policy. CDI promotes wide-ranging discussion and debate on security issues such as nuclear weapons, space security, missile defense, small arms and military transformation. CDI is an independent monitor of the Pentagon and Armed Forces, conducting re- search and analyzing military spending, policies and weapon systems. It is comprised of retired senior government officials and former military officers, as well as experi- enced defense analysts. Funded exclusively by public donations and foundation grants, CDI does not seek or accept Pentagon money or military industry funding. CDI makes its military analyses available to Congress, the media and the public through a variety of services and publications, and also provides assistance to the federal government and armed services upon request. The views expressed in CDI publications are those of the authors. World Security Institute’s Center for Defense Information 1779 Massachusetts Avenue, NW Washington, D.C. 20036-2109 © 2008 Center for Defense Information ISBN-10: 1-932019-33-2 ISBN-13: 978-1-932019-33-9 America’s Defense Meltdown PENTAGON REFORM FOR PRESIDENT OBAMA AND THE NEW CONGRESS 13 non-partisan Pentagon insiders, retired military officers & defense specialists speak out Edited by Winslow T. Wheeler Washington, D.C. November 2008 ABOUT THE AUTHORS Thomas Christie began his career in the Department of Defense and related positions in 1955. -
La Résistance, Ni Rose Ni Noire
Visions du Pacifique Le nucléaire, l’environnement et les Aborigènes ont dominé la cinquième édition du Festival international du film 1 documentaire océanien. PAGE 5 Raoul Peck Entretien avec le réalisateur de « Quelques jours en avril », une TV&Radio fiction sur le génocide rwandais, Du lundi 18 février diffusée sur Arte. PAGE 4 au dimanche 24 février 2008 Dans l’ombre du maître Un téléfilm étrange et prenant, inspiré par Beethoven. Avec Bruno Todeschini et Julie Delarme. Sur France 3. PAGE 27 Evadés du Fou du roi Du lundi au jeudi à 7 h 55, Stéphane Guillon et ses comparses égaient la matinale de France Inter. La Résistance, PAGE 35 Jacques Morell/France 2 ; Fiona O'doherty/ZDF/Arte ; AFP ; Pedro Hernandez/France 3 ; Christophe Abramowitz/Radio France. ni rose ni noire Christophe Nick, entouré d’historiens, remet en cause les « légendes » sur l’attitude des Français sous l’Occupation. Deux séries documentaires sur France 2 et France 5. PAGES 2 ET 3 - CAHIER DU « MONDE » DATÉ DIMANCHE 17 - LUNDI 18 FÉVRIER 2008, Nº 19617. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 17 - Lundi 18 février 2008 DOSSIER Quand la France s’opposait Deux séries documentaires de Christophe Nick, diffusée sur France 2 et France 5, détaillent la Résistance sous l’angle de la société civile ourquoi un villageois drew Bampfield (« D-Day »), il s’at- prend-il le risque de telle au récit historique des années se faire tuer pour d’occupation en France, entre 1939 et aider des soldats à 1945, avec l’ambition de rétablir la franchir la ligne de dé- complexité d’une époque souvent pré- marcation ? Qu’est-ce sentée de façon manichéenne. -
The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash
Installation view of The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash. © General Idea. The Estate of General Idea (1969-1994) had their first exhibition with the Mitchell-Innes & Nash Gallery on view in Chelsea through January 13, featuring several “ziggurat” paintings from the late 1960s, alongside works on paper, photographs and ephemera that highlight the central importance of the ziggurat form in the rich practice of General Idea. It got me thinking about the unique Canadian trio’s sumptuous praxis and how it evolved from humble roots in the underground of the early 1970s to its sophisticated position atop the contemporary art world of today. One could say that the ziggurat form is a perfect metaphor for a staircase of their own making that they ascended with grace and elegance, which is true. But they also had to aggressively lacerate and burn their way to the top, armed with real fire, an acerbic wit and a penchant for knowing where to apply pressure. Even the tragic loss of two thirds of their members along the way did not deter their rise, making the unlikely climb all the more heroic. General Idea, VB Gown from the 1984 Miss General Idea Pageant, Urban Armour for the Future, 1975, Gelatin Silver Print, 10 by 8 in. 25.4 by 20.3 cm, Courtesy Mitchell-Innes and Nash. © General Idea. The ancient architectural structure of steps leading up to a temple symbolizes a link between humans and the gods and can be found in cultures ranging from Mesopotamia to the Aztecs to the Navajos. -
South Asia Multidisciplinary Academic Journal, 22 | 2019, “Student Politics in South Asia” [Online], Online Since 15 December 2019, Connection on 24 March 2021
South Asia Multidisciplinary Academic Journal 22 | 2019 Student Politics in South Asia Jean-Thomas Martelli and Kristina Garalyté (dir.) Electronic version URL: http://journals.openedition.org/samaj/5852 DOI: 10.4000/samaj.5852 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Jean-Thomas Martelli and Kristina Garalyté (dir.), South Asia Multidisciplinary Academic Journal, 22 | 2019, “Student Politics in South Asia” [Online], Online since 15 December 2019, connection on 24 March 2021. URL: http://journals.openedition.org/samaj/5852; DOI: https://doi.org/10.4000/samaj. 5852 This text was automatically generated on 24 March 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 TABLE OF CONTENTS Generational Communities: Student Activism and the Politics of Becoming in South Asia Jean-Thomas Martelli and Kristina Garalytė Student Politics in British India and Beyond: The Rise and Fragmentation of the All India Student Federation (AISF), 1936–1950 Tom Wilkinson A Campus in Context: East Pakistan’s “Mass Upsurge” at Local, Regional, and International Scales Samantha Christiansen Crisis of the “Nehruvian Consensus” or Pluralization of Indian Politics? Aligarh Muslim University and the Demand for Minority Status Laurence Gautier Patronage, Populism, and Protest: Student Politics in Pakistani Punjab Hassan Javid The Spillovers of Competition: Value-based Activism and Political Cross-fertilization in an Indian Campus Jean-Thomas Martelli Regional Charisma: The Making of a Student Leader in a Himalayan Hill Town Leah Koskimaki Performing the Party. National Holiday Events and Politics at a Public University Campus in Bangladesh Mascha Schulz Symbolic Boundaries and Moral Demands of Dalit Student Activism Kristina Garalytė How Campuses Mediate a Nationwide Upsurge against India’s Communalization. -
Artistic Movement Membership and the Career Profiles of Canadian Painters
DOCUMENT DE TRAVAIL / WORKING PAPER No. 2021-05 Artistic Movement Membership And The Career Profiles Of Canadian Painters Douglas J. Hodgson Juin 2021 Artistic Movement Membership And The Career Profiles Of Canadian Painters Douglas Hodgson, Université du Québec à Montréal Document de travail No. 2021-05 Juin 2021 Département des Sciences Économiques Université du Québec à Montréal Case postale 8888, Succ. Centre-Ville Montréal, (Québec), H3C 3P8, Canada Courriel : [email protected] Site web : http://economie.esg.uqam.ca Les documents de travail contiennent des travaux souvent préliminaires et/ou partiels. Ils sont publiés pour encourager et stimuler les discussions. Toute référence à ces documents devrait tenir compte de leur caractère provisoire. Les opinions exprimées dans les documents de travail sont celles de leurs auteurs et elles ne reflètent pas nécessairement celles du Département des sciences économiques ou de l'ESG. De courts extraits de texte peuvent être cités et reproduits sans permission explicite des auteurs à condition de faire référence au document de travail de manière appropriée. Artistic movement membership and the career profiles of Canadian painters Douglas J. Hodgson* Université du Québec à Montréal Sociologists, psychologists and economists have studied many aspects of the effects on human creativity, especially that of artists, of the social setting in which creative activity takes place. In the last hundred and fifty years or so, the field of advanced creation in visual art has been heavily characterized by the existence of artistic movements, small groupings of artists having aesthetic or programmatic similarities and using the group to further their collective programme, and, one would suppose, their individual careers and creative trajectories.