DOCSLIB.ORG

Lisel Mueller - Poems

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lisel Mueller - Poems Classic Poetry Series Lisel Mueller - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Lisel Mueller(February 8, 1924) an American poet. She was born in Hamburg, Germany, in 1924 and immigrated to America at the age of 15. Her father, Fritz Neumann, was a professor at Evansville College. Her mother died in 1953. "Though my family landed in the Midwest, we lived in urban or suburban environments," she once wrote. She and her husband, Paul Mueller (d. 2001) built a home in Lake Forest, Illinois in the 1960s, where they raised two daughters and lived for many years. Mueller currently resides in a retirement community in Chicago. Her poems are extremely accessible, yet intricate and layered. While at times whimsical and possessing a sly humor, there is an underlying sadness in much of her work. She graduated from the University of Evansville in 1944 and has taught at the University of Chicago, Elmhurst College in Illinois, and Goddard College in Plainfield, Vermont. Mueller has written book reviews for the Chicago Daily News. www.PoemHunter.com - The World's Poetry Archive 1 A Day Like Any Other Such insignificance: a glance at your record on the doctor's desk or a letter not meant for you. How could you have known? It's not true that your life passes before you in rapid motion, but your watch suddenly ticks like an amplified heart, the hands freezing against a white that is a judgment. Otherwise nothing. The face in the mirror is still yours. Two men pass on the sidewalk and do not stare at your window. Your room is silent, the plants locked inside their mysterious lives as always. The queen-of-the-night refuses to bloom, does not accept your definition. It makes no sense, your scanning the street for a traffic snarl, a new crack in the pavement, a flag at half-mast -- signs of some disturbance in the world because your friend, the morning sun, has turned its dark side toward you. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 2 Alive Together Speaking of marvels, I am alive together with you, when I might have been alive with anyone under the sun, when I might have been Abelard's woman or the whore of a Renaissance pope or a peasant wife with not enough food and not enough love, with my children dead of the plague. I might have slept in an alcove next to the man with the golden nose, who poked it into the business of stars, or sewn a starry flag for a general with wooden teeth. I might have been the exemplary Pocahontas or a woman without a name weeping in Master's bed for my husband, exchanged for a mule, my daughter, lost in a drunken bet. I might have been stretched on a totem pole to appease a vindictive god or left, a useless girl-child, to die on a cliff. I like to think I might have been Mary Shelley in love with a wrong-headed angel, or Mary's friend. I might have been you. This poem is endless, the odds against us are endless, our chances of being alive together statistically nonexistent; still we have made it, alive in a time when rationalists in square hats and hatless Jehovah's Witnesses agree it is almost over, alive with our lively children who-but for endless ifs- might have missed out on being alive together with marvels and follies and longings and lies and wishes and error and humor and mercy and journeys and voices and faces www.PoemHunter.com - The World's Poetry Archive 3 and colors and summers and mornings and knowledge and tears and chance. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 4 Another Version Our trees are aspens, but people mistake them for birches; they think of us as characters in a Russian novel, Kitty and Levin living contentedly in the country. Our friends from the city watch the birds and rabbits feeding together on top of the deep, white snow. (We have Russian winters in Illinois, but no sleighbells, possums instead of wolves, no trusted servants to do our work.) As in a Russian play, an old man lives in our house, he is my father; he lets go of life in such slow motion, year after year, that the grief is stuck inside me, a poisoned apple that won't go up or down. But like the three sisters, we rarely speak of what keeps us awake at night; like them, we complain about things that don't really matter and talk of our pleasures and of the future: we tell each other the willows are early this year, hazy with green. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 5 Bedtime Story The moon lies on the river like a drop of oil. The children come to the banks to be healed of their wounds and bruises. The fathers who gave them their wounds and bruises come to be healed of their rage. The mothers grow lovely; their faces soften, the birds in their throats awake. They all stand hand in hand and the trees around them, forever on the verge of becoming one of them, stop shuddering and speak their first word. But that is not the beginning. It is the end of the story, and before we come to the end, the mothers and fathers and children must find their way to the river, separately, with no one to guide them. That is the long, pitiless part, and it will scare you. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 6 Blood Oranges In 1936, a child in Hitler's Germany, what did I know about the war in Spain? Andalusia was a tango on a wind-up gramophone, Franco a hero's face in the paper. No one told me about a poet for whose sake I might have learned Spanish bleeding to death on a barren hill. All I knew of Spain were those precious imported treats we splurged on for Christmas. I remember pulling the sections apart, lining them up, sucking each one slowly, so the red sweetness would last and last -- while I was reading a poem by a long-dead German poet in which the woods stood safe under the moon's milky eye and the white fog in the meadows aspired to become lighter than air. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 7 Curriculum Vitae 1992 1) I was born in a Free City, near the North Sea. 2) In the year of my birth, money was shredded into confetti. A loaf of bread cost a million marks. Of course I do not remember this. 3) Parents and grandparents hovered around me. The world I lived in had a soft voice and no claws. 4) A cornucopia filled with treats took me into a building with bells. A wide-bosomed teacher took me in. 5) At home the bookshelves connected heaven and earth. 6) On Sundays the city child waded through pinecones and primrose marshes, a short train ride away. 7) My country was struck by history more deadly than earthquakes or hurricanes. 8) My father was busy eluding the monsters. My mother told me the walls had ears. I learned the burden of secrets. 9) I moved into the too bright days, the too dark nights of adolescence. 10) Two parents, two daughters, we followed the sun and the moon across the ocean. My grandparents stayed behind in darkness. 11) In the new language everyone spoke too fast. Eventually I caught up with them. 12) When I met you, the new language became the language of love. 13) The death of the mother hurt the daughter into poetry. www.PoemHunter.com - The World's Poetry Archive 8 The daughter became a mother of daughters. 14) Ordinary life: the plenty and thick of it. Knots tying threads to everywhere. The past pushed away, the future left unimagined for the sake of the glorious, difficult, passionate present. 15) Years and years of this. 16) The children no longer children. An old man's pain, an old man's loneliness. 17) And then my father too disappeared. 18) I tried to go home again. I stood at the door to my childhood, but it was closed to the public. 19) One day, on a crowded elevator, everyone's face was younger than mine. 20) So far, so good. The brilliant days and nights are breathless in their hurry. We follow, you and I. Lisel Mueller www.PoemHunter.com - The World's Poetry Archive 9 Five For Country Music I. Insomnia The bulb at the front door burns and burns. If it were a white rose it would tire of blooming through another endless night. The moon knows the routine; it beats the bushes from east to west and sets empty-handed. Again the one she is waiting for has outrun the moon. II. Old Money The spotted hands shake as they polish the coins. The shiny penny goes under the tongue, the two silver pieces weighted by pyramids will shut down the eyes. All the rest is paper, useless in any world but this. III. Home Movie She knows that walk, that whistle, that knock. It's the black wolf who sticks his floured paw underneath the door. She tries not to open. One look at his face and she'll drop the gun. He will pick it up and turn it on her where she waits, her eyes shining, her hands over her head.
Load more

Recommended publications
  • April 2005 Updrafts
    Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity.
    [Show full text]
  • The Music Lover's Poetry Anthology
    THE MUSIC LOVER'S POETRY ANTHOLOGY EditedbyHELEN HANDLEY HOUGHTON andMAUREEN MCCARTHY DRAPER A Karen & Michael Brazillef Book PERSEA BOOKS/NEW YORK Contents Foreword xiii Introduction xvii LISTENING TO MUSIC In Music I Czeslaw Milosz 3 On Hearing A Symphony of Beethoven / ? Edna St. Vincent Millay 4 from Magnificat / Bill Holm 5 Listening / Dick Davis 6 Listening to the Koln Concert / Robert Bly 7 The Dumka / B. H. Fairchild 8 Fond Memory / Eavan Boland 10 [Bbssoms at Night] / Issa 11 Sonata / Edward Hirsch 12 Muse I Linda Pastan 13 Earphones / Michael Ryan 14 Elevator Music / Henry Taylor 15 Loud Music / Stephen Dobyns 16 Sunday Morning with the Sensational Nightingales / Billy Collins 17 Radio I Cornelius Eady 19 Country Radio / Daniel Hall 21 The Power of Music to Disturb / Lisel Mueller 23 Music / Charles Baudelaire 25 On Hearing a Flute at Night / Li Yi 26 The Eventual Music / Liam Rector 27 [Heart, Not So Heavy as Mine] / Emily Dickinson 28 To Music, To Becalm His Fever /Robert Herrick 29 Evening Music / May Sarton 31 The Victor Dog / James Merrill 32 A One-Eyed Cat Named Hathaway / Henri Coulette 34 SONGS & SINGING The Choir / Galway Kinnell 37 Music I Anne Porter 38 / Ask My Mother to Sing / Li-Young Lee 40 Where the Breath Is / Adam Zagajewski 41 Songs I Philip Levine 42 from Messiah (Christmas Portions) / Mark Doty 44 Joy I Lisel Mueller 45 The Singer's House / Seamus Heaney 46 First Song / Galway Kinnell 48 [I Shall Keep Singing!] / Emily Dickinson 49 Everyone Sang / Siegfried Sassoon 50 The Composer / W.H.
    [Show full text]
  • Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad
    Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Soft Skull Press Brooklyn, NY 2007 Contents Denise Duhamel, Maureen Seaton & David Trinidad i Introduction Charles Henri Ford et al. International Chainpoem 1 Neal Cassady, Allen Ginsberg & Jack Kerouac Pull My Daisy 3 Copyright © 2007 by Denise Duhamel, Maureen Seaton & David Trinidad Jack Kerouac & Lew Welch Masterpiece 5 Cover art: Good’n Fruity Madonna © 1968 Joe Brainard John Ashbery & Kenneth Koch Used by permission of the Estate of Joe Brainard. A Postcard to Popeye 7 Crone Rhapsody 9 Credits & acknowledgments for the poems begin on page 389. Jane Freilicher & Kenneth Koch The Car 12 Soft Skull project editor & book designer: Shanna Compton Bill Berkson & Frank O’Hara St. Bridget’s Neighborhood 13 A note on the text: Because the poems in this anthology were created over seven decades Song Heard Around St. Bridget’s 16 by more than 200 authors, certain idiosyncrasies of style, orthography, and form St. Bridget’s Efficacy 17 have been preserved in order to present the works as their authors intended. These Reverdy 19 variations are characteristic textural effects of the collaborative process Bill Berkson, Michael Brownstein & Ron Padgett and should not be interpreted as errors. Waves of Particles 21 Ron Padgett & James Schuyler Soft Skull Press Within the Dome 22 55 Washington Street
    [Show full text]
  • Front Matter
    Cambridge University Press 978-0-521-76695-1 - The Cambridge Companion to American Poetry since 1945 Edited by Jennifer Ashton Frontmatter More information The Cambridge Companion to American Poetry since 1945 The extent to which American poetry reinvented itself after World War II is a testament to the changing social, political, and economic landscape of twentieth- century American life. Registering an important shift in the way scholars contextualize modern and contemporary American literature, this Companion explores how American poetry has documented and, at times, helped propel the literary and cultural revolutions of the past sixty-five years. Offering authoritative and accessible essays from fourteen distinguished scholars, the Companion sheds new light on the Beat, Black Arts, and other movements while examining institutions that govern poetic practice in the United States today. The text also introduces seminal figures like Sylvia Plath, John Ashbery, and Gwendolyn Brooks while situating them alongside phenomena such as the “academic poet” and popular forms such as spoken word and rap, revealing the breadth of their shared history. Students, scholars, and readers will find this Companion an indispensable guide to postwar and late-twentieth-century American poetry. Jennifer Ashton is Associate Professor of English at the University of Illinois at Chicago, where she teaches literary theory and the history of poetry. She is author of From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century and has published articles in Modernism/Modernity, Modern Philology, American Literary History, and Western Humanities Review. A complete list of books in the series is at the back of this book.
    [Show full text]
  • Guide to the Poetry Center of Chicago Records 1974-2006
    University of Chicago Library Guide to the Poetry Center of Chicago Records 1974-2006 © 2009 University of Chicago Library Table of Contents Acknowledgments 3 Descriptive Summary 3 Information on Use 3 Restrictions on Use 3 Citation 3 Historical Note 3 Scope Note 4 Related Resources 5 Subject Headings 5 INVENTORY 5 Series I: Administrative 5 Series II: Events and Publications 7 Series III: Audio-Visual 9 Series IV: Broadsides and Posters 9 Descriptive Summary Identifier ICU.SPCL.POETRYCENTER Title Poetry Center of Chicago. Records Date 1974-2006 Size 7 linear feet (8 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract The Poetry Center of Chicago was founded in 1973 and is a non-profit arts organization that strives to make poetry accessible to the public through education and events, as well as promote poets' careers. The Poetry Center of Chicago Records contain articles, brochures, posters, correspondence, administrative documents, annual reports, publications, and audio-visual material. Acknowledgments The Poetry Center of Chicago Records were processed and preserved as part of the "Uncovering New Chicago Archives Project," funded with support from the Andrew W. Mellon Foundation. Information on Use Restrictions on Use Series II, Audio-Visual, does not include access copies for part or all of the material in this series. Researchers will need to consult with staff before requesting material in this series. The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Poetry Center of Chicago. Records, [Box#, Folder#], Special Collections Research Center, University of Chicago Library Historical Note Though founded in 1973, the groundwork for the Poetry Center of Chicago began in 1968 when Paul Carroll, former editor of Big Table, hosted and organized readings to promote his new Big Table Books series.
    [Show full text]
  • June & July 2020 • Iowa City, Iowa
    The 34th June & July 2020 • Iowa City, Iowa a Welcome The Workshop The Festival Experience Registration Information Registration Form About Us Dear Writer Contents About Us Welcome . 1. Amy Margolis, Director, has been with the About Us Festival since 1990, as a graduate assistant, an instructor, 2 Dear Writer an assistant director, and, since 2001, as the program’s director. Amy is a graduate of the Iowa Writers’ Workshop, The Workshop . 2. 2 The Workshop where she was a Teaching-Writing Fellow in fiction. She’s Method taught fiction and nonfiction writing in the Festival, at The 2 Choosing a University of Iowa, and elsewhere. Her short fiction appears Workshop in The Iowa Review. She is currently at work on a memoir- 3 Workshops by Date in-shards about her life as a dancer in the late seventies, at 7 Workshops by the onset of the AIDS crisis. Instructor The Festival Joanna Eyanson, Program Coordinator, Experience . .76 . graduated in 2018 with a B.A. in English from the University 76 Your Day, Weekend, of Northern Iowa, and worked as a writing coach and a Week: Schedules bassoonist there. She now lives in Iowa City with a feline 77 The Eleventh Hour roommate who reads almost as much as she does. This is her 77 Goings-On fifth year with the Festival. 77 Getting Here 78 Where to Stay Registration Information . .80 . 80 How to Register 80 Fees and Deadlines 81 Cancellation & Transfer Policies Registration Form . 82. Photos by Tom Langdon and Svetlana Jovanovic Design by Benson & Hepker Design, Iowa City b Welcome The Workshop The Festival Experience Registration Information Registration Form About Us Dear Writer Dear Writer, Here in Iowa City, we are preparing for the 34th Iowa Summer Writing Festival.
    [Show full text]
  • Ekphrastic Revisions: Verbal-Visual Networks in Twentieth Century Poetry by Women
    ABSTRACT Title of Dissertation: EKPHRASTIC REVISIONS: VERBAL-VISUAL NETWORKS IN TWENTIETH CENTURY POETRY BY WOMEN Lisa Marie Antonille Rhody Doctor of Philosophy, 2012 Dissertation directed by: Professor Emeritus Elizabeth Bergmann Loizeaux Department of English This study considers contemporary ekphrastic poetry—poems to, for, and about visual art—particularly by female poets in the U.S. and theorizes a broader, more complex model of how the genre operates. I suggest a network model that attends to the multiple, simultaneous, and often dynamic relationships inherent in verbalizing the visual arts, where historically inter-aesthetic relations have been understood as an act of transgression and a desire to subsume a representational “other.” Continuing to explore ekphrasis as a socially-inscribed encounter, as critics have since W.J.T Mitchell’s field- defining essay “Ekphrasis and the Other,” I recast the definition of ekphrasis as an elaborate network of relationships not only between poems, images, and readers, but also literary traditions, social contexts, individual artists, related works of art, textual conditions, and historical events. This expanded conception of networked ekphrasis allows for a nuanced understanding of the relationships between the arts, where speaking for another, as ekphrastic verse does for visual art, is more than an act of gendered contest, but can be a recovery against historical erasure, as with Elizabeth Alexander’s “The Venus Hottentot,” an act of empathetic collusion, as in the verse of Lisel Mueller, or the deliberate decentering of poetic authority, as in Elizabeth Bishop’s “The Map” and “The Monument.” Thus, I position the ekphrastic network as a site of social discourse where the spectrum of possible outcomes between poetry and images is broader and more complex than accounted for in previous theorizations.
    [Show full text]
  • 2019 National Finals
    National Endowment for the Arts and Poetry Foundation present 2019 NATIONAL FINALS April 30–May 1 Lisner Auditorium The George Washington University Washington, DC POETRY OUT LOUD 2019 NATIONAL FINALS I Poetry Out Loud is a partnership of the National Endowment for the Arts, the Poetry Foundation, and the state and jurisdictional arts agencies of the United States. The Poetry Out Loud National Finals are administered by Mid Atlantic Arts Foundation. Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more. The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in our culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience. The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative partnerships, prizes, and programs. Mid Atlantic Arts Foundation develops partnerships and programs that reinforce artists’ capacity to create and present work and advance access to and participation in the arts.
    [Show full text]
  • Complete Table of Contents
    Complete Table of Contents Volume 1 Lois McMaster Bujold ........................................... 142 Publisher’s Note .......................................................ix Eve Bunting ........................................................... 145 Introduction .............................................................xi Octavia E. Butler ................................................... 148 About the Editors .................................................. xvii Sarah Shun-Lien Bynum ....................................... 153 List of Contributors ...............................................xix Hortense Calisher ................................................. 155 Complete Table of Contents .............................. xxvii Bebe Moore Campbell .......................................... 159 Mary Caponegro ................................................... 163 Abigail Adams ........................................................... 1 Anne Carson .......................................................... 166 Alice Adams ............................................................... 5 Lorene Cary ........................................................... 169 Jane Addams .............................................................. 9 Ana Castillo ........................................................... 172 C. S. Adler ................................................................ 15 Willa Cather........................................................... 176 Ai ............................................................................
    [Show full text]
  • ****************************W********************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * * from the Original Document
    DOCUMENT RESUME ED 432 780 CS 216 827 AUTHOR Somers, Albert. B. TITLE Teaching Poetry in High School. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5289-9 PUB DATE 1999-00-00 NOTE 230p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 52899-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Books (010) Guides - Classroom - Teacher (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; High Schools; Internet; *Poetry; *Poets; Student Evaluation; Teaching Methods IDENTIFIERS Alternative Assessment ABSTRACT Suggesting that the teaching of poetry must be engaging as well as challenging, this book presents practical approaches, guidelines, activities, and scenarios for teaching poetry in high school. It offers 40 complete poems; a discussion of assessment issues (including authentic assessment); poetry across the curriculum; and addresses and annotations for over 30 websites on poetry. Chapters in the book are (1) Poetry in America; (2) Poetry in the Schools;(3) Selecting Poetry to Teach;(4) Contemporary Poets in the Classroom;(5) Approaching Poetry;(6) Responding to Poetry by Talking;(7) Responding to Poetry by Performing;(8) Poetry and Writing; (9) Teaching Form and Technique;(10) Assessing the Teaching and Learning of Poetry;(11) Teaching Poetry across the Curriculum; and (12) Poetry and the Internet. Appendixes contain lists of approximately 100 anthologies of poetry, 12 reference works, approximately 50 selected mediaresources, 4 selected journals, and 6 selected awards honoring American poets. (RS) *********************************************w********************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document.
    [Show full text]
  • National Finals
    2015 NATIONAL FINALS Lisner Auditorium The George Washington University Washington, DC POETRY OUT LOUD 2015 NATIONAL FINALS I The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government. To date, the NEA has awarded more than $5 billion to strengthen the creative capacity of our communities by providing all Americans with diverse opportunities for arts participation. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. To join the discussion on how art works, visit the NEA at arts.gov. The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in our culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience. The Poetry Foundation seeks to be a leader in shaping a receptive climate for poetry by developing new audiences, creating new avenues for delivery, and encouraging new kinds of poetry through innovative partnerships, prizes, and programs. Mid Atlantic Arts Foundation develops partnerships and programs that reinforce artists’ capacity to create and present work, advance access to and participation in the arts, and promote a more sustainable arts ecology. The Foundation was created in 1979 and is a private non-profit organization that is closely allied with the region’s state arts councils and the National Endowment for the Arts. It combines funding from state and federal resources with private support from corporations, foundations, and individuals to address needs in the arts from a regional, national, and international perspective.
    [Show full text]
  • February2012-Ipad.Pdf
    founded in 1912 by harriet monroe February 2012 FOUNDED IN 1912 BY HARRIET MONROE volume cxcix t number 5 CONTENTS February 2012 POEMS a.e. stallings 387 Momentary nate klug 388 Dare philip levine 389 How to Get There d. nurkse 392 Psalm to Be Read with Closed Eyes josé antonio rodríguez 393 Sunflowers robert pinsky 394 Creole connie voisine 396 “The Altar” by George Herbert joanie mackowski 398 Consciousness dean young 400 Spring Reign vijay seshadri 402 Imaginary Number philip metres 403 Compline albert goldbarth 404 Keats’s Phrase wendy videlock 406 Flowers carol frost 407 What the Dove Sings greg glazner 408 You’re arrowing out toward what. Sick to death of the hardpan shoulder, In Whose Unctions “You could lighten fiona sampson 413 From “Coleshill” david biespiel 416 Room FROM 100 YEARS rabindranath tagore 419 Poems lisel mueller 422 A Prayer for Rain weldon kees 423 Small Prayer eleanor ross taylor 424 Mother’s Blessing janet lewis 425 A Lullaby langston hughes 426 God robert frost 427 Not All There robert creeley 428 A Prayer C OMMENT various 431 One Whole Voice Jericho Brown, Fanny Howe, Kazim Ali, Jean Valentine, G.C. Waldrep, Joy Harjo, Eleanor Wilner, Dunya Mikhail, Gregory Orr, Grace Paley, Jane Hirshfield, Gerald Stern, Carolyn Forché, and Alicia Ostriker contributors 466 back page 483 Editor christian wiman Senior Editor don share Associate Editor fred sasaki Managing Editor valerie jean johnson Editorial Assistant lindsay garbutt Reader christina pugh Art Direction winterhouse studio cover art by felix sockwell “PegaPoe-asus,” 2011 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry t February 2012 t Volume 199 t Number 5 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation.
    [Show full text]