Image and Narration in the Tenth-Century Gerona Beatus Commentary on the Apocalypse
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Microfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
I. the Work of the Two-Horn Beast of the Earth (Rev. 13:11-15)
The Revelation of Jesus Christ The TRINITY of EVIL: Satan, the Antichrist (Beast of the Sea), and the False Prophet (Beast of the Earth) Revelation 13:11-18 Introduction In last week's study, we were introduced to the "beast of the sea", who is identified as the Antichrist. The Antichrist is empowered by Satan, and eventually rules as a political and military genius over the earth during the second half of the 70th Week of Daniel. The Antichrist will rule the world as the leader of the revived Roman Empire. In today's passage, we are introduced to the "beast of the earth", who is soon identified as the "False Prophet". Whereas the Antichrist is a political and military leader, the False Prophet is a religious leader. The reader is now aware of Satan's unholy trinity. Satan is the counterfeit of God the Father, the Antichrist is the blasphemous counterfeit of the Son, and the False Prophet is the deceptive counterfeit of the Holy Spirit. Like Ahab and Jezebel joined the religious priests of Baal, so the Antichrist and the False Prophet, combine political and religious power to rule over the world. I. The Work of the Two-Horn Beast of the Earth (Rev. 13:11-15) 11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb, and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who live on it worship the first beast, whose fatal wound was healed. -
The Instrumental Cross and the Use of the Gospel Book Troyes, Bibliothèque Municipale MS 960
The Instrumental Cross and the Use of the Gospel Book Troyes, Bibliothèque Municipale MS 960 Beatrice Kitzinger In approximately 909, a Breton named Matian together with his wife Digrenet donated a gospel manuscript to a church called Rosbeith. They intended it should remain there on pain of anathema, never to be taken from the church by force but provided with a dispensation for removal by students for the express purpose of writing or reading. With the exception of the date, which is recorded elsewhere in the manuscript, these specifications all appear in a short text written in distinctive, highlighted script at the close of Luke’s chapter list (f. 71): These little letters recount how Matian, and his wife Digrenet, gave these four books of the gospel as a gift to the church of Rosbeith for their souls. And whosoever should remove this evangelium from that church by force, may he be anathema—excepting a student [in order] to write or to read.1 The location of Rosbeith is unknown, but we may surmise that it was a church attached to a larger abbey in Brittany, according to Breton nomenclature.2 Apart from their Breton origins and evident appreciation for scholarship, the identities of Matian and Digrenet are similarly murky. The particularizing nature of the note extends only to a statement of Matian and Digrenet’s motive for the gift—“for their souls”—and a designation of the contents: “these four books of the gospel.” We know, however, that the couple was anxious Kitzinger – Instrumental Cross about the fate of their souls at judgment, and we know that they thought the gospel manuscript at hand might help. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
UC Berkeley Berkeley Planning Journal
UC Berkeley Berkeley Planning Journal Title Economic Development and Housing Policy in Cuba Permalink https://escholarship.org/uc/item/9p00546t Journal Berkeley Planning Journal, 2(1) ISSN 1047-5192 Author Fields, Gary Publication Date 1985 DOI 10.5070/BP32113199 Peer reviewed eScholarship.org Powered by the California Digital Library University of California ECONOMIC DEVELOPMENT AND HOUSING POLICY IN CUBA Gary Fields Introduction Since the triumph of the Cuban Revolution in 1959, Cuba's economic development has been marked by efforts to achieve fo ur basic objectives: I) agrarian reform, including land redistribution, creation of state and cooperative farms, and agricultural crop diversification; 2) economic growth and industrial development, including the siting of new industries and employment opportunities in the countryside; 3) wealth and income redistribution from rich to poor citizens and from urban to rural areas; 4) provision of social services in all areas of the country, including nationwide literacy, access to medical care in the rural areas, and the creation of adequate and affordable housing nationwide. It is important to note that all of these objectives contain an emphasis on rural development. This emphasis was the result of decisions by Cuban economic planners to correct what had been perceived as the most serious ·negative consequence of the Island's economic past--the economic imbalance between town and coun try. 1 The dependence of the Cuban economy on sugar production, with its dramatic seasonal employment shifts, the control of the Island's sugar industry by American companies and the siphoning of sugar profits out of Cuba, the concentration in Havana of the wealth created primarily in the countryside, and the lack of economic opportunities and social services in the rural areas, were the main features of an economic and social system that had impoverished the rural population, creating a movement for change. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
A History of the Reformation. by Principal T
T. and T. Clark's Publications. THE LA TEST HISTORY OF THE REFORMATION. 'Of Dr. Lindsay's "History of the Reformation" Dr. DENNEY predicts that it will become a classic on the subject. Few safer pre dictions have been hazarded.'-British Weekly. In Two Volumes, post 8vo, price 10s. 6d. each. A History of the Reformation. BY Principal T. M. LINDSAY, D.D., LL.D. VoL. I.-THE REFORMATION IN GERMANY, FROM ITS BEGINNING TO THE RELIGIOUS PEACE OF AUGSBURG. 'The best English History of the Reformation in Germany. A decidedly successful book.'-Professor POLLARD, in the Tribune. 'There can be 'no doubt this will be the classical work in English on the Reformation .... It is a noble crown of a life's study of the most stupendous spiritual movement since the death of St. Paul. Dr. Lindsay writes with an ease and charm that fascinates the reader arid carries him on from page to page until the end, leaving us full of impatience for the second volume.'-Christiaii World. VoL. II. -THE REFORMATION IN LANDS BEYOND GERMANY (Switzerland, France, The Netherlands, Scotland, and England; the Anabaptist and Socinian Movements; The Counter-Reformation). With MAP of the Reformation and Counter Reformation (1520-1580). EDINBURGH: T. & T. CLARK, 38 GEORGE STREET. 1banbbooks for :fSible <tlasses an~ ~rt"ate Stubents EDITED BY PRINCIPAL MARCUS DODS, D.D. AND REV. ALEXANDER WHYTE, D.D. THE ACTS OF THE APOSTLES CHAPTERS XIII-XXVIII BY THOMAS M. LINDSAY, D,D. THE ACTS OF THE APOSTLES. · WITH INTRODUCTION, MAPS, AND NOTES. BY THOMAS M. LINDSAY, D.D., PRINCIPAL, AND PROFESSOR OF DIVINITY AND CHURCH HISTORY1 UNITED FREE CHURCH COLLEGE, GLASGOW. -
The Islamic Traditions of Cirebon
the islamic traditions of cirebon Ibadat and adat among javanese muslims A. G. Muhaimin Department of Anthropology Division of Society and Environment Research School of Pacific and Asian Studies July 1995 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Muhaimin, Abdul Ghoffir. The Islamic traditions of Cirebon : ibadat and adat among Javanese muslims. Bibliography. ISBN 1 920942 30 0 (pbk.) ISBN 1 920942 31 9 (online) 1. Islam - Indonesia - Cirebon - Rituals. 2. Muslims - Indonesia - Cirebon. 3. Rites and ceremonies - Indonesia - Cirebon. I. Title. 297.5095982 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Printed by University Printing Services, ANU This edition © 2006 ANU E Press the islamic traditions of cirebon Ibadat and adat among javanese muslims Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changes that the author may have decided to undertake. In some cases, a few minor editorial revisions have made to the work. The acknowledgements in each of these publications provide information on the supervisors of the thesis and those who contributed to its development. -
Box Pack Price Guide Effective October 1, 2006 Table of Contents
Introducing Architecturally Inspired Collections Box Pack Price Guide effective October 1, 2006 Table of Contents KWIKSET ULTRAMAX SIGNATURES Metal INTERCONNECT Handlesets Metal Interconnect...................................................................... 26 Ashfield, Avalon, Amherst, Arlington, Chelsea, Hawthorne, Shelburne, Sheridan, Wellington .................... 2-6 RESIDENTIAL/LIGHT COMMERCIAL Baldwin Handlesets with K-Keyway ...................................... 7 Kingston ................................................................................ 27 Knobs Abbey, Circa, Hancock, Laurel ................................................ 8 LATCHES, STRIKES & CYLINDERS Deadlatch Plain Latches, 6-Way Latches .............................. 28-29 Levers 580, 780, 970, 980S, 660 Series Deadbolt Latches ............... 30-31 Brooklane, Commonwealth, Pembroke .................................. 9 Strikes & Boxes ...................................................................... 32-34 Deadbolts Cylinders................................................................................. 35-37 980S Series, 780 Series ....................................................... 10 KEYING KWIKSET MAXIMUM SECURITY Keys & Key Blanks ...................................................................... 38 Handlesets Keying Charges and Supplies ............................................... 38-40 Gibson ................................................................................... 12 Sonoma ............................................................................... -
WITH OUR DEMONS a Thesis Submitted By
1 MONSTROSITIES MADE IN THE INTERFACE: THE IDEOLOGICAL RAMIFICATIONS OF ‘PLAYING’ WITH OUR DEMONS A Thesis submitted by Jesse J Warren, BLM Student ID: u1060927 For the award of Master of Arts (Humanities and Communication) 2020 Thesis Certification Page This thesis is entirely the work of Jesse Warren except where otherwise acknowledged. This work is original and has not previously been submitted for any other award, except where acknowledged. Signed by the candidate: __________________________________________________________________ Principal Supervisor: _________________________________________________________________ Abstract Using procedural rhetoric to critique the role of the monster in survival horror video games, this dissertation will discuss the potential for such monsters to embody ideological antagonism in the ‘game’ world which is symptomatic of the desire to simulate the ideological antagonism existing in the ‘real’ world. Survival video games explore ideology by offering a space in which to fantasise about society's fears and desires in which the sum of all fears and object of greatest desire (the monster) is so terrifying as it embodies everything 'other' than acceptable, enculturated social and political behaviour. Video games rely on ideology to create believable game worlds as well as simulate believable behaviours, and in the case of survival horror video games, to simulate fear. This dissertation will critique how the games Alien:Isolation, Until Dawn, and The Walking Dead Season 1 construct and themselves critique representations of the ‘real’ world, specifically the way these games position the player to see the monster as an embodiment of everything wrong and evil in life - everything 'other' than an ideal, peaceful existence, and challenge the player to recognise that the very actions required to combat or survive this force potentially serve as both extensions of existing cultural ideology and harbingers of ideological resistance across two worlds – the ‘real’ and the ‘game’. -
The Fables of Ulrich Bonerius (Ca
The Fables of Ulrich Bonerius (ca. 1350) The Fables of Ulrich Bonerius (ca. 1350): Masterwork of Late Medieval Didactic Literature Translated by Albrecht Classen The Fables of Ulrich Bonerius (ca. 1350): Masterwork of Late Medieval Didactic Literature Translated by Albrecht Classen This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Albrecht Classen All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5955-6 ISBN (13): 978-1-5275-5955-4 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Introduction ............................................................................................... ix Acknowledgements ............................................................................... xxxi Translation .................................................................................................. 1 Bibliography ........................................................................................... 249 Index ....................................................................................................... 259 LIST OF