Loyola of Los Angeles Entertainment Law Review Volume 25 Number 2 Article 1 3-1-2005 What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation Joel Anderson Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Joel Anderson, What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation, 25 Loy. L.A. Ent. L. Rev. 155 (2005). Available at: https://digitalcommons.lmu.edu/elr/vol25/iss2/1 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact
[email protected]. WHAT'S WRONG WITH THIS PICTURE? DEAD OR ALIVE: PROTECTING ACTORS IN THE AGE OF VIRTUAL REANIMATION I. INTRODUCTION On Sunday, September 19, 2004, the movie Sky Captain and the World of Tomorrow1 ("Sky Captain") opened number one at the box office, taking in a total of sixteen million dollars for the weekend.2 The opening was notable not because of the relatively modest box office total, but because this stylish, almost totally computer-generated movie includes scenes performed by Sir Laurence Olivier, a celebrity actor who has been dead since 1989.3 While audiences are used to seeing living actors placed alongside dead celebrities in films, 4 commercials, 5 and music videos, 6 Sky Captain marks the first time a dead actor's reanimated clone7 performs completely original scenes-scenes the actor never performed when he or she was alive.8 Sky Captain showcases the latest step in the technological push toward what some call the "holy grail" 9 of reanimation-"virtual 1.