Dylan Thomas Bibliography compiled by Dr.John Goodby

1. WORKS BY DYLAN THOMAS: 18 Poems. London: Sunday Referee and the Parton Bookshop, 1934. Twenty-five Poems. London: Dent, 1936. The Map of Love. London: Dent, 1939. The World I Breathe. Norfolk, CT: New Directions, 1939. Portrait of the Artist as a Young Dog. London: Dent, 1940. New Poems. Norfolk, CT: New Directions, 1943. Deaths and Entrances. London: Dent, 1946. Selected Writings. Intro. John L. Sweeney. New York: New Directions, 1946. Collected Poems, 1934 - 1952. London: Dent, 1952. In Country Sleep and Other Poems. New York: New Directions, 1952. The Collected Poems of Dylan Thomas. New York: New Directions, 1953. Quite Early One Morning. London: Dent, 1954. Under Milk Wood. Preface by Daniel Jones. 1954. London: Dent/Everyman, 1992. A Prospect of the Sea. Ed. Daniel Jones. London: Dent, 1955. Adventures in the Skin Trade. Aldine paperback ed., 1955. London: Dent, 1965. Letters to Vernon Watkins. Ed. Vernon Watkins. London: Dent and Faber & Faber, 1957. The Beach of Falesá. 1964. New York: Stein and Day, 1983. Twenty Years A-Growing. London: Dent, 1964. Me and My Bike. London: Triton, 1965. Rebecca’s Daughters. 1965, London: Grafton, 1992. The Doctor and the Devils, and Other Scripts. New York: New Directions, 1966. Poet in the Making: The Notebooks of Dylan Thomas. Ed. Ralph Maud. London: Dent, 1968. Early Prose Writings. Ed. Walford Davies. London: Dent, 1971. The Poems. Ed. Daniel Jones. Revised ed. 1974. London: Dent, 1982. Selected Poems. Ed. Walford Davies. 1974. Revised Everyman ed. London: Dent, 1993. The Death of the King’s Canary (with John Davenport). 1976. Harmondsworth: Penguin, 1978. Collected Stories. Ed. Walford Davies. 1983. London: Dent/Everyman, 1995. The Collected Letters. Ed. Paul Ferns. London: Dent, 1985. Collected Poems, 1934 - 1953. Ed. Walford Davies and Ralph Maud. London: Dent, 1988. Rpt 1998, 2000. The Notebook Poems, 1930 – 34. Ed. Ralph Maud. London: Dent, 1989. The Broadcasts. Ed. Ralph Maud. London: Dent, 1991. Letter to Loren. Ed. Jeff Towns. Swansea: Salubrious Press, 1993. The Filmscripts. Ed. John Ackerman. London: Dent, 1995. Under Milk Wood. Ed. Walford Davies and Ralph Maud. “The Definitive Edition.” London: Dent, 1995.

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2. MANUSCRIPTS The main collections are in the following repositories: Austin, TX: Harry Ransom Humanities Research Centre, University of Texas. Buffalo, NY: Lockwood Memorial Library, State University of New York. Cambridge, MA: Houghton Library, Harvard University.

Smaller collection are in the following: Aberystwyth, Wales: National Library of Wales. Bloomington, IN: Lilly Library, Indiana University. London: British Library. Newark, DE: University of Delaware Library. New York: Berg Collection, New York Public Library.

3. BIBLIOGRAPHIES Davies, James A. “Dylan Thomas.” Annotated Bibliography of English Studies. Abingdon: Swets & Zeitlinger, 1997. CD-ROM. Gatson, Georg M. A. Dylan Thomas: A Reference Guide. Boston: G. K. Hall, 1987. Harris, John. A Bibliographical Guide to Twenty-four Modern Anglo-Welsh Writers. Cardiff: University of Wales Press, 1994. Maud, Ralph. Dylan Thomas in Print: A Bibliographical History (with appendix). London: Dent, 1970. Rolph, J. Alexander. Dylan Thomas: A Bibliography. London: Dent, 1956.

4. WORKS ON DYLAN THOMAS: A SELECT LIST Ackerman, John. Dylan Thomas: His Life and Work. 1964. Basingstoke: Macmillan, 1991. Ackerman, John. Welsh Dylan. 1979. London: Granada, 1980. Ackerman, John. A Dylan Thomas Companion. Basingstoke: Macmillan, 1991. Bates, H. E. The Modern Short Story. London: Thomas Nelson, 1941. Bayley, John. The Romantic Survival. London: Constable, 1957. Bigliazzi, Sylvia. “Fable versus Pact: Hamlet’s Ghost in Dylan Thomas’s Early Poetry,” Textus (Genoa) 5 (1992): 51-64. Bold, Alan (Ed.). Dylan Thomas: Craft or Sullen Art. London and New York: Vision, and St. Martin’s Press, 1990. Brinnin, John Malcolm. Dylan Thomas in America. London: Dent, 1956. Brinnin, John Malcolm. (Ed.). A Casebook on Dylan Thomas. New York: Crowell, 1960. Brooke-Rose, Christine. A Grammar of Metaphor. London: Seeker & Warburg. 1958.

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4. WORKS ON DYLAN THOMAS (cont.) Burns, Richard. Ceri Richards and Dylan Thomas: Keys to Transformation. London: Enitharmon Press, 1981. Cleverdon, Douglas. The Growth of “Milk Wood.” London: Dent, 1969. Conran, Anthony. The Cost of Strangeness. Llandysul: Gomer Press, 1982. Cox, C. B. (Ed). Dylan Thomas: A Collection of Critical Essays. Twentieth Century Views. Englewood Cliffs, NJ: Prentice-Hall, 1966. Cox, C. B. “Welsh Bards in Hard Times: Dylan Thomas and R. S. Thomas,” In The New Pelican Guide to English Literature. Vol. 8, The Present, Ed. Boris Ford. Harmondsworth: Penguin, 1983. 209-23. Daiches, David. Literary Essays. Edinburgh: Oliver & Boyd, 1956. Daiches, David. The Present Age in British Literature. Bloomington: Indiana University Press, 1958. Davie, Donald. Articulate Energy. London: Routledge & Kegan Paul, 1955. Davies, Aneurin Talfan. Dylan: Druid of the Broken Body. London: Dent, 1964. Davies, James A. “Dylan Thomas’ ‘One Warm Saturday’ and Tennyson’s Maud.” Studies in Short Fiction 14 (1977): 284-86. Davies, James A. “`Crying in My Wordy Wilderness.`” Anglo-Welsh Review 83 (1986): 96-105. Davies, James A. “A Picnic in the Orchard: Dylan Thomas’s Wales,” In Wales: The Imagined Nation, Ed. Tony Curtis. Bridgend: Poetry Wales Press, 1986. 45-65. Davies, James A. Dylan Thomas’s Places: A Biographical and Literary Guide. Swansea: Christopher Davies, 1987. Davies, James A. “’Hamlet on his father’s coral’: Dylan Thomas and Paternal Influence,” Welsh Writing in English: A Yearbook of Critical Essays 1 (1995): 52-61. Davies, James A. “’A Mental Militarist’: Dylan Thomas and the Great War,” Welsh Writing in English: A Yearbook of Critical Essays 2 (1996) 62-81. Davies, James A. “Questions of Identity: Dylan Thomas, the Movement, and After.” In Appropriations and Impositions: National, Regional and Sexual Identity in Literature, Ed. Igor Navratiland and Robert B. Pynsent. Bratislava: Narodne literame centrum, 1997. 118-29. Davies, James A. “Dylan Thomas in Oxford: An Unpublished Poem.” Notes and Queries n.s 44 (1997): 360-61. Davies, Richard A. “Dylan Thomas’s Image of the ‘Young Dog’ in the Portrait.” Anglo-Welsh Review 26 (1977): 68-72. Davies, Walford. “Imitation and Invention: The Use of Borrowed Material in Dylan Thomas’s Prose.” Essays in Criticism 18 (1968): 275-95. Davies, Walford. Dylan Thomas. Writers of Wales. 1972. Revised Ed. Cardiff: University of Wales Press, 1990.

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4. WORKS ON DYLAN THOMAS (cont.) Davies, Walford. (Ed.) Dylan Thomas: New Critical Essays. London: Dent, 1972. Davies, Walford. Dylan Thomas. Milton Keynes: Open University Press, 1986. Davies, Walford. “Bright Fields, Loud Hills, and the Glimpsed Good Place: R. S. Thomas and Dylan Thomas.” In The Page’s Drift, Ed M. Wynn Thomas. Bridgend: Seren, 1993. 171-210. Deutsch, Babette. Poetry in Our Time. New York: Holt, 1952. Emery, Clark. The World of Dylan Thomas. Coral Gables, FL: University of Miami Press, 1962. Empson, William. Argufying. Ed. John Haffenden. London: Hogarth Press, 1988. Farringdon, Jillian M., and Farringdon, Michael G. A Concordance and Word-Lists to the Poems of Dylan Thomas. Oxford: Oxford Microform Publications, 1980. Ferris, Paul. Dylan Thomas. 1977. Harmondsworth: Penguin Books, 1978. Ferris, Paul. Caitlin: The Life of Caitlin Thomas. London: Hutchinson, 1993. Fitzgibbon, Constantine. The Life of Dylan Thomas. London: Dent, 1965. Fraser, G. S. Essays on Twentieth-Century Poets. Leicester: Leicester University Press, 1978. Gaston, Georg M. A. (Ed.). Critical Essays on Dylan Thomas. Boston: G. K. Hall, 1989. Grindea, Miron (Ed.) Adam International Review 238 (1953). Dylan Thomas Memorial Number. Hardy, Barbara. The Advantage of Lyric: Essays on Feeling in Poetry. London: Athlone Press, 1977. Hardy, Barbara. Dylan Thomas’s Poetic Language: The Stream That Is Flowing Both Ways. Cardiff: University College, Cardiff, 1987. Hardy, Barbara. “Region and Nation: R. S. Thomas and Dylan Thomas.” In The Literature of Region and Nation, Ed. R. P. Draper. Basingstoke: Macmillan, 1989. Heaney, Seamus. Dylan the Durable? On Dylan Thomas. Bennington, VT: Bennington College, 1992. Reprint. Seamus Heaney. The Redress of Poetry. London: Faber, 1995. 124-45. Holbrook, David. “Two Welsh Writers: T. F. Powys and Dylan Thomas.” Pelican Guide to English Literature: The Modem Age, Ed. Boris Ford. Harmondsworth: Penguin Books, 1961. 415-28. Holbrook, David. Llareggub Revisited: Dylan Thomas and the State of Modern Poetry. London: Bowes & Bowes, 1962. Holbrook, Davis. Dylan Thomas: The Code of the Night. London: Athlone Press, 1972. Johnson, Pamela Hansford. Important to Me: Personalia. London: Macmillan, 1974. Jones, Daniel. My Friend Dylan Thomas. London: Dent, 1977. Jones, Glyn. The Dragon Has Two Tongues. London: Dent, 1968. Jones, T. H. Dylan Thomas. Edinburgh: Oliver & Boyd, 1963. Kershner, R. B., Jr. Dylan Thomas: The Poet and his Critics. Chicago: American Library Association, 1976. Kidder, Rushworth Moulton. Dylan Thomas: The Country of the Spirit. Princeton, NJ: Princeton University Press, 1973.

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4. WORKS ON DYLAN THOMAS (cont.) Kleinman, H. H. The Religious Sonnets of Dylan Thomas. Berkley: University of California Press, 1963. Korg, Jacob. Dylan Thomas. New York: Twayne, 1965. Lahey, Philip A. “Dylan Thomas: A Reappraisal.” Critical Survey 5 (1993): 53-65. Lewis, Peter Elfed. “Return Journey to Milk Wood.” Poetry Wales 9 (1973): 27-38. Lewis, Peter Elfed. “Under Milk Wood as Radio Poem” Anglo-Welsh Review 64 (1979): 74-90. Lewis, Peter Elfed. “The Radio Road to Llareggub.” In British Radio Drama, Ed. John Drakakis. Cambridge: Cambridge University Press, 1981. 72-110. Loesche, Katherine T. “Welsh Poetic Syntax and the Poetry of Dylan Thomas.” Transactions of the Honourable Society of Cymmrodorion, 1979: 159-202. Loesche, Katherine T. “Welsh Poetic Stanza Form and Dylan Thomas’s ‘I Dreamed my genesis.’” Transactions of the Honourable Society of Cymmrodorion, 1982: 29-52. Loesche, Katherine T. “An Early Work on Irish Folklore and Dylan Thomas’s ‘A grief ago.’” In Celtic Language, Celtic Culture 3ed. A. T. E Matonis and Daniel F. Melia. Van Nuys, CA: Ford & Bailie, 1990. 308-21. Mathias, Roland. A Ride through the Wood. Bridgend: Poetry Wales Press, 1985. Maud, Ralph. Entrances to Dylan Thomas’ Poetry. Pittsburgh: University of Pittsburgh Press, 1963. Maud, Ralph. (Ed.). Wales in His Arms: Dylan Thomas’s Choice of Welsh Poetry. Cardiff: University of Wales Press, 1994. Maud, Ralph, and Davies, Aneurin Talfan (eds.). The Colour of Saying: An Anthology of Verse Spoken by Dylan Thomas. London: Dent, 1963. McKay, Don. “Dot, Line, and Circle: A Structural Approach to Dylan Thomas’s Imagery.” Anglo-Welsh Review 18 (1969): 69-80. McKay, Don. “Crafty Dylan and the ‘Altar-wise’ Sonnets.” University of Toronto Quarterly 55 (1986): 375- 94. McNees, Eleanor J. Eucharistic Poetry. London and Toronto: Associated University Presses, 1992. Miller, J, Hillis. Poets of Reality: Six Twentieth-Century Writers. Cambridge, MA: Harvard University Press, 1966. Morrison, Blake. The Movement: English Poetry and Fiction of the 1950’s. 1980. London and New York: Methuen, 1986. Moynihan, William T. The Craft and Art of Dylan Thomas. 1966. Ithaca, NY: Comell University Press, 1968. Murdy, Louise B. Sound and Sense in Dylan Thomas’s Poetry. The Hague: Mouton 1966. Nowottny, Winifred. 1962. The Language Poets Use. London: Athlone Press, 1972. Olson, Elder. The Poetry of Dylan Thomas. Chicago: University of Chicago Press, 1954.

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Peach, Linden. The Prose Writing of Dylan Thomas. Basingstoke: Macmillan, 1988.

4. WORKS ON DYLAN THOMAS (cont.) Pratt, Annis. Dylan Thomas’ Early Prose: A Study in Creative Mythology. Pittsburgh: University of Pittsburgh Press, 1970. Pratt, Terrence M. “Adventures in the Poetry Trade: Dylan Thomas and Arthur Rimbaud.” English Language Notes 24, no.4 (1987): 65-73. Rawson, Claude. “Dylan Thomas.” In Talks to Teachers of English 2. Newcastle Upon Tyne: Department of Education, King’s College, Newcastle, 1962. 30-56. Ray, Paul C. The Surrealist Movement in England. Ithaca, NY: Comell University Press, 1971. Read, Bill. The Days of Dylan Thomas. London: Weidenfeld & Nicolson, 1964. Rosenthal, M. L. The Modern Poets: A Critical Introduction. New York: Oxford University Press, 1960. Rosenthal, M. L., and Gall, Sally M. The Modern Poetic Sequence. New York: Oxford University Press, 1983. Scarfe, Francis. Auden and After. London: Routledge & Sons, 1942. Seib, Kenneth. “Portrait of the Artist as a Young Dog: Dylan’s Dubliners.” Modern Fiction Studies 24 (1978): 239-6. Simpson, Louis. A Revolution in Taste. New York: Macmillan, 1978. Sisson, C. H. English Poetry, 1900-1050: An Assessment. New York: St. Martin’s Press, 1971. Smith, A. J. “Ambiguity as Poetic Shift.” Critical Quarterly 4 (1962): 68-74. Spender, Stephen. Poetry Since 1939. 1946. London: Longmans, 1950. Spender, Stephen. The Making of a Poem. London: Hamish Hamilton, 1955. Stanford, Derek. Dylan Thomas. 1954. Revised and Extended Ed., New York: Citadel Press, 1964. Tedlock, E. W. (Ed). Dylan Thomas: The Legend and the Poet. London: William Heinemann, 1960. Thomas, Caitlin. Leftover Life to Kill. London: Putnam, 1957. Thomas, Caitlin. Not Quite Posthumous Letter to My Daughter. London: Putman, 1963. Thomas, Caitlin, with Tremlett, George. Caitlin: A Warring Absence. London: Seeker & Warburg, 1986. Thomas, R. George. “Dylan Thomas and Some Early Readers.” Poetry Wales 9 (1973): 3-19. Tindall, William York. A Reader’s Guide to Dylan Thomas. 1962. New York: Octagon Books, 1981. Treece, Henry. Dylan Thomas: “Dog among the Fairies.” London: Lindsay Drummond, 1949. Tremlett, George. Dylan Thomas: In the Mercy of His Means. London: Constable, 1991. Trick, Bert. “The Young Dylan Thomas.” Texas Quarterly 9 (Summer 1966): 36-49. Volsik, Paul. “Neo-Romanticism and the Poetry of Dylan Thomas.” Etudes Anglaises 42 (1989): 39-54. Watkins, Gwen. Portrait of a Friend. Llandysul: Gomer Press, 1983. Williams, Raymond. “Dylan Thomas’s Play for Voices.” Critical Quarterly 1 (1959): 18-26. Williams, Robert Coleman (Ed.). A Concordance to the Collected Poems of Dylan Thomas. Lincoln: University of Nebraska Press, 1967.

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