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Catinca Tabacaru Gallery, Art Brussels
Rachel Monosov BORN 1987, ST. PETERSBURG, RUSSIA CURRENTLY LIVES AND WORKS IN BERLIN, GERMANY EDUCATION 2016 MFA in Film, The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2014 MFA The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2010 BFA Photography, Bezalel Academy, Jerusalem, Israel 2008 The School of Visual Arts, New York SOLO EXHIBITIONS 2021 LIMINAL, Academia Tedesca Rome Villa Massimo, Rome, Italy 2020 It’s All Written In The Stars, Galeria Catinca Tabacaru, Bucharest 2019 The Challenge of Realism, Performance in collaboration with Lisa Lapierre and Victor Dumont, Goethe Institut, Hanoi, Vietnam We are Almost There, Tarble Arts Center, Eastern Illinois University, USA; Curators: Catinca Tabacaru, Rehema Barber and Michael Schuetz (catalogue) Solo Presentation, Catinca Tabacaru Gallery, Art Brussels 2018 The Blind Leader, Catinca Tabacaru Gallery, New York The Blind Leader, Catinca Tabacaru Gallery, Paris Photo Transcultural Transience (with Isaac Chong Wai), ACUD Galerie, Berlin; Curator: Karma Ltd. Extended 1972 (with Admire Kamudzengerere), Catinca Tabacaru Gallery, New York (catalogue) 2016 Pastoral, AC Repair Co., Toronto, Canada 2015 Pastoral, Barbé Gallery, Ghent, Belgium Effects of Displacement, Catinca Tabacaru Gallery, Volta, New York Effects of Displacement, Catinca Tabacaru Gallery, New York 2014 The Premier of the Audition Acts as Symbol, REH-TRANSFORMER, Berlin, Germany; Curator: Marcus Kettel MUSEUM & BIENNIAL INCLUSIONS 2021 VIDEO+RADIO+LIVE, Collateral Event to Art Encounters Biennial, Casa Artelor, Timisoara, -
4.10.2013 > 26.01.2014 PRESS CONFERENCE a Preliminary Outline of the Programme 6 November 2012
4.10.2013 > 26.01.2014 PRESS CONFERENCE A preliminary outline of the programme 6 November 2012 - Palais d’Egmont, Brussels www.europalia.eu 1 PRACTICAL INFORMATION PRESS Inge De Keyser [email protected] T. +32 (0)2.504.91.35 High resolution images can be downloaded from our website www.europalia.eu – under the heading press. No password is needed. You will also find europalia.india on the following social media: www.facebook.com/Europalia www.youtube.com/user/EuropaliaFestival www.flickr.com/photos/europalia/ You can also subscribe to the Europalia- newsletter via our website www.europalia.eu Europalia International aisbl Galerie Ravenstein 4 – 1000 Brussels Info: +32 (0)2.504.91.20 www.europalia.eu 2 WHY INDIA AS GUEST COUNTRY? For its 2013 edition, Europalia has invited India. Europalia has already presented the rich culture of other BRIC countries in previous festivals: europalia.russia in 2005, europalia.china in 2009 and europalia.brasil in 2011. Europalia.india comes as a logical sequel. India has become an important player in today’s globalised world. Spontaneously India is associated with powerful economical driving force. The Indian economy is very attractive and witnesses an explosion of foreign investments. But India is also a great cultural power. The largest democracy in the world is a unique mosaic of peoples, languages, religions and ancient traditions; resulting from 5000 years of history. India is a land of contrasts. A young republic with a modern, liberal economy but also a land with an enormous historical wealth: the dazzling Taj Mahal, the maharajas, beautiful temples and palaces and countless stories to inspire our imagination. -
Report on the Foreign Policy of the Czech Republic 2007
CONTENTS INTRODUCTION......................................................................................................................6 I. MULTILATERAL COOPERATION ................................................................................. 14 1. The Czech Republic and the European Union ........................................................ 14 The Czech Republic and the EU Common Foreign and Security Policy ............. 33 The Czech Republic and European Security and Defence Policy ........................ 42 2. The Czech Republic and the North Atlantic Treaty Organisation (NATO) ............ 48 3. The Czech Republic and Regional Cooperation ..................................................... 74 Visegrad cooperation ............................................................................................. 74 Central European Initiative (CEI) .......................................................................... 78 Regional Partnership .............................................................................................. 80 Stability Pact for South East Europe ..................................................................... 82 4. The Czech Republic and other European international organisations and forums .. 84 The Czech Republic and the Organisation for Security and Cooperation in Europe (OSCE)................................................................................................................... 84 Council of Europe ................................................................................................. -
India Country Report
INDIA COUNTRY REPORT INDIA COUNTRY REPORT COUNTRY REPORT WRITTEN BY: Prof. Yudhishthir Raj Isar GRAPHICS & LAY OUT BY: Guillemette Madinier, Laura Gardes and Maiken Høj DATE OF PUBLICATION: 26 February 2014 The content of this report does not reflect the official opinion of the European Union. Responsibility for the information and views expressed therein lies entirely with the author(s). © 2013-2014 Preparatory Action ‘Culture in the EU's External Relations’ COUNTRY REPORT INDIA | 1 preparatory action CULTURE in EU EXTERNAL RELATIONS TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................................... 2 EXECUTIVE SUMMARY .................................................................................................................. 3 OVERVIEW ................................................................................................................................... 4 A special vision of international cultural relations ......................................................................4 Indian cultural operators: at home and in the world ..................................................................5 Europe and India: long-established cultural relationships ..........................................................7 EXTERNAL CULTURAL RELATIONS IN THE CULTURAL POLICY CONTEXT ........................................... 9 The lead agency for international cultural relations: the ICCR ...................................................9 A -
Cagaloglu Hamam 46 Ecumenical Patriarchate
THIS SIDE OF THES GOLDEN Yerebatan Cistern 44 Spiritual brothers: The HORN: THE OLD TOWN AND Cagaloglu Hamam 46 Ecumenical Patriarchate EYUP 8 Nuruosmaniye Mosque 48 of Constantinople 84 Topkapi Palace 10 Grand Bazaar 50 Fethiye Mosque (Pamma- The Power and the Glory Knotted or woven: The Turkish karistos Church) 86 of the Ottoman Rulers: art of rug-making 52 Chora Church 88 Inside the Treasury 12 Book Bazaar 54 Theodosian City Wall 90 The World behind the Veil: Traditional handicrafts: Eyiip Sultan Mosque 92 Life in the Harem 14 Gold and silver jewelry 56 Santralistanbul Center of Hagia Eirene 16 Beyazit Mosque 58 Art and Culture 94 Archaeological Museum 18 Siileymaniye Mosque 60 Fountain of Sultan Ahmed 20 Rustem Pa§a Mosque 64 BEYOND THE GOLDEN Hagia Sophia 22 Egyptian Bazaar HORN:THE NEWTOWN Constantine the Great 26 (Spice Bazaar) 66 AND THE EUROPEAN SIDE Sultan Ahmed Mosque Yeni Mosque, OF THE BOSPHORUS 96 (Blue Mosque) 28 Hiinkar Kasri 68 Karakoy (Galata), Tophane 98 Arasta Bazaar 32 Port of Eminonii 70 Jewish life under the The Great Palace of the Galata Bridge 72 Crescent Moon 100 Byzantine Emperors, Myths and legends: The Istanbul Modern Museum 102 Mosaic Museum 34 story(ies) surrounding Shooting stars above the Istanbul's Traditional the Golden Horn 74 gilded cage of art: Wooden Houses and Sirkeci train station 76 Istanbul Biennal 104 the Ravages of Time 36 $ehzade Mosque Kilig Ali Pa§a Mosque, The Hippodrome 38 (Prince's Mosque) 78 Nusretiye Mosque 106 Sokollu Mehmet Pa§a Valens Aqueduct 80 Galata Tower 108 Mosque 40 Fatih -
Manoscritti E Autografi
GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE Manoscritti e autografi 887. Foglio di Antifonario senese. Toscana: 1480 ca. Manoscritto pergamenaceo in-folio (mm 535x390). Testo in rosso e nero, con una grande e bella iniziale filigranata in rosso e blu, istoriata con due figure di musici. Ai piedi della lettera campeggia miniato lo stemma di Siena: uno scudo bipartito orizzontalmente, metà bianco e metà nero. € 3600 888. Liber Tertius Maleficiorum Florentie. Firenze: 1600 ca. Manoscritto cartaceo in-folio (mm 320x225). Carte [11], 334, [2]. Legatura coeva in pergamena restaurata e rimontata. Interessante manoscritto giuridico fiorentino. € 1600 314 LIBRI, MANOSCRITTI E AUTOGRAFI ~ FIRENZE 11-13 NOVEMBRE 2011 TUTTI I LOTTI SONO RIPRODOTTI IN PIÙ IMMAGINI NEL SITO WWW.GONNELLI.IT GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE In bella legatura coeva alle armi 889. Conferma del titolo di Marchese alla famiglia Bertoldo. Firenze: 1613. Manoscritto pergamenaceo in-4° (mm 280x190). Carte [12] con testo inquadrato da duplice cornice in oro, firma autografa di CosimoII , di Niccolò dell’Antella e di Lorenzo Usimbardi a c. [11]. Bellissima legatura coeva in marocchino rosso alle armi della famiglia Bertoldo, dipinte al centro dei piatti entro elaborata bordura floreale in oro, legacci in seta perfettamente conservati, minimi difetti al dorso. € 2000 890. Testo di solmisazione e mutazione. Prima metà del XVII secolo. Manoscritto a inchiostro nero. Carte [49], scritte recto e verso. Note quadrate scritte su tetragrammi. Alla carta 2r timbro di famiglia nobiliare estinta. Carta proveniente da una cartiera piacentina che terminò la produzione nel 1667. Cartonatura coeva. Dimensioni: mm 415x300. Il manoscritto contiene: carta 1r: «Mano / di Don Guido / Aretino» e di seguito lo schema per praticare la solmisazione. -
Vlassis Caniaris
www.TeamGallery.com Vlassis Caniaris 1928 Born Athens, Greece Lives and works in Athens, Greece Education: 1959 School of Fine Arts, Rome, Italy 1950-1955 School of Fine Arts, Athens, Greece (studios of Umberto Argyros, Yiannis Pappas, Panos Sarafianos and Yiannis Moralis) 1949-1950 University of Athens, School of Medicine, Greece One Person Exhibitions: 2010 Galerie Giti Nourbakhsch, Berlin, Germany, As it was before the day before yesterday, so it will be the day after the day after tomorrow Art 41 Basel, Basel, Switzerland, Art Feature, Vlassis Caniaris (under the auspices of the Breeder) 2009 The Breeder, Athens, Greece Arnados School, Tinos, Greece, Genethlion Kalfayan Gallery, Athens, Greece, Arrivederci-Wilkommen 2008 Benaki Museum, Athens, Greece, Anniversary 2004 Municipal Art Gallery of Chania, Crete, Greece Zina Anastasiadou Gallery, Thessaloniki, Greece 2003 Foundation for Hellenic Culture, New York, United States 2000 State Museum of Contemporary Art, Thessaloniki, Greece, Retrospective Zina Anastasiadou Gallery, Thessaloniki, Greece 1999 National Gallery, Athens, Greece, Retrospective 1996 Aria Gallery, Argostaoll, Kefalona Island, Greece 1993 Galerie 3, Athens, Greece Team gallery, inc., 83 grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 1992 Staatliche Kunsthaus, Berlin, Germany 1991 Cultural Center Vafopoulou, Thessaloniki, Greece Paratiritis Gallery, Thessaloniki, Greece Karl Ernst Osthaus-Museum, Hagen, Germany 1989 Titanium Gallery, Athens, Greece Municipal Gallery, Patras, Greece -
Selma-Gurbuz-Final2.Pdf
Selma Gurbuz Mind’s Eye 24October – 7 December 2011 In association with “This exhibition mostly consists of works I had made in my studio in Istanbul in 2011. I always put a full stop after each exhibition and begin with a new clean sheet. Actually, the things that should have been said were told in the first few sentences, but the real sentence is still incomplete. What brings me to the process of this second exhibition is the need to complete this sentence. Before that, I held an exhibition called Shadows of My Self at Leighton House Museum in London. Now, with this exhibition, I will continue to form the incomplete sentence. I think that the Western tradition and the tradition of the Eastern pole are actually two separate fluid materials intertwined. I try to imagine the West from the East as how the West would imagine the East. When setting up my own dream, I generate a view from East to West by knowing both the Western art and culture and using the richness of this region such as being in between East and West. When I interpret Western myths through the eyes of the Eastern, the Eastern myths that I have created show up, too.They also have a nature that occurs with these myths. There is not an indication on a definite location. Geographies are undefined in my pictures.” Selma Gürbüz. Selma Gürbüz is nothing if not eclectic. She knows her more prominent and, more recently, the details in her sources and is not afraid to mix idioms. -
Association Implementation Report on Georgia
Council of the European Union Brussels, 7 February 2020 (OR. en) 5402/20 COEST 12 WTO 9 COHOM 11 JAI 103 COTER 7 FIN 67 ENER 21 TRANS 49 PROCIV 7 ENV 64 COVER NOTE From: Secretary-General of the European Commission, signed by Mr Jordi AYET PUIGARNAU, Director date of receipt: 6 February 2020 To: Mr Jeppe TRANHOLM-MIKKELSEN, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2020) 30 final Subject: Association Implementation Report on Georgia Delegations will find attached document SWD(2020) 30 final. Encl.: SWD(2020) 30 final 5402/20 CPF/mm RELEX 2.A. EN HIGH REPRESENTATIVE OF THE UNION FOR EUROPEAN FOREIGN AFFAIRS AND COMMISSION SECURITY POLICY Brussels, 6.2.2020 SWD(2020) 30 final JOINT STAFF WORKING DOCUMENT Association Implementation Report on Georgia EN EN ASSOCIATION IMPLEMENTATION REPORT – GEORGIA 1. Summary In line with the EU’s revised neighbourhood policy, this report sets out the state of play on Georgia’s implementation of its commitments under the EU-Georgia Association Agreement (AA) since the EU-Georgia Association Council meeting on 5 March 2019 and ahead of the next meeting in 2020. It serves as the basis for a review of the Association Agenda. Georgia’s strong commitment to political association and economic integration with the EU remained a priority, supported by 78% of the population1. The EU regards Georgia as a key partner in the region and continues fully to support its sovereignty and territorial integrity within its internationally recognised borders. Georgia continues to be fully committed to and actively participates in the Eastern Partnership multilateral architecture. -
1-!!1 J Eurofocus 28/82 2
A NEWSSHEET FOR JOURNALISTS • REPRODUCTION AUTHORIZED No. 28/82 BRUSSELS, August 9, 1982 Note from the Editor I This is a special summer issue of "Eurofocus" which has been prepared to give you background material on the major festival of Greek culture which is to start in Brussels in October. Every two years, Belgium is the host of "Europalia" the prestigious multi-disciplinary arts festival which honours the culture of a Community country. I After a short summer break, "Eurofocus" will be back in September to keep you informed about what's happening in the European Community. Have a good summer. EUROPALIA This year it's the turn of Greece, the newest member of the European Community, to share the glories of its culture with fellow Europeans in Europalia, the prestigious multi-disciplinary arts festival held every two years in Belgium in honour of a different Community country in turn. Since the festival began in 1969, Italy, the Netherlands, Britain, France, the German Federal Republic and Belgium have taken part, with financial assistance from their respective governments, private industry and the Community. In Europalia 82 Greece will be offering a panoramic view of five thousand years of civilisation in a series of some 200 exhibitions, theatrical productions, concerts, films and Literary and other events taking place in Brussels and other Belgian cities from October to December. Museums and private collections from This newssheet IS published 1n SIX languages (English, French, German, Dutch, Italian and Span1sh) by the Directorate-General fol Information of the Commission of the European Commun1t1es, .. Rue de Ia Lo1 200 - 1049 Brussels- Belg1um Tel. -
A Case of Energy Museum in Sanatistanbul, Turkey MA
Journal of Contemporary Urban Affairs 2017, Volume 1, Number 1, pages 24– 34 Adaptive Reuse of the Industrial Building: A case of Energy Museum in Sanatistanbul, Turkey MA. Najmaldin Hussein Department of Architecture, Faculty of Architecture, Eastern Mediterranean University, Turkey A R T I C L E I N F O: A B S T R A C T Article history: Industrial buildings as an example of cultural heritage transforms our cultural identity Received 20 September 2016 from past to the present and even for the future. Unfortunately, there are lots of Received in revised form 5 industrial building which lost its function by converting the place to live and December 2016 identifiable place. This research will clarify the reasons of conserving of the industrial Accepted 20 January 2017 heritage and by classification of international charters which are dealing with Available online 2 January industrial heritage will introduce conservation methods for adaptive reuse of industrial 2017 buildings. As a case study, the research will focus on Energy Museum in Istanbul. To Keywords: assess the building based on reusing principals. The study concludes that Energy Industrial Building; Museum is one of the successful examples of reuse of the building. It also concludes Adaptive Reuse; that less intervention in reusing a building can save the identity of the building. Conservation methods; Energy Museum; JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2017) 1(1), 24-34. Gentrification; https://doi.org/10.25034/1761.1(1)24-34 Sanatistanbul. This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 4.0. "CC-BY-NC-ND" www.ijcua.com Copyright © 2017 Journal Of Contemporary Urban Affairs. -
Newsletter 2
Belgian News - January 2012 - Number 2 Newsletter of the Embassy of Belgium in New Delhi and the Consulate General of Belgium in Mumbai Table of contents A Word from the Ambassador and the Consul General Business news Cultural news Agenda Belgian way of life in India Consular news Belgians in India A Word from the Ambassador and the Consul General Dear readers, 2011 has been an eventful year for Belgium and for our Embassy and our Consulate General in India. We will try to make this year an even better one. Ending the year of 2011 on a positive note, Belgium has succeeded to form a new federal government led by our Prime Minister Mr. Elio Di Rupo. The government, a coalition of six parties, consists of thirteen ministers and six secretaries of state. Turning to our own upcoming activities, we can already announce several initiatives, to make you feel at home and to deliver an even better service. More information is in the newsletter. With this second edition of our newsletter, we wish you a successful and wonderful 2012! Pierre VAESEN | Karl VAN DEN BOSSCHE Ambassador | Consul General Business news Minister-President Kris Peeters goes India In November 2011, Minister-President Kris Peeters, who is heading the government of Flanders region of Belgium, led a business and press delegation to India. During the heavy-loaded program, the Minister-President visited Mumbai, Delhi, Bangalore and Chennai. In Mumbai he participated in the World Economic Forum (WEF), and also visited a number of Flemish companies with a footprint in India. He also hosted a lunch for existing and potential investors, looking at Flanders region as a gateway to Europe.