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Catinca Tabacaru Gallery, Art Brussels
Rachel Monosov BORN 1987, ST. PETERSBURG, RUSSIA CURRENTLY LIVES AND WORKS IN BERLIN, GERMANY EDUCATION 2016 MFA in Film, The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2014 MFA The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2010 BFA Photography, Bezalel Academy, Jerusalem, Israel 2008 The School of Visual Arts, New York SOLO EXHIBITIONS 2021 LIMINAL, Academia Tedesca Rome Villa Massimo, Rome, Italy 2020 It’s All Written In The Stars, Galeria Catinca Tabacaru, Bucharest 2019 The Challenge of Realism, Performance in collaboration with Lisa Lapierre and Victor Dumont, Goethe Institut, Hanoi, Vietnam We are Almost There, Tarble Arts Center, Eastern Illinois University, USA; Curators: Catinca Tabacaru, Rehema Barber and Michael Schuetz (catalogue) Solo Presentation, Catinca Tabacaru Gallery, Art Brussels 2018 The Blind Leader, Catinca Tabacaru Gallery, New York The Blind Leader, Catinca Tabacaru Gallery, Paris Photo Transcultural Transience (with Isaac Chong Wai), ACUD Galerie, Berlin; Curator: Karma Ltd. Extended 1972 (with Admire Kamudzengerere), Catinca Tabacaru Gallery, New York (catalogue) 2016 Pastoral, AC Repair Co., Toronto, Canada 2015 Pastoral, Barbé Gallery, Ghent, Belgium Effects of Displacement, Catinca Tabacaru Gallery, Volta, New York Effects of Displacement, Catinca Tabacaru Gallery, New York 2014 The Premier of the Audition Acts as Symbol, REH-TRANSFORMER, Berlin, Germany; Curator: Marcus Kettel MUSEUM & BIENNIAL INCLUSIONS 2021 VIDEO+RADIO+LIVE, Collateral Event to Art Encounters Biennial, Casa Artelor, Timisoara, -
4.10.2013 > 26.01.2014 PRESS CONFERENCE a Preliminary Outline of the Programme 6 November 2012
4.10.2013 > 26.01.2014 PRESS CONFERENCE A preliminary outline of the programme 6 November 2012 - Palais d’Egmont, Brussels www.europalia.eu 1 PRACTICAL INFORMATION PRESS Inge De Keyser [email protected] T. +32 (0)2.504.91.35 High resolution images can be downloaded from our website www.europalia.eu – under the heading press. No password is needed. You will also find europalia.india on the following social media: www.facebook.com/Europalia www.youtube.com/user/EuropaliaFestival www.flickr.com/photos/europalia/ You can also subscribe to the Europalia- newsletter via our website www.europalia.eu Europalia International aisbl Galerie Ravenstein 4 – 1000 Brussels Info: +32 (0)2.504.91.20 www.europalia.eu 2 WHY INDIA AS GUEST COUNTRY? For its 2013 edition, Europalia has invited India. Europalia has already presented the rich culture of other BRIC countries in previous festivals: europalia.russia in 2005, europalia.china in 2009 and europalia.brasil in 2011. Europalia.india comes as a logical sequel. India has become an important player in today’s globalised world. Spontaneously India is associated with powerful economical driving force. The Indian economy is very attractive and witnesses an explosion of foreign investments. But India is also a great cultural power. The largest democracy in the world is a unique mosaic of peoples, languages, religions and ancient traditions; resulting from 5000 years of history. India is a land of contrasts. A young republic with a modern, liberal economy but also a land with an enormous historical wealth: the dazzling Taj Mahal, the maharajas, beautiful temples and palaces and countless stories to inspire our imagination. -
Report on the Foreign Policy of the Czech Republic 2007
CONTENTS INTRODUCTION......................................................................................................................6 I. MULTILATERAL COOPERATION ................................................................................. 14 1. The Czech Republic and the European Union ........................................................ 14 The Czech Republic and the EU Common Foreign and Security Policy ............. 33 The Czech Republic and European Security and Defence Policy ........................ 42 2. The Czech Republic and the North Atlantic Treaty Organisation (NATO) ............ 48 3. The Czech Republic and Regional Cooperation ..................................................... 74 Visegrad cooperation ............................................................................................. 74 Central European Initiative (CEI) .......................................................................... 78 Regional Partnership .............................................................................................. 80 Stability Pact for South East Europe ..................................................................... 82 4. The Czech Republic and other European international organisations and forums .. 84 The Czech Republic and the Organisation for Security and Cooperation in Europe (OSCE)................................................................................................................... 84 Council of Europe ................................................................................................. -
India Country Report
INDIA COUNTRY REPORT INDIA COUNTRY REPORT COUNTRY REPORT WRITTEN BY: Prof. Yudhishthir Raj Isar GRAPHICS & LAY OUT BY: Guillemette Madinier, Laura Gardes and Maiken Høj DATE OF PUBLICATION: 26 February 2014 The content of this report does not reflect the official opinion of the European Union. Responsibility for the information and views expressed therein lies entirely with the author(s). © 2013-2014 Preparatory Action ‘Culture in the EU's External Relations’ COUNTRY REPORT INDIA | 1 preparatory action CULTURE in EU EXTERNAL RELATIONS TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................................... 2 EXECUTIVE SUMMARY .................................................................................................................. 3 OVERVIEW ................................................................................................................................... 4 A special vision of international cultural relations ......................................................................4 Indian cultural operators: at home and in the world ..................................................................5 Europe and India: long-established cultural relationships ..........................................................7 EXTERNAL CULTURAL RELATIONS IN THE CULTURAL POLICY CONTEXT ........................................... 9 The lead agency for international cultural relations: the ICCR ...................................................9 A -
Manoscritti E Autografi
GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE Manoscritti e autografi 887. Foglio di Antifonario senese. Toscana: 1480 ca. Manoscritto pergamenaceo in-folio (mm 535x390). Testo in rosso e nero, con una grande e bella iniziale filigranata in rosso e blu, istoriata con due figure di musici. Ai piedi della lettera campeggia miniato lo stemma di Siena: uno scudo bipartito orizzontalmente, metà bianco e metà nero. € 3600 888. Liber Tertius Maleficiorum Florentie. Firenze: 1600 ca. Manoscritto cartaceo in-folio (mm 320x225). Carte [11], 334, [2]. Legatura coeva in pergamena restaurata e rimontata. Interessante manoscritto giuridico fiorentino. € 1600 314 LIBRI, MANOSCRITTI E AUTOGRAFI ~ FIRENZE 11-13 NOVEMBRE 2011 TUTTI I LOTTI SONO RIPRODOTTI IN PIÙ IMMAGINI NEL SITO WWW.GONNELLI.IT GONNELLI CASA D’ASTE GONNELLI CASA D’ASTE In bella legatura coeva alle armi 889. Conferma del titolo di Marchese alla famiglia Bertoldo. Firenze: 1613. Manoscritto pergamenaceo in-4° (mm 280x190). Carte [12] con testo inquadrato da duplice cornice in oro, firma autografa di CosimoII , di Niccolò dell’Antella e di Lorenzo Usimbardi a c. [11]. Bellissima legatura coeva in marocchino rosso alle armi della famiglia Bertoldo, dipinte al centro dei piatti entro elaborata bordura floreale in oro, legacci in seta perfettamente conservati, minimi difetti al dorso. € 2000 890. Testo di solmisazione e mutazione. Prima metà del XVII secolo. Manoscritto a inchiostro nero. Carte [49], scritte recto e verso. Note quadrate scritte su tetragrammi. Alla carta 2r timbro di famiglia nobiliare estinta. Carta proveniente da una cartiera piacentina che terminò la produzione nel 1667. Cartonatura coeva. Dimensioni: mm 415x300. Il manoscritto contiene: carta 1r: «Mano / di Don Guido / Aretino» e di seguito lo schema per praticare la solmisazione. -
Refik Anadol CV Eng
REFİK ANADOL 1985 Istanbul, Turkey Lives and works in Los Angeles, CA, USA SELECTED EXHIBITIONS 2021 Machine Memoirs: Space, Pilevneli Gallery, Istanbul, Turkey 2019 Machine Hallucination, Artechouse, New York City, USA Latent History, Fotografiska, Stockholm, Sweden Infinite Space, Artechouse, Washington, DC, USA Macau Currents: Data Paintings, Art Macao: International Art Exhibition, Macao, China Archive Dreaming, Symbiosis – Asia Digital Art Exhibition, Beijing, China Machine Hallucination – Study II, Hermitage Museum, Moscow, Russia Memoirs from Latent Space, New Human Agenda, Akbank Sanat, Istanbul, Turkey Melting Memories – Engram – LEV Festival, Gijón, Spain Machine Hallucination – Study I, Bitforms Gallery, Los Angeles, CA, USA Infinity Room / New Edition, ZKM, Karlsruhe, Germany Bosphorus, At The Factory: 10 Artists / 10 Individual Practices PİLEVNELİ Mecidiyeköy, Istanbul, Turkey Infinity Room / New Edition, Wood Street Gallery, Pittsburgh, PA, USA 2018 WDCH Dreams, Walt Disney Concert Hall, Los Angeles, California Melting Memories, PİLEVNELİ Dolapdere, Istanbul, Turkey Infinity Room/New Edition, New Zealand Festival, Wellington, New Zealand Virtual Archive, SALT Galata, Istanbul, Turkey Liminality V1.0, International Art Projects, Hildesheim, Germany Infinity Room / New Edition, Kaneko Museum, Omaha, Nebraska The Invisible Body : Data Paintings, Sven-Harrys Museum, Stockholm, Sweden Data Sculpture Series, Art Center Nabi, Seoul, South Korea 1-2-3 Data Exhibition, Paris, EDF, France Infinity Room, Scottsdale Museum of Contemporary -
Vlassis Caniaris
www.TeamGallery.com Vlassis Caniaris 1928 Born Athens, Greece Lives and works in Athens, Greece Education: 1959 School of Fine Arts, Rome, Italy 1950-1955 School of Fine Arts, Athens, Greece (studios of Umberto Argyros, Yiannis Pappas, Panos Sarafianos and Yiannis Moralis) 1949-1950 University of Athens, School of Medicine, Greece One Person Exhibitions: 2010 Galerie Giti Nourbakhsch, Berlin, Germany, As it was before the day before yesterday, so it will be the day after the day after tomorrow Art 41 Basel, Basel, Switzerland, Art Feature, Vlassis Caniaris (under the auspices of the Breeder) 2009 The Breeder, Athens, Greece Arnados School, Tinos, Greece, Genethlion Kalfayan Gallery, Athens, Greece, Arrivederci-Wilkommen 2008 Benaki Museum, Athens, Greece, Anniversary 2004 Municipal Art Gallery of Chania, Crete, Greece Zina Anastasiadou Gallery, Thessaloniki, Greece 2003 Foundation for Hellenic Culture, New York, United States 2000 State Museum of Contemporary Art, Thessaloniki, Greece, Retrospective Zina Anastasiadou Gallery, Thessaloniki, Greece 1999 National Gallery, Athens, Greece, Retrospective 1996 Aria Gallery, Argostaoll, Kefalona Island, Greece 1993 Galerie 3, Athens, Greece Team gallery, inc., 83 grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 1992 Staatliche Kunsthaus, Berlin, Germany 1991 Cultural Center Vafopoulou, Thessaloniki, Greece Paratiritis Gallery, Thessaloniki, Greece Karl Ernst Osthaus-Museum, Hagen, Germany 1989 Titanium Gallery, Athens, Greece Municipal Gallery, Patras, Greece -
Association Implementation Report on Georgia
Council of the European Union Brussels, 7 February 2020 (OR. en) 5402/20 COEST 12 WTO 9 COHOM 11 JAI 103 COTER 7 FIN 67 ENER 21 TRANS 49 PROCIV 7 ENV 64 COVER NOTE From: Secretary-General of the European Commission, signed by Mr Jordi AYET PUIGARNAU, Director date of receipt: 6 February 2020 To: Mr Jeppe TRANHOLM-MIKKELSEN, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2020) 30 final Subject: Association Implementation Report on Georgia Delegations will find attached document SWD(2020) 30 final. Encl.: SWD(2020) 30 final 5402/20 CPF/mm RELEX 2.A. EN HIGH REPRESENTATIVE OF THE UNION FOR EUROPEAN FOREIGN AFFAIRS AND COMMISSION SECURITY POLICY Brussels, 6.2.2020 SWD(2020) 30 final JOINT STAFF WORKING DOCUMENT Association Implementation Report on Georgia EN EN ASSOCIATION IMPLEMENTATION REPORT – GEORGIA 1. Summary In line with the EU’s revised neighbourhood policy, this report sets out the state of play on Georgia’s implementation of its commitments under the EU-Georgia Association Agreement (AA) since the EU-Georgia Association Council meeting on 5 March 2019 and ahead of the next meeting in 2020. It serves as the basis for a review of the Association Agenda. Georgia’s strong commitment to political association and economic integration with the EU remained a priority, supported by 78% of the population1. The EU regards Georgia as a key partner in the region and continues fully to support its sovereignty and territorial integrity within its internationally recognised borders. Georgia continues to be fully committed to and actively participates in the Eastern Partnership multilateral architecture. -
1-!!1 J Eurofocus 28/82 2
A NEWSSHEET FOR JOURNALISTS • REPRODUCTION AUTHORIZED No. 28/82 BRUSSELS, August 9, 1982 Note from the Editor I This is a special summer issue of "Eurofocus" which has been prepared to give you background material on the major festival of Greek culture which is to start in Brussels in October. Every two years, Belgium is the host of "Europalia" the prestigious multi-disciplinary arts festival which honours the culture of a Community country. I After a short summer break, "Eurofocus" will be back in September to keep you informed about what's happening in the European Community. Have a good summer. EUROPALIA This year it's the turn of Greece, the newest member of the European Community, to share the glories of its culture with fellow Europeans in Europalia, the prestigious multi-disciplinary arts festival held every two years in Belgium in honour of a different Community country in turn. Since the festival began in 1969, Italy, the Netherlands, Britain, France, the German Federal Republic and Belgium have taken part, with financial assistance from their respective governments, private industry and the Community. In Europalia 82 Greece will be offering a panoramic view of five thousand years of civilisation in a series of some 200 exhibitions, theatrical productions, concerts, films and Literary and other events taking place in Brussels and other Belgian cities from October to December. Museums and private collections from This newssheet IS published 1n SIX languages (English, French, German, Dutch, Italian and Span1sh) by the Directorate-General fol Information of the Commission of the European Commun1t1es, .. Rue de Ia Lo1 200 - 1049 Brussels- Belg1um Tel. -
Newsletter 2
Belgian News - January 2012 - Number 2 Newsletter of the Embassy of Belgium in New Delhi and the Consulate General of Belgium in Mumbai Table of contents A Word from the Ambassador and the Consul General Business news Cultural news Agenda Belgian way of life in India Consular news Belgians in India A Word from the Ambassador and the Consul General Dear readers, 2011 has been an eventful year for Belgium and for our Embassy and our Consulate General in India. We will try to make this year an even better one. Ending the year of 2011 on a positive note, Belgium has succeeded to form a new federal government led by our Prime Minister Mr. Elio Di Rupo. The government, a coalition of six parties, consists of thirteen ministers and six secretaries of state. Turning to our own upcoming activities, we can already announce several initiatives, to make you feel at home and to deliver an even better service. More information is in the newsletter. With this second edition of our newsletter, we wish you a successful and wonderful 2012! Pierre VAESEN | Karl VAN DEN BOSSCHE Ambassador | Consul General Business news Minister-President Kris Peeters goes India In November 2011, Minister-President Kris Peeters, who is heading the government of Flanders region of Belgium, led a business and press delegation to India. During the heavy-loaded program, the Minister-President visited Mumbai, Delhi, Bangalore and Chennai. In Mumbai he participated in the World Economic Forum (WEF), and also visited a number of Flemish companies with a footprint in India. He also hosted a lunch for existing and potential investors, looking at Flanders region as a gateway to Europe. -
Mapping the EU-China Cultural and Creative Landscape
MAPPING THE EU‐CHINA CULTURAL AND CREATIVE LANDSCAPE A joint mapping study prepared for the Ministry of Culture (MoC) of the People's Republic of China and DG Education and Culture (EAC) of the European Commission September 2015 1 CO-AUTHORS: Chapters I to III: Cui Qiao - Senior Expert, BMW Foundation China Representative, Founder China Contemporary Art Foundation Huang Shan - Junior Expert, Founder Artspy.cn Chapter IV: Katja Hellkötter - Senior Expert, Founder & Director, CONSTELLATIONS International Léa Ayoub - Junior Expert, Project Manager, CONSTELLATIONS International http://www.constellations-international.com Disclaimer This mapping study has been produced in the context and with the support of the EU-China Policy Dialogues Support Facility (PDSF II), a project financed jointly by the European Union and the Government of the People's Republic of China, implemented by a consortium led by Grontmij A/S. This consolidated version is based on the contributions of the two expert teams mentioned above and has been finalised by the European Commission (DG EAC). The content does not necessarily reflect the opinion of Directorate General Education and Culture (DG EAC) or the Ministry of Culture (MoC) of the People’s Republic of China. DG EAC and MoC are not responsible for any use that may be made of the information contained herein. The authors have produced this study to the best of their ability and knowledge; nevertheless they assume no liability for any damages, material or immaterial, that may arise from the use of this study or its content. 2 Contents I. General Introduction ....................................................................................................... 5 1. Background .............................................................................................................................. 5 2. Project Description ................................................................................................................. -
Brazilian Cultural Diplomacy in Europe in the Early 21St Century
EUROPEAN JOURNAL OF CULTURAL MANAGEMENT & POLICY || Vol. 9, Issue 1, 2019 || ISSN 2663-5771 Brazilian cultural diplomacy in Europe in the early 21st century: bridging the gap between nations with international events Leonardo Boy University of Paris-Saclay, France [email protected] Clarice Menezes Rural Federal University of Rio de Janeiro, Brazil [email protected] ABSTRACT At the turn of the 21st century, Brazil gained ground within the international scene due to its new outward facing stance. Cultural plurality became the flagship of Brazilian foreign policy, designed to achieve positions of prestige internationally. Keywords: By taking the theoretical concepts of cultural diplomacy, this case study analyses the Cultural strategies deployed in international events for cultural diffusion promoted by Lula da Diplomacy Silva’s (2003-2011) & Dilma Rousseff’s (2011-2016) administrations, especially the Year of Brazil in France, 2005. The policy processes within the Ministry of Foreign Affairs, International Ministry of Education and the Ministry of Culture supported the emergence of a events particular decision regarding the development of Brazilian cultural internationalisation. Foreign policy Therefore, the active role of Brazil in the field of cultural diplomacy could be considered as a benchmark for governments, practitioners and policymakers from 2003 to 2016. Brazil ACKNOWLEDGEMENTS The authors would like to dedicate this work to the memory of the National Museum in Rio de Janeiro, Brazil, which was destroyed by fire and the freezing of public expenses that will last until 2027 in the area of education. The largest collection in Latin America has been lost; a work of memory that begun exactly 200 years ago.