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Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: the World’S Earliest Cities & Temples September 14 - 23, 2013
Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 Global Heritage Fund Turkey: The World’s Earliest Cities & Temples September 14 - 23, 2013 To overstate the depth of Turkey’s culture or the richness of its history is nearly impossible. At the crossroads of two continents, home to some of the world’s earliest and most influential cities and civilizations, Turkey contains multi- tudes. The graciousness of its people is legendary—indeed it’s often said that to call a Turk gracious is redundant—and perhaps that’s no surprise in a place where cultural exchange has been taking place for millennia. From early Neolithic ruins to vibrant Istanbul, the karsts and cave-towns of Cappadocia to metropolitan Ankara, Turkey is rich in treasure for the inquisi- tive traveler. During our explorations of these and other highlights of the coun- FEATURING: try, we will enjoy special access to architectural and archaeological sites in the Dan Thompson, Ph.D. company of Global Heritage Fund staff. Director, Global Projects and Global Heritage Network Dr. Dan Thompson joined Global Heritage Fund full time in January 2008, having previously conducted fieldwork at GHF-supported projects in the Mirador Basin, Guatemala, and at Ani and Çatalhöyük, both in Turkey. As Director of Global Projects and Global Heri- tage Network (GHN), he oversees all aspects of GHF projects at the home office, manages Global Heritage Network, acts as senior editor of print and web publica- tions, and provides support to fundraising efforts. Dan has BA degrees in Anthropology/Geography and Journalism, an MA in Near Eastern Studies from UC Berkeley, and a Ph.D. -
Journey to Turkey: a Survey of Culture, Economics and Politics of Turkey
IAS 3950.026 Journey to Turkey: A Survey of Culture, Economics and Politics of Turkey IAS 3950 Journey to Turkey: A Survey of Culture, Economics and Politics of Turkey Course duration: May 19 – June 6, 2015 Instructor: Firat Demir; Office: CCD1, Room: 436; Office hours: By appointment; Tel. 325-5844; E-mail: [email protected] 1. Course Objective The Anatolian Peninsula that connects Asia and Europe has been at the epicenter of many empires and civilizations for thousands of years. Any attempt to understand the culture, institutions and many of the current challenges present in modern Turkey should begin with the study of these civilizations, which have contributed immensely to the development of the Western and Asian civilizations. After all, this is the place where the words Asia and Europe were coined and where the very first monumental structures in history were built (Gobeklitepe, dating back to 10000 BC). Also, I should mention that the father of modern history, Herodotus was a native of Turkey (a title first conferred by Cicero). This course is comparative and interdisciplinary in nature and crosses multiple disciplines including arts, sociology, cultural studies, history, urban planning, economics, and politics. We will constantly compare and contrast the past and the present, East and the West, Turkey and Europe, modern and archaic, secular and religious, democratic and authoritarian, etc. A special attention will be paid to challenge students’ pre-conceived notions, opinions, perspectives and attitudes towards Western vs. Non-Western civilizations, particularly so for those involving the Middle East and Europe. During our journey, we will visit thousand + years old churches, synagogues, mosques, ancient temples, palaces, cities, monuments as well as the most exquisite examples of modern art, and perhaps not so exquisite examples of modern architecture. -
Cagaloglu Hamam 46 Ecumenical Patriarchate
THIS SIDE OF THES GOLDEN Yerebatan Cistern 44 Spiritual brothers: The HORN: THE OLD TOWN AND Cagaloglu Hamam 46 Ecumenical Patriarchate EYUP 8 Nuruosmaniye Mosque 48 of Constantinople 84 Topkapi Palace 10 Grand Bazaar 50 Fethiye Mosque (Pamma- The Power and the Glory Knotted or woven: The Turkish karistos Church) 86 of the Ottoman Rulers: art of rug-making 52 Chora Church 88 Inside the Treasury 12 Book Bazaar 54 Theodosian City Wall 90 The World behind the Veil: Traditional handicrafts: Eyiip Sultan Mosque 92 Life in the Harem 14 Gold and silver jewelry 56 Santralistanbul Center of Hagia Eirene 16 Beyazit Mosque 58 Art and Culture 94 Archaeological Museum 18 Siileymaniye Mosque 60 Fountain of Sultan Ahmed 20 Rustem Pa§a Mosque 64 BEYOND THE GOLDEN Hagia Sophia 22 Egyptian Bazaar HORN:THE NEWTOWN Constantine the Great 26 (Spice Bazaar) 66 AND THE EUROPEAN SIDE Sultan Ahmed Mosque Yeni Mosque, OF THE BOSPHORUS 96 (Blue Mosque) 28 Hiinkar Kasri 68 Karakoy (Galata), Tophane 98 Arasta Bazaar 32 Port of Eminonii 70 Jewish life under the The Great Palace of the Galata Bridge 72 Crescent Moon 100 Byzantine Emperors, Myths and legends: The Istanbul Modern Museum 102 Mosaic Museum 34 story(ies) surrounding Shooting stars above the Istanbul's Traditional the Golden Horn 74 gilded cage of art: Wooden Houses and Sirkeci train station 76 Istanbul Biennal 104 the Ravages of Time 36 $ehzade Mosque Kilig Ali Pa§a Mosque, The Hippodrome 38 (Prince's Mosque) 78 Nusretiye Mosque 106 Sokollu Mehmet Pa§a Valens Aqueduct 80 Galata Tower 108 Mosque 40 Fatih -
Refik Anadol CV Eng
REFİK ANADOL 1985 Istanbul, Turkey Lives and works in Los Angeles, CA, USA SELECTED EXHIBITIONS 2021 Machine Memoirs: Space, Pilevneli Gallery, Istanbul, Turkey 2019 Machine Hallucination, Artechouse, New York City, USA Latent History, Fotografiska, Stockholm, Sweden Infinite Space, Artechouse, Washington, DC, USA Macau Currents: Data Paintings, Art Macao: International Art Exhibition, Macao, China Archive Dreaming, Symbiosis – Asia Digital Art Exhibition, Beijing, China Machine Hallucination – Study II, Hermitage Museum, Moscow, Russia Memoirs from Latent Space, New Human Agenda, Akbank Sanat, Istanbul, Turkey Melting Memories – Engram – LEV Festival, Gijón, Spain Machine Hallucination – Study I, Bitforms Gallery, Los Angeles, CA, USA Infinity Room / New Edition, ZKM, Karlsruhe, Germany Bosphorus, At The Factory: 10 Artists / 10 Individual Practices PİLEVNELİ Mecidiyeköy, Istanbul, Turkey Infinity Room / New Edition, Wood Street Gallery, Pittsburgh, PA, USA 2018 WDCH Dreams, Walt Disney Concert Hall, Los Angeles, California Melting Memories, PİLEVNELİ Dolapdere, Istanbul, Turkey Infinity Room/New Edition, New Zealand Festival, Wellington, New Zealand Virtual Archive, SALT Galata, Istanbul, Turkey Liminality V1.0, International Art Projects, Hildesheim, Germany Infinity Room / New Edition, Kaneko Museum, Omaha, Nebraska The Invisible Body : Data Paintings, Sven-Harrys Museum, Stockholm, Sweden Data Sculpture Series, Art Center Nabi, Seoul, South Korea 1-2-3 Data Exhibition, Paris, EDF, France Infinity Room, Scottsdale Museum of Contemporary -
Rumeli Fortress from the Perspective of Architecture History
Frontiers of Architectural Research (2013) 2, 409–419 Available online at www.sciencedirect.com www.elsevier.com/locate/foar RESEARCH ARTICLE Rumeli fortress from the perspective of architecture history Mehmet Cercis Erişmişa, Ahmet Ozan Gezermanb,n aFaculty of Architecture, Department of Architecture, Yildiz Technical University, Istanbul 34220, Turkey bFaculty of Chemical—Metallurgical Engineering, Department of Chemical Engineering, Yildiz Technical University, Istanbul 34220, Turkey Received 21 January 2013; received in revised form 26 July 2013; accepted 1 August 2013 KEYWORDS Abstract Architectural The Rumeli Fortress has a unique place in world history. This study presents information on the research; castle and Fatih period, explains the aspects of castle thought to be important, and discusses History research the gradually ruined areas of the castle. method; & 2013. Higher Education Press Limited Company. Production and hosting by Elsevier B.V. Scientific research; Open access under CC BY-NC-ND license. Bogazkesen; Rumeli Fortress; Restoration 1. Introduction 2. Method Rumeli Fortress is a castle built by the order of Fatih in Archer, Togan and Standord's ideas on methodology is used 1452. This unique example of Ottoman military architec- in this paper and this study is prepared according to the ture survives as a primary source of evidence for architec- methodology of interpretive architectural view. The inter- ture researchers in their study of history. The main pretive research scheme is summarized in Fig. 1. The sources of evidence are Ayverdi, Gabriel, and Dağtekin research subject is determined to be the Rumeli Hisarı. (Erişmiş, 2012; Ayverdi, 1974; Ayverdi, 1953; Ilgaz, 1941; First, an academic report on the Rumeli Fortress is given. -
Selma-Gurbuz-Final2.Pdf
Selma Gurbuz Mind’s Eye 24October – 7 December 2011 In association with “This exhibition mostly consists of works I had made in my studio in Istanbul in 2011. I always put a full stop after each exhibition and begin with a new clean sheet. Actually, the things that should have been said were told in the first few sentences, but the real sentence is still incomplete. What brings me to the process of this second exhibition is the need to complete this sentence. Before that, I held an exhibition called Shadows of My Self at Leighton House Museum in London. Now, with this exhibition, I will continue to form the incomplete sentence. I think that the Western tradition and the tradition of the Eastern pole are actually two separate fluid materials intertwined. I try to imagine the West from the East as how the West would imagine the East. When setting up my own dream, I generate a view from East to West by knowing both the Western art and culture and using the richness of this region such as being in between East and West. When I interpret Western myths through the eyes of the Eastern, the Eastern myths that I have created show up, too.They also have a nature that occurs with these myths. There is not an indication on a definite location. Geographies are undefined in my pictures.” Selma Gürbüz. Selma Gürbüz is nothing if not eclectic. She knows her more prominent and, more recently, the details in her sources and is not afraid to mix idioms. -
A Case of Energy Museum in Sanatistanbul, Turkey MA
Journal of Contemporary Urban Affairs 2017, Volume 1, Number 1, pages 24– 34 Adaptive Reuse of the Industrial Building: A case of Energy Museum in Sanatistanbul, Turkey MA. Najmaldin Hussein Department of Architecture, Faculty of Architecture, Eastern Mediterranean University, Turkey A R T I C L E I N F O: A B S T R A C T Article history: Industrial buildings as an example of cultural heritage transforms our cultural identity Received 20 September 2016 from past to the present and even for the future. Unfortunately, there are lots of Received in revised form 5 industrial building which lost its function by converting the place to live and December 2016 identifiable place. This research will clarify the reasons of conserving of the industrial Accepted 20 January 2017 heritage and by classification of international charters which are dealing with Available online 2 January industrial heritage will introduce conservation methods for adaptive reuse of industrial 2017 buildings. As a case study, the research will focus on Energy Museum in Istanbul. To Keywords: assess the building based on reusing principals. The study concludes that Energy Industrial Building; Museum is one of the successful examples of reuse of the building. It also concludes Adaptive Reuse; that less intervention in reusing a building can save the identity of the building. Conservation methods; Energy Museum; JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2017) 1(1), 24-34. Gentrification; https://doi.org/10.25034/1761.1(1)24-34 Sanatistanbul. This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 4.0. "CC-BY-NC-ND" www.ijcua.com Copyright © 2017 Journal Of Contemporary Urban Affairs. -
Ebru SARGIN L. Performance Artist Born in Çanakkale in 1991, Ebru
Ebru SARGIN L. Performance Artist Born in Çanakkale in 1991, Ebru Sargın L. is a performance artist living in Istanbul. She considers her own mind and body as a compass as the most basic research tool. She prefers to create a map towards normalized social status analyses with her autobiographical performances based on her work.The types of behavior stuck between the social roles; the processes that are passed in them and the way they exist, and the artist who sets out to discover the real “I”, also feeds on the different body techniques from the performing arts and creates a performative language. The artist continues her artwork through ‘realizing, confronting, accepting and integrating’, while artist is turning an audience into a participant. In 2015, Ebru Sargın L. has started her work on performance art with her body-oriented training at Studio Players and then has started her second undergraduate education in the Performing Arts Department at Istanbul Bilgi University. Since 2016, she has been working as performist of Performistanbul. Education 2015 Management of Performing Arts/ Performing Arts, Istanbul Bilgi University, Istanbul 2015 Performance Acting, Studio Players with Şahika Tekand, Istanbul 2014 Tourism Management, Istanbul University, Istanbul 2013 Acting at Theatre, İBB Center of Performing Arts, Istanbul Exhibition 2019 “SHHH..!”, curated by Derya Yücel and ART 311, Energy Museum, İstanbul. 2018 “This is not a Performance”, curated by Simge Burhanoğlu, Daire Sanat, İstanbul. Solo Performances 2019 “Silence Project: Silence -
Public Istanbul
Frank Eckardt, Kathrin Wildner (eds.) Public Istanbul Frank Eckardt, Kathrin Wildner (eds.) Public Istanbul Spaces and Spheres of the Urban Bibliographic information published by the Deutsche Nationalbib- liothek The Deutsche Nationalbibliothek lists this publication in the Deut- sche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: Kathrin Wildner, Istanbul, 2005 Proofred by: Esther Blodau-Konick, Kathryn Davis, Kerstin Kempf Typeset by: Gonzalo Oroz Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-865-0 CONTENT Preface 7 PART 1 CONTESTED SPACES Introduction: Public Space as a Critical Concept. Adequate for Understanding Istanbul Today? 13 FRANK ECKARDT Mapping Social Istanbul. Extracts of the Istanbul Metropolitan Area Atlas 21 MURAT GÜVENÇ Contested Public Spaces vs. Conquered Public Spaces. Gentrification and its Reflections on Urban Public Space in Istanbul 29 EDA ÜNLÜ YÜCESOY Globalization, Locality and the Struggle over a Living Space. The Case of Karanfilköy 49 SEVIL ALKAN Fortress Istanbul. Gated Communities and the Socio-Urban Transformation 83 ORHAN ESEN/TIM RIENIETS Peripheral Public Space. Types in Progress 113 ELA ALANYALI ARAL Old City Walls as Public Spaces in Istanbul 141 FUNDA BA BÜTÜNER Regenerating »Public Istanbul«. Two Projects on the Golden Horn 163 SENEM ZEYBEKOLU Public Transformation of the Bosporus. Facts and Opportunities 187 EBRU ERDÖNMEZ/SELIM ÖKEM PART 2 EXPERIENCING ISTANBUL Introduction: Spaces of Everyday Life 209 KATHRIN WILDNER Istanbul's Worldliness 215 ASU AKSOY Public People. -
Preservation of Rumeli Fortress
13239 Mehmet Cercis Erismis et al./ Elixir His. Preser. 55A (2013) 13239-13243 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 55A (2013) 13239-13243 Preservation of Rumeli Fortress Mehmet Cercis Erismis1 and Ahmet Ozan and Gezerman 2 1Yildiz Technical University, Faculty of Architecture, Department of Architecture, Istanbul, Turkey. 2Yildiz Technical University, Faculty of Chemical- Metallurgical Engineering, Department of Chemical Engineering, Istanbul, Turkey. ARTICLE INFO ABSTRACT Article history: Rumeli Fortress has a unique place in the history of world with Its properties. This study Received: 11 September 2012; gives information about the castle and Fatih period, explains the aspects of the castle which Received in revised form: is thought to be important and mentions the gradually ruined or transformed parts. Essential 1 February 2013; actions to do about these parts which have become ruin and restored without being loyal to Accepted: 19 February 2013; Its origins is presented. It is discussed to preserve the ruined castle originally. © 2013 Elixir All rights reserved. Keywords Architectural Research, History Research Method, Scientific Research, Bogazkesen, Rumeli Fortress. Introduction concerns with learning a historical event and aims to end up a Rumeli Fortress is a castle which was built by the order of useful conclusion. The third one; is genetic history that deals Fatih (the conquerer) in 1452. This unique example of Ottoman with asking “why” and “how” questions to the happening of military architecture has been surviving as a primary source of events, aims to clarify development steps of humanity and the evidence for the history of architecture researchers. -
What Make Cities Sustainable? Barcelona and Istanbul
The Sustainable City VIII, Vol. 1 109 What make cities sustainable? Barcelona and Istanbul Ç. C. Türkyılmaz Yildiz Technical University, Istanbul Abstract Barcelona has been one of the most active cities of the world over the last 20 years in terms of urban planning. From the first changes in the 1980s to today, it has been seen that Barcelona meets the new economic, social and cultural requirements of a rapidly changing world and proceeds step by step to be one of the world’s leading cities. Istanbul, one of the most dynamic cities of the world, has been rated among Rome, Barcelona, Amsterdam, Paris and London as a leading city of Europe. Today, the city of Istanbul is considered an international brand image, especially after serving as the 2010 European Capital of Culture. While several public space projects have been produced for Istanbul, most of them have important problematic features particularly with regard to applicability. In this study, some urban public spaces projects from Barcelona and Istanbul are selected as case studies. Selected projects are examined from the standpoint of the essential features of sustainable urban public spaces. These can be explained as follows: • Identity; all physical, social, cultural aspects of spaces and its relation with the city, • Accessibility and permeability; physical, visual and symbolic accessibility, the degree of easiness in the circulation of space, • Multi-functionality; to combine different functions, • Flexibility; to meet different requirements of users, to facilitate different activities. The chosen projects are Maremagnum and Diagonal Mar from Barcelona, Meydan and Santralistanbul from Istanbul. The reasons for selection of these projects are to make an important contribution of the sustainable urban development of their areas. -
PDF ICOM Expresses Its Concerns About the Forthcoming Sale of The
11/02/2013 ICOM expresses its concerns about the forthcoming sale of the collection of Santralistanbul Museum In accordance with its mandate and the principles of the ICOM Code of Ethics for Museums, the International Council of Museums expresses great concern in light of news of the sale of the collection of Turkey’s Santralistanbul Museum. After opening its doors in Istanbul in 2007, the Santralistanbul Museum quickly became an international platform for arts, culture and education, a valuable testament to Turkey’s contemporary creativity. The museum has Santralistanbul Museum hosted several important exhibitions and has been visited by hundreds of thousands of national and international visitors. The upcoming sale does not meet ICOM’s international ethical and professional requirements in the area of deaccessioning. As the world organisation of museums and museum professionals, ICOM urges that deaccessioning be carried out in accordance with national requirements, along with a full understanding of the ethical aspects, such as the significance of the items, their character, legal standing, and any loss of public trust that might result from such actions. The drafting of General Principles on Conditions of Deaccessioning from Modern and Contemporary Museum Collections by ICOM’s International Committee for Museums and Collections of Modern Art (CIMAM) provides detailed guidelines in this area, and demonstrates ICOM’s strong position on the deaccessioning of museum collections. ICOM calls on the Turkish authorities to ensure that the museum community’s concerns are heard on this matter so that the cultural, artistic and public consequences of the sale may be evaluated by those involved.