Chapter 11: Multiple Quantifiers
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Anaphoric Reference to Propositions
ANAPHORIC REFERENCE TO PROPOSITIONS A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Todd Nathaniel Snider December 2017 c 2017 Todd Nathaniel Snider ALL RIGHTS RESERVED ANAPHORIC REFERENCE TO PROPOSITIONS Todd Nathaniel Snider, Ph.D. Cornell University 2017 Just as pronouns like she and he make anaphoric reference to individuals, English words like that and so can be used to refer anaphorically to a proposition introduced in a discourse: That’s true; She told me so. Much has been written about individual anaphora, but less attention has been paid to propositional anaphora. This dissertation is a com- prehensive examination of propositional anaphora, which I argue behaves like anaphora in other domains, is conditioned by semantic factors, and is not conditioned by purely syntactic factors nor by the at-issue status of a proposition. I begin by introducing the concepts of anaphora and propositions, and then I discuss the various words of English which can have this function: this, that, it, which, so, as, and the null complement anaphor. I then compare anaphora to propositions with anaphora in other domains, including individual, temporal, and modal anaphora. I show that the same features which are characteristic of these other domains are exhibited by proposi- tional anaphora as well. I then present data on a wide variety of syntactic constructions—including sub- clausal, monoclausal, multiclausal, and multisentential constructions—noting which li- cense anaphoric reference to propositions. On the basis of this expanded empirical do- main, I argue that anaphoric reference to a proposition is licensed not by any syntactic category or movement but rather by the operators which take propositions as arguments. -
Situations and Individuals
Forthcoming with MIT Press Current Studies in Linguistics Summer 2005 Situations and Individuals Paul Elbourne To my father To the memory of my mother Preface This book deals with the semantics of the natural language expressions that have been taken to refer to individuals: pronouns, definite descriptions and proper names. It claims, contrary to previous theorizing, that they have a common syntax and semantics, roughly that which is currently associated by philosophers and linguists with definite descriptions as construed in the tradition of Frege. As well as advancing this proposal, I hope to achieve at least one other aim, that of urging linguists and philosophers dealing with pronoun interpretation, in particular donkey anaphora, to consider a wider range of theories at all times than is sometimes done at present. I am thinking particularly of the gulf that seems to have emerged between those who practice some version of dynamic semantics (including DRT) and those who eschew this approach and claim that the semantics of donkey pronouns crucially involves definite descriptions (if they consider donkey anaphora at all). In my opinion there is too little work directly comparing the claims of these two schools (for that is what they amount to) and testing them against the data in the way that any two rival theories might be tested. (Irene Heim’s 1990 article in Linguistics and Philosophy does this, and largely inspired my own project, but I know of no other attempts.) I have tried to remedy that in this book. I ultimately come down on the side of definite descriptions and against dynamic semantics; but that preference is really of secondary importance beside the attempt at a systematic comparative project. -
Die 1950Er 321 Titel, 12,9 Std., 1,15 GB
Seite 1 von 13 -Die 1950er 321 Titel, 12,9 Std., 1,15 GB Name Dauer Album Künstler 1 Sing baby sing (ft Valente Caterina) 2:58 Alexander Peter 2 It's simply grand 2:00 Rockin' Rollin' High School Vol.4 - Sampler - 1983 (LP) Allen Milton 3 Youthful lover 2:20 Rockin' Rollin' High School Vol.6 - Sampler - 1983 (LP) Allen Milton 4 In the mood 2:49 Andrew Sisters The Andrew Sisters 5 Rum and Coca Cola 3:08 Oldies The Andrew Sisters 6 Boogie woogie bugle boy 2:44 Songs Of World War 2 The Andrew Sisters 7 Three little fishies (itty bitty pool) 2:37 The Andrew Sisters 8 Lonely boy 2:32 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 9 Diana 2:18 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 10 Put your head on my shoulder 2:39 Million Sellers (The Fifties) Vol.03 - Comp 1992 (CD-VBR) Anka Paul 11 High society calypso 2:12 As Time Goes By - Disc 2 Armstrong Louis 12 Hello Dolly 2:26 Wonderful World Of Musical - Comp 1999 (CD2-VBR) Armstrong Louis 13 Onkel Satchmo's lullaby 2:26 Das waren Schlager 59/60 - Comp (LP) Armstrong Louis & die kleine Gabriele 14 Just ask your heart 2:28 Billboard Top 100 - 1959 Avalon Frankie 15 Jim Dandy 2:12 Baker LaVern 16 Ice cream 3:27 Oldies But Goldies (LP OrangeGrün 1980) Barber Chris 17 Petite fleur 2:43 40 Hits From The 50s & 60s - Sampler (LP2) Barber Chris 18 Kiss me honey honey kiss me 2:23 Beyond the sea Bassey Shirley 19 Banana boat song 3:03 Rock Party Volume 3 - Comp JJJJ (CD-VBR) Belafonte Harry 20 Rainy night in Georgia 3:50 Best Of Soul Classics - Comp 2005 (CD3-VBR) Benton Brook 21 Rock and roll music 2:31 The Great Twenty-Eight Berry Chuck 22 Sweet little sixteen 3:01 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck 23 Brown eyed handsome man 2:16 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck -Die 1950er Seite 2 von 13 Name Dauer Album Künstler 24 Johnny B. -
Meanings of Determiners Heading Non-Topic Dps to the Meanings of the Corresponding Topics
Acknowledgements First of all, I would like to thank my teachers and supervisors Manfred Bierwisch and Reinhard Blutner. Without their sympathetic help in a personally very difficult situation, I would have been unable even to start writing this dissertation. Besides this, they patiently supported me with their advice and experience in every stage of my work. The people that inspired me with discussions and comments are so numerous that there is no hope to mention all of them. Among them are Kai Alter, Daniel Büring, Johannes Dölling, Bernhard Drubig, Hans Martin Gärtner, Edward Göbbel, Michael Herweg, Caroline Heycock, Helen de Hoop, Inga Kohlhof, Manfred Krifka, Annette Lessmöllmann, Christine Maaßen, André Meinunger, Marga Reis, Michal Starke, Markus Steinbach, Wolfgang Sternefeld, Anatoli Strigin, Hubert Truckenbrodt, Enric Vallduví, Ralf Vogel, Chris Wilder, Susanne Winkler, Werner Wolff, Henk Zeevat, and Ede Zimmermann. I am indebted to the "Max-Planck-Gesellschaft" for its financial support. Special thanks go to Elena Demke, Annette Lessmöllmann, Anatoli Strigin, and Chris Wilder for correcting my English. All remaining mistakes are of course subject to my own responsibility. Last but not least, I thank my parents and my brother for everything. Table of Contents 1 Introduction . 1 2 The Dynamic Framework . 5 2.1 Donkey Sentences and Cross-sentential Anaphora . 5 2.2 Montague Semantics and File Change Semantics: A Comparison . 7 2.2.1 Montague Semantics: The General Picture . 7 2.2.2 File Change Semantics: An Overview . 11 2.2.2.1 The Strategy . 11 2.2.2.2 Files . 13 2.2.2.3 LF-Construal . 13 2.2.2.4 The Interpretation of LF . -
Donkey Anaphora Is In-Scope Binding∗
Semantics & Pragmatics Volume 1, Article 1: 1–46, 2008 doi: 10.3765/sp.1.1 Donkey anaphora is in-scope binding∗ Chris Barker Chung-chieh Shan New York University Rutgers University Received 2008-01-06 = First Decision 2008-02-29 = Revised 2008-03-23 = Second Decision 2008-03-25 = Revised 2008-03-27 = Accepted 2008-03-27 = Published 2008- 06-09 Abstract We propose that the antecedent of a donkey pronoun takes scope over and binds the donkey pronoun, just like any other quantificational antecedent would bind a pronoun. We flesh out this idea in a grammar that compositionally derives the truth conditions of donkey sentences containing conditionals and relative clauses, including those involving modals and proportional quantifiers. For example, an indefinite in the antecedent of a conditional can bind a donkey pronoun in the consequent by taking scope over the entire conditional. Our grammar manages continuations using three independently motivated type-shifters, Lift, Lower, and Bind. Empirical support comes from donkey weak crossover (*He beats it if a farmer owns a donkey): in our system, a quantificational binder need not c-command a pronoun that it binds, but must be evaluated before it, so that donkey weak crossover is just a special case of weak crossover. We compare our approach to situation-based E-type pronoun analyses, as well as to dynamic accounts such as Dynamic Predicate Logic. A new ‘tower’ notation makes derivations considerably easier to follow and manipulate than some previous grammars based on continuations. Keywords: donkey anaphora, continuations, E-type pronoun, type-shifting, scope, quantification, binding, dynamic semantics, weak crossover, donkey pronoun, variable-free, direct compositionality, D-type pronoun, conditionals, situation se- mantics, c-command, dynamic predicate logic, donkey weak crossover ∗ Thanks to substantial input from Anna Chernilovskaya, Brady Clark, Paul Elbourne, Makoto Kanazawa, Chris Kennedy, Thomas Leu, Floris Roelofsen, Daniel Rothschild, Anna Szabolcsi, Eytan Zweig, and three anonymous referees. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Each Day I Dream Carel Albright Carel Albright Grimes Music Publishers 1949 Easter Parade Irving Berlin Irving Berlin Irving Berlin Music Corporation 1933 Easy Melody (A Dancing Song) Larry Conley Larry Conley Rosebud Leo Feist Inc. 1923 Easy to Love Cole Porter Cole Porter Chappell & Co., Inc. 1936 Ebb Tide Leo Robin Leo Robin Popular Melodies Inc. 1937 Ebb Tide Robert Maxwell Carl Sigman Robbins Music Corporation 1953 Ebony and Ivory [Paul] McCartney [Paul] McCartney MPL Communications, Inc. 1982 Echo Said "No", The Art Kassel Art Kassel Mick Lombardo Music Inc. 1947 Echoes from Ireland (Medley of Irish Airs) George Rosey G.M. Rosenburg 1907 Echoes of My Rocky Mountain Home, The Edward Gabriel Janet Gordon McKinley Music Co. 1904 Echoes of the Ball (Loin du Bal) Ernest Gillet Art Publication Society 1930 Echoes of the Lake (L'Echo du Lac) Nocturne J. Leybach Century Music Publishing Company n.d. Eckland's Minor Jig Frank Eckland John Wild Thompson & Odell 1887 Banjo Ecstasi (Ecstacy) Tango Argentine Leon Obrero Rosebud Leo Feist, Inc. 1913 Cover in Spanish Ecstasy Walter Morse Rummel Duncan C. Scott G. Schirmer, Inc. 1907 Eddie, My Love Aaron Collins Aaron Collins Modern Music Pub. Co. 1956 Edelweiss Glide (Waltz) F.E. Vanderbeck Century Music Publishing Co. 1908 Revised and fingered by Rudolf Edelweiss Glide Waltz F.E. Vanderbeck The Eclipse Pub. Co. 1908 Thaler Edelweiss Glide (Waltz) F.E. Vanderbeck Century Music Publishing Co. 1908 Fingered by M. Greenwald Egyptian Moonlight (An Oriental Love Song) A. Fred Phillips Jack Caddigan WM Fisher Ted Garton Music Co. -
Doris & Me the Doris Day Songbook
3000 Miles Off-Broadway Musicals presents Doris & Me The Doris Day Songbook Starring Scott Dreier July 24 to August 3, 2014 Celebrating Doris Day’s 90th Birthday FOR IMMEDIATE RELEASE: 3000 Miles Off-Broadway Musicals (a division of Rock N Roll Inc.) proudly presents, DORIS AND ME: The Doris Day Songbook starring SCOTT DREIER at El Portal’s Monroe Forum Theatre, in the NOHO Arts District, North Hollywood, CA. This special engagement will be presented July 24 through August 3, 2014, with a Special Gala Opening July 23 to benefit the Doris Day Animal Foundation. Written and conceived by Scott Dreier along with Kurtis Simmons, DORIS AND ME is directed by Richard Israel, with musical direction by Bob Remstein. DORIS AND ME is one man's quirky, lovable obsession with music and movie icon, Doris Day. As the ultimate, obsessed fan, Scott Dreier makes this more than your typical tribute show to a timeless artist, taking the audience with him on a sentimental journey to nostalgic times gone by. As he lovingly shares, through classic treasured songs, personal anecdotes, humor, heart, and many Doris Day stories and history, Scott Dreier never lets us forget how much he loves her and why he has become Doris Day's biggest fan. Having grown up in a family where music, TV, and films were strictly monitored, Scott was somehow allowed to watch the Saturday Afternoon Film Festival hosted by Tom Hatten. This is where he first discovered Doris Day. She became his escape, always making the bad days brighter and happier with her artistry and joyous spirit. -
Lyrics for February 2018 Daily Sparkle CD Songs Track 1 Stupid Cupid By
Lyrics for February 2018 Daily Sparkle CD Songs Track 1 Stupid Cupid by Neil Sedaka My fine feathered friend with your cute little pranks I would like to express my thanks I trusted you implicitly But what a double crosser you turned out to be Stupid Cupid you're a real mean guy I'd like to clip your wings so you can't fly I'm in love and it's a crying shame And I know that you're the one to blame Hey hey, set me free Stupid Cupid stop picking on me I can't do my homework and I can't think straight I meet her every morning 'bout half past eight Well I'm acting like a lovesick fool You've even got me carrying your books to school Hey hey, set me free Stupid Cupid stop picking on me Cont… Cont…. You messed me up for good right from the very start Hey now, go play Robin Hood with somebody else's heart You got me jumping like a crazy clown And I don't feature what you're putting down Well since I kissed her loving lips of wine The thing that bothers me is that I like it fine Hey hey, set me free Stupid Cupid stop picking on me Track 2 Everybody Loves A Lover by Doris Day Everybody loves a lover I'm a lover, everybody loves me Anyhow, that's how I feel Wow, I feel just like a Pollyanna I should worry, not for nothin' Everybody loves me, yes they do And I love everybody Since I fell in love with you Who's the most popular personality? I can't help thinkin' it's no-one else but me Gee, I feel just about ten feet tall, havin' a ball Guess ya might call me a Pollyanna Everybody loves a lover Who's the most popular personality? I can't help thinkin' -
E-Type Pronouns and Donkey Anaphora
IRENE HElM E-TYPE PRONOUNS AND DONKEY ANAPHORA 0. INTRODUCTION Kamp and Heim intended this proposal to compete with and replace us earlier treatments of the same phenomena, including a family of related proposals by Evans (1977, 1980), Cooper (1979), and others, which in contrast to (i)-(iv) made the following more traditional assumptions: (i) a non-existential, quantifier-free treatment of indefinites, (ii) a treatment of anaphoric pronouns as plain bound variables, (iii) a treatment of quantificational determiners and the conditional operator as capable of binding multiple variables, and (iv) a provision for default existential generalization of free vari- ables. Kamp and Heim intended this proposal to compete with and replace various earlier treatments of the same phenomena, including a family of related proposals by Evans (1977, 1980), Cooper (1979), and others, which in contrast to'(i)-(iv) made the following more traditional assumptions: (i') Indefinites are existential quantifiers. (ii') Anaphoric pronouns are semantically equivalent to (possibly complex) definite descriptions. (iii'.) Quantificational determiners, frequency adverbs, and the hidden operator of generality in conditionals bind just one variable each-. (iv') There is no need for default existential generalization of free variables. (i'), (iii'), and (iv') are, of course, just the standard assumptions from which (i), (iii), and (iv) departed. For the sake of brevity, I will refer to Kamp and Heim's proposal and variants thereof as 'DRT analyses', and to Evans's, Cooper's, and similar proposals as 'E-Type analyses'. ('DRT' abbreviates 'Discourse Represent- ation Theory'; the term 'E-Type' is loosely borrowed from Evans.) Let me caution, however, against unintended interpretations of these labels, especially the first one. -
SINGAPORE 60'S Treasures from the Past
1 SINGAPORE 60'S Treasures From The Past REMASTERED 4 CD SET All Rights Reserved, National Library Board, Singapore SINGAPORE 60'S PHILIPS All Rights Reserved, National Library Board,VOL. Singapore1 Foreword Brian Richmond Niteline Gold 90.5 FM People, in general, are nostalgic for the good old days. They bring back memories of our youthful years when times were a lot simpler. The local corner Singapore Beat at 10.30pm on Niteline on Gold 90.5FM has certainly generated a lot of interest and a following from a sector of our audience who grew up being entertained by a thriving local scene in the 60's. Gold 90.5FM also had requests time and time again to put together an album featuring our local talents. And so, with the help of Joseph Pereira and the good people at Universal Music, we have put together a collection of some of the finest in our first effort called SINGAPORE 60's - TREASURES FROM THE PAST. Judging from the response, this will certainly be a forerunner of more to come. Do enjoy this selection from NAOMI & THE BOYS, THE CYCLONES, THE CRESCENDOS AND THE THUNDERBIRDS. It's a great keepsake of our treasures from the past and certainly makes for a wonderful gift for someone who has lived those eventful years. All Rights Reserved, National Library Board, Singapore SINGAPORE POP SIXTIES Singapore felt the stirrings of the rock and roll revolution of the Fifties when Bill Haley and The Comets and others of his ilk had sent the first shock waves round the world and upset the old order. -
Coronet 1956-1962
AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.