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Cineyouth 2021 Film Selection
The 2021 CineYouth Programs and Film Selection The Cinemas of Chicago (Opening Night) Our city has proven once again to be fertile ground for filmmakers to find sources of creative self-expression, and these shorts are a mere sample of what the future holds for Chicago cinema. RAICES Andres Aurelio | Chicago/Mexico | Age 21 Reflecting on his passion for gardening, a man finds the source of this infatuation in Mexico. Now living in the United States, he seeks to plant his pride from the Mexico family garden into his new one. Love Stories Elizabeth Myles | Chicago | Age 21 Unique love stories are touchingly explored from multiple perspectives through experimental animation of archival personal photographs, investigating what it means to love in this world. Miniature Vacation Samantha Ocampo | Chicago| Age 16 In this visual adaptation of her own poem, filmmaker Samantha Ocampo reveals the little local things she appreciates in her life that help her escape the day-to-day banality. The Wolf Comes at Night Nathan Marquez | Chicago | Age 22 An ominous presence comes from out of the darkness, terrorizing a cattle farm where a frightened grandfather and his grandchildren are trying to protect themselves and the farm. Face Me Ty Yamamoto | Chicago | Age 21 This provocative look into Hollywood's history examines the use of yellowface and its continued impact on the Asian-American community by projecting media onto the faces of the younger generation. De Sol a Sol Shira Baron | Chicago | Age 21 On warm summer days you can find Abraham and Ricardo selling ice cream along the Chicago lakefront, but a new perspective offers a glimpse into the often harrowing experiences of ice cream men. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Cannibalism in Contact Narratives and the Evolution of the Wendigo Michelle Lietz
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 3-1-2016 Cannibalism in contact narratives and the evolution of the wendigo Michelle Lietz Follow this and additional works at: http://commons.emich.edu/theses Part of the English Language and Literature Commons Recommended Citation Lietz, Michelle, "Cannibalism in contact narratives and the evolution of the wendigo" (2016). Master's Theses and Doctoral Dissertations. 671. http://commons.emich.edu/theses/671 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Cannibalism in Contact Narratives and the Evolution of the Wendigo by Michelle Lietz Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Literature Thesis Committee: Abby Coykendall, Ph.D., First Reader Lori Burlingame, Ph.D., Second Reader March 1, 2016 Ypsilanti, Michigan ii Dedication I dedicate this thesis to my kind and caring sisters, and my grounding father. For my mother: thank you for beginning my love of words and for every time reading “one more chapter.” And for every person who has reminded me to guard my spirit during long winters. iii Acknowledgments I am deeply indebted to Dr. Lori Burlingame, for reading all of my papers over and over again, for always letting me take up her office hours with long talks about Alexie, Erdrich, Harjo, Silko and Ortiz, and supporting everything I’ve done with unwavering confidence. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Baring the Windigo's Teeth: the Fearsome Figure in Native
Baring the Windigo’s Teeth: The Fearsome Figure in Native American Narratives Carol Edelman Warrior A dissertation submitted in partial fulfillment of the requirements for the degree of Docrtor of Philosophy University of Washington 2015 Reading Committee: 1 Brian M. Reed, Chair Dian Million Christopher Teuton Luana Ross Program Authorized to Offer Degree: Department of English © Copyright 2015 Carol Edelman Warrior University of Washington Abstract Baring the Windigo’s Teeth: Fearsome Figures in Native American Narratives Carol Edelman Warrior Chair of the Supervisory Committee: Professor Brian M. Reed Department of English Whereas non-Native American fictional fearsome figures tend to produce anxiety from their resistance to categorization, their unpredictable movement, and their Otherness, many contemporary Native American writers re-imagine fearsome figures and monstrous systems as modeled after, and emergent from settler-colonial transgressions against Indigenous values and relationships: these behaviors spread to tribal people/s through incorporation or assimilation into the “body” of the fearsome figure. Such violations can be represented by, and better understood, through an exploration of the behavioral traits of the Algonquian figure of the 2 Windigo, or wétiko, even when the text in question would not be classified as horror. In the Indigenous works of fiction that this dissertation explores, villainy is depicted as behavior that destroys balance, and disrupts the ability for life to reproduce itself without human mediation or technological intervention. In this dissertation, I develop and apply “Windigo Theory”: an Indigenous literary approach to reading Indigenous fiction, especially intended to aid recognition and comprehension of cultural critiques represented by the fearsome figures. -
Typologies of Evil in the X-Files
TYPOLOGIES OF EVIL IN THE X-FILES BY MAGNE HÅLAND SUPERVISOR: PAUL LEER SALVESEN AND SOLVEIG AASEN UNIVERSITY OF AGDER 2019 FACULTY OF HUMANITIES AND EDUCATION DEPARTEMENT OF RELIGION, PHILOSOPHY AND HISTORY 0 ACKNOWLEDGEMENTS I would like to express great appreciation to my supervisors, Professor Paul Leer-Salvesen (University of Agder) and Solveig Aasen, PhD in philosophy (University of Oslo), for their valuable and constructive suggestions during the development of this research work. I would also like to express my deep gratitude to my colleagues at Arendal Upper Secondary School, Steinar Tvedt, Inger Johanne Hermansen, Ane Kristine Bruland and Ida Wullum for their patient guidance and useful critique of my writing in English. Finally, I wish to thank my father, a proud working-class man, for his support and encouragement throughout my whole life. Throughout his life, he was never able to read English. Therefore, he “forced” me to translate my work for him. The Nazi-form of evil with Himmler, Mengele and Eichmann concerned him. Often, he asked me, how could a man (Eichmann) be that blinded? Without my father giving me motivation, I would never have come this far in my studies. 1 CONTENTS ABSTRACT …..5 CHAPTER 1, INTRODUCTION 1.1) General introduction of evil in movies …..6-7 1.2) My Research Question ……7 1.3) A short overview on the typologies of evil …..7-9 1.4) Defining evil …..9-10 1.5) A critique and defense of evil ….10-12 1.6) What is The X-files about? ….12-14 1.7) Why explore The X-Files? …..14-15 CHAPTER 2, METHODS 2.1) Theory and applied ethics …..16-18 2.2) Specific evil episodes as subjects for research and constructing analysis chapters ..18-19 2.3) The importance of using scientific work related to movies and evil …..19-21 2.4) Methodological inspiration for my thesis, work done by Dean A. -
The Werewolf in Lore and Legend Plate I
Montague Summers The Werewolf IN Lore and Legend Plate I THE WARLOCKERS’ METAMORPHOSIS By Goya THE WEREWOLF In Lore and Legend Montague Summers Intrabunt lupi rapaces in uos, non parcentes gregi. Actus Apostolorum, XX, 29. DOVER PUBLICATIONS, INC. Mineola New York Bibliographical Note The Werewolf in Lore and Legend, first published in 2003, is an unabridged republication of the work originally published in 1933 by Kegan Paul, Trench, Trubner & Co., Ltd., London, under the title The Werewolf. Library ofCongress Cataloging-in-Publication Data Summers, Montague, 1880-1948. [Werewolf] The werewolf in lore and legend / Montague Summers, p. cm. Originally published: The werewolf. London : K. Paul, Trench, Trubner, 1933. Includes bibliographical references and index. ISBN 0-486-43090-1 (pbk.) 1. Werewolves. I. Title. GR830.W4S8 2003 398'.45—dc22 2003063519 Manufactured in the United States of America Dover Publications, Inc., 3 1 East 2nd Street, Mineola, N.Y. 11501 CONTENTS I. The Werewolf: Lycanthropy II. The Werewolf: His Science and Practice III. The Werewolf in Greece and Italy, Spain and Portugal IV. The Werewolf in England and Wales, Scotland and Ireland V. The Werewolf in France VI. The Werewolf in the North, in Russia and Germany A Note on the Werewolf in Literature Bibliography Witch Ointments. By Dr. H. J. Norman Index LIST OF ILLUSTRATIONS I. The Warlocks’ Metamorphosis. By Goya. Formerly in the Collection of the Duke d’Osuna II. A Werewolf Attacks a Man. From Die Emeis of Johann Geiler von Kaisersberg III. The Transvection of Witches. From Ulrich Molitor’s De Lamiis IV. The Wild Beast of the Gevaudan. -
Haunted Detectives: the Mysteries of American Trauma
HAUNTED DETECTIVES: THE MYSTERIES OF AMERICAN TRAUMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian R. Hauser, B.A., M.A. The Ohio State University 2008 Dissertation Committee: Approved by Professor Jared Gardner, Adviser Professor James Phelan ____________________________________ Professor Linda Mizejewski Adviser English Graduate Program Copyright by Brian R. Hauser 2008 ABSTRACT In this dissertation, I investigate American motion picture narratives from the 1990s in which detectives encounter the supernatural. These narratives did not originate during this decade, but there were a remarkable number of them compared to previous periods. I argue that the supernatural is often analogous to personal, national, or cultural trauma. I further suggest that a detective investigating the supernatural stands in for the psychoanalyst, who studies and treats this trauma. I then trace the origins of the supernatural detective in history, as well as in British and American popular fiction. To begin, I discuss Tim Burton’s Sleepy Hollow (1999) as an example of a supernatural detective, who is himself traumatized but who also manages to solve the supernatural mystery in the eponymous village. That solution points to the obscured narrative of women’s rights in the early-American republic. Next, I suggest that spaces can be traumatized like people. I introduce the concept of the chronotope of the traumatized space, which I then apply to Shirley Jackson’s The Haunting of Hill House (1959) and its various film and television adaptations to argue that these influential haunted house tales have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as an admirable calling. -
Evolution of the Werewolf Archetype from Ovid to J
EVOLUTION OF THE WEREWOLF ARCHETYPE FROM OVID TO J. K. ROWLING A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Brent A. Stypczynski December 2008 Dissertation written by Brent A. Stypczynski B.A., The College of Wooster, 2000 M.A., Kent State University, 2004 Ph.D., Kent State University, 2008 Approved by D.M. Hassler Chair, Doctoral Dissertation Committee Susanna Fein Member, Doctoral Dissertation Committee Don-John Dugas Member, Doctoral Dissertation Committee Isolde Thyret Member, Doctoral Dissertation Committee Radd Ehrman Member, Doctoral Dissertation Committee Accepted by Ronald Corthell Chair, Department of English John R.D. Stalvey Associate Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements . iv Introduction . 1 Chapter 1: Theological Monster, Chivalric Exemplar . 26 Chapter 2: Monstrous Anti-Wolf . 84 Chapter 3: The Disc’s K-9 Unit . .135 Chapter 4: Wolf in Professor’s Clothing . .189 Afterword . .244 Bibliography . .252 iii Acknowledgements In no particular order, I’d like to thank the committee as a whole for their patience, commentary and assistance in this project. My thanks to Mack Hassler for agreeing to chair this whole thing and his morale support throughout. To Susanna Fein for deploying her editorial experience. To Don-John Dugas for his advice about future work and job hunting. To Isolde Thyret for bringing to bear the historian’s perspective that is necessary for a project of this scope. I’d also like to thank Sara, Mayuri, and Robert for providing therapeutic and relaxing socialization opportunities during the early stages of the process (especially for Kasimir Pulaski/St. -
“SCULLY, WHAT ARE YOU WEARING?”: the PROBLEM of FEMINISM, SUBVERSION, and HETERONORMATIVITY in the X-FILES by LACY HODGES A
“SCULLY, WHAT ARE YOU WEARING?”: THE PROBLEM OF FEMINISM, SUBVERSION, AND HETERONORMATIVITY IN THE X-FILES By LACY HODGES A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Lacy Hodges ACKNOWLEDGMENTS I would like to thank the English Department at the University of Florida for allowing me this opportunity. Thanks especially go to Dr. Andrew Gordon for his guidance, support, and encouragement, as well Dr. Brandon Kershner for his additional support throughout this project. I would also like to thank my parents for their continued support, even after I abandoned a possibly lucrative career for a much more personally fulfilling one. My sincerest gratitude also goes out to Erin, for laughter, honest criticism, and, while always encouraging me, never letting me take myself too seriously. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ............................................................................................. iii ABSTRACT....................................................................................................................v CHAPTER 1 INTRODUCTION....................................................................................................1 2 “THE FBI’S MOST UNWANTED”: MULDER AND SCULLY AS LONE HERO.......................................................................................................................6 3 “I DO NOT GAZE AT SCULLY”: SCULLY, SEXUALITY, AND VISUAL -
Hunting the Skinwalker
A MAGAZINE DEDICATED TO THOSE WHO LIKE TO THINK DIFFERENTLY IT’S A HOAX! A look at the biggest cases of public deception ISSUE #4 JUL/AUG 2018 HUNTING THE WIN! A SIGNED DVD OF TRAVIS: THE SKINWALKER TRUE STORY Jeremy Corbell and George Knapp OF TRAVIS WALTON discuss their upcoming film about SEE PAGE 36 the infamous Utah ranch MISSING 411 David Paulides investigates mystery disappearances WINGED CRYTPIDS MARIE KAYALI Is it a bird? Is it a plane? Contact, implants and the No, it’s a…? A thunderbird? dark side of the UFO scene JOE FROM THE CAROLINAS Disclosure meets punk rock and rational thinking. POLAND’S UFO INVASION Boomerangs and flying triangles over Eastern Europe. S-4 DIGITAL PRESS Plus more great interviews and features inside! EDITOR’S LETTER WELCOME! “Send in the clowns. Don’t bother, they’re already here.” Stephen Sondheim, A Little Light Music (1973) f there’s one thing we can’t abide talking about The Law of One and it’s liars. Bold-faced liars who will The Synchronicity Key, but over Ido anything for personal gain the last couple of years... So thank while claiming to be something goodness we have people like Joe they’re not. Unfortunately the From The Carolinas bringing logic, alternative community seems reason and common sense back to rife with such characters at the the field of ufology. If you’ve seen moment. We’ve seen various verified his YouTube channel you’ll know documents relating to so-called what he’s about, if you haven’t, whistelblowers, documents which take a few minutes to read our uncover who they truly are.