Representations of Women STEM Characters in Media
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Female Underrepresentation in STEM Erin Cygan Augustana College, Rock Island Illinois
Augustana College Augustana Digital Commons Mary Wollstonecraft rW iting Award Prizewinners 2018 Female Underrepresentation in STEM Erin Cygan Augustana College, Rock Island Illinois Follow this and additional works at: https://digitalcommons.augustana.edu/wollstonecraftaward Part of the Women's Studies Commons Augustana Digital Commons Citation Cygan, Erin. "Female Underrepresentation in STEM" (2018). Mary Wollstonecraft rW iting Award. https://digitalcommons.augustana.edu/wollstonecraftaward/28 This Student Paper is brought to you for free and open access by the Prizewinners at Augustana Digital Commons. It has been accepted for inclusion in Mary Wollstonecraft rW iting Award by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Female Underrepresentation in STEM Erin Cygan FYI-103-34 Rethinking the ‘F Word’: Feminisms for the 21st Century Jennifer Heacock-Renaud Spring 2017 Long Analytical Essay 1 Blue is for boys, pink is for girls. Legos are for boys, dolls are for girls. Science kits are for boys, Easy Bake Ovens are for girls. Computer science and engineering are for boys, the humanities and caregiving are for girls. Ad infinitum. While oftentimes overlooked, society has the tendency to enforce and naturalize restrictive binaries for children, most often in relation to gender identity. These binaries cultivate an acceptance of gender stereotypes and promote a bias that carries over into adulthood. The nature of this gendered oppression weighs heavily on young girls’ opportunities and career aspirations. When girls are discouraged from or otherwise unaware of their potential future in a diverse array of jobs, their talents and abilities are suppressed. The objective of this paper is to examine the lack of women pursuing and practicing science, technology, engineering, and mathematics (STEM) relative to the number of men active in these fields. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Cineyouth 2021 Film Selection
The 2021 CineYouth Programs and Film Selection The Cinemas of Chicago (Opening Night) Our city has proven once again to be fertile ground for filmmakers to find sources of creative self-expression, and these shorts are a mere sample of what the future holds for Chicago cinema. RAICES Andres Aurelio | Chicago/Mexico | Age 21 Reflecting on his passion for gardening, a man finds the source of this infatuation in Mexico. Now living in the United States, he seeks to plant his pride from the Mexico family garden into his new one. Love Stories Elizabeth Myles | Chicago | Age 21 Unique love stories are touchingly explored from multiple perspectives through experimental animation of archival personal photographs, investigating what it means to love in this world. Miniature Vacation Samantha Ocampo | Chicago| Age 16 In this visual adaptation of her own poem, filmmaker Samantha Ocampo reveals the little local things she appreciates in her life that help her escape the day-to-day banality. The Wolf Comes at Night Nathan Marquez | Chicago | Age 22 An ominous presence comes from out of the darkness, terrorizing a cattle farm where a frightened grandfather and his grandchildren are trying to protect themselves and the farm. Face Me Ty Yamamoto | Chicago | Age 21 This provocative look into Hollywood's history examines the use of yellowface and its continued impact on the Asian-American community by projecting media onto the faces of the younger generation. De Sol a Sol Shira Baron | Chicago | Age 21 On warm summer days you can find Abraham and Ricardo selling ice cream along the Chicago lakefront, but a new perspective offers a glimpse into the often harrowing experiences of ice cream men. -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
Kathryn J. Schubert Editor
Kathryn J. Schubert Editor Selected Film | TV WHAT BREAKS THE ICE (Post-Production) Producers | Michael Cuomo, Dustin Duke Dlouhy, Rebecca Eskreis & Michael W. Gray Credit Copy Meals Director | Rebecca Eskreis Cast | Sofia Hublitz, Brett Zimmerman, Shakira Barrera, Lukas Gage, Catherine Curtin ABOVE TO SHADOWS [Post-Production] Producers | Rob Baunoch III, Khris Baxter, Robyn K. Bennett, Mark Schacknies, Tara Sickmeier HIPZEE Director | Claudia Meyers. Producer: Rob Baunoch, Tara Sicmeier Cast | Alan Ritchson, Megan Fox, Jim Gaffigan, Olivia Thirlby DRIVER ED Producers | Helen Waters, Trish Harnetiaux Director | Amanda Cowper Cast | Jacob Ware *Premiered at Tribeca N.O.W. Showcase 2018* RUSSIAN AMERICAN [Post-Production] Producers | Michelle Booso, Molly Conners, Giulio Marantonio, Jane Oster Phiphen Pictures Director | David Gutnik Cast | FKA Twigs, Costa Ronin, Barney Harris, Sofia Vassilieva BEYOND THE NIGHT Producers | Robin C. Garvick, Erik S. Weigel NewAley Pictures, Reckless Productions Director | Jason Noto Cast | Azhy Robertson, Zane Holtz, Tommy Blanchard, Chance Kelly MARJORIE PRIME Producers | Michael Almereyda, Uri Singer Passage Pictures, FilmRise Director | Michael Almereyda. Cast | Lois Smith, Jon Hamm, Geena Davis, Tim Robbins *Premiered at Sundance Film Festival 2017* THE TRANSFIGURATION Producer | Susan Leber Transfiguration Productions, Strand Releasing Director | Michael O’Shea. Producer: Susan Leber. Cast | Eric Ruffin, Chloe Levin, Aaron Moten *Premiered at Cannes Film Festival 2016 – Un Certain Regard selection* -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Reaching the Full Potential of STEM for Women and the U.S. Economy
Reaching the Full Potential of STEM for Women and the U.S. Economy 12 1 Reaching the Full Potential of STEM for Women and the U.S. Economy Reaching the Full Potential of STEM for Women and the U.S. Economy 3 Reaching the Full Potential of STEM for Women and the U.S. Economy Somewhere in America there is a tech executive looking for a skilled programmer. Somewhere else there is a young girl on a computer tablet learning to code. It’s about time these two got acquainted. Across the country, companies are looking to hire people with skills in science, technol- ogy, engineering, and mathematics. But there remains a shortage of talented women in these fields, and this poses a threat to our competitiveness as a nation. That’s why I am pleased to present the Center for Women in Business’ new report Reaching the Full Potential of STEM for Women and the U.S. Economy, The argument for more women in STEM careers is simple. Projections show that Amer- ica will need to fill 6.6 million STEM jobs over the next 10 years. Although women are becoming more educated than ever before—making up half of all workers with postsec- ondary degrees—they compose just 25% of workers in STEM fields. How can companies find enough STEM workers if half our population is directed toward other professions? How can our nation compete if we are not luring the brightest minds into STEM fields? Bringing more women into the STEM workforce is not just about gender equity. -
Rewrite Her Story 5
THE STATE OF THE WORLD’S GIRLS 2019 Rewrite HerStory How film and media stereotypes affect the lives and leadership ambitions of girls and young women COUNTRIES FEATURED IN THIS RESEARCH SWEDEN FINLAND DENMARK CANADA NETHERLANDS germany UNITED STATES JAPAN VIETNAM DOMINICAN REPUBLIC INDIA HONDURAS SENEGAL BENIN PHILIPPINES SIERRA LEONE SOUTH SUDAN UGANDA PERU ZIMBABWE THE STATE OF THE WORLD’S GIRLS REPORTS Plan International first published The State of the Rewrite World’s Girls Report in 2007. The 2019 report on girls’ Contents representation in the media is the second in a new Her series that each year will examine the behaviours, attitudes and beliefs that limit girls’ freedom and Story opportunities in specific environments or sectors. Foreword .................................................. 5 Introduction .............................................. 6 Setting the scene ..................................... 9 Media, gender and leadership What girls see ........................................ 13 Content and analysis of box office hits Seeing and being the change ............... 18 Female filmmakers from around the world What girls say ........................................ 20 Reflections on the stories being told SWEDEN FINLAND DENMARK CANADA Films I dream about making ................. 29 NETHERLANDS germany Special feature by Egyptian filmmaker Mayye Zayed UNITED STATES The way forward .................................... 30 JAPAN What girls want to see VIETNAM Conclusions and recommendations .... 32 DOMINICAN REPUBLIC INDIA -
International Best Practice Report on Teaching Stem
ENGIE DELIVERABLE 1.4 ENGIE DELIVERABLE 1.4 INTERNATIONAL BEST PRACTICE REPORT ON TEACHING STEM Summary This report presents the results of the review aimed at identifying best practices and success stories relative to STEM teaching in Europe and worldwide, in the framework of WP1 “Programming”, tasks 1.3 and 1.4 Authors Silvia Giuliani PhD, Institute of Marine Sciences, National Research Council of Italy i ENGIE DELIVERABLE 1.4 Title: D 1.4 International best practice report on teaching STEM Lead beneficiary: National Research Council of Italy (CNR) Other beneficiaries: UNIM, LTU, UNIZG-RGNF, EFG, LPRC Due date: 31/08/2020 Delivery date: 20/08/2020 DOI: Recommended citation: Silvia Giuliani, The EIT ENGIE project: Deliverable 1.4 – International best practice report on teaching STEM i ENGIE DELIVERABLE 1.4 Table of contents Introduction …………………………………………………………………….……. 1 1. Theoretical concepts that underlie best practices for STEM teaching ...……………………………………………..…….….………..……... 3 1.1. Affective Domain and Individual Interest ………………….…………….……… 4 1.2. Communicating geosciences at the Solomon Islands …………………..…. 5 1.3. Research Partnership Consensus Statement ………………….………………. 6 1.4. Constructivist approach to Science education ……………….…….………... 7 1.5. Geoethics ……………………………………………………………….….………..…….….. 8 1.6. The protégé effect ……………………………………………………………………….… 9 1.7. Geoscience in the Anthropocene ….……………………………………………….. 10 1.8. Inquiry and Tenets of Multicultural Education …………………….…………. 11 1.9. Environmental Education ………………………………………….………..…………. 12 1.10. Gender Gap in Science interdisciplinary project ..…………………………… 13 1.11. SAGA – STI GOL .……………………………….……………………………………………. 14 1.12. Integrated STEM education …………………………………………………….……… 15 1.13. Inquiry-based STEM education ………………………………………………………. 16 2. Programs and projects for schools and the general public .… 17 2.1. UCAR SOARS ………………………………………………………..………………………… 18 2.2. The Texas Earth and Space Science Revolution ………………….…………… 19 2.3. -
Cannibalism in Contact Narratives and the Evolution of the Wendigo Michelle Lietz
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 3-1-2016 Cannibalism in contact narratives and the evolution of the wendigo Michelle Lietz Follow this and additional works at: http://commons.emich.edu/theses Part of the English Language and Literature Commons Recommended Citation Lietz, Michelle, "Cannibalism in contact narratives and the evolution of the wendigo" (2016). Master's Theses and Doctoral Dissertations. 671. http://commons.emich.edu/theses/671 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Cannibalism in Contact Narratives and the Evolution of the Wendigo by Michelle Lietz Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Literature Thesis Committee: Abby Coykendall, Ph.D., First Reader Lori Burlingame, Ph.D., Second Reader March 1, 2016 Ypsilanti, Michigan ii Dedication I dedicate this thesis to my kind and caring sisters, and my grounding father. For my mother: thank you for beginning my love of words and for every time reading “one more chapter.” And for every person who has reminded me to guard my spirit during long winters. iii Acknowledgments I am deeply indebted to Dr. Lori Burlingame, for reading all of my papers over and over again, for always letting me take up her office hours with long talks about Alexie, Erdrich, Harjo, Silko and Ortiz, and supporting everything I’ve done with unwavering confidence.