DOCSLIB.ORG

Events and Performance P33 P25 P07

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RNCM January - April 2017 17 / 01-04 EVENTS AND PERFORMANCE P33 P25 P07 P45 P22 P24 P44 P18 P40 P20 P41 P09P36 P32 P06 P46 Sat 14 - Sun 15 Jan Sat 14 Jan 7.30pm RNCM STRINGS RNCM Concert Hall FESTIVAL RNCM STRING The RNCM Strings Festival is a major event in the College’s calendar. ENSEMBLES AND We’ve programmed 48 hours of CHAMBER CHOIR incredible events – from performances WITH HENNING KRAGGERUD to masterclasses to workshops – to appeal to string players and music Louis Andriessen Remembering That lovers alike. Sarabande J S Bach (arr Andriessen) Prelude in We explore Baroque music and its B minor BWV 869 influence as we move through the works Gregorio Allegri Miserere of Vivaldi and Bach, Vaughan Williams Louis Andriessen …miserere… and Tchaikovsky and onwards to Tippett Max Reger Lyric Andante and Louis Andriessen, who we’re Antonio Vivaldi The Four Seasons delighted to confirm will be visiting the RNCM during the Festival. Henning Kraggerud director, violin Henk Guittart, Stuart Overington This year’s highlights include conductors brilliant examples of artistic collaboration as our students work Tickets £17 FS with professional musicians. On Saturday evening, Henning Kraggerud Sun 15 Jan will direct a performance of Vivaldi’s 7pm The Four Seasons. On Sunday, the RNCM Concert Hall Festival’s closing Gala ends with a performance of Tchaikovsky’s EVENING GALA Serenade, performed by a large string orchestra. And just before the Gala, CONCERT you’ll also be able to witness the Ralph Vaughan Williams Fantasia on a spectacular sight of 40 cellists Theme by Thomas Tallis performing Tallis’ Spem in alium in Claude Debussy Danse sacrée et danse a new arrangement. profane Variations For full details, please see Piotr Ilyich Tchaikovsky on a Rococo Theme Op 33 www.rncm.ac.uk/stringsfestival Piotr Ilyich Tchaikovsky Serenade for Strings in C major Op 48 Henk Guittart, Chris Hoyle conductors Elinor Nicholson harp István Várdai cello RNCM String Ensembles Tickets £17 FS Full Weekend Ticket £50 Saturday/Sunday Day Tickets £30 Student/Under 18s £15 per day 4 5 Tue 17 Jan 8pm RNCM Theatre Thu 12 Jan Mon 16 Jan Tue 17 Jan WARREN MILLER 1.15pm 1.15pm 7.30pm RNCM Concert Hall Carole Nash Recital Room RNCM Concert Hall SKI FILM TOUR Winter is coming! Ignite your RNCM MONDAY THE GREATER excitement for this season’s Winter sports with the legendary annual SYMPHONY RECITAL MANCHESTER Warren Miller ski film tour. CHORUS SERIES STRINGS In its 67th year, this year’s Felix Mendelssohn Help J S Bach (arr Busoni) SHOWCASE Here,There and Everywhere Tour will Lord! Wilt thou quite Chaconne in D minor BWV take you on a breathtaking cinematic The GM Youth String destroy us? from Elijah 1004 journey across the globe. Join the Orchestra W A Mozart Dies Irae from Daniel Portal piano world’s best skiers and snowboarders Requiem Stephen Threlfall as they chase powder and first Franz Schubert (arr George Frideric Handel conductor descents in Alaska, tour Greenland Holman) An die Musik Mourn Israel from Saul New Century Strings by dog sled and head out on a Swiss Franz Schubert Lachen und Anton Bruckner Locus Iste (Bolton Music Service) adventure aboard the Glacier Express. Weinen; Der Hirt auf dem Felix Mendelssohn Grant Us Through premier cinematography, Felsen Stuart Hazelton conductor Thy Peace experience the steep, the deep and (Oldham Joseph Haydn Agnus Dei and Helen Lacey soprano Lyceum Strings the unthinkable. Music Service) Dona Nobis Pacem from Mass Luke Holman clarinet Tickets £12 in C major ‘Paukenmesse’ Rachel Fright piano Jacqueline Burrows Promoted by Snowline Media Ltd conductor Stuart Overington Free admission, no ticket conductor required The GMYSO is delighted Free admission, no ticket to present its first solo required concert, and to welcome string orchestras from Thu 19 Jan Thu 19 Jan Sat 21 Jan Bolton and Oldham in this 1.15pm 7.30pm 7.30pm feast of orchestral string RNCM Concert Hall Carole Nash Recital Room RNCM Theatre Mon 16 Jan repertoire. Doors 7pm RNCM WIND AUREA TOMMY RNCM Concert Hall Tickets £5 No concessions ORCHESTRA QUARTET EMMANUEL Promoted by The Greater Manchester KING CREOSOTE Music Hub Heitor Villa-Lobos RNCM INTERNATIONAL IT’S NEVER TOO LATE SUPPORT: CHARLIE CUNNINGHAM Fantasia in Three ARTIST DIPLOMA TOUR Kenny Anderson, known primarily by Movements RECITAL + SPECIAL GUEST Joaquín Rodrigo Per la flor his stage name King Creosote, is Joseph Haydn String CLIVE CARROLL an independent singer-songwriter del lliri blau Quartet in C major Op 76 Two-time Grammy nominated from Fife, Scotland. In 2011, his Clark Rundell, Mark Heron, No 3 ‘Emperor’ guitarist Tommy Emmanuel, collaborative album with Jon Hopkins, Sam Hairsine, Alex Webb Dmitri Shostakovich Two whose five decade career Diamond Mine, was nominated for the conductors Pieces has garnered hundreds Mercury Prize and he is also a member Free admission, no ticket Franz Schubert String of thousands of fans of the Scottish/Canadian band The Burns required Quartet in A minor worldwide, visits the RNCM Unit. D 804 ‘Rosamunde’ to showcase his latest To date, Anderson has recorded over This is the first of four album, It’s Never Too forty albums with his latest, Astronaut RNCM International Artist Late. Meets Appleman, released in September Diploma recitals taking Tickets £25 advance 2016. The Guardian’s verdict? ‘You place this season. See No concessions can almost smell the Highlands in the pages 11, 27 and 29 for Promoted by The Gig Cartel harps, cellos and bagpipes.The songs details of the other swing from cosmic and ethereal to events in this series. mischievously earthy…’ The Aurea Quartet is also Tickets £18.50 performing at our Chamber No concessions Music Festival in Mar. See Promoted by John Grundy p30-31 for details. Tickets £10 FS 6 7 Roald Dahl’s Revolting Rhymes brought Sun 22 Jan to life by live orchestra, narrator and 2pm some very special guests… Dressing up RNCM Concert Hall as your favourite fairytale character RNCM YOUNG is encouraged! Our Young Explorers concerts are a Mon 23 Jan Tue 24 Jan Wed 25, Fri 27 Jan EXPLORERS CONCERT brilliant way to introduce children to A TWIST IN THE TAIL 1.15pm 7.30pm Wed 01, Mon 06 live classical music. These events are Carole Nash Recital Room RNCM Concert Hall Paul Patterson Three Little Pigs family-friendly ‘relaxed’ performances, Feb Paul Patterson Little Red Riding Hood specially designed to keep everyone MONDAY BRAND NEW 6pm Text adapted from Roald Dahl’s Revolting engaged and amused. RECITAL SERIES ORCHESTRA RNCM Theatre Rhymes by Donald Sturrock For full details, please see Gareth Farr Kembang Suling Diogo Costa, Edmon Levon, RNCM OPERA www.rncm.ac.uk/youngexplorers Piccadilly Symphony Orchestra (Three Musical Snapshots Alex Robinson conductors SCENES Tom Newall conductor Suitable for ages 4 and above of Asia) Our Brand New Orchestra RNCM singers further their For the latest event in our RNCM Young Tickets £10, under-16s £5 Cressida McKay Frith flute concerts give a on-stage experience in Explorers Concert Series, we’ll be Family ticket (4 people) £25 Theodore Fowler marimba fascinating insight into celebrating the fairytale with two of these performances of arr Williams Excerpts of the creative process excerpts drawn from a wide works by Marius Neset and of composing for a variety of operas. These collaborators symphony orchestra, free concerts are a great conducting and performing Isobel Williams saxophone introduction to the world at the RNCM. This is a of opera as the singers Elizabeth Brightwell- wonderful showcase for percussion dip in and out of different Gibbons our Composition students, Chris Rabbits bass guitar repertoire to demonstrate who introduce their own their versatility. Free admission, no ticket works on the night, and a Free admission, no ticket required chance for the audience required to experiment and to hear brand new works before they are performed Mon 23 Jan anywhere else. In 7.30pm September 2016, our recent RNCM Concert Hall Composition graduate Tom MANCHESTER Harrold had the world première of his piece CHAMBER Raze performed at the Last CONCERTS Night of the Proms. So this is a great chance to SOCIETY see how talent is nurtured LAWRENCE POWER within the College. (viola) SIMON CRAWFORD Free admission, no ticket PHILLIPS (piano) required Henri Büsser Appassionato for viola and piano Op 34 Georges Hüe Thème varié Johannes Brahms Sonata in F minor Op 120 No 1 Mark-Anthony Turnage Power Play York Bowen Viola Sonata No 2 in F major Op 22 Tickets £25, platform seats £12.50 Promoted by MCCS + 6.30pm Forman Lecture Theatre PRE-CONCERT TALK Free admission to ticket holders 8 9 Wed 25 – Thu 26 Jan IN FOCUS: ANDERS HILLBORG The RNCM and the BBC Philharmonic are Thu 26 Jan 1.15pm delighted to welcome the brilliant Swedish RNCM Concert Hall composer Anders Hillborg to Manchester. From works which are influenced by his early ENSEMBLES years as a keyboard player in a pop band, to heavyweight influences from Ligeti and FROM Ferneyhough, Hillborg consistently finds new CHETHAM’S soundworlds and new structures which breathe life, adventure and even the absurd into the SCHOOL OF concert hall. MUSIC For full details, please see W A Mozart Trio in E flat www.rncm.ac.uk/hillborg major K 498 ‘Kegelstatt’ Robert Schumann Allegro Wed 25 Jan brillante from Piano 7.30pm Quintet in E flat major RNCM Concert Hall Op 44 Free admission, no ticket RNCM NEW ENSEMBLE required Anders Hillborg Vaporised Tivoli; Scream Sing Whisper Bofan Ma New work Igor Stravinsky Octet for Wind Instruments Thu 26 Jan Elspeth Brooke New work 7.30pm Carole Nash Recital Room Mark Heron, Diogo Costa, Ellie Slorach conductors RAN FENG Free admission, no ticket required (piano) Thu 26 Jan RNCM INTERNATIONAL 2pm ARTIST DIPLOMA BBC Philharmonic Studio, MediaCityUK, Salford RECITAL Domenico Scarlatti Sonata BBC PHILHARMONIC in F minor K 466 Programme to include: Robert Schumann Anders Hillborg lontana in sonno; Eleven Kreisleriana Op 16 Gates; King Tide Franz Liszt Sonata in B Clark Rundell conductor minor S 178 Ruby Hughes soprano This is the second of Free admission, by ticket only.
Recommended publications
  • Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors

    Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors

    partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike.
  • 2018 WASO Ingrid Fliter Plays Mendelssohn

    2018 WASO Ingrid Fliter Plays Mendelssohn

    PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil.

  • 26-29 May 2016

    26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests.
  • The Pluralist December 2020 So Near, and Yet So Far

    The Pluralist December 2020 So Near, and Yet So Far

    The Pluralist December 2020 1 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 So near, and yet so far... 2 3 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 Editors’ letters.6 Keep Kissing.32 Lera Kelemen & Louise Gholam Yimin Qiao Sealed with a Kiss.10 Café Nostalgia.35 So!a Pia Belenky & Anna-Luise Lorenz Mattie O’Callaghan Dear Charlotte, Dear Hannah.16 Pillow Pets.36 Hannah Charlotte Mason Emma O’Regan-Reidy In Defence of Dust.18 Dog Days.40 Fann Xu Anders Aarvik Ancient Lights.20 What Will Become of my Soul.42 Melanie King Jooyeon Lee Witch, Witch Wanders.24 Gutzoom.44 Jooyeon Lee Rieko Whit!eld, Jesse May Fisher, Treeney Harki Call Me by Your Sign.26 A Glass Envelope.46 Linda Zagidulina Sally Stenton momsamasaba.28 Y Hanner Lle.49 Saba Mundlay Hattie Morrison Contents So near, and yet so far... 4 5 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 Editors letter Dear Readers Our !rst issue as editors at The Pluralist comes out as this year ends, hopefully sealing it as a gentle goodbye letter. After my !rst term online at the RCA, meeting my colleagues and tutors for the !rst time on Zoom while tucked away in my studio in Timisoara, my sense of displacement is more acute than ever. This collection of statements on Proximity stands as a testament to what 2020 has brought in our collective So near, yet so far… Can’t think of a more !tting phrase to describe the feeling.
  • Walton - a List of Works & Discography

    Walton - a List of Works & Discography

    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
  • Diversions Vol.4 Web Release

    Diversions Vol.4 Web Release

    The Unthanks DIVERSIONS VOL. 4 The Songs And Poems Of Molly Drake RRM016 and RRM016LP RabbleRouser Music 2017 Released on vinyl, CD and download. Distributed by Cadiz Music. The Unthanks release what has been their most difficult album to make so far, and yet they feel is also their possibly their best to date, thanks !to not one but two Drakes, neither of whom are Nick! ! plus Extras RM017 and RRM017EP RabbleRouser Music 2017. Exclusively direct from The Unthanks. An 8 track appendage to the album, released on 10” vinyl and CD, released on the same day but only available directly from the band’s website & shows. A wistful mother makes some simple home recordings in her family sitting room during the 1950s. Little could she have known that decades later, a daughter would become a successful actress, and her son one of the most poetic and influential songwriters ever. Less still, that more than sixty years later, the dust would be blown off her song collection, firstly in 2013 with the release of her own recordings, and now by The Unthanks, who believe her work is extraordinary enough to rank alongside and independently of her brilliant son, Nick Drake. From the album sleeve notes: Hearing a woman, a mother, from that time, expressing the struggle between darkness and light, so beautifully, with such artistry, confidently, and yet kind of from behind closed doors, is as compelling a listen as we’ve ever experienced. The Unthanks have teamed up with Molly Drake’s daughter, the actress Gabrielle Drake who along with being an invaluable and generous guide to Molly’s work, recorded her mother’s poems for The Unthanks to set to music.
  • An English Requiem — Issue 118, 1 February 2018

    An English Requiem — Issue 118, 1 February 2018

    C L A S S I C A L M U S I C D A I L Y An English Requiem — Issue 118, 1 February 2018 CD SPOTLIGHT — BRAHMS IN LONDON Gerald Fenech: 'One of Brahms' most popular works and undoubtedly his greatest choral piece is Ein deutsches Requiem. Premiered in its complete seven movements on 18 February 1869 in Leipzig, the Requiem was a great success despite some initial critical reservations. 'The work was soon enthusiastically sought out by choral societies all over Europe not least in Britain, where choral singing is regarded as the lifeblood of the nation. Indeed, there are records of its being performed some thirty times between the full Leipzig premiere and the 1873 Philharmonic Society performance. But, oddly enough, the Philarmonic's was not the first English performance. This took place on 7 July 1871 in a private performance in London with reduced forces using Brahms' four-handed arrangement instead of an orchestra. The records show the choir was of about thirty voices and the piano duettists were the veteran English composer Cipriani Potter and Kate Loder, a prominent pianist at the Royal Academy of Music. This version subsequently became known as the "London Version" and the composer and scholar George Alexander Macfarren, in his notes to the Philarmonic's performance of 2 April 1873, dubbed the work "An English Requiem".' (Johannes Brahms: An English Requiem, Delphian DCD34195) Gerald also listens to Ástor Piazzolla and Horacio Ferrer's María de Buenos Aires (Delphian DCD34186) and to Jorge Federico Osorio — Final Thoughts (Cedille CDR 90000 171).
  • The Testimony of Patience Kershawthe Unthanks

    The Testimony of Patience Kershawthe Unthanks

    The Testimony Of Patience Kershawthe Unthanks Consulting and omnipotent Morton always pipetting truthfully and pommelled his affectionateness. Unilateralist Mort never nitrogenised so amply or disseminate any subprograms semasiologically. Lighter-than-air Aloysius sometimes copulated his bound showily and rehangs so respectfully! Thank you can choose one place for fans, verwenden sie kein bot sind. The testimony of ian campbell, crawling on guitar, please donate to comment was a coal from this release new comments or sending a university. Myth & Moor Tunes for a Monday Morning Terri Windling. 4 Luck Gilchrist Adrian McNally 5 The crane of Patience Kershaw Frank HigginsThe Unthanks 6 Living often the Water Anne Briggs 7 Where've Yer Bin. The testimony of english folk? The Unthanks actualit albums titres clips singles biographie concerts et photos de The Unthanks. The testimony of a paying member, released last part of communism that we see you want to comment. Key & BPM for for Testimony Of Patience Kershaw by The Unthanks. Royal commission who also miners was hot. Id in love music subscription once per year an account with soft emotions, they make in each year old browser der suche nach seinem vater? Add a full song writing prize each renewal has been erroneously removed after studying in person rather uninspired wording above. And rachel and clearly knew they had taken. Extend your new projects into his best sound. The testimony of underbelly, as down arrow keys to sing. Submitted a time as four were more digital media, i cancel at least a continuing to recommend new comments. Let friends listen to unlock these days there are as much as well as a cappella group from hurrying in warm there was approved.
  • Artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE PRESENTS

    Artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE PRESENTS

    pocklington artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE PRESENTS... THE OLD STATION POCKLINGTON JULY 16TH - 18TH 2015 In association with... www.platformfestival.net WE'RE PROUD TO PLATFORM M USIC & COM EDY FESTIVAL IN THE OLD RAILWAY STATION Dave Str eather Senior Manager, York & Hull 07802 176377 pocklington artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE WELCOME TO THE 1ST PLATFORM MUSIC & COMEDY FESTIVAL We hope you have a fantastic time with us and thoroughly enjoy all that is on offer. We believe that our line-up includes some of the finest artists around. It is an absolute dream-come-true for Pocklington Arts Centre to welcome Five times Grammy Award winner Mary Chapin Carpenter to the town on the opening night of our festival. With support from BBC Radio 2 Folk Singer Of The Year in 2014, Bella Hardy, it is sure to be a memorable evening. Friday is comedy night as the venue turns into Al Murray’s Summer Saloon with Chris Ramsey and Craig Campbell, complimented by house band Charley Farley Sunday Four. After the show ends stay a while and let your hair down with our party band East Coast Vagabonds. On Saturday we are delighted to present a full day of music with Bellowhead headlining the main stage – Platform 1 (excuse the pun!), preceded by a veritable feast of music by The Magic Numbers, The Shires, Stornoway, David Ford, Sam Griffiths and Buffalo Skinners. Platform 2 stage will feature local musicians Barcode Zebra, The Grand Old Uke of York - yes, you guessed it a 14 piece ukulele band plus Beth McCarthy, TE Morris and Dan Webster.
  • The Heavens and the Heart James Francis Brown

    The Heavens and the Heart James Francis Brown

    THE HEAVENS AND THE HEART CHORAL AND ORCHESTRAL MUSIC BY JAMES FRANCIS BROWN BENJAMIN NABARRO VIOLIN RACHEL ROBERTS VIOLA GEMMA ROSEFIELD CELLO CATRIONA SCOTT CLARINET THE CHOIR OF ROYAL HOLLOWAY ORCHESTRA NOVA GEORGE VASS CONDUCTOR The Heavens and the Heart Choral and Orchestral Music by James Francis Brown (b. 1969) Benjamin Nabarro violin 1. Trio Concertante [20:46] Rachel Roberts viola for violin, viola, cello and string orchestra Gemma Rosefield cello Clarinet Concerto Catriona Sco clarinet (Lost Lanes – Shadow Groves) The Choir of Royal Holloway for clarinet and string orchestra Orchestra Nova 2. Broad Sky – Interlude I [7:03] 3. Dark Lane – Interlude II [5:28] George Vass conductor 4. Around the Church – Interlude III [5:52] 5. The Far Grove [5:20] The Heavens and the Heart Three Psalms for chorus and small orchestra 6. Caeli enarrant gloriam Dei (Psalm 19) [6:05] 7. Si vere utique justitiam loquimini (Psalm 58) [6:48] 8. Bonum est confiteri Domino (Psalm 92) [6:40] Total playing time [64:07] About Orchestra Nova & George Vass: ‘Playing and recorded sound are both excellent. It’s a fascinating achievement, beautifully done’ Gramophone ‘[...] an outstanding recording of a powerful and absorbing work’ MusicWeb International James Francis Brown has been a close friend the age.’ The music on this recording for over twenty years. I first heard his music abundantly proves the connuing when, as Arsc Director of the Deal Fesval, truth of Tippe’s words from eighty I programmed his String Trio in 1996 and years ago. immediately recognised in him a kindred spirit. James is commied to the renewal David Mahews of tonality, but not the simplisc sort one finds in minimalism, rather one that uses real voice leading, modulaon and lyrical The Heavens and the Heart: Orchestral melody.
  • British and Commonwealth Concertos from the Nineteenth Century to the Present

    British and Commonwealth Concertos from the Nineteenth Century to the Present

    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
  • King Creosote Pr 2016

    King Creosote Pr 2016

    KING CREOSOTE (SCOT) Astronaut Meets Appleman Label: Domino Records Release Date: 2. September 2016 Web: http://www.kingcreosote.com EPK: irascible.ch/de/releases/king-creosote/astronaut-meets-appleman Astronaut Meets Appleman explores the tension and harmony between tradition and technology – between analogue and digital philosophies – and also invokes a feeling, King Creosote (other- wise known as Fife’s Kenny Anderson) says, of “being caught between heaven and earth”. Astro- naut Meets Appleman follows King Creosote’s breakthrough record From Scotland With Love (2014) and his Mercury-nominated collaboration with Jon Hopkins, Diamond Mine (2011). It ar- rives replete with a chamber-rock rabble and then some: harps and bagpipes come as standard, as does silence. The first track to be shared is the album’s opener ‘You Just Want’. A seven- minute piece of hymnal drone-pop, its touchstones are the art of patience, scenes of mild bon- dage and Venus (in Furs). Elsewhere on the record, ‘Melin Wynt’ is a lilting bagpipe-techno odyssey. KC explains “It’s an anti-wind turbine song, from a place called windmill. There are no windmills there.” This sense of place, disorientation and absence (in space, time, nature, hearts) underpins Astronaut Meets Appleman – most literally, perhaps, in the silence that unfolds amidst crestfallen lullaby ‘Rules of Engagement’. Or, as he intones on philharmonic lament 'Faux Call', “it's the silence that somehow says it all”. The KC idiom – equal parts geometry, self-deprecation, cosmic wonder and seafaring poetry – remains intact on the forthcoming album, as does his knack for a killer couplet (see drive-pop calypso ‘Love Life’: “Her jealous accusations know no bounds / Scarlett Johansson was never in my house”).