Téléchargez La Version

Total Page:16

File Type:pdf, Size:1020Kb

Téléchargez La Version Sm9-1 8/26/03 2:55 PM Page 1 Sm9-1 2003-08-25 11:19 AM Page 2 lsm>> gala 03 Le programme du Choix du public : LE CHOIX DU PUBLIC PUBLIC’S CHOICE Public's Choice Programme Gala-bénéfice John Mac Master, ténor Benefit Gala 1. Nessun dorma Mercredi / Wednesday Turandot, Puccini 2. Inutiles regrets 17 sept. 03 – 19 h 30 Les Troyens, Berlioz 3. Gott! welch' Dunkel hier Fidelio, Beethoven Annamaria Popescu, mezzo Jo ter hn Mac Mas 1. Amour, viens aider ma faiblesse.... Samson et Dalila, Saint-Saëns 2. Ya jdu tebya / I'll wait for you / A cu nn es o amaria Pop Je t'attends, Op.14, n 1 e de Rachmaninoff iré vo 3. Habanera so ix Carmen, Bizet e 4. Pensa alla patria n L'Italiana in Algeri, Rossini M irela Tafaj U Mirela Tafaj, soprano A 1. E Susanna non vien ...Dove sono n i bei momenti g Le Nozze di Figaro, Mozart e n v so 2. È strano, è strano ...Sempre en f libera avec ing o La Traviata, Verdi Michael McMahon au piano 3. Vocalise Op. 34, no 14 accompanied by pianist Michael McMahon Rachmaninoff Salle Pollack / Pollack Hall 555, rue Sherbrooke Ouest, Montréal Duos / Duets ggggggggggggggggggggggggggggggggg (Choix de la rédaction / Editor's Choice) ggggg Ténor/soprano: O suave fanciulla Billets : réception incluse 100 $ La Bohème, Puccini Tickets: including reception Ténor/mezzo: Seguidilla et / and 25 $ Carmen, Bizet Soprano/mezzo: Flower duet http://galabenefice2003.scena.org Madama Butterfly, Puccini 514 948-2520 billetterie : 514 398-4547 Sm9-1B 03-08-26 2:03 PM Page 3 On Venez écouter ces disques sur nos aime! postes d’écoute en magasin. Jacques Hétu, natif de Trois-Rivières, Sergei Istomin nous propose un pro- est l’un des compositeurs canadiens gramme consacré à la viole de gambe les plus joués à l’étranger. Mais il seule, un instrument aux inflexions est encore trop peu connu du grand proches de la voix humaine. public d’ici. Découvrez donc ses ma- Transcendant la technique, Istomin gnifiques concertos écrits dans un en vente dès le donne réellement vie à ces œuvres au langage moderne, résolument tourné 2 septembre langage dépouillé, empreint d’une vers le lyrisme, la poésie et l’émo- douce mélancolie, qui va droit à tion. Un pur ravissement! l’essentiel. Pour un beau voyage intérieur... Jacques Hétu 99 Sergei Istomin 99 Concertos 17 Solos virtuoses pour 17 A. Laplante, R. Cram, C. Millard viole de gambe Stephen Kovacevich poursuit son inté- Longtemps considérée comme un char- grale des sonates pour piano de mant instrument de salon, la harpe a Beethoven avec les deux chefs-d’œuvre acquis ses lettres de noblesse au XXe que sont la sonate Les Adieux et siècle. Et son riche répertoire explore surtout la sonate Hammerklavier, l’un les divers climats de l’âme humaine. des sommets absolus du répertoire Jennifer Swartz déploie pour nous, pianistique. Guidé par une brillante avec sensibilité et raffinement, tout technique, Kovacevich nous conduit au l’éventail des formidables possibilités cœur de l’émotion beethovénienne. expressives de son instrument. Beethoven 99 Jennifer Swartz 99 Sonates pour piano 17 Œuvres pour harpe 16 S. Kovacevich Thaïs de Massenet est un pur délice : Incroyable mais vrai ! Nous pouvons mélodies séduisantes, subtile fusion maintenant écouter, reproduits sur un entre les mots et les notes. Eva Mei Steinway-Welte restauré, des enre- est éblouissante dans le rôle-titre et gistrements entièrement « numériques » Michele Pertusi campe un Athanaël réalisés par les plus grands pianistes des plus convaincants. À noter que le du début du siècle que furent Saint- ténor William Joyner reprendra Saëns (1905), Paderewski (1906), prochainement le rôle de Nicias à Gieseking, etc. Summum de la repro- l’Opéra de Montréal. duction mécanique, le système Welte- Mignon reproduisait le rubato, la Welte-Mignon virtuosité, les subtilités et les finesses Jules Massenet 99 99 du toucher propres à chaque musicien. Thaïs 36 Piano Rolls Volume 1 7 (2 CD) ggg E. Mei, M. Pertusi, W. Joyner Promotion en vigueur jusqu’au 30 septembre 2003 Anjou • Brossard • Chicoutimi • Laval • Montréal • Québec • Sherbrooke • St-Georges de Beauce • Ste-Foy • Trois-Rivières Chèque-cadeau Archambault Offrez le plaisir de choisir ! Passeport-bénéfice LSM LSM Benefit Passport Parmi les choix de la saison Some picks for 2003-2004 Soutenez La Scena Musicale en appréciant de grandes œuvres et de grands interprètes. Découvrez la musique classique avec nos séries « Vocale » et « Piano ». Discover classical music with our vocal and piano series. Support La Scena Musicale by enjoying great music and performances. Dans le cadre de ses activités de levée de fonds annuelle, La Scena Musicale s’asso- cie à l’Orchestre symphonique de Montréal, l’Opéra de Montréal, la Société Pro Musica et la Société André-Turp pour vous offrir un passeport au bénéfice de LSM. Série Vocale / Vocal Series Série Piano Series Opéra (faites 1 choix / choose one) Récital * Samedi 1er novembre 2003 à 20 h * Lundi 24 novembre 2003 à 20 h Thaïs (Jules Massenet) Claire-Marie Le Guay, piano - ou/or - Société Pro Musica * Samedi 13 mars 2004 à 20 h Théâtre Maisonneuve, Place des Arts Le Château de Barbe-Bleue (Béla Bartók) Pro et Erwartung (Arnold Schönberg) Musica L’Opéra de Montréal Salle Wilfrid-Pelletier, Place des Arts Concerto (Section 7B) * Mercredi 18 février 2004 à 20 h Lang Lang, piano, Jacques Lacombe, dir. Vocale/Orchestre Orchestre symphonique de Montréal * Vendredi 23 janvier 2004 à 20 h Beethoven, Corigliano Marie-Nicole Lemieux, contralto, Franz-Paul Salle Wilfrid-Pelletier, Place des Arts Decker, dir. (Section Corbeille) Orchestre symphonique de Montréal Elgar et les voix enchantées Salle Wilfrid-Pelletier, Place des Arts (Section Corbeille) Récital * Mardi 16 mars 2004 à 20 h Dietrich Henschel, baryton / baritone Schubert * Korngold Société musicale André-Turp Salle Pollack Hall À l’achat d’un passeport A, B ou C, vous apporterez votre nom/name.............................................................................................. soutien au magazine. / Your purchase of passort A, B or C will support the magazine. adresse/address...................................................................................... Passeport A - Série « Vocale » ville/city................................................................................................... Passport A - Vocal Series province................................................................................................... 3 concerts ❑ pays/country........................................................................................... _____ X 156 $ (Valeur/Value:164,80 $) code postal/postal code .......................................................................................... Choix de l'opéra / Choice of the Opera tél./phone .......................................................................................................... ❑ Thaïs ou/or ❑ Barbe-Bleue et Erwartung courriel/email ................................................................................................. Passeport B - Série « Piano » Visa no ......................................................................................................... Passport B - Piano Series 2 concerts exp. ......... / ......... signature .................................................................... ❑ _____ X 82 $ (Valeur/Value: 86,55 $) Passeport/Passport C = A + B Envoyez à/Send to: 5 concerts La Scène Musicale 5409, rue Waverly, Montréal (Québec) H2T 2X8 ❑ _____ X 226 $ (Valeur/Value: 251,35 $) Tél. : (514) 948-2520 Téléc. / Fax: (514) 274-9456 [email protected] Total ____________________ * taxes inclues / Included. <passeport.scena.org> Sm9-1B 03-08-26 1:06 PM Page 67 Sommaire | Contents e l a c CE MOIS-CI | THIS MONTH i 14 Éditorial/Editorial LES ARTISTES DU GALA-BÉNÉFICE LSM s STARS OF LSM BENEFIT-GALA 16 John Mac Master 20 Annamaria Popescu 22 Mirela Tafaj u 24 Michael McMahon LES ORCHESTRES AU CANADA | CANADIAN ORCHESTRAS 26 Crise ou relance?/Crisis or Opportunity? 27 L’exemple de Calgary/The Calgary Model COUPS DE CŒUR DES CHEFS | MAESTRO’S CHOICE M 32 Hervé Niquet et La Nouvelle Sinfonie ÉDUCATION | EDUCATION 34 Leçon de musique?/Music Lesson? 36 Les examens de musique/The Music Exam 38 L’éducation d’un virtuose/The Education of a Virtuoso a 40 Bottin des professeurs/Teacher’s Guide LE COIN DU MUSICIEN 41 Faire face à l’incontournable stress n 42 Entretien avec Lyne Beauchamp, ministre de la Culture et des Communications du Québec 48 300 ans dans la vie d’un violoncelle: entretien avec Antonio Lysy e 50 Les sentiers du jazz 51 John Zorn: le de J à Z c 66 Notes S CRITIQUES | REVIEWS CALENDRIERS | CALENDARS 32 Les disques / CD reviews 43 Calendrier détachable/Pull-Out Calendar 62 Les DVD / DVD reviews 72 Calendrier régional: Montréal, Québec, Ottawa, radio, télévision 65 Les livres / Book reviews 79 Sortez votre ado!/Bring a Teen! PETITES ANNONCES | CLASSIFIEDS a 80 Prochain numéro Next Issue octobre 2003 October 2003 L’opéra / Éducation supérieure Opera / Higher Education L Date de tombée / Deadline Publicité / Advertising 18 september / September 18, 2003 (514) 948-2520 www.scena.org Founding Editors/Rédacteurs fondateurs Philip Anson – Wah Keung Chan Septembre 2003 September Vol. 9.1 Éditeur / Publisher La Scène Musicale Directeurs Wah Keung Chan (prés.), Sandro Scola, Anne-Marie Babkine Rédacteur en chef / Editor Wah Keung Chan Rédacteur adjoint / Assistant Editor Réjean Beaucage Rédacteur CD / CD Editor Réjean Beaucage Collaborateurs / Contributors Philip Anson, Pierre Marc Bellemare, Alexandre Boutebel, Frédéric Cardin, Marc
Recommended publications
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • 44° Cantiere Internazionale D'arte Biografie Degli Artisti Giampiero
    44° cantiere internazionale d’arte Biografie degli artisti Giampiero Allegro Diplomato in Clarinetto nel 1986 al Conservatorio &quot; L. Cherubini di Firenze, ha frequentato corsi di perfezionamento con il M° Ciro Scarponi e all’Accademia Chigiana di Siena con il M° Giuseppe Garbarino. Ha partecipato dal 1979 a numerose edizioni del Cantiere Internazionale d’arte di Montepulciano, suonando in gruppi da camera e in orchestra anche come solista, con Direttori come Jan Latham-Koenig, Marcus Stenz, Pasquale Veleno, Roland Böer, Luciano Garosi. Ha eseguito “ prime assolute “, in Italia e all’estero alcune delle quali trasmesse dal terzo canale radiofonico della RAI e dalla radio Nazionale Svizzera. Ha studiato flauto dolce con il M° Anna Schuly, con il M° Marijke Schat e Paolo Capirci diplomandosi nel 1991 in flauto diritto ed interpretazione della musica antica a Roma. Nel 1995 e nel 1996 ha seguito corsi di musica da camera con il M° Pier Narciso Masi. Nel 2001 e 2002 ha seguito corsi di direzione d’orchestra con il M° Alessandro Pinzauti. Nel 2005 vince il 2° concorso Nazionale “ Il Corto “ di Roma come migliore musica originale del cortometraggio di Isabella Borromeo “ Bianca “. Primo Clarinetto dell’Arcadia Wind Orchestra di Abbadia S. Salvatore vincitrice del 1° premio assoluto al XIII° Concorso Nazionale “ La bacchetta d’Oro “ a Fiuggi nel maggio 2010. Naomi Berrill Naomi Berrill nasce a Galway (Irlanda) nel 1981. I suoi genitori, insegnanti di musica, hanno avuto un ruolo fondamentale nel suo percorso formativo. La madre Mairead è un punto di riferimento per l’insegnamento della musica nelle scuole irlandesi.
    [Show full text]
  • Art in Bloom 3 | Dear Music Lovers, Friends and Partners
    1 | ART IN BLOOM 3 | DEAR MUSIC LOVERS, FRIENDS AND PARTNERS, ARTHAUS MUSIK – SIMPLY UNIQUE. Experience the great variety of music and art. Exciting and extravagant themes from the last two years are waiting for you as well as a selection of our bestsellers and a preview, what we have in mind for the future. 18 YEARS OLD, INTERNATIONAL, SUCCESSFUL. When in March 2000 Arthaus Musik has released its first ten products, nobody could guess what international success the label would once achieve. Today, 18 years later, we can look back on around 1.650 releases, among them some innovative milestones thanks to the state-of-the-art technology like the first 4k-UHD- release, a concert production by using the new surround sound technology LEONIDAS KAVAKOS, Dolby Atmos and the first 360° opera shot. Our entire catalogue includes many awarded and top-class opera, concert and ballet performances featuring out- DENIS MATSUEV, standing soloists, renowned conductors and orchestras as well as documenta- DANIIL TRIFONOV ries of historical value about famous artists and musicians. WITH YOU AS OUR PARTNER STRENGTHENED INTO THE FUTURE. After 18 years history of Arthaus Musik we are going new paths in distribu- tion. At midyear we took our distribution in Germany in our own hands and entered into new international partnerships. The direct contact with you, our distributors and business partners is our main aim, to market our products in a targeted manner and to satisfy your needs individually. FROM CENTRAL GERMANY TO THE REST OF THE WORLD. VDS Ver- sand- und DatenService is our new excellent logistic partner, which guarantees an optimized supply of our products worldwide.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Charles Tournemire Memoirs Edited by Marie- Louise Langlais
    Charles TOURNEMIRE MEMOIRS Edited by Marie-Louise Langlais Charles Tournemire Memoirs Edited by Marie- Louise Langlais Memoirs translated by Susan Landale “Introduction and Epilogue” translated by Shirley Parry Footnotes and additional Letters translated by Rebecca Oualid Translations harmonized by Shirley Parry Charles Tournemire in his forties (Odile Weber collection) Acknowledgements I wish to express my gratitude to the translators of this book whose role has been indispensable. It has been a difficult and delicate task, knowing that Charles Tournemire’s language was often complex; he sometimes even invented French words which, for a translator, can be a nightmare! In 2014, I edited the French long version of Tournemire’s Memoirs, but I then had the idea that an English translation of this text, limited to material relating to music and the world of the organ and organists, would be useful and welcomed. This is that work. To translate the Memoirs, Susan Landale came immediately to mind as an authority on Tournemire and also as someone perfectly bilingual. Born in Scotland, she came to France at the end of the 1950s to study with André Marchal, the famous French blind organist. Winner of the first International Organ Competition at the St Albans Festival, England, she has firmly established a worldwide reputation as a brilliant concert organist and a renowned teacher, in frequent demand for master classes, seminars, and as a juror for leading international organ competitions. She taught for a long time at the National Conservatoire in Rueil-Malmaison (France). She is currently Visiting Professor of organ at the Royal Academy of Music in London and organist at the Cathedral Saint-Louis des Invalides, Paris.
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: November 15, 2017 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s Main Stage Season Continues on February 24, 2018 with Puccini’s Turandot Soprano Lise Lindstrom returns to sing her signature role and is joined by soprano Angel Joy Blue as Liù in her house debut Tenor Carl Tanner makes Company debut as Calaf San Diego, CA – San Diego Opera’s 2017-2018 continues with Puccini’s beloved Turandot on Saturday, February 24, 2018 with additional performances February 27, March 2, and March 3 (matinee), 2018. This bold and visual production comes from The Lyric Opera of Chicago and has never been seen by San Diego Opera audiences. The costumes come from Santa Fe Opera. Making a welcome return in her signature role is soprano Lise Lindstrom who has sung the role at all the world’s leading stages, including here in San Diego in her Company debut in 2011. She is joined by American soprano Angel Joy Blue in her Company debut as Liù. Also in a Company debut is American tenor Carl Tanner as Calaf. Rounding out the cast is American bass Brian Kontes as Timur, Italian baritone Marco Nisticò as Ping, American tenor Joseph Gaines as Pang, American tenor Joel Sorensen as Pong, American bass- baritone Scott Sikon as the Mandarin, and America tenor Chad Frisque as Emperor Altoum. Italian conductor Valerio Galli, recently named “Best Italian Conductor Under 40” by La Stampa newspaper, brings his expertise of the Puccini repertoire the podium in his Company debut.
    [Show full text]
  • L'orgue Mystique by Charles Tournemire L
    L’Orgue Mystique by Charles Tournemire L’Orgue Mystique by Charles Tournemire N THE TIME BETWEEN THE TWO GREAT WORLD WARS —or as the historian Eugen Weber termed the entire æra, the “Second Thirty Years War”— there emerged a musical Imonument which the critic Pierre Giriat called a “sonorous Summa Theologica”. It was the culmination of great musical, religious, and philosophical movements which thrived and vied for attention in the Christian Church and through French society. THIS MONUMENT WAS “L’ORGUE MYSTIQUE” BY CHARLES TOURNEMIRE. This recondite magnum opus of two-hundred-fifty-three movements composed from 1927 to 1932 is fifteen hours in duration and employs over three-hundred chants both as an act of devotion and as musical exegesis based upon a chant libretto with the goal of celebrating fifty-one Sundays and Liturgical Feasts throughout the Church Calendar. Its haunting transcendent beauty and musical allegory, written by a pious, unassuming genius, constitutes one of the greatest single liturgical achievements in music history, and yet its utterances were little heard in the mælstrom of its time. “LA MUSIQUE D’ORGUE DONT DIEU EST ABSENT, EST UN CORPS SANS ÂME.” E E E —Charles Tournemire P r o g r a m m e XXX. DOMINICA V POST PENTECOSTEN. • Pièce Terminale: Alléluia Nº II XLVI. DOMINICA XIX POST PENTECOSTEN • Pièce Terminale: Choral Alléluiatique Nº IV XV. LÆTARE: DOMINICA IV IN QUADRAGESIMA • Pièce Terminale: Postlude-Fantaisie XXXII. DOMINICA VII POST PENTECOSTEN • Pièce Terminale: Alléluia Nº IV A l l S a i n t s K i n g s w a y XXXVIII.
    [Show full text]
  • Douze Préludes- Poèmes, Op. 58 by Charles Tournemire: a Stylistic Analysis Mengdi Li
    University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis Mengdi Li Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Li, M.(2019). Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5139 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DOUZE PRÉLUDES- POÈMES, OP. 58 BY CHARLES TOURNEMIRE: A STYLISTIC ANALYSIS by Mengdi Li Bachelor of Art Sichuan Conservatory of Music, 2012 Master of Music Bowling Green State University, 2014 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2019 Accepted by: Joseph Rackers, Major Professor Charles Fugo, Committee Member Phillip Bush, Committee Member Ana Dubnjakovic, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Mengdi Li, 2019 All Rights Reserved. ii ACKNOWLEDGEMENTS I would like to express my appreciation to my committee members: Dr. Joseph Rackers, Dr. Charles Fugo, Professor Phillip Bush, and Dr. Ana Dubnjakovic. Thank you for your valuable help and advice on this study. I would also like to extend my deep and sincere gratitude to my major professors Dr. Marina Lomazov and Dr. Joseph Rackers who have helped me tremendously with my piano performance.
    [Show full text]
  • Download the Pdf of the Biography
    Conductor Roberto Abbado, awarded the prestigious “Premio Abbiati” by the Ital- ian Music Critics Association for his “accomplished interpretative matu- Particularly significant are his symphonic tours with the Israel Philhar- rity, the extent and the peculiarity of a repertoire where he has offered monic Orchestra (Spain 2005), the Chamber Orchestra of Europe (Eu- remarkable results through an intense season”, is Musical Director of rope 2006), the Saint Paul Chamber Orchestra (Europe 2007), the Mag- Parma’s Festival Verdi. He studied orchestra conducting under Franco gio Musicale Fiorentino (Bucarest Enescu Festival 2009), the Orchestra Ferrara at the Teatro La Fenice in Venice and at the Accademia Nazion- Verdi di Milano (Switzerland 2009), the Orchestre Philharmonique de ale di Santa Cecilia in Rome, where he was invited – the only student in Monte-Carlo (Russia 2011), and the Boston Symphony Orchestra (USA, the history of the Academy – to lead the Orchestra di Santa Cecilia. He East Coast 2011). made his debut in the United States in 1991 in New York conducting the St. Luke’s Orchestra. Since then he has returned regularly to the US Particularly significant are his symphonic tours with the Israel Philhar- to lead the Symphonic Orchestras of the cities of Boston, Philadelphia, monic Orchestra (Spain 2005), the Chamber Orchestra of Europe (Eu- Chicago, Cleveland, Dallas, San Francisco, as well as the Los Angeles rope 2006), the Saint Paul Chamber Orchestra (Europe 2007), the Mag- Philharmonic, the Saint Paul Chamber Orchestra – of which he is one of gio Musicale Fiorentino (Bucarest Enescu Festival 2009), the Orchestra the “Artistic Partners” – working with soloists like Yo-Yo Ma, Midori, Ni- Verdi di Milano (Switzerland 2009), the Orchestre Philharmonique de gel Kennedy, Gil Shaham, Joshua Bell, Hilary Hahn, Vadim Repin, Sarah Monte-Carlo (Russia 2011), and the Boston Symphony Orchestra (USA, Chang, Yefim Bronfman, Mitsuko Uchida, Alfred Brendel, Radu Lupu, East Coast 2011).
    [Show full text]
  • 2007 Winter Classical Update
    25102ClasWINTER 1/18/07 3:25 PM Page 1 HAL LEONARD WINTER 2007 UPDATE SOLO INSTRUMENTAL AND CHAMBER MUSIC Within this newsletter you Introducing the will find a recap of recent SCHIRMER INSTRUMENTAL LIBRARY classical releases from A new series of collections for various instruments. Hal Leonard, including The initial volumes in this new series present literature for three instruments, publications from the many organized by difficulty level, with historical information about each piece. These catalogs we distribute: collections are packaged with beautiful companion recordings of all the pieces, as well as recorded piano accompaniments. The compilations are designed for high G. Schirmer school and college players, with particular study paid to various state high school contest solo repertory lists. Master composers are well represented, as is standard Boosey & Hawkes literature for each instrument. Amadeus Press THE VIOLIN COLLECTION THE FLUTE COLLECTION Bote & Bock EASY TO INTERMEDIATE LEVEL INTERMEDIATE TO ADVANCED LEVEL 14 Pieces in First Position 10 Pieces by 10 Composers DSCH by 12 Composers 50486150 book/CD......................................................$19.95 50486131 book/CD..........$19.95 Durand The flute CDs were recorded by Caen Thomason-Redus and pianist Elena Abend. Editio Musica THE VIOLIN COLLECTION Budapest (EMB) INTERMEDIATE LEVEL 11 Pieces by 11 Composers THE CLARINET COLLECTION European 50486139 book/CD..........$19.95 EASY TO INTERMEDIATE LEVEL 15 Pieces by 14 Composers American Music 50486135 book/CD ..............................................$19.95 THE VIOLIN COLLECTION E.B. Marks INTERMEDIATE TO ADVANCED LEVEL THE CLARINET COLLECTION Ricordi 10 Pieces by 9 Composers INTERMEDIATE LEVEL 50486147 book/CD..........$19.95 12 Pieces by 11 Composers Salabert 50486143 book/CD ........................................$19.95 The violin CDs were recorded by Schott Frank Almond, concertmaster of the Milwaukee Symphony THE CLARINET COLLECTION Sikorski Orchestra, and pianist INTERMEDIATE TO ADVANCED LEVEL Elena Abend.
    [Show full text]
  • David Tudor Papers, 1800-1998, Bulk 1940-1996
    http://oac.cdlib.org/findaid/ark:/13030/tf2j49n5h3 Online items available Finding aid for the David Tudor papers, 1800-1998, bulk 1940-1996 Lynda Bunting and Mary K Woods Finding aid for the David Tudor 980039 1 papers, 1800-1998, bulk 1940-1996 Descriptive Summary Title: David Tudor papers Date (inclusive): 1800-1998, bulk 1940-1996 Number: 980039 Creator/Collector: Tudor, David, 1926-1996 Physical Description: 177.5 Linear Feet Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Papers of the avant-garde pianist and electronic music composer, David Tudor, comprehensively document his participation in post-World War II experimental music. Scores by other composers, notably John Cage, Earle Brown, Morton Feldman, Christian Wolff, Sylvano Bussotti, and Karlheinz Stockhausen, Tudor's realizations of their scores, and his own electronic compositional materials form the bulk of the collection. Archive includes correspondence, financial papers, programs and announcements, specifications and documentation for electronic equipment, and audio and video recordings. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Born in Philadelphia, Pa. in 1926, David Tudor studied composition and analysis with Stefan Wolpe, organ and theory with H. William Hawke, and piano with Irma Wolpe Rademacher. He began his professional work at 17 as an organist, and in 1950 established himself as a formidable talent in avant-garde music when he gave the American premiere of the Second Piano Sonata by Pierre Boulez.
    [Show full text]
  • Don Pasquale Resources
    DON PASQUALE RESOURCES Books Don Pasquale Vocal Score Italian [Paperback] Authors: Gaetano Donizetti, Giovanni Ruffini. Notes: Musical Theatre Vocal Solo. Italian/English. 218 pages. Hal Leonard. 2004. Don Pasquale Score (Ricordi Opera Full Scores) Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). Paperback edition with new art cover. Italian/English. 512 pages. Ricordi. 2005. Donizetti’s Opera, Don Pasquale [Paperback/Kindle Edition] Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). This scarce antiquarian book is a facsimile reprint of the original. Italian/English. 36 pages. Kessinger Publishing, LLC. 2008. Don Pasquale / The Opera Journeys Mini Guide Series [Paperback] Authors: Gaetano Donizetti, Burton Fisher. (Study Score). Pocket-sized guide includes story synopsis, story narrative with one-bar music highlight examples and an essay providing background about the opera and its composer, analysis, and insightful commentary. English. 36 pages. Opera Journeys. 2000. SAN FRANCISCO OPERA Education Materials DON PASQUALE Resources Films/DVDs Donizetti – Don Pasquale / Corbelli, de Niese, Borchev, Shrader, Mazzola (2013) Actors: Alessandro Corbelli, Danielle de Niese, Nikolay Borchev, Alek Shrader. Conductor: Enrique Mazzola. London Philharmonic Orchestra and The Glyndebourne Chorus. Director: Mariame Clément. Language: Italian. DVD. 2014. Donizetti – Don Pasquale / Furlanetto, Gallo, Kunde, Focile, Muti (2011) Actors: Ferruccio Furlanetto, Lucio Gallo, Gregory Kunde, Nuccia Focile. Conductor: Riccardo Muti. Orchestra and Chorus of the Teatro alla Scala. Director: Stefano Vizioli, Patrizia Carmine. Language: Italian. DVD. 2011. Donizetti – Don Pasquale / Netrebko, Del Carlo, Polenzani, Kwiecien, Levine (2010) Actors: Anna Netrebko, John Del Carlo, Matthew Polenzani, Mariusz Kwiecien. Conductor: James Levine. Metropolitan Opera Orchestra and Chorus. Director: Otto Schenk, Gary Halvorson. Language: Italian. DVD. 2011.
    [Show full text]