2007 Winter Classical Update
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PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 Pm
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 pm ALLEN-BRADLEY HALL MILWAUKEE SYMPHONY POPS Stas Venglevski, bayan Frank Almond, violin Roza Borisova, cello Jeannie Yu, piano Verano Porteño .................................................................Astor Piazzolla Tanguera .............................................................................Mariano Mores Mumuki ................................................................................Astor Piazzolla Quejas de Bandoneón .................................... Juan de Dios Filiberto La Violetera ...............................................................................José Padilla El Choclo................................................................................Ángel Villoldo Jalousie “Tango Tzigane” ................................................. Jacob Gade La Cumparsita ............................................Gerardo Matos Rodríguez Fuga y Misterio ................................................................Astor Piazzolla Allegro Tangabile .............................................................Astor Piazzolla Gitanerias ...................................................................... Ernesto Lecuona Por Una Cabeza .................................................................Carlos Gardel The MSO Steinway piano was made possible through a generous gift from Michael and Jeanne Schmitz. The Milwaukee Symphony Orchestra’s Reimagined Season is sponsored by the United Performing Arts Fund. 1 MILWAUKEE SYMPHONY ORCHESTRA -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Charles Tournemire Memoirs Edited by Marie- Louise Langlais
Charles TOURNEMIRE MEMOIRS Edited by Marie-Louise Langlais Charles Tournemire Memoirs Edited by Marie- Louise Langlais Memoirs translated by Susan Landale “Introduction and Epilogue” translated by Shirley Parry Footnotes and additional Letters translated by Rebecca Oualid Translations harmonized by Shirley Parry Charles Tournemire in his forties (Odile Weber collection) Acknowledgements I wish to express my gratitude to the translators of this book whose role has been indispensable. It has been a difficult and delicate task, knowing that Charles Tournemire’s language was often complex; he sometimes even invented French words which, for a translator, can be a nightmare! In 2014, I edited the French long version of Tournemire’s Memoirs, but I then had the idea that an English translation of this text, limited to material relating to music and the world of the organ and organists, would be useful and welcomed. This is that work. To translate the Memoirs, Susan Landale came immediately to mind as an authority on Tournemire and also as someone perfectly bilingual. Born in Scotland, she came to France at the end of the 1950s to study with André Marchal, the famous French blind organist. Winner of the first International Organ Competition at the St Albans Festival, England, she has firmly established a worldwide reputation as a brilliant concert organist and a renowned teacher, in frequent demand for master classes, seminars, and as a juror for leading international organ competitions. She taught for a long time at the National Conservatoire in Rueil-Malmaison (France). She is currently Visiting Professor of organ at the Royal Academy of Music in London and organist at the Cathedral Saint-Louis des Invalides, Paris. -
Network Notebook
Network Notebook Spring Quarter 2020 (April - June) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
L'orgue Mystique by Charles Tournemire L
L’Orgue Mystique by Charles Tournemire L’Orgue Mystique by Charles Tournemire N THE TIME BETWEEN THE TWO GREAT WORLD WARS —or as the historian Eugen Weber termed the entire æra, the “Second Thirty Years War”— there emerged a musical Imonument which the critic Pierre Giriat called a “sonorous Summa Theologica”. It was the culmination of great musical, religious, and philosophical movements which thrived and vied for attention in the Christian Church and through French society. THIS MONUMENT WAS “L’ORGUE MYSTIQUE” BY CHARLES TOURNEMIRE. This recondite magnum opus of two-hundred-fifty-three movements composed from 1927 to 1932 is fifteen hours in duration and employs over three-hundred chants both as an act of devotion and as musical exegesis based upon a chant libretto with the goal of celebrating fifty-one Sundays and Liturgical Feasts throughout the Church Calendar. Its haunting transcendent beauty and musical allegory, written by a pious, unassuming genius, constitutes one of the greatest single liturgical achievements in music history, and yet its utterances were little heard in the mælstrom of its time. “LA MUSIQUE D’ORGUE DONT DIEU EST ABSENT, EST UN CORPS SANS ÂME.” E E E —Charles Tournemire P r o g r a m m e XXX. DOMINICA V POST PENTECOSTEN. • Pièce Terminale: Alléluia Nº II XLVI. DOMINICA XIX POST PENTECOSTEN • Pièce Terminale: Choral Alléluiatique Nº IV XV. LÆTARE: DOMINICA IV IN QUADRAGESIMA • Pièce Terminale: Postlude-Fantaisie XXXII. DOMINICA VII POST PENTECOSTEN • Pièce Terminale: Alléluia Nº IV A l l S a i n t s K i n g s w a y XXXVIII. -
Program Listings
WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 See pages 25-30 in CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSfor our program JANUARY/EARLY FEBRUARY 2021 highlights! WXXI-TV DAYTIME SCHEDULE JANUARY/EARLY FEBRUARY PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete Saturday prime time television schedule begins on page 2. The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 8:00am 6:00am Ready Jet Go! Hero Elementary 8:30am 6:30am Arthur Xavier Riddle and the Secret Museum 9:00am 7:00am Molly of Denali Curious George 9:30am 7:30am Wild Kratts A Wider World 10:00am 8:00am Hero Elementary This Old House 10:30am 8:30am Xavier Riddle and the Secret Museum Ask This Old House 11:00am 9:00am Curious George Woodsmith Shop 11:30am 9:30am Daniel Tiger’s Neighborhood Ciao Italia 12:00pm 10:00am Daniel Tiger’s Neighborhood Lidia’s Kitchen 12:30pm 10:30am Elinor Wonders Why Christopher Kimball’s Milk Street 1:00pm 11:00am Sesame Street Pati’s Mexican Table 1:30pm 11:30am Pinkalicious & Peterrific Jamie’s Ulitmate Veg 2:00pm 12:00pm Dinosaur Train America’s Test Kitchen 2:30pm 12:30pm Clifford the Big Red Dog Cook’s Country 3:00pm (WXXI) 1:00pm Sesame Street Second Opinion 3:30pm 1:30pm Elinor Wonders Why Rick Steves’ Europe 2:00pm Hero Elementary 2:30pm Let’s Go Luna! Sunday 3:00pm Nature Cat 6:00am Mister Roger’s Neighborhood 3:30pm Wild Kratts 6:30am Arthur 4:00pm Let’s Learn! 7:00am Molly of Denali 5:00pm America’s Test Kitchen 7:30am Wild Kratts 5:30pm Lidia’s Kitchen 8:00am Hero Elementary 6:00pm BBC Wold News America 8:30am Xavier Riddle and the Secret Museum 6:30pm BBC World News Outside Source 9:00am Curious George BBC World News Today (Fridays) 9:30am Daniel Tiger’s Neighborhood 7:00pm PBS NewsHour 10:00am Daniel Tiger’s Neighborhood SPECIALS: London’s New Year’s Day Celebration 2021 airs 1/1 10:30am Elinor Wonders Why from 7-9:30 a.m. -
The Santa Fe Chamber Music Festival Heads Into the Final Week of Its
MEDIA CONTACTS: Julie Rodriguez, Santa Fe Chamber Music Festival Artistic Services Manager 505-983-2075, Ext. 112; [email protected] Marc Neikrug, Artistic Director Alexis Kerschner Tappan: 505-933-9258; [email protected] Festival graphics, images available: http://bit.ly/2mgEAyS See page 7 for a chronological list of all Weeks 5 and 6 concerts. A complete list of performers and repertoire, as well as a chronological list of all Festival concerts, can be found on the Santa Fe Chamber Music Festival website. The Santa Fe Chamber Music Festival heads into the final week of its 2017 season Sunday, August 13–Monday, August 21, and presents a powerhouse lineup that includes three performances by Artist-in-Residence David Daniels in his Festival debut, as well as debuts by the Anderson & Roe Piano Duo, violinist and conductor John Storgårds, and iconic actor Wallace Shawn in Stravinsky’s musical theater piece L’Histoire du Soldat (The Soldier’s Tale). The Festival also presents a solo recital by pianist Inon Barnatan and the New Mexico premiere of a Festival co-commission by Pulitzer Prize–winning composer William Bolcom, plus the return of oboist Liang Wang and the Dover Quartet. • Countertenor David Daniels makes his Festival debut as this season’s Artist-in-Residence performing works by Hahn, Steven Mark Kohn, Vivaldi, and Handel. • The Anderson & Roe Piano Duo also makes their Festival debut performing pieces by Rachmaninoff and Bartók, plus their own arrangements of three tangos by Piazzolla. • Doug Fitch directs a fully staged production of Stravinsky’s musical theater piece L’Histoire du Soldat (The Soldier’s Tale) narrated by Wallace Shawn in his Festival debut and conducted by John Storgårds. -
Douze Préludes- Poèmes, Op. 58 by Charles Tournemire: a Stylistic Analysis Mengdi Li
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis Mengdi Li Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Li, M.(2019). Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5139 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DOUZE PRÉLUDES- POÈMES, OP. 58 BY CHARLES TOURNEMIRE: A STYLISTIC ANALYSIS by Mengdi Li Bachelor of Art Sichuan Conservatory of Music, 2012 Master of Music Bowling Green State University, 2014 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2019 Accepted by: Joseph Rackers, Major Professor Charles Fugo, Committee Member Phillip Bush, Committee Member Ana Dubnjakovic, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Mengdi Li, 2019 All Rights Reserved. ii ACKNOWLEDGEMENTS I would like to express my appreciation to my committee members: Dr. Joseph Rackers, Dr. Charles Fugo, Professor Phillip Bush, and Dr. Ana Dubnjakovic. Thank you for your valuable help and advice on this study. I would also like to extend my deep and sincere gratitude to my major professors Dr. Marina Lomazov and Dr. Joseph Rackers who have helped me tremendously with my piano performance. -
Todd Levy, Clarinetist
Todd Levy, clarinetist Todd Levy is principal clarinet of the Milwaukee Symphony Orchestra and of theSanta Fe Opera during the summer months. He is also on the faculty at UWM. He made his debut at the age of seventeen performing the Hindemith Clarinet Concerto at Lincoln Center. Since then, some highlights of his solo career have included concerto appearances at Carnegie Hall, Lincoln Center's Mostly Mozart Festival and with the Israel Philharmonic in Tel-Aviv, performances of the Brahms f minor Sonataarranged for clarinet and orchestra by Luciano Berio with Maestro Berio conducting, the World Premiere of Peter Schickele's Concerto for Clarinet and Flute with the composer conducting, and the European premiere of John Harbison's Concerto for Clarinet and Oboe. In addition, Mr. Levy was a featured soloist in the Mozart Bicentennial at LincolnCenter where he performed the Mozart Clarinet Concerto at the Mostly Mozart Festival. In November of 1998, Mr. Levy performed Gershwin's Rhapsody in Blue at the White House for President and Mrs. Bill Clinton, and in February of 2001, he won a Grammy Award for his participation in the Orpheus Chamber Orchestra CD entitled Stravinsky Miniatures. In 1988, Mr. Levy was invited by conductor Michael Tilson Thomas to become the principal clarinet of the New World Symphony where he stayed until 1993. In January of 1996, Mr. Levy made his debut as guest principal clarinet with the Metropolitan Opera Orchestra in all eight performances of Janacek's The Makropulos Case with soprano Jessye Norman. Since that time and until coming to Milwaukee, Mr. -
David Tudor Papers, 1800-1998, Bulk 1940-1996
http://oac.cdlib.org/findaid/ark:/13030/tf2j49n5h3 Online items available Finding aid for the David Tudor papers, 1800-1998, bulk 1940-1996 Lynda Bunting and Mary K Woods Finding aid for the David Tudor 980039 1 papers, 1800-1998, bulk 1940-1996 Descriptive Summary Title: David Tudor papers Date (inclusive): 1800-1998, bulk 1940-1996 Number: 980039 Creator/Collector: Tudor, David, 1926-1996 Physical Description: 177.5 Linear Feet Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Papers of the avant-garde pianist and electronic music composer, David Tudor, comprehensively document his participation in post-World War II experimental music. Scores by other composers, notably John Cage, Earle Brown, Morton Feldman, Christian Wolff, Sylvano Bussotti, and Karlheinz Stockhausen, Tudor's realizations of their scores, and his own electronic compositional materials form the bulk of the collection. Archive includes correspondence, financial papers, programs and announcements, specifications and documentation for electronic equipment, and audio and video recordings. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Born in Philadelphia, Pa. in 1926, David Tudor studied composition and analysis with Stefan Wolpe, organ and theory with H. William Hawke, and piano with Irma Wolpe Rademacher. He began his professional work at 17 as an organist, and in 1950 established himself as a formidable talent in avant-garde music when he gave the American premiere of the Second Piano Sonata by Pierre Boulez. -
The Westfield Center
The Westfield Center The Westfield Center was founded in 1979 by Lynn Edwards and Edward Pepe to fill a need for information about keyboard performance practice and instrument building in historical styles. In pursuing its mission to promote the study and appreciation of the organ and other keyboard instruments, the Westfield Center has become a vital public advocate for keyboard instruments and music. By bringing together professionals and an increasingly diverse music audience, the Center has inspired collaborations among organizations nationally and internationally. In 1999 Roger Sherman became Executive Director and developed several new projects for the Westfield Center, including a radio program, The Organ Loft, which is heard by 30,000 listeners in the Pacific Northwest; and a Westfield Concert Scholar program that promotes young keyboard artists with awareness of historical keyboard performance practice through mentorship and concert opportunities. In addition to these programs, the Westfield Center sponsors an annual conference about significant topics in keyboard performance. Since 2007 Annette Richards, Professor and University Organist at Cornell University, has been the Executive Director of Westfield, and has overseen a new initiative, the publication of Keyboard Perspectives, the Center’s Yearbook, which aims to become a leading journal in the field of keyboard studies. Since 2004, the Westfield Center has partnered with the Eastman School of Music as a cosponsor of the EROI Festival. 1 The Eastman Rochester Organ Initiative (EROI) When the Eastman School of Music opened its doors in 1921, it housed the largest and most lavish organ collection in the nation, befitting the interests of its founder, George Eastman. -
Sundays Beginning January 14 at 8 Pm
HER Duty • HER Passion • HER MAJESTY Sundays beginning January 14 at 8 pm ALSO INSIDE On WFMT, we will celebrate the artistic leadership of CSO music director Riccardo Muti as he guest- conducts the 2018 New Year’s in Vienna concert, which we’ll present on the morning of New Year’s Day. Air Check The Guide Dear Member, The Member Magazine for Happy New Year! January is always an exciting month for all of us as we welcome a variety of new WTTW and WFMT Renée Crown Public Media Center programs and returning series. And this month, we celebrate an impressive milestone in Chicago 5400 North Saint Louis Avenue broadcasting history: the 40th anniversary of our Friday evening series The Week in Review, which has Chicago, Illinois 60625 been hosted by Joel Weisman since its inception in January 1978. Each week, Joel convenes a panel of journalists to break down the top stories of the week in Chicago, a format that is commonplace now Main Switchboard (773) 583-5000 but did not exist then. Join us for a one-hour special on January 19 that looks back at the series and Member and Viewer Services bids farewell to Joel as he steps down from the anchor chair after his unprecedented run. Don’t forget (773) 509-1111 x 6 that you can watch all episodes on demand at wttw.com/chicagotonight. WFMT Radio Networks (773) 279-2000 On WTTW11 this month, beat the winter blues with the second season of the popular Masterpiece Chicago Production Center series Victoria, and new seasons of The Interview Show with Mark Bazer, Antiques Roadshow, and 800 (773) 583-5000 Words; also, Check, Please! brings you a menu of new restaurants and reviewers who love them.