Billy Joel Tribute | PIANOMAN | Featuring Jeff Brewer

Total Page:16

File Type:pdf, Size:1020Kb

Billy Joel Tribute | PIANOMAN | Featuring Jeff Brewer 905.831.0404 [email protected] http://www.kmprod.com Billy Joel Tribute | "Pianoman" http://www.kmprod.com/billy-joel-tribute Show Description "PIANOMAN" The Billy Joel Tribute featuring Jeff Brewer is an excellent choice of entertainment for Dinner Theaters, Corporate Events and Conference Entertainment. For over a decade Jeff and his band have captivated audiences both large and small throughout North America. Jeff’s outstanding vocals, solid piano skills and flair for entertaining make for an unforgettable evening. Jeff also performs with Jeff Scott in the award-winning The Piano Men Show - featuring the music of legends Elton John & Billy Joel, together on stage. The show is very flexible and can be scaled to fit your specific needs. Jeff can perform either with a 4 to 6 piece band, as a solo show or as a duet with Elton John (tribute.) Sure to please any Billy Joel fan (and create new ones) PIANOMAN is a must see tribute show! PARTIAL SONG LIST: Piano Man Still Rock And Roll Uptown Girl My Life I Go To Extremes Allentown A Matter Of Trust The Stranger Keeping The Faith Just The Way You Are Pressure Only Human Movin’ Out (Anthony’s Song) Big Shot This Is The Time Captain Jack Don’t Ask Me Why Tell Her About It Only The Good Die Young You May Be Right New York State Of Mind All About Soul To Make You Feel My Love Honesty The Billy Joel tribute show PIANOMAN is represented by K&M Productions. For more information,* fees & booking the Billy Joel tribute show contact us. * Note that the fee range shown is based on the show performed to track (ie. pre-recorded musical accompaniment) however ALL vocals and keyboards are performed LIVE. Contact us for a quote to include the live backup band. .
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, SECOND SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, SECOND SESSION Vol. 156 WASHINGTON, MONDAY, NOVEMBER 29, 2010 No. 153 House of Representatives The House met at 2 p.m. and was PALLONE) come forward and lead the tives, the Clerk received the following mes- called to order by the Speaker pro tem- House in the Pledge of Allegiance. sage from the Secretary of the Senate on No- pore (Ms. RICHARDSON). Mr. PALLONE led the Pledge of Alle- vember 22, 2010 at 2:53 p.m.: giance as follows: That the Senate passed with amendments f H.R. 4783. DESIGNATION OF THE SPEAKER I pledge allegiance to the Flag of the That the Senate concurs in House amend- United States of America, and to the Repub- PRO TEMPORE ment to Senate amendment H.R. 5566. lic for which it stands, one nation under God, That the Senate concurs in House amend- The SPEAKER pro tempore laid be- indivisible, with liberty and justice for all. ments S. 3689. fore the House the following commu- f That the Senate passed S. 3650. nication from the Speaker: That the Senate passed with amendment COMMUNICATION FROM THE WASHINGTON, DC, H.R. 6198. November 29, 2010. CLERK OF THE HOUSE That the Senate agreed to without amend- I hereby appoint the Honorable LAURA The SPEAKER pro tempore laid be- ment H. Con. Res. 327. RICHARDSON to act as Speaker pro tempore fore the House the following commu- With best wishes, I am on this day.
    [Show full text]
  • Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
    R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University.
    [Show full text]
  • Billy Joel: V. 1 and 2: Greatest Hits Free Ebook
    FREEBILLY JOEL: V. 1 AND 2: GREATEST HITS EBOOK Hal Leonard Publishing Corporation | 135 pages | 01 Dec 1992 | Hal Leonard Corporation | 9780793503704 | English | Milwaukee, United States Greatest Hits 1 and 2 Combining the first two Greatest Hits albums which were already paired on CD with the third entry in the series, this collection takes all the radio hits Joel has ever had and puts them together. To the casual fan, this would make an excellent purchase; virtually every song that Billy Joel: v. 1 and 2: Greatest Hits would associate with Joel is here. To someone who follows his career closely, this album features nothing that has not been heard before. The only other real problem is that there are too many songs here, especially on the padded third CD. But overall, this is a perfect way to get some Billy Joel into a record collection without having to buy any of his individual albums. AllMusic relies Billy Joel: v. 1 and 2: Greatest Hits on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Release Date November 14, Track Listing - Disc 1. Piano Man. Billy Joel. Captain Jack. The Entertainer. Say Goodbye to Hollywood. New York State of Mind. The Stranger. Scenes from an Italian Restaurant. Just the Way You Are.
    [Show full text]
  • Covering Joel with Perfect Pitch
    Covering Joel with perfect pitch SUSAN DEEFHOLTS (Mar 23, 2007) One of the remarkable things about Billy Joel's music is that his writing has evolved with the times, while still retaining a sound that makes it distinctly his own. His work is uniquely contemporary, capturing a wide diversity of moods, from wry humour and sophisticated contemplation, through psychological angst and frenetic stress. An Innocent Man: The Music of Billy Joel marks the most recent in the Electric Thursdays series of concerts, a collaboration between the KWS and the Jeans 'n Classics band. Who better to lead us on this tribute to Joel's musical career than Jim Witter, himself an accomplished singer, pianist and songwriter? Witter is the creator of the hit show The Piano Men, a tribute to the 1970's hits of both Billy Joel and Elton John. His vibrant performance on Wednesday night potently demonstrated his strong affinity for Joel's work. At times, he sounded uncannily like the Piano Man himself, evoking both his timbre and enunciation. And yet, Witter also brought a presence that was uniquely his own to the performance. The evening began with such favourites as Only the Good Die Young and Uptown Girl --both songs about love between the kind of boy your mother warned you about and the girl who's got it all. The upbeat opening set the mood for a stellar performance of Joel classics. From the very first notes played, the audience sat up and took notice. Peter Brennan's orchestral arrangements, with Daniel Warren conducting, complemented the original songs, adding depth and resonance to the diverse range of songs covered throughout the evening.
    [Show full text]
  • View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927
    J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 74 The Collection of Jacob Lateiner Part VI ARNOLD SCHOENBERG 1874-1951 ALBAN BERG 1885-1935 ANTON WEBERN 1883-1945 6 Waterford Way, Syosset NY 11791 USA Telephone 561-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). To avoid disappointment, we suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. International customers are asked to kindly remit in U.S. funds (drawn on a U.S. bank), by international money order, by electronic funds transfer (EFT) or automated clearing house (ACH) payment, inclusive of all bank charges. If remitting by EFT, please send payment to: TD Bank, N.A., Wilmington, DE ABA 0311-0126-6, SWIFT NRTHUS33, Account 4282381923 If remitting by ACH, please send payment to: TD Bank, 6340 Northern Boulevard, East Norwich, NY 11732 USA ABA 026013673, Account 4282381923 All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. Fine Items & Collections Purchased Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
    [Show full text]
  • Perform with Us—Music, Theatre, and Dance at Drexel
    Perform with Us—Music, Theatre, and Dance at Drexel The Department of Performing Arts sponsors a wide range of performing groups open to all Drexel students regardless of major, and over 400 students participate in them every quarter. Each performing group is a variable credit class and can be taken for 1 credit or, if you are on co-op or at the 20 credit maximum, zero credits. Dance Drexel Dance Ensemble (sophomores and above) Dr. Miriam Giguere <[email protected]> A professional caliber dance company performing ballet, modern, jazz, and hip-hop twice a year in the Mandell Theater. Choreography is by selected students and guest professionals. FreshDance Ensemble (freshmen only) Dr. Miriam Giguere <[email protected]> The freshmen only branch company of the Drexel Dance Ensemble. Gives freshmen an opportunity to perform in the dances of professional choreographers and chosen student repertory in performances twice a year. Youth Performance Exchange Touring Dance Ensemble Olive Prince <[email protected]> A small company of selected students who perform throughout the year in a dance lecture demonstration program for elementary school students in Philadelphia Schools. Theatre Drexel Players—Theatre Troupe Nick Anselmo <[email protected]> The Players present a total of seven shows each year in the Mandell Theater and the Black Box Theater. These include musicals, plays, and a professional show that is part of the Mandell Professionals in Residence Project. Students participate in all aspects of theatre performance and production including: acting, directing, playwriting, design, stage management, costumes, lighting, sets, sound, publicity, and box office. Late Night Series Open Mic Nick Anselmo <[email protected]> A weekly open-mic that strives to both champion and nurture performing artists featuring music, comedy, poetry, drama and more.
    [Show full text]
  • Jazz It Up, with Music Technology!
    Jazz It Up, with Music Technology! 10 Tom Atkinson Central Missouri State University As the song goes , “Don’t know much about His -to-ry, don’t know much about Tech-no-lo-gy!” But what we do know is that music technology now plays a crucial role in most schools. Fully integrating this technology requires much greater awareness. From Mozart to Madonna, technology has forever changed the field of music. Although accessing music through the Web and through digital storage devices has been remarkably significant, perhaps to an even greater extent, music synthesizers and editing software have dramatically changed the very nature of music. Technology provides powerful aids to composing, notating, editing, and performing music that even elementary school students can learn to use. Cakewalk Sonar (Image 1) represents affordable state-of-the-art digital recording software that compares to expensive studio facilities. There's a lot of flexibility built into Sonar to achieve a variety of musical forms including recording audio, creating MIDI files, looping and sequencing, and adding effects. Any style of music can be created using Sonar's MIDI and audio systems and there are also DX instruments and automated effects. Band-in-a-Box (Image 2), described as an intelligent accompaniment software, is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. It contains features to display notation, enter lyrics, create melodies, add harmonization, and program a variety of musical styles. The Soloist generates professional quality solos over any chord progression. The Melodist creates songs from scratch with chords, melodies, intros, solos, and even a title.
    [Show full text]
  • Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work
    Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 10 April 2016 Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work Randy Lee Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Legal Profession Commons Recommended Citation Lee, Randy (2016) "Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work," Touro Law Review: Vol. 32 : No. 1 , Article 10. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/10 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Lee: Billy Joel and the Practice of Law BILLY JOEL AND THE PRACTICE OF LAW: MELODIES TO WHICH A LAWYER MIGHT WORK Randy Lee* Piano Man has ten tracks.1 The Stranger has nine.2 This work has seven melodies to which a lawyer might work. I. TRACK 1: FROM PIANO BARS TO FIRES (WHY WE HAVE LAWYERS) Fulton Sheen once observed, “[t]he more you look at the clock, the less happy you are.”3 Piano Man4 begins by looking at the clock. “It’s nine o’clock on a Saturday.”5 As “[t]he regular crowd shuffles in,” there’s “an old man” chasing a memory, “sad” and “sweet” but elusive and misremembered.6 There are people who pre- fer “loneliness” to “being alone,” people in the wrong place, people out of time, no matter how much time they might have.7 They all show up at the Piano Man’s bar hoping “to forget about life for a while”8 because, as the song reminds us, sometimes people can find themselves in a place where their life is hard to live with.
    [Show full text]
  • A Menuhin Centenary Celebration
    PLEASE A Menuhin Centenary NOTE Celebration FEATURING The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited The Lord Menuhin Centenary Orchestra Philip Burrin - Conductor FEBRUARY Friday 19, 8:00 pm Earl Cameron Theatre, City Hall CORPORATE SPONSOR Programme Introduction and Allegro for Strings Op.47 Edward Elgar (1857 - 1934) Solo Quartet Jean Fletcher Violin 1 Suzanne Dunkerley Violin 2 Ross Cohen Viola Liz Tremblay Cello Absolute Zero Viola Quartet Sinfonia Tomaso Albinoni (1671 – 1751) “Story of Two Minstrels” Sancho Engaño (1922 – 1995) Menuetto Giacomo Puccini (1858 – 1924) Ross Cohen, Kate Eriksson, Jean Fletcher Karen Hayes, Jonathan Kightley, Kate Ross Two Elegiac Melodies Op.34 Edvard Grieg (1843 – 1907) The Wounded Heart The Last Spring St Paul’s Suite Op. 29 no.2 Gustav Holst (1874 – 1934) Jig Ostinato Intermezzo Finale (The Dargason) Solo Quartet Clare Applewhite Violin 1 Diane Wakefield Violin 2 Jonathan Kightley Viola Alison Johnstone Cello Intermission Concerto for Four Violins in B minor Op.3 No.10 Antonio Vivaldi (1678 – 1741) “L’estro armonico” Allegro Largo – Larghetto – Adagio Allegro Solo Violins Diane Wakefield Alison Black Cal Fell Sarah Bridgland Cello obbligato Alison Johnstone Concerto Grosso No. 1 Ernest Bloch (1880 – 1959) for Strings and Piano Obbligato Prelude Dirge Pastorale and Rustic Dances Fugue Piano Obbligato Andrea Hodson Yehudi Menuhin, Lord Menuhin of Stoke d’Abernon, (April 22, 1916 - March 12, 1999) One of the leading violin virtuosos of the 20th century, Menuhin grew up in San Francisco, where he studied violin from age four. He studied in Paris under the violinist and composer Georges Enesco, who deeply influenced his playing style and who remained a lifelong friend.
    [Show full text]
  • 16Winter-NWAS.Pdf
    NORTHWEST ACCORDION NEWS Alpenfest Accordion on Broadway Jolly Accordion Man Polka Remembering Marjorie Rombauer 10 Things I Learned from Cruise Ship Musicians VOL. 26 NO. 4 Northwest Accordion Society Winter Quarter 2016 Northwest Accordion News NWAS News Deadlines NORTHWEST ACCORDION SOCIETY February 1, May 1, August 1, November 1 The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Inquiries, questions, suggestions, etc. Society for and by its members. The purpose of Contact Doris Osgood, 3224 B St., the NWAS News is to unite the membership by Forest Grove, OR 97116. (503) 357-0417. providing news of its members, and articles that E-mail: [email protected] instruct, encourage, and promote the playing of the accordion. NWAS PUBLICATION PRIORITIES ♦ Advertising Mail letters & articles to: ♦ Original Compositions Northwest Accordion Society ♦ News from Our Members 5102 NE 121st Ave. #12, ♦ Instructive/Technical Articles Vancouver, WA 98682 ♦ Summaries from Regional Socials and Or e-mail to: [email protected] Events ♦ Coming Events ADVERTISING Articles will be printed if received prior to Full page $120.00 the publishing deadline. Should space be an Half page $65.00 issue, articles will be printed in the order in which Quarter $35.00 they are submitted. All decisions regarding Business card $15.00 publication will be made by the editors of the Prices are PER ISSUE. US Funds NWAS News. To submit articles for publication, mail Photo-ready Advertising (with accompanying check) them to the Vancouver, WA address listed. It is for this publication may be sent to: preferred that articles be submitted via e-mail as Northwest Accordion Society attached WORD documents or on a disc.
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]