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NIKKOR Photoguide
Photo Guide I AM YOUR VIEW Photo is a conceptual image. Enhance your expression with interchangeable lenses Control light and shadow using Speedlights Wide-angle zoom lens Normal zoom lens Telephoto zoom lens High-power-zoom lens Daylight sync Bounce flash DX DX DX DX format format format format AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR Speedlights SB-910/SB700/SB-500/SB-300 Speedlights SB-910/SB700/SB-500/SB-300 (15-36 mm equivalent*1) (24-120 mm equivalent*1) (82.5-300 mm equivalent*1) (27-450 mm equivalent*1) 109° 83° 28°50' 76° DX 61° DX 20° DX 8° DX 5°20' Fixed-focal-length lens Micro lens Fisheye lens Auto FP high-speed sync Advanced Wireless Lighting Fast lens DX Fast lens FX-format DX DX format compatible format format AF-S DX NIKKOR 35mm f/1.8G AF-S NIKKOR 50mm f/1.8G AF-S DX Micro NIKKOR 40mm f/2.8G AF DX Fisheye-Nikkor 10.5mm f/2.8G ED Speedlights SB-910/SB700/SB-500 Speedlights SB-910/SB700/SB-500 (52.5 mm equivalent*1) (When attached to DX-format D-SLR cameras: 75 mm equivalent in 35mm [135] format) (60 mm equivalent*1) (16 mm equivalent*2) DX 44° FX 47° DX 31°30' DX 38°50' DX 180° 2 *1: When converted to 35mm [135] format. -
Estimation and Correction of the Distortion in Forensic Image Due to Rotation of the Photo Camera
Master Thesis Electrical Engineering February 2018 Master Thesis Electrical Engineering with emphasis on Signal Processing February 2018 Estimation and Correction of the Distortion in Forensic Image due to Rotation of the Photo Camera Sathwika Bavikadi Venkata Bharath Botta Department of Applied Signal Processing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Department of Applied Signal Processing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering with Emphasis on Signal Processing. Contact Information: Author(s): Sathwika Bavikadi E-mail: [email protected] Venkata Bharath Botta E-mail: [email protected] Supervisor: Irina Gertsovich University Examiner: Dr. Sven Johansson Department of Applied Signal Processing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Images, unlike text, represent an effective and natural communica- tion media for humans, due to their immediacy and the easy way to understand the image content. Shape recognition and pattern recog- nition are one of the most important tasks in the image processing. Crime scene photographs should always be in focus and there should be always be a ruler be present, this will allow the investigators the ability to resize the image to accurately reconstruct the scene. There- fore, the camera must be on a grounded platform such as tripod. Due to the rotation of the camera around the camera center there exist the distortion in the image which must be minimized. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION Thank you for purchasing the Vello LAE-CM-CEF Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera. This adapter allows you to mount any Canon EF or EF-S lens to a Canon EOS-M camera. With an EF or EF-S lens mounted to a Canon EOS-M camera using this adapter, all automatic functions, such as auto focus and auto exposure, are available and fully operational. A removable tripod mount collar with a ¼" socket is included. 2 CONTENTS INCLUDE • Vello LAE-CM-CEF Auto Lens Adapter - Canon EF/EF-S Lens to Canon EOS-M Camera • Front and rear caps • Removable tripod mount collar • User manual 3 INTRODUCTION The Vello Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera can expand the arsenal of lenses for your Canon EOS-M camera using lenses you already own. With this adapter, you can mount any Canon EF or EF-S lens to a Canon EOS-M camera. Just attach the adapter to your EF or EF-S lens, then mount the lens and adapter to your Canon EOS-M camera. 4 When using an EF lens, there will be a crop factor of 1.6x, so that the apparent focal length of the lens will be 1.6x of the actual focal length. With EF-S lenses, there is no apparent change in the focal length. All camera functions will operate normally, including auto focus, auto exposure, and touch-screen modes. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
L E N S E S & a C C E S S O R I
H1-H4 LENSES & ACCESSORIES P. 4 P. 5 P. 6 P. 7 P. 8 Riley Joseph / Canada Ben Cherry / UK Tomasz Lazar / Poland Toshimitsu Takahashi / Japan Zack Arias / U.S.A. Supported by P. 9 P.10 Norifumi Inagaki / Japan Bobbie Lane / U.S.A. P.11 P.12 P.14 P.16 P.18 Christian Fletcher / Australia Bert Stephani / Belgium Tsutomu Endo / Japan Dave Kai Piper / UK Jára Sijka / Czech P.20 P.21 P.22 P.23 P.23 Afton Almaraz / U.S.A. Masaaki Aihara / Japan Chris Weston / UK Gathot Subroto / Indonesia Giulia Torra / Italy Visit these links to learn what the professionals are saying about X mount lenses and X accessories and XF LENS X-Accessories see some of the beautiful results! http://fujifilm-x.com/xf-lens/ http://fujifilm-x.com/accessories/ Specifications are subject to change without notice. For more information, please visit our website: http://www.fujifilm.com/products/digital_cameras/accessories/ c 2015 FUJIFILM Corporation P02-03/P31 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. XF 50-140mmF2.8 R LM OIS WR P.18 XF55-200mmF3.5-4.8 R LM OIS P.22 XF18-135mmF3.5-5.6 R LM OIS WR P.21 XF16-55mmF2.8 R LM WR P.16 XF10-24mmF4 R OIS P.14 NEW XF90mmF2 R LM WR NEW XF23mmF1.4 R P.12 XF16mmF1.4 R WR P.7 XF18-55mmF2.8-4 R LM OIS P.5 P.20 XF 14mmF2.8 R P.4 XF35mmF1.4 R P.9 XC50-230mmF4.5-6.7 OIS II P.23 XF56mmF1.2 R APD P.10 XF 18mmF2 R XF56mmF1.2 R P.6 P.10 M Mount Adapter XF 27mmF2.8 P.25 P.8 XF60mmF2.4 R Macro P.11 MCEX-16 P.25 XC16-50mmF3.5-5.6 OIS II P.23 MCEX-11 P.25 X Accessories P.25 P04-05/P32 X-T10 : F16 1/125 sec. -
CATALOGUE the Lens Makes the Photograph
LENSCATALOGUE The Lens Makes the Photograph At the heart of photography meshing with the photographer’s Tools of inspiration a well established category in its own product development and R&D efforts Supported by this highly adaptable desire to capture the perfect shot. and imagination right. But at the time, “wide angle” are based on a policy of in-house system, Sigma’s unconventional Ever since Sigma’s founding, meant a prime lens, and nobody even development for the key technologies manufacturing approach focuses on we have always believed that a photo More options for At times we have ventured to introduce considered the need for variable that we consider most important. continuous improvement of advanced is only as good as the lens. It follows more photographers products for which there was no focal length. That Sigma saw things processing and fabrication technology, that choosing a new lens opens up precedent. Many of these world’s firsts, differently and had the technology to For our lenses, we not only design while creating greater freedom of design fresh possibilities for photographic Given a wide variety of optically we are proud to say, have revealed new create a new genre is a true reflection of the optics and mechanisms, but also through novel solutions to challenging expression. This philosophy has superior lenses, the photographer can dimensions for photographic exploration our inventive spirit regarding the tools the firmware, electronic circuits and optics issues. inspired Sigma’s quest for select the one that will best achieve and contributed to the very culture of of photography. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
World's First* 11-20Mm F2.8
Focal Length: 11mm Exposure: F2.8 1 / 2500sec ISO: 100 World’s first* 11-20mm F2.8 Light and compact – versatile lens to capture the breadth of your vision. Fast aperture and superb optical performance for dynamic images. Nothing escapes this high-performance ultra wide-angle zoom 11-20mm F/2.8 Di III-A RXD (Model B060) For Sony E-mount Di III-A: For APS-C format mirrorless interchangeable-lens cameras *Among interchangeable F2.8 ultra wide-angle zoom lenses for Sony E-mount APS-C mirrorless cameras (As of March, 2021: TAMRON) The thrilling new experience of an ultra wide-angle zoom The world's first1 fast-aperture F2.8 ultra wide-angle zoom lens for mirrorless captures the world from an all-new perspective The 11-20mm F/2.8 Di III-A2 RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras. The lens features the world’s first F2.8 maximum aperture for Sony E-mount APS-C mirrorless in this category, and an amazing compact and lightweight design. The lens is so light weight and compact that it’s hard to believe it’s a fast-aperture ultra wide-angle zoom lens. When used with a compatible Sony E-mount APS-C mirrorless camera body, you’ll also find it easy to shoot video using a compact tripod or gimbal. Special lens elements are optimally arranged to suppress optical aberrations and to produce clear images for high-resolution performance. Also, the MOD (Minimum Object Distance) of 0.15m (5.9 in) at the widest end and 0.24m (9.4 in) at the 20mm end allows you to get closer to a subject than you ever imagined. -
(DSLR) Astrophotography Basics
Digital Single Lens Reflex (DSLR) Astrophotography Basics Ranny Heflin 9 May 2012 Agenda • Introduction • History • How DSLRs Work • Balancing Act of Capturing Astrophotos • Easy Methods of Using DLSRs for Astrophotography • Tripod Subjects •Wide Angle • Piggy Back Subjects • Wide Angle • Moon • Video with DSLR • Moon • Sun • Satellites • Planets • Questions Introduction • About Me • Retired Army Signal Officer • 2 Years in Astronomy • 1.5 Years in Astrophotography • What we will not cover • Deepspace Guided photos • Stacking Pics • Processing Pics • What we will cover • Tripod & Unguided Piggyback Photos • Wide Angle Photos • Lunar • Planets • Solar A Little DSLR History “Film is dead. Ok, we said it” Terence Dickinson & Alan Dyer The Backyard Astronomer’s Guide Third Edition, 2010 • 1826 Photography invented – Joseph Nicepore Niepce • 1861 British patent granted for Single Lens Reflex Camera • 1884 First Production SLR appears in America • 1949 Contax S - first pentaprism SLR • 1960s Advances in optical and mechanical technology lead to SLR becoming camera of choice for Professional and Serious Amateur Photographers. • 1969 Willard Boyle & George Smith at AT&T invent the first successful imaging technology using a digital sensor, a CCD (Charge-Coupled Device). Boyle and Smith were awarded the Nobel Prize in Physics in 2009 for this achievement. • 1975 Kodak engineer Steven Sasson invents the first digital still camera • 1991 Kodak released the first commercially available fully digital SLR, the Kodak DCS-100 • 1999 Nikon Introduces the Nikon D1. The D1 shared similar body construction as Nikon's professional 35mm film DSLRs, and the same Nikkor lens mount, allowing the D1 to use Nikon's existing line of AI/AIS manual-focus and AF lenses. -
I Am Your Eyes
I AM YOUR EYES www.nikon-asia.com See Through Different Eyes Every photographer is unique. Whatever your ideas, experience or creative vision, there is a NIKKOR lens to draw out your potential. Each product in the lineup represents the pride and craftsmanship that only an optical manufacturer can understand, delivering a level of clarity and reliability that every passionate photographer can appreciate. How will you see the world? Let NIKKOR help. Capture more. Create more. Wide-Angle Zoom NIKKOR Lenses ................... p4-p9 Normal Zoom NIKKOR Lenses ....................p10-p21 Telephoto Zoom NIKKOR Lenses ................................p22-p26 Fixed Focal-Length NIKKOR Lenses .............p27-p45 Special-Purpose NIKKOR Lenses .............p46-p48 Optional Accessories ............................................................. p49 NIKKOR Technology .......................................... p50-p53 Specifications ................................................ p54-p55 Wide-angle zoom Normal zoom Normal Telephoto zoom Ading Attamimi Fixed focal length © AF-S NIKKOR 16-35mm ED f/4G VR Sharp, ultra-wide-angle zoom with VR This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction (VR) that provides an effect equivalent to a shutter speed 2.5 stops* faster to enable blur-free handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and Lens construction: 17 elements in 12 groups Minimum focus distance: 0.28 m/0.9 ft (in 20-28mm) Special purpose AF-S NIKKOR 16-35mm f/4G ED VR documentary work. Maximum reproduction ratio: 0.24× Filter-attachment size: 77 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-23 / Case CL-1120 telephoto position. -
L E N S E S & a C C E S S O R I
P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges.