Panasonic Launches Three L-Mount Interchangeable Lenses for the LUMIX S Series Full-Frame Digital Single Lens Mirrorless Camera
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Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION Thank you for purchasing the Vello LAE-CM-CEF Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera. This adapter allows you to mount any Canon EF or EF-S lens to a Canon EOS-M camera. With an EF or EF-S lens mounted to a Canon EOS-M camera using this adapter, all automatic functions, such as auto focus and auto exposure, are available and fully operational. A removable tripod mount collar with a ¼" socket is included. 2 CONTENTS INCLUDE • Vello LAE-CM-CEF Auto Lens Adapter - Canon EF/EF-S Lens to Canon EOS-M Camera • Front and rear caps • Removable tripod mount collar • User manual 3 INTRODUCTION The Vello Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera can expand the arsenal of lenses for your Canon EOS-M camera using lenses you already own. With this adapter, you can mount any Canon EF or EF-S lens to a Canon EOS-M camera. Just attach the adapter to your EF or EF-S lens, then mount the lens and adapter to your Canon EOS-M camera. 4 When using an EF lens, there will be a crop factor of 1.6x, so that the apparent focal length of the lens will be 1.6x of the actual focal length. With EF-S lenses, there is no apparent change in the focal length. All camera functions will operate normally, including auto focus, auto exposure, and touch-screen modes. -
LUMIX PRO TERMS of USE V1.1
LUMIX PRO TERMS OF USE v1.1 Last updated 31th November 2019 LUMIX PRO CLUB MEMBERSHIP These terms and conditions apply to LUMIX PRO and LUMIX PRO Services ("LPS") membership and use of any LPS Membership benefits as set out herein. Panasonic may update these Terms of Use from time to time without prior notice to you. You should review the current Terms of Use periodically by visiting your LPS account on-line or by requesting a copy of the current terms from the LPS Membership admin team. LPS Membership is offered to you in Austria, Belgium, Czech Republic, France, Germany, Ireland, Italy, Poland, Spain, Sweden and United Kingdom by Panasonic Marketing Europe GmbH, Hagenauer Str. 43, 65203 Wiesbaden, Germany. LPS Membership is offered to you in the United States of America and Canada by Panasonic Corporation of North America, Two Riverfront Plaza, Newark, NJ 07102-5490, United States. 1. Definitions 1.1 “You”, “Your” and “Customer” means the member or purchaser of the LUMIX PRO Services or your LUMIX PRO membership. 1.2 “We”, “Us”, “Our” and “Panasonic” means any wholly owned operation of Panasonic Corporation, Japan. 1.3 “LUMIX” means a range of camera bodies and lenses that are manufactured by Panasonic. 1.4 “Professional” means uses of the range of qualifying products for LUMIX PRO as defined by Panasonic. 1.5 “Equipment” means individual product items from the range of qualifying products as defined by Panasonic. 1.6 “Membership period” means the period from initial registration until expiry, usually one (1) year. 1.7 “LUMIX PRO Service” or “LPS” means the level of service provided as part of the Silver, Gold, Platinum or Black levels of LUMIX PRO , as per the terms and conditions set out in this document, and relevant to your country of residence. -
Leica Cl Quick Start Guide
LEICA CL QUICK START GUIDE The comprehensive instructions are available at: https://en.leica-camera.com/Service-Support/Support/Downloads If you wish to receive a printed copy of the comprehensive instructions, please register at: www.order-instructions.leica-camera.com 6 7 3 1 13 14 12 5 10 9 11 8 1 4 2 20 19 21 18 25 17 16 15 22 23 24 26a 26 27 30 28 29 1 Strap lugs 10/13 Setting wheels – in the menu: 10 scrolls within the menu lists – in review mode: 10 enlarges/reduces the recording and 13 browses – in recording mode: see table 2 Lens release button 11/14 Setting wheel buttons – in recording mode: 3 Self-timer LED / AF assist lamp 11 calls up the right setting wheel’s secondary function or the FN menu and 4 Leica L-Bayonet 14 calls up the exposure mode – in review mode: 11 enlarges/reduces a recording and B 14 marks a recording B 12 Top display A Indicates the exposure mode, aperture, A shutter speed, in certain cases the set ISO and exposure compensation values 5 Contact strip 15 Speaker 6 Microphones Sound is recorded in stereo 16 MENU Button 7 Accessory shoe 17 FN Button Recommended fl ash units: Direct access to menu funktions Leica system fl ash units SF 40, SF 64, and – in recording mode: SF 58 Direct access to assignable menu item list 8 Main switch – in recording and playback modes: Turning the camera on and off Direct delete function 9 Shutter button 18 PLAY Button Pressing to the fi rst pressure point acti- Switching between picture and review mode vates: – autofocusing 19 Viewfi nder – exposure metering and control Resolution: 1024 x 768 pixels (2.36 MP) Pressing all the way down: takes a picture/ Magnifi cation 0.74x starts/stops video recording In standby mode: 20 Eye sensor The camera is reactivated Automatic switching between viewfi nder and monitor 21 Dioptre setting wheel Setting range from -4 to +4 dioptr. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
Listino Luglio 2018 Codice Descrizione Prezzo I.E
www.novoflex.it Listino Luglio 2018 www.novoflex.it Listino Luglio 2018 Codice Descrizione Prezzo i.e. Quadropod QP B Novoflex QuadroPod testa senza piedi € 293,00 QP C Novoflex QuadroPod testa con colonna corta e lunga senza piedi € 335,00 QP V Novoflex QuadroPod testa Variabile senza piedi € 377,00 QP SC Novoflex Colonna corta per QP C€ 16,00 TrioPod TRIOC2840 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio 4 sezioni + 3 € 445,00 gambe mini intercambiabili + borsa TRIOC2830 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio 3 sezioni + 3 € 419,00 gambe mini intercambiabili + borsa TRIOA2840 Novoflex Base Treppiede TrioPod + gambe in alluminio 4 sezioni + 3 gambe € 310,00 mini intercambiabili + borsa TRIOA2830 Novoflex Base Treppiede TrioPod + gambe in alluminio 3 sezioni + 3 gambe € 277,00 mini intercambiabili + borsa TRIOWALK Novoflex Base Treppiede TrioPod con bastoni telescopici + 3 gambe mini € 335,00 intercambiabili e borsa TRIO CC Novoflex Supporto centrale h. 8cm per base treppiede TrioPod € 49,00 TRIOPOD Novoflex Base treppiede TrioPod € 150,00 TRIO MINI Novoflex Base treppiede TrioPod con gambe mini € 167,00 TRIOA2844 Novoflex Base Treppiede TrioPod + gambe in alluminio compatte a 4 sezioni + € 293,00 3 gambe mini intercambiabili + borsa TRIOC2253 Novoflex Base Treppiede TrioPod + gambe in alluminio compatte a 5 sezioni + € 326,00 3 gambe mini intercambiabili + borsa TRIOC2844 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio compatte a 4 € 402,00 sezioni + 3 gambe mini intercambiabili + borsa -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
Press Information
Press Information The new Leica SL2-S: Leica presents its most versatile camera for photography and videography to date Wetzlar, December 10, 2020. With the new SL2-S, Leica introduces a perfect solution for anyone seeking outstanding imaging performance – not only in their photographs, but also in their video productions. With its new, 24-megapixel BSI-CMOS sensor and two separate recording modes for photos and videos, the new Leica SL2-S offers the best of both media in one all-metal, state-of-the-art body built for long-term durability. The Leica SL2-S expands the multi-faceted SL-System with a versatile full-frame camera that serves as an alternative to the Leica SL2. The SL2-S is the perfect choice for customers who favour fast operation over the exceptionally high resolution of the Leica SL2. With its especially high operating speed (which enables continuous shooting rates of up to 25 frames per second at full resolution), and its pro-level video capabilities (facilitating 10-bit 4K video recordings with no video length limits), the SL2-S sets new benchmarks within the SL-System. High-quality sensor The core element of the Leica SL2-S is the newly developed BSI-CMOS image sensor with a resolution of 24 megapixels. The data collected by the sensor is processed by the camera’s Maestro-III processor in conjunction with the generous, 4-gigabyte buffer memory. This, for the first time, enables virtually open-ended burst recordings at up to 9 frames per second, whereby the burst length in JPEG format is only limited by the storage capacity of the installed memory cards. -
Cutting Edge Images
YOUR SOURCE FOR CANADIAN PHOTOGRAPHY VOLUME 27, NO. 4 / WINTER 2018-2019 VOLUME 27, VOLUME 27, NO.4 / WINTER 2018-2019 / $6.98 News PHOTO PORTFOLIO: PAUL ZIZKA Cutting Edge PLUS: Images DR. WAYNE LYNCH Galapagos–Lessons Learned MATHIEU DUPUIS The Chic-Chocs at the Blue Hour TONY BECK Tropical Nature Techniques DANIEL DUPONT How to Analyze the Histogram MICHELLE VALBERG Photography and Philanthropy MICHAEL DEFREITAS Travel Photography Tips FLASH 101 How Much Light is Enough? Photo by Paul by Zizka Photo AND MORE! COMPLIMENTARY ISSUE • FREE COPY Winter 2018-2019 3 FOCAL POINT BY NORM ROSEN, EDITOR | [email protected] Let it Snow! As PHOTONews readers may be aware, that passes through my lens and whatever filter I may be our creative team includes some very en- using. The method is simple–hold the grey card at arm’s Join the thusiastic winter photographers. Jacques length, so that the light falls on the card at the same angle conversation! Dumont and our creative artist Jean- and the same intensity as it falls on your subject. Take note Denis Boillat are avid skiers. Michelle of the camera meter’s settings, and either adjust exposure Valberg leads photo tours to Canada’s manually, or dial-in the appropriate exposure compensation. facebook.com/ PhotoNewsCanada Arctic, Kristian Bogner spends the winter If cold weather photography chills your enthusiasm, you photographing snow sports, and I have can follow the adventures of Dr. Wayne Lynch as he explores spent a lifetime skiing, snowmobiling, and the wildlife of the Galapagos Islands, and share Michael twitter.com/ playing in the snow with my cameras. -
World's First* 11-20Mm F2.8
Focal Length: 11mm Exposure: F2.8 1 / 2500sec ISO: 100 World’s first* 11-20mm F2.8 Light and compact – versatile lens to capture the breadth of your vision. Fast aperture and superb optical performance for dynamic images. Nothing escapes this high-performance ultra wide-angle zoom 11-20mm F/2.8 Di III-A RXD (Model B060) For Sony E-mount Di III-A: For APS-C format mirrorless interchangeable-lens cameras *Among interchangeable F2.8 ultra wide-angle zoom lenses for Sony E-mount APS-C mirrorless cameras (As of March, 2021: TAMRON) The thrilling new experience of an ultra wide-angle zoom The world's first1 fast-aperture F2.8 ultra wide-angle zoom lens for mirrorless captures the world from an all-new perspective The 11-20mm F/2.8 Di III-A2 RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras. The lens features the world’s first F2.8 maximum aperture for Sony E-mount APS-C mirrorless in this category, and an amazing compact and lightweight design. The lens is so light weight and compact that it’s hard to believe it’s a fast-aperture ultra wide-angle zoom lens. When used with a compatible Sony E-mount APS-C mirrorless camera body, you’ll also find it easy to shoot video using a compact tripod or gimbal. Special lens elements are optimally arranged to suppress optical aberrations and to produce clear images for high-resolution performance. Also, the MOD (Minimum Object Distance) of 0.15m (5.9 in) at the widest end and 0.24m (9.4 in) at the 20mm end allows you to get closer to a subject than you ever imagined.