I Am Your Eyes

I AM YOUR EYES

www.nikon-asia.com See Through Different Eyes

Every photographer is unique. Whatever your ideas, experience or creative vision, there is a NIKKOR lens to draw out your potential. Each product in the lineup represents the pride and craftsmanship that only an optical manufacturer can understand, delivering a level of clarity and reliability that every passionate photographer can appreciate. How will you see the world? Let NIKKOR help. Capture more. Create more.

Wide-Angle Zoom NIKKOR Lenses...... p4-p9 Normal Zoom NIKKOR Lenses...... p10-p21 Telephoto Zoom NIKKOR Lenses...... p22-p26 Fixed Focal-Length NIKKOR Lenses...... p27-p45 Special-Purpose NIKKOR Lenses...... p46-p48 Optional Accessories...... p49 NIKKOR Technology...... p50-p53 Specifications...... p54-p55 Wide-angle zoom Normal zoom Normal Telephoto zoom Ading Attamimi

Fixed focal length AF-S NIKKOR 16-35mm ED f/4G VR ©

Sharp, ultra-wide-angle zoom with VR This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction (VR) that provides an effect equivalent to a shutter speed 2.5 stops* faster to enable blur-free handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and Lens construction: 17 elements in 12 groups Minimum focus distance: 0.28 m/0.9 ft (in 20-28mm) Special purpose AF-S NIKKOR 16-35mm f/4G ED VR documentary work. Maximum reproduction ratio: 0.24× Filter-attachment size: 77 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-23 / Case CL-1120 telephoto position.

4 5 Wide-angle zoom Wide-angle zoom Normal zoom Normal zoom Normal Telephoto zoom Telephoto zoom Tim Andrew

Dixie Dixon

Fixed focal length Fixed focal length AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED © AF-S DX Zoom-Nikkor IF-ED f/4G 12-24mm ©

Ultra-wide-angle zoom lens for dynamic perspectives Ultra-wide-angle zoom lens for exclusive use with Nikon DX-format digital SLR AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED DX AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED DX Explore the extremes of photography with the ultra-wide-angle A very popular choice for extreme wide-angle photography. coverage of this practical zoom lens. With the widest end of The fixed aperture ensures consistent exposures across the zoom Lens construction: 14 elements in 9 groups Lens construction: 11 elements in 7 groups

Special purpose Minimum focus distance: 0.24 m/0.8 ft (AF) Special purpose 10 mm covering a 109° angle of view, this lens delivers dramatic range. Perfect for shooting large building exteriors, narrow interiors Minimum focus distance: 0.3 m/1 ft 0.22 m/0.7 ft (MF) perspectives to give your photography a creative edge. Close-up Maximum reproduction ratio: 0.19× and vast natural landscapes. Maximum reproduction ratio: 0.12× shooting capability and minimized distortion also add to its appeal. Filter-attachment size: 77 mm Filter-attachment size: 77 mm Accessories: Hood HB-23 / Case CL-1118 Accessories: Hood HB-23 / Case CL-S2 (optional)

6 7 Wide-angle zoom Wide-angle zoom Preecha Sakhonphantharak

Normal zoom Normal zoom Normal AF-S NIKKOR 14-24mm f/2.8G ED ©

An optical masterpiece: widest at 14 mm with fixed f/2.8 Legendary professional wide-angle zoom lens AF-S NIKKOR 14-24mm f/2.8G ED AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED Telephoto zoom Telephoto zoom

With a fixed maximum aperture of f/2.8, this award-winning With a fixed maximum aperture of f/2.8, this lens covers the optimal professional lens delivers edge-to-edge sharpness across the range for wide-angle assignments. The glass produces clear and high- frame. Nano Crystal Coat and ED glass ensure outstanding contrast images throughout the entire zoom range. A highly reliable contrast, even in backlit conditions. Tough and reliable, this is professional lens.

Fixed focal length essential glass for professional photographers everywhere. Fixed focal length

Lens construction: 14 elements in 11 groups Lens construction: 13 elements in 10 groups Minimum focus distance: 0.28 m/0.92 ft (in 18-24 mm) Minimum focus distance: 0.28 m/0.9 ft Maximum reproduction ratio: 0.14× Maximum reproduction ratio: 0.21× Filter-attachment size: Filter cannot be attached Filter-attachment size: 77 mm AF-S NIKKOR 18-35mm f/3.5-4.5G ED © Joshua Cripps Accessories: Built-in hood / Case CL-M3 Accessories: Hood HB-23 / Case CL-76 Compact and approachable wide-angle zoom lens AF-S NIKKOR 18-35mm f/3.5-4.5G ED While featuring 100° angle-of-view coverage at 18 mm, this compact and lightweight zoom gives you superb mobility. The optical system Lens construction: 12 elements in 8 groups

Special purpose incorporates two ED glass elements and three aspherical lens Minimum focus distance: 0.28 m/0.9 ft Special purpose elements in order to maximize the performance of high-pixel-count Maximum reproduction ratio: 0.19× Filter-attachment size: 77 mm D-SLR cameras. Accessories: Hood HB-66 / Case CL-1118

8 9 Wide-angle zoom Normal zoom Normal Telephoto zoom Fixed focal length AF-S NIKKOR 24-70mm f/2.8E ED VR © Dany Eid

High-performance, fast normal zoom lens An aspherical ED glass element – a first for NIKKOR lenses, ED glass and HRI lens elements plus Nano Crystal Coat are employed to achieve remarkably high optical performance. Evolved Vibration Reduction Lens construction: 20 elements in 16 groups with an aspherical ED glass element (VR) provides an effect equivalent to a shutter speed 4.0 stops* faster. Other notable features include an Minimum focus distance: 0.38 m/1.25 ft (in 35-50 mm),

Special purpose 0.41 m /1.35 ft (in 24, 28, 70 mm) electromagnetic diaphragm mechanism, fluorine coat, and highly durable body. Maximum reproduction ratio: 0.28× Filter-attachment size: 82 mm AF-S NIKKOR 24-70mm f/2.8E ED VR * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-74 / Case CL-M3 telephoto position. 10 11 Wide-angle zoom Normal zoom Normal Telephoto zoom Elliot Lee

Fixed focal length AF-S NIKKOR 24-120mm ED f/4G VR ©

Practical standard zoom lens with VR and Nano Crystal Coat This versatile 5× zoom lens delivers stunning image quality at any aperture or focal length, while the Nano Crystal Coat reduces ghost and flare effects. The lens body is impressively slim and compact, Lens construction: 17 elements in 13 groups despite having built-in Vibration Reduction (VR) that provides an effect equivalent to a shutter speed Minimum focus distance: 0.45 m/1.5 ft Special purpose AF-S NIKKOR 24-120mm f/4G ED VR 3.5 stops* faster. A standard zoom lens of exceptional utility and value for FX-format users. Maximum reproduction ratio: 0.23× Filter-attachment size: 77 mm Accessories: Hood HB-53 / Case CL-1218 * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position. 12 13 Wide-angle zoom Wide-angle zoom Andrew Hancock Andrew

Normal zoom Normal zoom Normal AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR ©

Practical standard zoom with VR and remarkably wide Fast f/2.8 standard zoom lens delivering exceptional coverage image quality AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR DX AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED DX The most balanced and versatile standard This is the DX lens for both stunning zoom lens for passionate DX-format sharpness and beautiful bokeh. Its fine camera users, with 5.3× zoom coverage resolution delivers exceptional image Telephoto zoom Telephoto zoom that starts at an 83° angle of view at rendering – from close subjects all the 16 mm. Incredible sharpness, compact way to infinity – to satisfy professionals body and Vibration Reduction (VR) with on assignment as well as aspiring high- an effect equivalent to 3.5 stops* to end photographers who value image ensure steadier shots and more photo quality. opportunities – from daily snapshots to travel documentary work.

Lens construction: 17 elements in 11 groups Lens construction: 14 elements in 10 groups Minimum focus distance: 0.38 m/1.3 ft Minimum focus distance: 0.36 m/1.2 ft (at 35 mm) Maximum reproduction ratio: 0.21× Maximum reproduction ratio: 0.20× Filter-attachment size: 67 mm Filter-attachment size: 77 mm Accessories: Hood HB-39 / Case CL-1015 Accessories: Hood HB-31 / Case CL-1120

DX-format, ultra-high-power 16.7× zoom lens with VR Compact and light, ultra-high-power zoom with VR

Fixed focal length AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR DX AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR DX Fixed focal length Despite having an unprecedented approx. A compact and light body is achieved while 16.7× zoom capability, this lens offers featuring high-power approx. 16.7× zoom consistent image quality throughout capability. High optical performance is its broad range. You can even shoot realized with the employment of three ED handheld at 300 mm super-telephoto, glass and three aspherical lens elements. thanks to built-in Vibration Reduction Vibration Reduction (VR) provides an effect AF-S DX NIKKOR 16-80mm f/2.8-4E ED Kam VR Raymond © (VR) which provides an effect equivalent equivalent to a shutter speed 4.0 stops* Normal zoom lens with superior depiction and high mobility to a shutter speed 3.5 stops* faster. faster. This well-balanced high-power zoom Experience a truly all-around performance lens is ideal for capturing diverse subjects AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR DX lens that is ideal for travel and events. with a single lens. Remarkably lightweight 5× normal zoom lens with a maximum aperture of f/2.8 at the maximum wide-angle position. This high-performance lens Lens construction: 19 elements in 14 groups Lens construction: 16 elements in 12 groups adopts the latest technologies such as Nano Crystal Coat, fluorine coat and Lens construction: 17 elements in 13 groups Minimum focus distance: 0.45 m/1.48 ft (at 300 mm) Minimum focus distance: 0.48 m/1.6 ft Special purpose electromagnetic diaphragm – all are firsts for DX-format lenses. Vibration Minimum focus distance: 0.35 m/1.15 ft Maximum reproduction ratio: 0.29× Maximum reproduction ratio: 0.31× Special purpose Maximum reproduction ratio: 0.22× Filter-attachment size: 77 mm Filter-attachment size: 67 mm Reduction (VR) provides an effect equivalent to a shutter speed 4.0 stops* Filter-attachment size: 72 mm Accessories: Hood HB-58 / Case CL-1120 Accessories: Hood HB-39 (optional) / Case CL-1018 (optional) faster in Normal mode. Utilizing its excellent rendering and superior mobility, Accessories: Hood HB-75 / Case CL-1218 (optional) genuine shooting can be enjoyed during travel. * Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position. 14 15 Wide-angle zoom Wide-angle zoom Robert Bösch

Normal zoom Normal zoom Normal AF-S NIKKOR 24-70mm f/2.8G ED © Dave Black AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR ©

High-powered zoom with VR for DX photographers Incredibly reliable, highly balanced standard zoom lens Sharp and approachable standard zoom lens Versatile, high-powered 11× zoom with VR AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX AF-S NIKKOR 24-70mm f/2.8G ED AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR Telephoto zoom Telephoto zoom

One lens for every opportunity. This incredibly versatile lens has With a fixed aperture of f/2.8, the NIKKOR glass in this lens An excellent compact standard-use lens that works well with agile A powerful zoom lens optimized for FX-format cameras. This lens a dynamic zoom coverage of approx. 11× from the widest 76° to provides both fine resolution and natural representation. In FX-format cameras. Covering the most frequently used zoom offers outstanding sharpness for such a broad zoom range while the maximum telephoto 8°. Then there is also Vibration Reduction addition, the Nano Crystal Coat helps effectively reduce ghost range, this versatile lens can handle a wide range of subject maintaining an f/5.6 aperture at the telephoto end. Built-in Vibration (VR) which provides an effect equivalent to a shutter speed 3.5 and flare effects under harsh lighting. Praised for its reliability and matter, including landscapes, interiors, portraits and candids. The Reduction (VR) provides an effect equivalent to a shutter speed

Fixed focal length stops* faster for even more potential. Perfect when you need to overall image quality, this is a long-time favorite of passionate Vibration Reduction (VR) which provides an effect equivalent to a 3.5 stops* faster. A remarkably versatile zoom lens best suited for Fixed focal length travel light. professionals. shutter speed 4.0 stops* faster enhances your handheld capability, travel and other outdoor applications. opening up many new low-light opportunities.

Lens construction: 16 elements in 12 groups Lens construction: 15 elements in 11 groups Lens construction: 16 elements in 11 groups Lens construction: 19 elements in 14 groups Minimum focus distance: 0.5 m/1.6 ft Minimum focus distance: 0.38 m/1.2 ft (in 35-50 mm) Minimum focus distance: 0.38 m/1.25 ft Minimum focus distance: 0.5 m/1.6 ft Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.26× Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.31× Filter-attachment size: 72 mm Filter-attachment size: 77 mm Filter-attachment size: 72 mm Filter-attachment size: 77 mm Accessories: Hood HB-35 / Case CL-1018 Accessories: Hood HB-40 / Case CL-M3 Accessories: Hood HB-63 / Case CL-1118 Accessories: Hood HB-50 / Case CL-1120

Special purpose * Based on CIPA Standard. The value is achieved when: DX-format lenses are attached Special purpose to a DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format digital SLR camera, and zoom lenses are set at the maximum telephoto position.

16 17 Wide-angle zoom Normal zoom Normal Telephoto zoom Sonoe

Fixed focal length AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR ©

New-category AF-P lens employing a stepping motor and VR This compact and lightweight zoom lens incorporates a stepping motor for fast and quiet AF operation. Two aspherical lens elements minimize lens aberrations. The Vibration Reduction (VR) system provides an effect Lens construction: 12 elements in 9 groups DX equivalent to a shutter speed 4.0 stops*1 faster. Some lens settings can be adjusted through the camera*2. Minimum focus distance: 0.25 m/0.9 ft Special purpose Maximum reproduction ratio: 0.38× AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR *1 Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position. Filter-attachment size: 55 mm *2 Because focus mode (AF/MF) and VR ON/OFF are set using the camera menus, the number of compatible cameras is limited. Accessories: Hood HB-N106(optional) / Case CL-0815 (optional) [NOTE] Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, some models require firmware update. 18 19 Wide-angle zoom Wide-angle zoom Andrew Hancock Andrew

Koichi Isomura Koichi Normal zoom Normal zoom Normal AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II © AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR ©

Remarkably compact and light, New-category DX-format standard zoom lens AF-P normal zoom lens employing a stepping motor High-powered zoom with VR for DX photographers Versatile, high-power zoom with stunning image quality AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II DX AF-P DX NIKKOR 18-55mm f/3.5-5.6G DX AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR DX AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR DX Telephoto zoom Telephoto zoom

(When retracted)

The employment of a retractable-lens mechanism enables a This compact and lightweight, 3.1× normal zoom lens incorporates This powerful, approx. 5.8× standard zoom lens makes it possible The powerful, approx. 7.8× zoom of this lens covers a wide compact and light body. The high-performance optical design a stepping motor for fast and quiet AF operation. Two aspherical to shoot most subject matter with just one lens. Vibration focal-length range from wide-angle to telephoto. Superb optical incorporating an aspherical lens element delivers high-definition lens elements deliver superior optical performance with minimal Reduction (VR) which provides an effect equivalent to a shutter performance achieves high-definition images when combined images throughout the entire zoom range. Built-in Vibration lens aberrations. Adopting a setting system using the camera speed 3.5 stops* faster helps you achieve steadier shots during with high-pixel-count cameras. Vibration Reduction (VR) which

Fixed focal length Reduction (VR) provides an effect equivalent to a shutter speed menus, some lens settings can be adjusted through the camera*. low-light and telephoto shooting. provides an effect equivalent to a shutter speed 4.0 stops* faster Fixed focal length 4.0 stops* faster. With 0.25 m/0.8 ft minimum focus distance, you This highly portable, high-performance lens is a great choice for effectively compensates camera shake. This lens is ideal for can get much closer to the subject. entry-class D-SLR users. capturing diverse scenes of everyday life or during travel with a single lens. *Because focus mode (AF/MF) is set using the camera menus, the number of compatible cameras is limited. [NOTE] Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, some models require firmware update.

Lens construction: 11 elements in 8 groups Lens construction: 15 elements in 11 groups Lens construction: 17 elements in 12 groups Minimum focus distance: 0.28 m/0.92 ft (AF); 0.25 m/0.82 ft (MF) Minimum focus distance: 0.45 m/1.5 ft Minimum focus distance: 0.45 m/1.48 ft Maximum reproduction ratio: 0.30× (AF); 0.36× (MF) Maximum reproduction ratio: 0.20× Maximum reproduction ratio: 0.23× Filter-attachment size: 52 mm Lens construction: 12 elements in 9 groups Filter-attachment size: 67 mm Filter-attachment size: 67 mm Minimum focus distance: 0.25 m/0.9 ft Accessories: Hood HB-69 (optional) / Case CL-0815 (optional) Accessories: Hood HB-32 / Case CL-1018 Accessories: Hood HB-32 (optional) / Case CL-1018 (optional) Maximum reproduction ratio: 0.38× Filter-attachment size: 55 mm Accessories: Hood HB-N106 (optional) / Case CL-0815 (optional) Special purpose Special purpose

* Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position.

20 21 Wide-angle zoom Normal zoom Normal Telephoto zoom Telephoto Fixed focal length AF-S NIKKOR 200-500mm f/5.6E ED VR © Edwin Giesbers

Adoption of ED glass elements achieves superior optical performance with minimal chromatic aberration Super-telephoto zoom lens with superb optical performance and VR throughout the entire zoom range. The Vibration Reduction (VR) system providing an effect equivalent to a shutter speed 4.5 stops* faster in Normal mode employs Sport mode as a VR mode option to cope with Lens construction: 19 elements in 12 groups Minimum focus distance: 2.2 m/7.22 ft Special purpose capturing quick moving subjects. Stable AE control is ensured even during high-speed continuous shooting via AF-S NIKKOR 200-500mm f/5.6E ED VR Maximum reproduction ratio: 0.22× the adoption of an electromagnetic diaphragm mechanism, enabling the capture of decisive moments. Filter-attachment size: 95 mm Accessories: Hood HB-71 / Case CL-1434 *Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position. 22 23 Wide-angle zoom Wide-angle zoom Catalin Marin

Subodh Shetty

Normal zoom Normal zoom Normal AF-S NIKKOR 70-200mm f/2.8G ED VR II © AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED ©

Telephoto zoom lens featuring a retractable lens Compact and accessible telephoto zoom with a powerful mechanism Significantly refined: a pro’s essential telephoto zoom lens Telephoto zoom lens with Nano Crystal Coat and VR 300 mm reach AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II DX AF-S NIKKOR 70-200mm f/2.8G ED VR II AF-S NIKKOR 70-200mm f/4G ED VR AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

Adopting a retractable barrel mechanism, remarkably compact size is realized. Vibration Reduction (VR)

Telephoto zoom Telephoto provides an effect equivalent to a zoom Telephoto shutter speed 4.0 stops* faster. An ED glass element effectively minimizes

(When retracted) chromatic aberration.

Lens construction: 13 elements in 9 groups Minimum focus distance: 1.1 m/3.7 ft Maximum reproduction ratio: 0.23× Filter-attachment size: 52 mm Accessories: Hood HB-37 (optional) / Case CL-0915 (optional) The most reliable and essential f/2.8 fixed aperture telephoto This carry-anywhere telephoto zoom lens is useful across a wide Whether you shoot in DX format or FX format, this small and zoom lens has now been reborn with a number of significant general range of shooting scenarios such as sports and snapshots. portable zoom offers impressive versatility with a fairly long focal improvements. Optimized for FX-format cameras, the resulting Its Nano Crystal Coat effectively reduces ghost and flare while its length of 300 mm. Its approx. 4.3× zoom range and Vibration Approachable zoom for sharp super-telephoto shooting images deliver stunning detail and contrast across the entire frame high-performance Vibration Reduction (VR) minimizes the effects of Reduction (VR) providing an effect equivalent to a shutter speed Fixed focal length AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR DX when taken at any focus point or aperture. What's more, the camera shake, providing an effect equivalent to a shutter speed 4.0 2.5 stops* faster. add to its utility for most telephoto shooting Fixed focal length lens comes equipped with enhanced AF performance, Vibration stops* faster. Close-up capability is an added advantage. opportunities. The specialized NIKKOR glass produces clear, high- This practical zoom lens allows DX users to Reduction (VR) which provides an effect equivalent to a shutter contrast images with less chromatic aberration. reach 300 mm super-telephoto and make speed 3.5 stops* faster and Nano Crystal Coat to reduce ghost sharper shots with ease, thanks to built-in and flare effects, broadening your shooting potential and giving Vibration Reduction (VR) that provides an photographers added confidence when shooting in difficult situations. effect equivalent to a shutter speed 3.0 Lens construction: 20 elements in 14 groups Lens construction: 17 elements in 12 groups stops* faster. In addition, the HRI (High Minimum focus distance: 1.0 m/3.28 ft Minimum focus distance: 1.5 m/4.9 ft Maximum reproduction ratio: 0.27× Maximum reproduction ratio: 0.24× Refractive Index) lens achieves clear, high- Filter-attachment size: 67 mm Filter-attachment size: 67 mm Accessories: Hood HB-36 / Case CL-1022 contrast images at every aperture and focal Accessories: Hood HB-60 / Case CL-1225 / Tripod Collar Ring RT-1 (optional) length. Lens construction: 21 elements in 16 groups Minimum focus distance: 1.4 m/4.6 ft Maximum reproduction ratio: 0.11× Filter-attachment size: 77 mm Accessories: Hood HB-48 / Case CL-M2 Lens construction: 17 elements in 11 groups Minimum focus distance: 1.4 m/4.59 ft Special purpose * Based on CIPA Standard. The value is achieved when: DX-format lenses are attached Special purpose Maximum reproduction ratio: 0.27× to a DX-format digital SLR camera, FX-format compatible lenses are attached to an Filter-attachment size: 58 mm FX-format digital SLR camera, and zoom lenses are set at the maximum telephoto Accessories: Hood HB-57 / Case CL-1020 position.

24 25 Wide-angle zoom Wide-angle zoom Waran Suwanno Waran Ken Goshima

Normal zoom Normal Normal zoom Normal AF-S NIKKOR 20mm f/1.8G ED © AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR ©

Long-range, VR-enabled 400 mm zoom lens Fixed aperture f/2.8 with great optics and beautiful bokeh AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR AF Zoom-Nikkor 80-200mm f/2.8D ED This high-performance zoom has a fixed f/2.8 aperture throughout the zoom range, giving your telephoto shots a Telephoto zoom beautiful background bokeh. Expect Telephoto zoom Telephoto remarkable image reproduction in the fine details, even when shooting wide- open. AF close-up shooting is also possible, letting you focus and shoot from 1.5 m/4.9 ft.

Lens construction: 16 elements in 11 groups Minimum focus distance: 1.8 m/6 ft (1.5 m/4.9 ft in macro) Maximum reproduction ratio: 0.13× (0.17× in macro) This 5× telephoto zoom is ideal for shooting sports, wild birds, aircraft Filter-attachment size: 77 mm and landscapes. Its superior optical performance is due in part to Accessories: Hood HB-7 (optional) / Case CL-43A its one Super ED and four ED glass elements, as well as its Nano Crystal Coat. Vibration Reduction (VR) is integrated to offer an effect Top-of-the-line, super-telephoto zoom for crucial equivalent to a shutter speed 4.0 stops* faster. assignments Ken Goshima AF-S NIKKOR 200-400mm f/4G ED VR II Fixed focal length Fixed length focal Lens construction: 20 elements in 12 groups This zoom range 200-400 mm lens Minimum focus distance: 1.75 m/5.74 ft (AF); 1.5 m/4.92 ft (MF) has a fixed aperture of f/4 and is a Maximum reproduction ratio: 0.17× (AF); 0.19× (MF) Filter-attachment size: 77 mm NIKKOR-exclusive quality lens. Ideal for Accessories: Hood HB-65 / Case CL-M2 photographers who need to keep their gear to a minimum while on super- telephoto assignments that require stunning image quality. Nano Crystal AF-S NIKKOR 20mm f/1.8G ED © Coat and Vibration Reduction (VR) with an effect equivalent to a shutter speed Compact, ultra-wide-angle lens for elaborate expression 3.0 stops* faster offer added capability, contributing to sharper images under AF-S NIKKOR 20mm f/1.8G ED demanding conditions. This 20 mm lens enables photographic expression utilizing the shallow depth of field achieved at the maximum aperture of f/1.8. The latest Lens construction: 13 elements in 11 groups

Special purpose optical design technology delivers high resolution and superb point- Special purpose Lens construction: 24 elements in 17 groups Minimum focus distance: 0.2 m/0.66 ft Minimum focus distance: 2.0 m/6.6 ft (AF) ; 1.95 m/6.4 ft (MF) image reproduction while minimizing chromatic aberration. ED glass Maximum reproduction ratio: 0.23× Maximum reproduction ratio: 0.26× (AF) ; 0.27× (MF) elements and Nano Crystal Coat ensure superior image quality. A great Filter-attachment size: 77 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital Filter-attachment size: 52 mm Accessories: Hood HB-72 / Case CL-1015 SLR camera, with zoom set at the maximum telephoto position. Accessories: Hood HK-30 / Case CL-L2 choice for landscapes and indoor shots. 26 27 Wide-angle zoom Normal zoom Normal Telephoto zoom Fixed length focal Bhuminan P. AF-S NIKKOR 24mm f/1.4G ED ©

Superb optics with fast f/1.4 for amazing bokeh The greatest advantage of this versatile wide-angle lens is its amazingly beautiful bokeh at f/1.4 while covering an 84° angle of view. Its optical design now reveals more refined detail with even less aberration. Lens construction: 12 elements in 10 groups In addition, Nano Crystal Coat effectively reduces ghost and flare effects in harsh lighting. Minimum focus distance: 0.25 m/0.82 ft Special purpose AF-S NIKKOR 24mm f/1.4G ED Maximum reproduction ratio: 0.18× Filter-attachment size: 77 mm Accessories: Hood HB-51 / Case CL-1118

28 29 Wide-angle zoom Wide-angle zoom Fraser Harding

Normal zoom Normal zoom Normal AF Nikkor 14mm f/2.8D ED ©

Dynamic perspectives achieved by ultra-wide angle Standard wide-angle lenses for general purpose AF Nikkor 14mm f/2.8D ED AF Nikkor 24mm f/2.8D

At 14 mm, this lens covers an extremely Compact and approachable, this wide- wide 114° angle of view, capturing angle lens provides sharp images with a

Telephoto zoom a remarkably broad expanse with an great perspective. Ideal for landscapes, Telephoto zoom exaggerated perspective, making it ideal travel, environmental portraits and more. for shooting large buildings, narrow indoor spaces or vast nature.

Lens construction: 14 elements in 12 groups Lens construction: 9 elements in 9 groups Minimum focus distance: 0.2 m/0.66 ft Minimum focus distance: 0.3 m/1 ft Maximum reproduction ratio: 0.15× Maximum reproduction ratio: 0.11× Filter-attachment size: Gelatin filter Filter-attachment size: 52 mm Accessories: Built-in hood / Case CL-S2 Accessories: Hood HN-1 (optional) / Case CL-0715 (optional)

AF Nikkor 20mm f/2.8D AF Nikkor 28mm f/2.8D Dixie Dixon

With both a dynamic perspective and This light, compact and convenient

Fixed length focal a great depth of field, this 20 mm lens wide-angle lens allows you to get as Fixed length focal gives you edge-to-edge sharpness and close as 0.25 m/0.85 ft with a natural less distortion when shooting interiors, perspective. A great lens for nearly any landscapes and more. Superb optics and wide-angle subject matter. compact design (approx. 270 g/9.5 oz). AF-S DX NIKKOR 35mm f/1.8G ©

Lens construction: 12 elements in 9 groups Lens construction: 6 elements in 6 groups Strikingly crisp, f/1.8 prime for DX users Minimum focus distance: 0.25 m/0.85 ft Minimum focus distance: 0.25 m/0.85 ft Maximum reproduction ratio: 0.12× Maximum reproduction ratio: 0.17× Filter-attachment size: 62 mm Filter-attachment size: 52 mm AF-S DX NIKKOR 35mm f/1.8G DX Accessories: Hood HB-4 (optional) / Case CL-S2 (optional) Accessories: Hood HN-2 (optional) / Case CL-0715 (optional) Optimized for DX-format cameras, this lens delivers both the superb sharpness and smooth bokeh you expect from a prime lens, making Lens construction: 8 elements in 6 groups

Special purpose it particularly suited for portraits. The fast aperture ensures more Minimum focus distance: 0.3 m/0.98 ft Special purpose photo opportunities in low light. Maximum reproduction ratio: 0.16× Filter-attachment size: 52 mm Accessories: Hood HB-46 / Case CL-0913

30 31 Wide-angle zoom Normal zoom Normal Telephoto zoom Fixed length focal Alex Soh Alex AF-S NIKKOR 24mm f/1.8G ED ©

Compact and light, fast wide-angle lens with high image quality A fast, compact, lightweight, wide-angle prime lens that can create natural blur utilizing the maximum aperture of f/1.8. Employing Nano Crystal Coat, ED glass elements, and aspherical lens elements Lens construction: 12 elements in 9 groups delivers superior optical performance with minimal ghost effect and chromatic aberration. The latest Minimum focus distance: 0.23 m/0.75 ft. Special purpose AF-S NIKKOR 24mm f/1.8G ED optical design technologies achieve superior resolution to the edges of the frame. Ideal for shooting wide Maximum reproduction ratio: 0.20× Filter-attachment size: 72 mm landscapes. Accessories: Hood HB-76 / Case CL-1015

32 33 Wide-angle zoom Normal zoom Normal Telephoto zoom Fixed length focal Shinichi Sato AF-S NIKKOR 35mm f/1.4G ©

Wide-angle f/1.4 prime with stunning clarity The legendary manual-focus NIKKOR 35mm f/1.4 has now been upgraded to an AF-S lens with the latest digital technology. This lens achieves a remarkable level of coma aberration correction in order to deliver Lens construction: 10 elements in 7 groups stunning images, even at a wide-open aperture. Nano Crystal Coat drastically reduces ghost and flare Minimum focus distance: 0.3 m/0.98 ft Special purpose AF-S NIKKOR 35mm f/1.4G effects when shooting wide-angle, where the possibility of these effects can increase. A great choice for Maximum reproduction ratio: 0.19× Filter-attachment size: 67 mm nature, landscape, night scenes and astrophotography. Accessories: Hood HB-59 / Case CL-1118

34 35 Wide-angle zoom Wide-angle zoom Nelson Ng Nelson Jeremy Walker Normal zoom Normal zoom Normal AF-S NIKKOR 28mm f/1.8G © AF-S NIKKOR 50mm f/1.8G ©

Fast f/1.8 wide-angle lens with exquisite sharpness and quality bokeh Compact and light, fast wide-angle lens with high resolution Fast and highly practical wide-angle lens Ultra-fast f/1.4 for exquisite sharpness and bokeh AF-S NIKKOR 28mm f/1.8G AF-S NIKKOR 35mm f/1.8G ED AF Nikkor 35mm f/2D AF-S NIKKOR 50mm f/1.4G

A fast f/2 aperture makes it easier to Expect outstanding image quality, edge- shoot in low light, giving you sharp and to-edge sharpness and high contrast at

Telephoto zoom high-contrast images from infinity to up- any aperture or focus distance. An ultra- Telephoto zoom close. A great choice for landscapes and fast f/1.4 maximum aperture not only environmental portraits with either deep- creates attractive bokeh with its rounded focus or beautiful background bokeh. 9-blade diaphragm, but also offers great low-light performance. Ideal for portraits, landscapes, travel and more.

Lens construction: 6 elements in 5 groups Lens construction: 8 elements in 7 groups Minimum focus distance: 0.25 m/0.85 ft Minimum focus distance: 0.45 m/1.5 ft Maximum reproduction ratio: 0.23× Maximum reproduction ratio: 0.14× Filter-attachment size: 52 mm Filter-attachment size: 58 mm Accessories: Hood HN-3 (optional) / Case CL-0715 (optional) Accessories: Hood HB-47 / Case CL-1013 This lens is designed to take full advantage of the latest high- This wide-angle prime lens realizes superior point-image megapixel cameras by delivering stunning sharpness and clarity. reproduction. With its high resolving power and sharp rendering Its Nano Crystal Coat reduces ghost and flare effects to enhance capability, impressive expression utilizing natural and beautiful Strikingly crisp, compact and approachable prime AF Nikkor 50mm f/1.4D its image quality even further. bokeh for both foreground and background can be attained. It is AF-S NIKKOR 50mm f/1.8G ideal for snapshots as well as for capturing diverse scenes such as This lens offers quality optics and an

Fixed length focal night landscapes, landscapes and portraits. ultra-fast f/1.4 maximum aperture, Fixed length focal Remarkably light and compact body delivering superb resolution and color considering the fast f/1.8 maximum reproduction. An approachable standard aperture and built-in SWM that enables lens for both fine detail and stunning smooth AF. This lens features a newly Lens construction: 11 elements in 9 groups Lens construction: 11 elements in 8 groups bokeh imagery. Minimum focus distance: 0.25 m/0.82 ft Minimum focus distance: 0.25 m/0.85 ft designed optical system including Maximum reproduction ratio: 0.21× Maximum reproduction ratio: 0.23× an aspherical lens element, offering Filter-attachment size: 67 mm Filter-attachment size: 58 mm Accessories: Hood HB-64 / Case CL-0915 Accessories: Hood HB-70 / Case CL-0915 stunning sharpness and quality bokeh. A great choice for portraits, still-life shots, Lens construction: 7 elements in 6 groups low-light scenes and more. Minimum focus distance: 0.45 m/1.5 ft Maximum reproduction ratio: 0.14× Filter-attachment size: 52 mm Lens construction: 7 elements in 6 groups Accessories: Hood HR-2 (optional) / Case CL-0715 (optional) Minimum focus distance: 0.45 m/1.48 ft Maximum reproduction ratio: 0.15× Filter-attachment size: 58 mm

Special purpose Accessories: Hood HB-47 / Case CL-1013 Special purpose

36 37 Wide-angle zoom Wide-angle zoom Takeshi Fukazawa Takeshi

Hideyuki Motegi Hideyuki

Normal zoom Normal zoom Normal AF-S NIKKOR 50mm f/1.8G (Special Edition) © AF-S NIKKOR 58mm f/1.4G ©

Fast normal lens designed for the Nikon Df Fast normal lens with overwhelming rendering performance Medium-range telephoto lens optimal for portraits Medium-range telephoto lens optimal for portraits AF-S NIKKOR 50mm f/1.8G (Special Edition) AF-S NIKKOR 58mm f/1.4G AF-S NIKKOR 85mm f/1.4G AF-S NIKKOR 85mm f/1.8G Telephoto zoom Telephoto zoom

The current 50mm f/1.8G has been redesigned to achieve ideal This prime lens achieves impressive scene description with high Employing a re-designed optical system incorporating Nano An approachable portrait prime lens for FX and DX photographers matching with the smallest and lightest FX-format camera, the resolution and smooth, beautiful bokeh. Despite the fast aperture, Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded alike. With its fast f/1.8 aperture and a new optical design, this lens Nikon Df, maximizing its high optical performance and superior sharp, high-contrast images of distant subjects can be captured 9-blade diaphragm for stunning bokeh. In addition, the newly delivers both stunning details and quality bokeh from a surprisingly mobility. While paying homage to classic manual-focus lenses, even at the maximum aperture. Point light sources located at developed MF driving mechanism reduces focus time lag and light and compact body. Moreover, its Silent Wave Motor (SWM) its external design features leather-tone finish as well as a silver infinity can be finely reproduced as point images even with the enables smooth operation in M/A mode. Expect incredibly crisp offers quieter and smoother AF.

Fixed length focal aluminum ring and knurled focus ring, all coordinated with the Df. aperture set at the maximum. In addition, elaborately designed yet natural image rendering for portraits, whether for studio work Fixed length focal bokeh characteristics depict subjects attractively, resulting in or other commercial shoots outdoors. images with natural depth. Superior rendering capability that realizes two contradictory factors enables new photographic creativity. With all these advantages, this lens is a very individual addition to the NIKKOR lineup.

Lens construction: 7 elements in 6 groups Lens construction: 9 elements in 6 groups Lens construction: 10 elements in 9 groups Lens construction: 9 elements in 9 groups Minimum focus distance: 0.45 m/1.5 ft Minimum focus distance: 0.58 m/1.90 ft Minimum focus distance: 0.85 m/2.79 ft Minimum focus distance: 0.8 m/2.62 ft Maximum reproduction ratio: 0.15× Maximum reproduction ratio: 0.12× Maximum reproduction ratio: 0.11× Maximum reproduction ratio: 0.12× Filter-attachment size: 58 mm Filter-attachment size: 72 mm Filter-attachment size: 77 mm Filter-attachment size: 67 mm Accessories: Hood HB-47 / Case CL-1013 Accessories: Hood HB-68 / Case CL-1015 Accessories: Hood HB-55 / Case CL-1118 Accessories: Hood HB-62 / Case CL-1015 Special purpose Special purpose

38 39 Wide-angle zoom Normal zoom Normal Telephoto zoom Emil Tse

Fixed length focal AF-S NIKKOR 300mm PF f/4E ED VR ©

Prime telephoto lens employing a PF (Phase Fresnel) lens This telephoto lens employs a PF (Phase Fresnel) lens element, a first in the NIKKOR lineup, to realize an outstandingly compact and light body while effectively minimizing chromatic aberration. High optical performance is also ensured with an ED glass element and Nano Crystal Coat. Vibration Reduction (VR) Lens construction: 16 elements in 10 groups Special purpose AF-S NIKKOR 300mm f/4E PF ED VR function provides an effect equivalent to a shutter speed 4.5 stops* faster in Normal mode. Ideal for Minimum focus distance: 1.4 m/4.6 ft Maximum reproduction ratio: 0.24× capturing a wide range of scenes such as sports, wildlife, landscapes, and portraits. Filter-attachment size: 77 mm Accessories: Hood HB-73 / Case CL-M3 / * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera. Tripod Collar Ring RT-1 (optional) 40 41 Wide-angle zoom Wide-angle zoom Normal zoom Normal zoom Normal Telephoto zoom Telephoto zoom Ray Chua Ray

Employing two fluorite lens elements, this fast 600 mm super-telephoto lens realizes superior optical New-generation, super-telephoto lens performance in a remarkably lightweight approx. 3,810 g body. ED glass elements and Nano Crystal Coat achieving a light body and high optical performance also contribute to high-quality images with minimal chromatic aberration and ghost effect. The Vibration Lens construction: 16 elements in 12 groups

Special purpose Reduction (VR) system which provides an effect equivalent to a shutter speed 4.0 stops* faster in NORMAL Special purpose (plus one meniscus protective glass element with fluorine coat) mode also offers SPORT mode. Other notable features include an electromagnetic diaphragm mechanism, Minimum focus distance: 4.4 m/14.4 ft AF-S NIKKOR 600mm f/4E FL ED VR fluorine coat applied to the lens front, and a tripod collar ring utilizing bearings for smooth operation. Maximum reproduction ratio: 0.14× Filter-attachment size: 40.5 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera. Accessories: Hood HK-40 / Case CT-608 42 43 DC lenses allowing creative focus control Approachable, easy-to-handle telephoto lens AF DC-Nikkor 105mm f/2D AF-S Nikkor 300mm f/4D IF-ED

Offering an excellent balance between size and image quality, this lens realizes

Wide-angle zoom great sharpness, making it an ideal super- Wide-angle zoom telephoto lens for sports, wildlife or travel applications. Also handles closer subjects incredibly well. DC (Defocus Image Control) allows you to control the degree of soft focus in the foreground or background of an image. With Lens construction: 10 elements in 6 groups a focal length of 105 mm and a fast f/2 maximum aperture, it Minimum focus distance: 1.45 m/4.8 ft performs well as a portrait lens with sharpness and excellent Maximum reproduction ratio: 0.27× Filter-attachment size: 77 mm bokeh. Accessories: Built-in-hood / Case CL-M2

The most renowned professional telephoto prime Sergey Gorshkov Lens construction: 6 elements in 6 groups (plus one protective lens) Minimum focus distance: 0.9 m/3.0 ft © Maximum reproduction ratio: 0.13× AF-S NIKKOR 300mm f/2.8G ED VR II Filter-attachment size: 72 mm

Normal zoom Normal Accessories: Built-in hood / Case CL-38 (optional) zoom Normal

AF DC-Nikkor 135mm f/2D

This highly regarded professional super-telephoto lens is now AF-S NIKKOR 800mm f/5.6E FL ED VR reborn with Vibration Reduction (VR) to enable handheld shooting at up to 3.0 stops* slower. The Nano Crystal Coat reduces ghost New-generation, super-telephoto lens achieving a light Using the same DC (Defocus Image Control) employed in the and flare effects, helping to create stunningly crisp, clear images. body and high optical performance Overwhelming super-telephoto with fluorite 105mm f/2D, the 135 mm focal length offers more telephoto The best choice for indoor and action sports. AF-S NIKKOR 500mm f/4E FL ED VR AF-S NIKKOR 800mm f/5.6E FL ED VR reach, making it ideal for tight portraits while providing AF-S TELECONVERTER TC800-1.25E ED opportunities to shoot with a shallow depth of field or under low

light. Lens construction: 11 elements in 8 groups (plus one Meniscus Protective Lens) Minimum focus distance: 2.3 m/7.5 ft (AF) ; 2.2 m/7.2 ft (MF) Telephoto zoom Maximum reproduction ratio: 0.15× (AF) ; 0.16× (MF) Telephoto zoom Filter-attachment size: 52 mm Accessories: Hood HK-30 / Case CL-L1

Lens construction: 7 elements in 6 groups (plus one protective lens) Minimum focus distance: 1.1 m/4.0 ft Maximum reproduction ratio: 0.13× Filter-attachment size: 72 mm Remarkably lightweight, high-performance Accessories: Built-in hood / Case CL-38 (optional) super-telephoto lens AF-S NIKKOR 400mm f/2.8E FL ED VR Crystal-clear, amazingly fast telephoto with VR This fast 500 mm super-telephoto lens with superior rendering With its 800 mm focal length, this lens is what sports and press is useful for sport scenes. Employing two fluorite lens elements photographers have been waiting for. Employing fluorite, ED glass and AF-S NIKKOR 200mm f/2G ED VR II realizes an extremely lightweight approx. 3090 g body. Besides Nano Crystal Coat, it delivers outstandingly clear images with minimized fluorite elements, ED glass elements plus Nano Crystal Coat chromatic aberration, ghosting and flare. Super-telephoto shooting is are employed to achieve high optical performance with minimal reliably supported by an electromagnetic diaphragm mechanism and chromatic aberration and ghost effect. Vibration Reduction (VR) Vibration Reduction (VR) which provides an effect equivalent to a shutter system (provides an effect equivalent to a shutter speed 4.0 speed 4.5 stops* faster (4.0 stops* with the AF-S TELECONVERTER stops* faster in Normal mode) adopts SPORT mode as a VR mode TC800-1.25E ED). Thanks to the use of fluorite and magnesium alloy, a This new-generation super-telephoto lens provides outstanding Fixed length focal option. Even during high-speed continuous shooting, superior AF light yet durable lens is realized. With the dedicated 1.25× Teleconverter Fixed length focal optical performance with minimized chromatic aberration. tracking is achieved, while exposure is stably controlled with the employing ED glass, focal length is extended to 1000 mm while retaining The weight of approx. 3800 g/136.9 oz is realized through the adoption of an electromagnetic diaphragm mechanism. Tripod superior reproduction. employment of fluorites for superior mobility. Vibration Reduction Trusted by countless professionals, this telephoto prime lens has collar ring utilizing bearings enables smooth switching between (VR) which provides an effect equivalent to a shutter speed 4.0 • Compatible AF teleconverters: [AF is possible when attached to f/8-compatible captured many significant moments in sports, theater and studio horizontal and vertical orientation. Fluorine coat is applied for cameras] AF-S TELECONVERTER TC800-1.25E ED/AF-S TELECONVERTER TC-14E stops* faster adopts a new “SPORT” mode that is particularly III, [MF only] AF-S TELECONVERTER TC-20E III/AF-S TELECONVERTER TC-17E II portraiture. ED glass elements – including one Super ED glass – enhanced durability and dust prevention. effective when shooting sports. Other noticeable features include compensate for chromatic aberration, plus Nano Crystal Coat an electromagnetic diaphragm for stable exposure control even ensures clarity in demanding light. Vibration Reduction (VR) which Lens construction: 16 elements in 12 groups Lens construction: 20 elements in 13 groups during continuous shooting, a highly reliable fluorine coat applied (plus one meniscus protective glass element with fluorine coat) provides an effect equivalent to a shutter speed 3.0 stops* faster Minimum focus distance: 5.9 m/19.36 ft (AF) ; 5.8 m/19.03 ft (MF) Minimum focus distance: 3.6 m/11.9 ft to the lens front, and a tripod mount ring incorporating bearings for Maximum reproduction ratio: 0.15× (AF) ; 0.15× (MF) and a fast f/2 aperture broaden creative potential. Maximum reproduction ratio: 0.15× Filter-attachment size: 52 mm smooth operation. Filter-attachment size: 40.5 mm Accessories: Hood HK-38 / Case CT-801 / AF-S TELECONVERTER TC800-1.25E ED Accessories: Hood HK-34 / Case CT-505 AF-S TELECONVERTER TC800-1.25E ED*1 Lens construction: 5 elements in 3 groups Weight: 135 g/4.8 oz Lens construction: 13 elements in 9 groups Lens construction: 16 elements in 12 groups Diameter × length*2: 62.5 × 16 mm/2.5 × 0.6 in. Minimum focus distance: 1.9 m/6.2 ft Minimum focus distance: 2.6 m/8.5 ft *1 Focal length is extended by 1.25×. Special purpose Maximum reproduction ratio: 0.12× Maximum reproduction ratio: 0.17× *2 Distance from camera’s lens-mount flange. Special purpose Filter-attachment size: 52 mm Filter-attachment size: 40.5 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital Accessories: Hood HK-31 / Case CL-L1 Accessories: Hood HK-38 / Case CT-405 SLR camera. [Note] Supplied AF-S TELECONVERTER TC800-1.25E ED is a dedicated teleconverter to the AF-S NIKKOR 800mm f/5.6E FL ED VR and cannot be attached to other lenses. It is not sold separately.

44 45 Wide-angle zoom Wide-angle zoom

Andrew Hancock Andrew

Fun-to-use, compact fisheye lens for DX photographers Compact and versatile standard micro lenses Compact and approachable DX Micro with amazing clarity Versatile, high-performance micro lens for DX photographers AF DX Fisheye-Nikkor 10.5mm f/2.8G ED DX AF-S Micro NIKKOR 60mm f/2.8G ED AF-S DX Micro NIKKOR 40mm f/2.8G DX AF-S DX Micro NIKKOR 85mm f/3.5G ED VR DX

This compact and lightweight fisheye Delivers stunningly sharp images up to This remarkably light, compact and agile Compact and lightweight, even with the lens is designed exclusively for DX- life-size (1×) at all f-stops with incredible micro lens serves as an exceptional incorporated Vibration Reduction (VR) format cameras. With its frame-filling bokeh. Nano Crystal Coat effectively complement to DX cameras. In addition providing an effect equivalent to a

Telephoto zoom 180° angle of view and unique bending reduces ghost and flare effects under to life-size (1×) close-up capability, the shutter speed 3.0 stops* faster, which Telephoto zoom effects, any scene or subject will take on harsh lighting, such as in backlit situa- 40 mm focal length can make a wide enables steadier handheld shooting. new dimensions through the viewfinder, tions. With its wide focusing range, this variety of subject matter approachable, With a great working distance and making anything you shoot fun. The lens lens is not limited to extreme close-up including portraits. An excellent Micro continuous autofocus from infinity to life- has edge-to-edge sharpness and enables photography and can be used for most NIKKOR for any DX photographer. size (1×), this lens gives you amazing you to get as close to the subject as subject matter. sharpness and background bokeh for 3 cm/1.2 in. from the lens front. close-up subjects, portraits, nature Lens construction: 9 elements in 7 groups images and more. Minimum focus distance: 0.163 m/0.53 ft Maximum reproduction ratio: 1.00× Lens construction: 10 elements in 7 groups Lens construction: 12 elements in 9 groups Filter-attachment size: 52 mm Minimum focus distance: 0.14 m/0.46 ft Minimum focus distance: 0.185 m/0.6 ft Accessories: Hood HB-61 / Case CL-0915 Maximum reproduction ratio: 0.20× Maximum reproduction ratio: 1.00× Lens construction: 14 elements in 10 groups Filter-attachment size: Gelatin filter Filter-attachment size: 62 mm Minimum focus distance: 0.286 m/0.9 ft Accessories: Built-in hood / Case CL-0715 Accessories: Hood HB-42 / Case CL-1018 Maximum reproduction ratio: 1.00× Filter-attachment size: 52 mm Excellently balanced micro lens with VR Accessories: Hood HB-37 / Case CL-1018 AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Fixed focal length Sharp, full-frame fisheye lens creating dramatic Fixed focal length perspectives This medium telephoto micro has Vibration Reduction (VR) providing an effect AF Fisheye-Nikkor 16mm f/2.8D AF Micro-Nikkor 60mm f/2.8D equivalent to a shutter speed 3.0 stops* faster for easy handheld macro shooting. Wong Aaron

NIKKOR’s supreme optical performance This longtime seller delivers crisp The lens delivers crisp yet natural images © provides continuous sharpness from images at any focus distance from in any genre of photography. The longer infinity to the closest subject, offer- infinity to life-size (1×). Ideal for general focal length gives it a great working ing the uniquely altered reality of ultra- close-ups, portraits, landscapes, copy distance when shooting close-ups of wide-angle photography for beautiful work and more. flowers, insects and other small wildlife. It and dramatic images. Four bayonet type also takes fantastic portraits. Nano Crystal filters attached to the lens rear give more Coat effectively reduces ghost and flare creative options in filter effects. effects.

Lens construction: 8 elements in 7 groups Lens construction: 8 elements in 5 groups Minimum focus distance: 0.219 m/8 3/4 in. Lens construction: 14 elements in 12 groups Minimum focus distance : 0.25 m/0.85 ft AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Maximum reproduction ratio: 1.00× Maximum reproduction ratio: 0.09× Minimum focus distance: 0.314 m/1.0 ft Filter-attachment size: 62 mm Special purpose Special Accessories: Built-in hood / Case CL-0715 (optional) / Filter L37C, A2, B2, O56 Maximum reproduction ratio: 1.00× * Based on CIPA Standard. The value is achieved when: DX-format lenses are attached purpose Special Accessories: Hood HN-22 (optional) / Case CL-0815 (optional) Filter-attachment size: 62 mm to a DX-format digital SLR camera and FX-format compatible lenses are attached to Accessories: Hood HB-38 / Case CL-1020 an FX-format digital SLR camera.

46 47 OPTIONAL ACCESSORIES PC-E lens lineup: more freedom in controlling perspectives PC-E NIKKOR 24mm f/3.5D ED AF-S Teleconverters Teleconverters increase the original focal length to 2×, 1.7× or 1.4× when attached between an AF-S/AF-I lens and the camera body. Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal transmission. • Please refer to the user manual for the list of compatible lenses. Wide-angle zoom

This wide-angle PC lens covers an 84° angle of view and features AF-S Teleconverter TC-20E III AF-S Teleconverter TC-17E II AF-S Teleconverter TC-14E III tilt and shift operation, as well as +/-90° revolving mechanism. This teleconverter expands the focal This teleconverter expands the focal length This teleconverter expands the focal length Ideal for architecture, cityscapes, general indoor photography and length by 2× and slows down the aperture by 1.7× and slows down the aperture by by 1.4× and slows down the aperture by nature. Auto aperture control is possible with the electromagnetic by 2 stops. 1.5 stops. 1 stop. Fluorine coat is applied to the front diaphragm. Nano Crystal Coat reduces ghost and flare effects. and rear surfaces. Shinichi Sato

Normal zoom Normal Filter-attachment size: 77 mm Accessories: Hood HB-41 / Case CL-1120 n Auto Extension Ring PK-11A, 12, 13 n Macro Adapter Ring BR-2A/BR-5 These extension rings are for NIKKOR lenses with the AI Mounted to the lens in reverse, this extension ring can be (Automatic maximum aperture Indexing) system. Seven extension attached directly or using the Bellows Focusing Attachment. PC-E Micro NIKKOR 45mm f/2.8D ED lengths can be achieved when used individually or in combination. When shooting in a reproduction ratio larger than 1×, even *The exposure meter cannot be used with cameras that do not have an exposure meter better lens performance is realized by attaching the ring to the coupling lever, such as the F80 and F75 lens in reverse. BR-2A is compatible

PC-E Micro NIKKOR 45mm f/2.8D ED with lenses having 52 mm- n Adapter Ring BR-3 sized front attachment This adapter converts the bayonet mount of reverse-mounted and the BR-5 (with BR- Powerful telephoto micro lens with great working distance lenses to the 52 mm thread used for filters and hoods (HB-type 2A together) with lenses bayonet hoods cannot be used). having 62 mm-sized front P K-11A P K-12 P K-13 BR-2A BR-3 BR-5 AF Micro-Nikkor 200mm f/4D IF-ED attachment. With a fast f/2.8 aperture, this standard PC lens also has micro capability, shooting up to 1/2× life-size and enabling tilt, shift and Filters/holders Hoods

Telephoto zoom +/-90° revolving mechanism. Perfect for commercial work, product n Neutral Color NC Filter Lens hoods reduce stray light that can degrade your image shots, nature photography or any other subjects that require a Ideal as a lens protector, this filter does not affect the color quality while minimizing ghost and flare effects. They can also natural perspective and fine detail. Auto aperture control is possible balance (visible light spectrum) of your lens. Its multilayer be used as lens protectors. For every type of NIKKOR lens, with electromagnetic diaphragm. Nano Crystal Coat is employed to coating prevents light reflection inside the glass. there is a lens hood available. They are reduce ghost and flare effects. classified according to the attachment n Soft Focus Filter methods and materials: HB (bayonet), By taking advantage of the long working distance of 0.26 m/0.9 ft Lens construction: 9 elements in 8 groups Give your images a moderately soft and beautiful blur effect. HN (screw-on), HK (slip-on), HS at life-size (1×), it is ideal for shooting flowers, insects and other Minimum focus distance: 0.253 m/0.83 ft Good for various shooting situations, such as portraiture. (snap-on) and HR (rubber screw-on). Maximum reproduction ratio: 0.50× tiny wildlife without disturbing them. The NIKKOR glass ensures Filter-attachment size: 77 mm clear and high-contrast images regardless of f-stop, and the lens Accessories: Hood HB-43 / Case CL-1120 n Circular Polarizing Filter II performs superbly as a regular telephoto as well. By dramatically reducing the reflective qualities, polarizing filters NAL-1 Zoom/Focus Assist Lever allow direct shooting through glass or into bodies of water, and PC-E Micro NIKKOR 85mm f/2.8D enable better capture of other non-metallic objects that reflect When attached to a zoom ring or a focus ring, this lens Lens construction: 13 elements in 8 groups light. Polarizing filters also cut the reflective light of vapor and attachment enables smoother zoom or focus operation. It is Minimum focus distance: 0.5 m/1 5/8 ft minute dust in the air, so blue skies can be rendered even bluer. especially helpful for zooming during movie recording as well as

Fixed focal length Maximum reproduction ratio: 1.00× Filter-attachment size: 62 mm • This filter is incompatible with AF Nikkor 20mm f/2.8D. for fine manual focusing. Accessories: Hood HN-30 (optional) / Case CL-45 n Slip-in Circular Polarizing Filter Designed for use with telephoto lenses equipped with a slip- in filter holder, this filter reduces reflected light and draws out FT1 Mount Adapter more clarity and color while decreasing the effect of sunlight The FT1 mount adapter allows NIKKOR F-mount reflection from airborne water vapor and dust. Also, polarizing This medium-telephoto PC lens enables tilt, shift and +/-90° lenses to be used with Nikon 1 cameras equipped revolving mechanism and also has micro capability to shoot up filters darken the blue in skies without affecting the contrast, with a Nikon 1 mount. The angle of view of an to 1/2× life-size. A great choice for long-range portraits, nature, further emphasizing your subject. When shooting in color, the F-mount lens mounted on the FT1 is equivalent and commercial work with uniquely controlled perspectives. Auto filter eliminates color casting caused by reflected light. to that of a 35mm-format lens with a focal length aperture control is possible with electromagnetic diaphragm. Nano about 2.7× longer. Crystal Coat is employed to reduce ghost and flare effects.

Lens construction: 6 elements in 5 groups Minimum focus distance: 0.39 m/1.3 ft Special purpose Special * Based on CIPA Standard. This value is achieved when attached to a DX-format digital Maximum reproduction ratio: 0.50× SLR camera. Filter-attachment size: 77 mm Accessories: Hood HB-22 / Case CL-1120

48 49 NIKKOR TECHNOLOGY

Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situations, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.

Aspherical ED glass Aspherical lens PF (Phase Fresnel) lens Nano Crystal Coat

Using ED (Extra-low Dispersion) glass that successfully minimizes This type of lens utilizes non-spherical Conceptual image of The PF (Phase Fresnel) lens, developed by Originating from Nikon’s work in Reflected light color fringing as a material, this type of lens features non- distortion correction Incident surfaces on either one or both sides Nikon, effectively compensates chromatic semiconductor manufacturing light Conventional multilayer spherical surfaces on one or both sides of the glass. It provides of the glass in order to eliminate aberration utilizing the photo diffraction technology, NIKKOR’s Nano Crystal Coat coating superior rendering capability by maximizing the advantages of certain types of lens aberration. These phenomenon*. It provides superior chromatic is an antireflective coating that employs Lens both ED glass and an aspherical lens – effectively correcting aspherical elements are particularly aberration compensation performance when an extra-low refractive index coating various lens aberrations such as lateral chromatic aberration, useful for correcting the distortion in combined with a normal glass lens. Compared featuring ultra-fine, nano-sized* crystal Without coating coma flare at the periphery, as well as distortion and spherical wide-angle lenses. Such distortions to many general camera lenses that employ Conceptual image of the appearance of the PF (Phase particles. These crystallized particles aberration. Adopted in the AF-S NIKKOR 24-70mm f/2.8E ED VR. are caused by variations in the an optical system using the photorefractive Fresnel) lens eliminate reflections inside the lens Incident light Reflected light magnification of the image, depending phenomenon, a remarkably compact and lightweight body can be throughout the spectrum of visible light Image of aspherical ED glass Distortion is suppressed Nano Crystal Coat on its distance from the optical axis. attained with less number of lens elements. Aspherical ED glass: provides superior rendering capability by maximizing the advantages of waves (380 to 780 nm) in ways that Conceptual image of Lens both ED glass and an aspherical lens Aspherical lens elements correct these spherical aberration A general interchangeable lens forms an image on an imaging far exceed the limits of conventional correction ED glass: Enables the production of lenses that offer superior sharpness and color correction distortions by continuously changing plane, using the photorefractive phenomenon. The degree of light antireflection coating systems. Nano by minimizing chromatic aberration the refractive index from the center of refraction differs depending on the color (wavelength), and image Crystal Coat not only solves ghost Nano Crystal Coat the lens. formation is performed in the order of blue (B), green (G), and effects caused by red light, which Since the 1960s, Nikon engineers Spherical red (R) starting with the portion near the lens. The color deviation was incredibly difficult for previous aberration have established design theories and Normal lens referred to as chromatic aberration induces color bleeding, systems. It also effectively reduces Secondary Secondary lens-processing techniques to refine spectrum spectrum resulting in a deterioration of observed or captured images. ghost and flare effects caused by Normal glass ED glass the aspherical lens. In 1968, the OP light entering the lens diagonally. The (From left) Without coating, Nikon Super With PF (Phase Fresnel) lenses, on the other hand, image Integrated Coating, Nano Crystal Coat Fisheye-Nikkor 10mm f/5.6 became result: clearer images. Aspherical lens: Virtually eliminates the problem of coma and other types of lens aberration formation is performed in the order of red (R), green (G), and blue the first interchangeable SLR lens *One nanometer equals one millionth of a millimeter (B) starting with the portion near the lens. By combining the PF Image Conceptual Image Conceptual incorporating aspherical lens elements. Aspherical lens plane image plane image (Phase Fresnel) lens with a refractive lens, chromatic aberration Since then, aspherical lenses have Refractive index is continuously changed from the center can be effectively compensated. been an important part of the NIKKOR Focal Spherical Focal lens family, with every new addition to the lineup providing a new *Diffraction phenomenon: Light has characteristics as a waveform. When a waveform faces Nikon’s coating system utilizing fluorine point aberration point an obstacle, it attempts to go around and behind it, and this characteristic is referred to as diffraction. Diffraction causes chromatic dispersion in the reverse order of refraction. Normal lens Aspherical lens level of contrast, resolution and compact design. Nikon’s fluorine coat effectively repels dust, water droplets, Hybrid aspherical lenses: made of a special plastic molded onto Chromatic aberration compensation with the PF (Phase Fresnel) lens optical glass. grease or dirt, ensuring easy removal even when they adhere to the lens surface. Thanks to Nikon’s original technology, it delivers Molded glass aspherical lenses: manufactured by directly higher durability and is more peel-resistant. Compared to other ED glass / Super ED glass pressing optical glass into a high-precision aspherical mold. manufacturers’ coating of a similar kind, fluorine coat endures Refractive lens element a higher frequency of lens surface wiping and provides longer- Nikon was the world’s first camera The longer the wavelengths, duration staying power. Its anti-reflective effect also contributes maker to develop ED (Extra-low the farther the focal point to the capture of clear images. Dispersion) glass that could minimize Fluorite lens

prism-caused color dispersion. This Secondary PF (Phase Fresnel) lens spectrum Fluorite is a monocrystal optical material that features a high Mutual cancellation compensates low-dispersion ED glass also offers chromatic aberration Normal glass transmission rate within both the infrared and ultraviolet zones. anomalous dispersion characteristics PF (Phase Fresnel) lens element like calcium fluoride crystals, which With its superb anomalous dispersion properties, fluorite intense- The shorter the wavelengths, ly blocks the secondary spectrum in order to effectively correct the farther the focal point consequently minimize the secondary Static contact angle: 110˚ Static contact angle: 40˚ White light Blue Green Red spectrum. For lenses using normal chromatic aberration within the visible light spectrum – some- With flourine coat Without coating optical glass, the longer the focal Secondary thing that is more difficult to achieve at longer focal lengths. It spectrum length, the more difficult it is to correct is also significantly lighter than optical glass, giving you a more [Note] ED glass Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction the chromatic aberration that causes effective lens with less weight. phenomenon, when there is a strong light source within the frame or when light enters the lens from outside of the frame, ring-shaped colored flare may occur according to shooting color fringing. Nikon’s ED glass, which conditions. This phenomenon can be minimized with “PF Flare Control” included in Capture effectively compensates for this kind NX-D. Refer to the software manual for more information. Capture NX-D is available from our website. Please download and use the latest version. of chromatic aberration, is employed High Refractive Index lens Secondary in a wide range of NIKKOR telephoto spectrum Comparison images of PF Flare Control effect lenses for superior reproduction. Super ED glass With a refractive index of more than 2.0, one HRI lens can offer Nikon has also developed Super ED effects equivalent to those obtained with several normal glass glass featuring even lower dispersion properties and extremely elements and can compensate for both field curvature and high performance in eliminating the secondary spectrum, to spherical aberrations. Therefore, HRI lenses achieve great optical minimize chromatic aberration even further, as well as other lens performance in an even more compact body. aberrations.

Original image PF Flare Control applied

50 51 NIKKOR TECHNOLOGY

Vibration Reduction (VR) Silent Wave Motor M/A (manual-priority auto) mode

With NIKKOR’s Vibration Reduction system, camera shake Nikon’s original Silent Wave Motor (SWM) converts “traveling Simply by rotating a focus ring, M/A mode allows you to switch information is detected by the VR sensor of the VR lens unit, waves” into rotational energy to drive the optics used for from autofocus to manual with virtually no time lag. This makes which is continually in motion inside the lens, aligning the optical focusing. The two SWM lens types – ring type and compact type it possible to seamlessly switch to fine manual focusing while axis with your camera’s imaging sensor, thereby reducing image – are specifically chosen to match each lens’s specs and design. looking through the viewfinder. blur. By providing the equivalent of shooting at shutter speeds up Any AF-S NIKKOR lens featuring these SWMs delivers extremely to 4.5 stops* faster, the system helps you achieve sharper shots smooth, quiet and comfortable auto focusing for both general A/M (auto-priority manual) mode when shooting sports scenes, dimly lit landscapes and handheld shooting as well as

situations. VR off VR on extreme situations, This mode also enables an easy transition such as sports and from autofocus to manual during AF operation. wildlife. However, mode switch sensitivity has been In-lens blur correction for clearer viewfinder image Panning detection for moving subjects altered to reduce the possibility of sudden Nikon’s Vibration Reduction (VR) For a panning shot in which VR lens unit unintentional switching to manual focus while function is built into the lens. Unlike subject movement needs to be shooting. with in-camera systems, your emphasized, Nikon’s VR detects Image sensor camera’s sensor does not move with camera movement for panning, Direction of movement SWM Compact SWM VR, thereby giving you a steadier automatically suppressing the VR mechanism A-M mode ring/lever/switch view through the viewfinder and eliminating the blur blur-correction function. For a AF-P lens/Stepping Motor you would see in the image itself. A clear view makes it easier to horizontally moving subject, Thanks to a mechanism incorporated in the lens barrel, smooth confirm your composition and place your focus point accurately. only vertical blur is corrected. An AF-P lens that employs an STM (stepping motor) for driving focusing operation in Manual focus mode is realized in the same With VR lenses employing Active mode, choose Normal mode for the AF. Motor operation is synchronized with pulse electric way as users have become accustomed to with conventional Optimization in every lens panning shots. power, rotating one step per electric pulse. It offers high manual-focus lenses by adding an appropriate torque to the • Refer to page 54 for VR lenses with Active mode. Consider, for example, the special situation of using a micro lens to response and controllability for starting and stopping, and its focus ring. The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II, shoot extreme close-ups of a flower where the photographer is in simple mechanical structure allows for extremely quiet operation. AF-S DX Zoom-Nikkor 18-55 mm f/3.5-5.6G ED II and AF-S DX a crouching position. This shooting scenario deserves its own VR Tripod vibration reduction function Useful for video shooting and other times when operational noise Nikkor 55-200mm f/4-5.6G ED VR II are equipped with A-M parameters, so Nikon conducted over 10,000 shooting tests to refine This function automatically differentiates the frequency of the from the lens is a concern. mode switch, and the focus ring on these lenses rotate during unique algorithms for each VR lens type. Yet another reason why the vibration from that of camera shake, and changes the algorithm to autofocus. vibration reduction system is built inside the lens. correct image blur caused by slight tripod vibration. • Refer to page 54 for VR lenses with this function. Dual algorithm Three VR modes selectable n Nikon Super Integrated Coating n D Signal – Distance information output n Rounded Diaphragm Looking through a fully blur-corrected viewfinder for long periods according to shooting situations of time may cause feelings similar to motion sickness in some Nikon’s exclusive multilayer lens coating capability When shooting with an ordinary diaphragm, photographers. To prevent this, Nikon developed an exclusive Normal mode achieves high transmittance in a wider The D stands for Distance. Subject-to- blurry, polygon-shaped spots are likely to algorithm utilized when the shutter release button is half-pressed. Normal mode is recommended for most general scenes. In this wavelength range. Even for zoom lenses camera distance information is obtained appear in images of scenes that include This first algorithm controls the blur correction at a slightly lower mode, slow and wide camera movement is regarded as the with a large number of glass elements, with an internal encoder, which is linked to point light sources such as street lamps photographer recomposing a shot and blur-correction operation is level than usual. When the shutter release button is fully pressed, a this coating system effectively reduces the lens focus ring. This information is then or holiday lighting at night. A rounded limited accordingly. Normal mode also includes automatic panning second algorithm engages to maximize camera shake compensation the ghost and flare effects that are likely transmitted to the camera body for high- diaphragm is achieved by using specialized detection. during exposure for clear images. to occur in backlit situations, helping you precision exposure control found in 3D Color blades for a beautiful and naturally round Active mode achieve high-contrast images with rich Matrix Metering II/III and i-TTL Balanced Fill- shape for out-of-focus objects. Centering prior to exposure When shooting from a moving vehicle or other unstable position, gradation. With outstanding color balance Flash. Every AF, AF-S, PC and PC-E series the lens can sometimes misinterpret camera movement or a The instant the shutter is released, the VR lens unit will reset to a and reproduction capability, superb optical lens has a distance signal built in. n Internal Focusing central position (optical axis) from an off-centered position which is photographer’s intentions. In this case, choose Active mode for performance can be achieved. Ghost and the result of VR operation. Although the shift range of the VR lens further compensation, a more stable viewfinder image and even With this focusing method, all the lens flare effects caused by internal reflections n E-type lenses unit is limited, centering of the lens ensures uniform shift in any steadier shots. elements are divided into front, middle and • Refer to page 54 for VR lenses with Active mode. direction, maximizing the VR effect as well as optical performance. particular to digital cameras are also An electromagnetic diaphragm mechanism rear groups, with only the middle group effectively minimized. This coating system Sport mode is incorporated inside the body of these moving to focus. is applied to all current lenses in the High blur-correction performance Sport mode is particularly effective lenses and controlled via electronic signals NIKKOR lineup. from the camera body. This gives you n Rear Focusing It is said that a shutter Degree VR OFF VR ON (4.5 stops) for shooting sports because natural of blur speed of 1/[focal length finder image can be reliably provided incredibly accurate aperture control, even With Nikon’s Rear Focusing (RF) system, all (mm)] second or slower even when tracking randomly moving n Meniscus Protective Glass when a teleconverter is being used with a the lens elements are divided into specific may cause image blur, subjects. This is also achieved when tracking subjects with handheld NIKKOR’s exclusive protective glass for super-telephoto lens*. lens groups, with only the rear lens group panning or even during movie recording. A more stable finder image however, this cannot lenses comes attached to the front of *Some limitations apply moving for focusing. be applied to every Shutter speed [s] is attained when utilizing a monopod or a tripod. For shooting still 1/500 1/250 1/125 1/60 1/30 1/15 1/8 fast super-telephoto lenses. Normal flat situation because 1/6 subjects, Normal mode that offers a higher blur-correction effect is n protective glass lets incoming light reflect G-type lenses n Close-Range Correction system there are differences in Effect: 4.5 stops recommended. off the surface of the image sensor or film, For this type of lens, apertures are always photographers’ skill and lens/camera performance. For this reason, The Close-Range Correction (CRC) especially under a strong light source such selected from the camera body, as there is Nikon’s engineers compared an image with VR on and another system is one of Nikon’s most important without VR based on CIPA Standard. As a result, the VR effect as a spotlight. This then reflects again off no aperture ring on the lens itself. Through focusing innovations, because it provides providing the equivalent of a shutter speed up to 4.5 stops* faster is the protective glass, resulting in a ghost the powerful control of diaphragm blades, superior picture quality when shooting at confirmed. This allows photographers to use slower shutter speeds *Based on CIPA Standard. The value is achieved when: DX-format lenses are effect. NIKKOR’s curved meniscus glass stable high-speed continuous shooting is attached to a DX-format digital SLR camera, FX-format compatible lenses are close distances, increasing your focusing than would otherwise be possible for taking sharp images with attached to an FX-format digital SLR camera, and zoom lenses are set at the dramatically reduces this re-reflected light, enabled, even at smaller apertures*. range. With CRC, the lens elements minimal blur, expanding photographic expression. maximum telephoto position. For VR effect in stops with each lens, refer to page 54. *Some limitations apply realizing clearer images with less ghosting. are configured in a “floating element” design wherein each lens group moves independently to achieve focusing. 52 53 SPECIFICATIONS

Lens Angle of view Angle of view Vibration Reduction (VR) When using the D5000 series and Number of Minimum Maximum Filter- D3000 series, autofocusing is construction with with Focusing Tripod Minimum Weight Diameter x length Lens cap *5 Lens name *1 Effect in diaphragm focus distance reproduction *4 attachment size Lens hood Lens case [groups/ FX-format DX-format System VR mode vibration f-stop *3 [g/oz] [mm/in.] type possible only with AF-S or AF-I stops*2 blades [m/ft] ratio[x] [mm] elements] cameras cameras reduction lenses that have the motor built-in. ■ WIDE-ANGLE ZOOM NIKKOR LENSES *1 With the IF (Internal Focusing) system, AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED 9/14 — 109˚-61˚ IF 7 22-29 0.24/0.8 (0.22/0.7)*6 0.19 460/16.2 82.5 x 87/3.2 x 3.4 77 Snap-on HB-23 (provided) CL-1118 (provided) the shorter the shooting distance, AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED 7/11 — 99˚-61˚ IF 7 22 0.3/1 0.12 465/16.4 82.5 x 90/3.2 x 3.5 77 Snap-on HB-23 (provided) CL-S2 (optional) the shorter the focal length becomes 9 AF-S NIKKOR 14-24mm f/2.8G ED 11/14 114˚-84˚ 90˚-61˚ IF 9 22 0.28/0.92* 0.14 970/34.2 98 x 131.5/3.9 x 5.2 — Slip-on Built-in CL-M3 (provided) because of its optical characteristics. AF-S NIKKOR 16-35mm f/4G ED VR 12/17 107˚-63˚ 83˚-44˚ IF 2.5 Normal 9 22 0.28/0.9*10 0.24 680/24.0 82.5 x 125/3.2 x 4.9 77 Snap-on HB-23 (provided) CL-1120 (provided) *2 Based on CIPA Standard. This value is AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED 10/13 104˚-62˚ 79˚-44˚ IF 9 22 0.28/0.9 0.21 745/26.3 82.5 x 106/3.2 x 4.2 77 Snap-on HB-23 (provided) CL-76 (provided) achieved when: DX-format lenses are AF-S NIKKOR 18-35mm f/3.5-4.5G ED 8/12 100˚-63˚ 76˚-44˚ IF 7 22-29 0.28/0.92 0.19 385/13.6 83 x 95/3.3 x 3.7 77 Snap-on HB-66 (provided) CL-1118 (provided) attached to a DX-format digital SLR ■ NORMAL ZOOM NIKKOR LENSES camera, FX-format compatible lenses AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR 13/17 — 83˚-20˚ IF 4.0 Normal / Active √ 7 22-32 0.35/1.15 0.22 480/16.9 80 x 85.5/3.1 x 3.4 72 Snap-on HB-75 (provided) CL-1218 (optional) are attached to an FX-format digital AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR 11/17 — 83˚-18˚50' IF 3.5 Normal / Active 7 22-36 0.38/1.3 0.21 485/17.1 72 x 85/2.8 x 3.3 67 Snap-on HB-39 (provided) CL-1015 (provided) SLR camera, and zoom lenses are set AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED 10/14 — 79˚-28˚50' IF 9 22 0.36/1.2*11 0.20 755/26.6 85.5 x 110.5/3.4 x 4.4 77 Snap-on HB-31 (provided) CL-1120 (provided) at the maximum telephoto position. AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR 9/12 — 76°-28°50’ IF 4.0 Normal 7 22-38 0.25/0.9 0.38 205/7.3 64.5 x 62.5/2.6 x 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) *3 Minimum focus distance is the AF-P DX NIKKOR 18-55mm f/3.5-5.6G 9/12 — 76°-28°50’ IF 7 22-38 0.25/0.9 0.38 195/6.9 64.5 x 62.5/2.6 x 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) distance from a camera's focal plane AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II 8/11 — 76˚-28˚50' 4.0 Normal 7 22-36 0.28/0.92 (0.25/0.82)*6 0.30 (0.36)*6 195/6.9 66 x 59.5/2.6 x 2.3 52 Snap-on HB-69 (optional) CL-0815 (optional) mark to the subject. AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR 11/15 — 76˚-15˚20' IF 3.5 Normal 7 22-38 0.45/1.5 0.20 420/14.8 76 x 89/3.0 x 3.5 67 Snap-on HB-32 (provided) CL-1018 (provided) *4 Distance from camera lens mount AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 12/17 — 76˚-11˚30' IF 4.0 Normal 7 22-38 0.45/1.48 0.23 490/17.3 78 x 97/3.1 x 3.8 67 Snap-on HB-32 (optional) CL-1018 (optional) flange. AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II 12/16 — 76˚-8˚ IF 3.5 Normal / Active 7 22-36 0.5/1.6 0.22 (0.5)*6 565/19.9 77 x 96.5/3.0 x 3.8 72 Snap-on HB-35 (provided) CL-1018 (provided) *5 Lens hood names indicate type: HB AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR 14/19 — 76˚-5˚20' IF 3.5 Normal / Active 9 22-32 0.45/1.48*12 0.31 830/29.3 83 x 120/3.3 x 4.7 77 Snap-on HB-58 (provided) CL-1120 (provided) (bayonet), HN (screw-on), HK (slip-on), AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR 12/16 — 76˚-5˚20' IF 4.0 Normal 7 22-40 0.48/1.6 0.29 550/19.4 78.5 x 99/3.1 x 3.9 67 Snap-on HB-39 (optional) CL-1018 (optional) HS (snap-on) and HR (rubber screw-on). AF-S NIKKOR 24-70mm f/2.8E ED VR 16/20 84˚-34˚20' 61˚-22˚50' IF 4.0 Normal / Active √ 9 22 0.38/1.25*13 (0.41/1.35)*14 0.28 1070/37.7 88 x 154.5/3.5 x 6.1 82 Snap-on HB-74 (provided) CL-M3 (provided) *6 Number in ( ) is for MF. AF-S NIKKOR 24-70mm f/2.8G ED 11/15 84˚-34˚20' 61˚-22˚50' IF 9 22 0.38/1.2*13 0.26 900/31.7 83 x 133/3.3 x 5.2 77 Snap-on HB-40 (provided) CL-M3 (provided) *7 Number in ( ) is for macro setting. AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR 11/16 84˚-28˚30' 61˚-18˚50' IF 4.0 Normal 7 22-29 0.38/1.25 0.22 465/16.4 78 x 82/3.1 x 3.2 72 Snap-on HB-63 (provided) CL-1118 (provided) *8 Number in ( ) is for macro setting at AF-S NIKKOR 24-120mm f/4G ED VR 13/17 84˚-20˚20' 61˚-13˚20' IF 3.5 Normal / Active 9 22 0.45/1.5 0.23 710/25 84 x 103.5/3.3 x 4.1 77 Snap-on HB-53 (provided) CL-1218 (provided) 85 mm telephoto end. AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 14/19 75˚-8˚10' 53˚-5˚20' IF 3.5 Normal / Active 9 22-38 0.5/1.6 0.31 800/28.2 83 x 114.5/3.3 x 4.5 77 Snap-on HB-50 (provided) CL-1120 (provided) *9 When in between 18-24 mm. ■ TELEPHOTO ZOOM NIKKOR LENSES *10 When in between 20-28 mm. AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II 9/13 — 28˚50'-8˚ IF 4.0 Normal 7 22-32 1.1/3.7 0.23 300/10.6 70.5 x 83/2.8 x 3.3 52 Snap-on HB-37 (optional) CL-0915 (optional) *11 When in 35 mm. AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR 11/17 — 28˚50'-5˚20' 3.0 Normal 9 22-29 1.4/4.59 0.27 530/18.7 76.5 x 123/3.0 x 4.8 58 Snap-on HB-57 (provided) CL-1020 (provided) *12 When in 300 mm. AF-S NIKKOR 70-200mm f/2.8G ED VR II*15 16/21 34˚20'-12˚20' 22˚50'-8˚ IF 3.5 Normal / Active 9 22 1.4/4.6 0.11 1540 (1460)/54.3 (51.5)*16 87 x 205.5/3.4 x 8.1 77 Snap-on HB-48 (provided) CL-M2 (provided) AF-S NIKKOR 70-200mm f/4G ED VR 14/20 34˚20'-12˚20' 22˚50'-8˚ IF 4.0 Normal / Active 9 32 1.0/3.28 0.27 850/30.0 78 x 178.5/3.1 x 7.0 67 Snap-on HB-60 (provided) CL-1225 (provided) *13 When in between 35-50 mm. AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED 12/17 34˚20'-8˚10' 22˚50'-5˚20' IF 2.5 Normal / Active 9 32-40 1.5/4.9 0.24 745/26.3 80 x 143.5/3.1 x 5.6 67 Snap-on HB-36 (provided) CL-1022 (provided) *14 When in 24, 28, 70 mm. AF Zoom-Nikkor 80-200mm f/2.8D ED*15 11/16 30˚10'-12˚20' 20˚-8˚ 9 22 1.8/6 (1.5/4.9)*7 0.13 (0.17)*7 1300/45.9 87 x 187/3.4 x 7.4 77 Snap-on HB-7 (optional) CL-43A (provided) *15 Tripod mounting collar is provided. AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*15 12/20 30˚10'-6˚10' 20˚-4˚ IF 4.0 Normal / Active √ 9 32-40 1.75/5.74 (1.5/4.92)*6 0.17 (0.19)*6 1570/55.4 95.5 x 203/3.8 x 8.0 77 Snap-on HB-65 (provided) CL-M2 (provided) *16 Number in ( ) is the weight without AF-S NIKKOR 200-400mm f/4G ED VR II*15 17/24 12˚20'-6˚10' 8˚-4˚ IF 3.0 Normal / Active √ 9 32 2/6.6 (1.95/6.4)*6 0.26 (0.27)*6 3360/118.5 124 x 365.5/4.9 x 14.4 52 Slip-on HK-30 (provided) CL-L2 (provided) tripod mounting collar. AF-S NIKKOR 200-500mm f/5.6E ED VR*15 12/19 12˚20'-5˚ 8˚-3˚10' IF 4.5 Normal / Sport √ 9 32 2.2/7.22 0.22 2300/81.1 108 x 267.5/4.3 x 10.5 95 Snap-on HB-71 (provided) CL-1434 (provided) *17 Use CL-0715 instead if you are using ■ FIXED FOCAL-LENGTH NIKKOR LENSES the lens hood HB-33. AF Nikkor 14mm f/2.8D ED 12/14 114˚ 90˚ RF 7 22 0.2/0.66 0.15 670/23.6 87 x 86.5/3.4 x 3.4 Gelatin filter Slip-on Built-in CL-S2 (provided) *18 Close-Range Correction (CRC) system AF-S NIKKOR 20mm f/1.8G ED 11/13 94˚ 70˚ RF 7 16 0.2/0.66 0.23 355/12.5 82.5 x 80.5/3.2 x 3.2 77 Snap-on HB-72 (provided) CL-1015 (provided) *19 Using shifting and/or tilting under AF Nikkor 20mm f/2.8D*18 9/12 94˚ 70˚ 7 22 0.25/0.85 0.12 270/9.5 69 x 42.5/2.7 x 1.7 62 Snap-on HB-4 (optional) CL-S2 (optional) some conditions may cause AF-S NIKKOR 24mm f/1.4G ED 10/12 84˚ 61˚ RF 9 16 0.25/0.82 0.18 620/21.9 83 x 88.5/3.3 x 3.5 77 Snap-on HB-51 (provided) CL-1118 (provided) vignetting. AF-S NIKKOR 24mm f/1.8G ED 9/12 84˚ 61˚ RF 7 16 0.23/0.75 0.20 355/12.5 77.5 x 83/3.1 x 3.3 72 Snap-on HB-76 (provided) CL-1015 (provided) AF Nikkor 24mm f/2.8D*18 9/9 84˚ 61˚ 7 22 0.3/1 0.11 270/9.5 64.5 x 46/2.5 x 1.8 52 Snap-on HN-1 (optional) CL-0715 (optional) AF-S NIKKOR 28mm f/1.8G 9/11 75˚ 53˚ RF 7 16 0.25/0.82 0.21 330/11.6 73 x 80.5/2.9 x 3.2 67 Snap-on HB-64 (provided) CL-0915 (provided) AF Nikkor 28mm f/2.8D 6/6 74˚ 53˚ 7 22 0.25/0.85 0.17 205/7.2 65 x 44.5/2.6 x 1.8 52 Snap-on HN-2 (optional) CL-0715 (optional) AF-S NIKKOR 35mm f/1.4G 7/10 63˚ 44˚ RF 9 16 0.3/0.98 0.19 600/21.2 83 x 89.5/3.3 x 3.5 67 Snap-on HB-59 (provided) CL-1118 (provided) AF-S NIKKOR 35mm f/1.8G ED 8/11 63˚ 44˚ RF 7 16 0.25/0.85 0.23 305/10.8 72 x 71.5/2.8 x 2.8 58 Snap-on HB-70 (provided) CL-0915 (provided) AF-S DX NIKKOR 35mm f/1.8G 6/8 — 44˚ RF 7 22 0.3/0.98 0.16 200/7.1 70 x 52.5/2.8 x 2.1 52 Snap-on HB-46 (provided) CL-0913 (provided) AF Nikkor 35mm f/2D 5/6 62˚ 44˚ 7 22 0.25/0.85 0.23 205/7.2 64.5 x 43.5/2.5 x 1.7 52 Snap-on HN-3 (optional) CL-0715 (optional) AF-S NIKKOR 50mm f/1.4G 7/8 46˚ 31˚30' 9 16 0.45/1.5 0.14 280/9.9 73.5 x 54/2.9 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided) AF Nikkor 50mm f/1.4D 6/7 46˚ 31˚30' 7 16 0.45/1.5 0.14 230/8.1 64.5 x 42.5/2.5 x 1.7 52 Snap-on HR-2 (optional) CL-0715 (optional) AF-S NIKKOR 50mm f/1.8G (Special Edition) 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 190/6.7 73 x 52.5/2.9 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided) AF-S NIKKOR 50mm f/1.8G 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 185/6.5 72 x 52.5/2.8 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided) AF-S NIKKOR 58mm f/1.4G 6/9 40˚50' 27˚20' 9 16 0.58/1.9 0.12 385/13.6 85 x 70/3.3 x 2.8 72 Snap-on HB-68 (provided) CL-1015 (provided) AF-S NIKKOR 85mm f/1.4G 9/10 28˚30' 18˚50' IF 9 16 0.85/2.79 0.11 595/21.0 86.5 x 84/3.4 x 3.3 77 Snap-on HB-55 (provided) CL-1118 (provided) AF-S NIKKOR 85mm f/1.8G 9/9 28˚30' 18˚50' IF 7 16 0.8/2.62 0.12 350/12.3 80 x 73/3.1 x 2.9 67 Snap-on HB-62 (provided) CL-1015 (provided) AF DC-Nikkor 105mm f/2D 6/6 23˚20' 15˚20' RF 9 16 0.9/3 0.13 640/22.6 79 x 111/3.1 x 4.4 72 Snap-on Built-in CL-38 (optional) AF DC-Nikkor 135mm f/2D 6/7 18˚ 12˚ RF 9 16 1.1/4 0.13 815/28.7 79 x 120/3.1 x 4.7 72 Snap-on Built-in CL-38 (optional) AF-S NIKKOR 200mm f/2G ED VR II*15 9/13 12˚20' 8˚ IF 3.0 Normal / Active √ 9 22 1.9/6.2 0.12 2930/103.4 124 x 203.5/4.9 x 8.0 52 Slip-on HK-31 (provided) CL-L1 (provided) AF-S NIKKOR 300mm f/2.8G ED VR II*15 8/11 8˚10' 5˚20' IF 3.0 Normal / Active √ 9 22 2.3/7.5 (2.2/7.2)*6 0.15 (0.16)*6 2900/102.3 124 x 267.5/4.9 x 10.5 52 Slip-on HK-30 (provided) CL-L1 (provided) AF-S NIKKOR 300mm f/4E PF ED VR*15 10/16 8˚10' 5˚20' IF 4.5 Normal / Sport √ 9 32 1.4/4.6 0.24 755/26.6 89 x 147.5/3.5 x 5.8 77 Snap-on HB-73 (provided) CL-M3 (provided) AF-S Nikkor 300mm f/4D IF-ED*15 6/10 8˚10' 5˚20' IF 9 32 1.45/4.8 0.24 1440 (1300)/50.8 (45.9)*16 90 x 222.5/3.5 x 8.8 77 Snap-on Built-in CL-M2 (provided) AF-S NIKKOR 400mm f/2.8E FL ED VR*15 12/16 6˚10' 4˚ IF 4.0 Normal / Sport √ 9 22 2.6/8.5 0.27 3800/134.0 159.5 x 358/6.3 x 14.1 40.5 Slip-on HK-38 (provided) CT-405 (provided) AF-S NIKKOR 500mm f/4E FL ED VR 12/16 5˚ 3˚10' IF 4.0 Normal / Sport √ 9 22 3.6/11.9 0.15 3090/109.0 140 x 387/5.5 x 15.2 40.5 Slip-on HK-34 (provided) CT-505 (provided) AF-S NIKKOR 600mm f/4E FL ED VR 12/16 4˚10' 2˚40' IF 4.0 Normal / Sport √ 9 22 4.4/14.4 0.14 3810/134.4 166 x 432/6.5 x 17.0 40.5 Slip-on HK-40 (provided) CT-608 (provided) AF-S NIKKOR 800mm f/5.6E FL ED VR*15 13/20 3˚10' 2˚ IF 4.5 Normal / Active √ 9 32 5.9/19.36 (5.8/19.03)*6 0.15 (0.15)*6 4590/161.9 160 x 461/6.3 x 18.1 52 Slip-on HK-38 (provided) CT-801 (provided) ■ SPECIAL-PURPOSE NIKKOR LENSES AF DX Fisheye-Nikkor 10.5mm f/2.8G ED*18 7/10 — 180˚ 7 22 0.14/0.46 0.20 305/10.8 63 x 62.5/2.5 x 2.5 Gelatin filter Slip-on Built-in CL-0715 (provided) AF Fisheye-Nikkor 16mm f/2.8D*18 5/8 180˚ 107˚ 7 22 0.25/0.85 0.09 290/10.2 63 x 57/2.5 x 2.2 Rear-attachment type Slip-on Built-in CL-0715 (optional) AF-S DX Micro NIKKOR 40mm f/2.8G*18 7/9 — 38˚50' 7 22 0.163/0.53 1.00 235/8.3 68.5 x 64.5/2.7 x 2.5 52 Snap-on HB-61 (provided) CL-0915 (provided) AF-S Micro NIKKOR 60mm f/2.8G ED 9/12 39˚40' 26˚30' IF 9 32 0.185/0.6 1.00 425/15.0 73 x 89/2.9 x 3.5 62 Snap-on HB-42 (provided) CL-1018 (provided) AF Micro-Nikkor 60mm f/2.8D*18 7/8 39˚40' 26˚30' 7 32 0.219/8 3/4 in. 1.00 440/15.5 70 x 74.5/2.8 x 2.9 62 Snap-on HN-22 (optional) CL-0815 (optional) AF-S DX Micro NIKKOR 85mm f/3.5G ED VR 10/14 — 18˚50' IF 3.0 Normal 9 32 0.286/0.9 1.00 355/12.5 73 x 98.5/2.9 x 3.9 52 Snap-on HB-37 (provided) CL-1018 (provided) AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED 12/14 23˚20' 15˚20' IF 3.0 Normal 9 32 0.314/1 1.00 750/26.5 83 x 116/3.3 x 4.6 62 Snap-on HB-38 (provided) CL-1020 (provided) AF Micro-Nikkor 200mm f/4D IF-ED*15*18 8/13 12˚20' 8˚ IF 9 32 0.5/1 5/8 1.00 1190/42.0 76 x 193/3.0 x 7.6 62 Snap-on HN-30 (optional) CL-45 (provided) PC-E NIKKOR 24mm f/3.5D ED*19 10/13 84˚ 61˚ RF 9 32 0.21/0.75 0.36 730/25.7 82.5 x 108/3.2 x 4.3 77 Snap-on HB-41 (provided) CL-1120 (provided) PC-E Micro NIKKOR 45mm f/2.8D ED*18*19 8/9 51˚ 34˚50' 9 32 0.253/0.83 0.50 740/26.1 82.5 x 112/3.2 x 4.4 77 Snap-on HB-43 (provided) CL-1120 (provided) PC-E Micro NIKKOR 85mm f/2.8D*18*19 5/6 28˚30' 18˚50' 9 32 0.39/1.3 0.50 635/22.4 83.5 x 107/3.3 x 4.2 77 Snap-on HB-22 (provided) CL-1120 (provided)

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Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. March 2016 2016 Nikon Corporation TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. WARNING SOME DOCUMENTS CAN BE DOWNLOADED FROM downloadcenter.nikonimglib.com.

Nikon Singapore Pte Ltd 23 Church Street, Unit #13-07, Capital Square, Singapore, 049481 www.nikon.com.sg Nikon Hong Kong Ltd. Suite 1001, 10F, Cityplaza One, 1111 King's Road, Taikoo Shing, Hong Kong www.nikon.com.hk Nikon (Malaysia) Sdn. Bhd. 11th Floor, Block A, Menara PKNS, No. 17, Jalan Yong Shook Lin, 46050 Petaling Jaya, Selangor Darul Ehsan, Malaysia www.nikon.com.my Nikon Australia Pty Ltd. Suite 501, Level 5, 5 Rider Boulevard, Rhodes, NSW 2138, Australia www.nikon.com.au Nikon India Private Limited Plot No. 71, Sector 32, Institutional Area, Gurgaon 122001, Haryana, India (CIN-74999HR2007FTC036820) www.nikon.co.in Nikon Sales (Thailand) Co., Ltd. 1 Empire Tower, 45th Floor, River Wing East, South Sathorn Rd, Yannawa, Sathorn, Bangkok 10120, Thailand www.nikon.co.th Nikon Middle East FZE Level 4, The Galleries Bldg. 2, Downtown Jebel Ali, P.O. Box 261908, Dubai, UAE www.nikon-me.com PT Nikon Indonesia 35th Floor, Wisma 46 - Kota BNI, Jl. Jend. Sudirman Kav.1, Jakarta, 10220, Indonesia www.nikon.co.id NIKON CORPORATION Shinagawa Intercity Tower C, 2-15-3, Konan, Minato-ku, Tokyo 108-6290, Japan www.nikon.com

Printed in China Code No. NSG-EA-SGP-NIKKOR-BOOK (1603/A)K