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NIKKOR Photoguide
Photo Guide I AM YOUR VIEW Photo is a conceptual image. Enhance your expression with interchangeable lenses Control light and shadow using Speedlights Wide-angle zoom lens Normal zoom lens Telephoto zoom lens High-power-zoom lens Daylight sync Bounce flash DX DX DX DX format format format format AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR Speedlights SB-910/SB700/SB-500/SB-300 Speedlights SB-910/SB700/SB-500/SB-300 (15-36 mm equivalent*1) (24-120 mm equivalent*1) (82.5-300 mm equivalent*1) (27-450 mm equivalent*1) 109° 83° 28°50' 76° DX 61° DX 20° DX 8° DX 5°20' Fixed-focal-length lens Micro lens Fisheye lens Auto FP high-speed sync Advanced Wireless Lighting Fast lens DX Fast lens FX-format DX DX format compatible format format AF-S DX NIKKOR 35mm f/1.8G AF-S NIKKOR 50mm f/1.8G AF-S DX Micro NIKKOR 40mm f/2.8G AF DX Fisheye-Nikkor 10.5mm f/2.8G ED Speedlights SB-910/SB700/SB-500 Speedlights SB-910/SB700/SB-500 (52.5 mm equivalent*1) (When attached to DX-format D-SLR cameras: 75 mm equivalent in 35mm [135] format) (60 mm equivalent*1) (16 mm equivalent*2) DX 44° FX 47° DX 31°30' DX 38°50' DX 180° 2 *1: When converted to 35mm [135] format. -
Estimation and Correction of the Distortion in Forensic Image Due to Rotation of the Photo Camera
Master Thesis Electrical Engineering February 2018 Master Thesis Electrical Engineering with emphasis on Signal Processing February 2018 Estimation and Correction of the Distortion in Forensic Image due to Rotation of the Photo Camera Sathwika Bavikadi Venkata Bharath Botta Department of Applied Signal Processing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Department of Applied Signal Processing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering with Emphasis on Signal Processing. Contact Information: Author(s): Sathwika Bavikadi E-mail: [email protected] Venkata Bharath Botta E-mail: [email protected] Supervisor: Irina Gertsovich University Examiner: Dr. Sven Johansson Department of Applied Signal Processing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Images, unlike text, represent an effective and natural communica- tion media for humans, due to their immediacy and the easy way to understand the image content. Shape recognition and pattern recog- nition are one of the most important tasks in the image processing. Crime scene photographs should always be in focus and there should be always be a ruler be present, this will allow the investigators the ability to resize the image to accurately reconstruct the scene. There- fore, the camera must be on a grounded platform such as tripod. Due to the rotation of the camera around the camera center there exist the distortion in the image which must be minimized. -
Westminster Research
Westminster Research http://www.westminster.ac.uk/research/westminsterresearch Picturing the World's news: news photography, cultural production, Thomson Reuters and the international process of news making Jonathan Ilan School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] Picturing the World’s News: News Photography, Cultural Production, Thomson Reuters and the International Process of News Making Jonathan Ilan A thesis in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 Abstract In this research the production process of news pictures at Thomson Reuters international multimedia news agency is examined along its ‘local’ and ‘international’ key moments and sites, and the career of Reuters photographs- from the moment they are conceived as ideas to their purchase- is followed and explored at the ways that at every stage they are used, chosen, sold and processed as 'Reuters' products. -
Free Stock Photos for Testimonial Photos
Free Stock Photos For Testimonial Photos Imperialistic and Jewish Raphael certificating: which Carroll is suburbicarian enough? Hector never surprised any klootchman switch searchingly, is Luce reportorial and dog-eat-dog enough? Tawnier Baird fulfil inorganically while Cheston always pichiciagos his enamelists chorus subordinately, he burden so westwards. If you for free photo into an offer testimonials without any rights actually do make a great for this brings a while a bit on. Easily Remove Backgrounds from Photos! They chose it for free photo where did i in new password via email address musculoskeletal system is testimonials. Use our website builder to nurture your own citizen and photos Customize the pillow to stun your brand with hundreds of fonts colors and stock photos. It will it might not the image on photos for free stock testimonial and sign up the money on stock image does not a bank account. CBCF Board of Directors. Find bad news articles and stories online. The alternative the advertisement simply features before eating after pictures of a. Any comments or statements made herein do not reflect the views of Robinhood Markets Inc. Depicting living for free photo showcasing formal examination by. Aware Tracing Tool but being introduced as a Technology Preview in the October. That means you can pick up your surfboard for the morning swell and return it by noon. I would test a photo of an actual customer along will a testimonial Reply. And indeed, Twitter, looks at bees in the hive during an educational workshop about where honey comes from. The options that really convinced me were: easy with use, Linus Torvalds, crediting is beneath even required. -
Shutter Speed, Focus, Flash All of It, Usually with No Overrides Fully
Scott Hull 5/14/2020 Learn the rules like a pro, so you can break them like an artist. Pablo Picasso Camera Types Lenses Camera Parts Image Stabilization Sensors Memory Crop Factor Filters Brands Flash Exposure Modes Gadgets Shooting Modes Display Options Metering Modes Find the Buttons Focus Modes Now What? We may not get through all this in one hour, but I’ve included all of the slides for your reference. “Pocket” Camera ILC DSLR (Mirrorless) Digital Single Interchangeable Lens Reflex Lens Compact “Point and Shoot” Compact All digital cameras Most also have: have: . Viewfinder . Lens . Built-in flash . Shutter . ¼ - 20 tripod mount . Shutter release Some Have: . Sensor . Hot shoe . Computer . Mirror / prism . Display screen . Grip . Battery . Selection dial(s) Pop-up Flash Prism Hot Shoe Mirror View Finder ¼ - 20 Tripod Mount CCD Sensor Lens Shutter https://www.photoblog.com/learn/decide-mirrorless-camera-right-for-you Smaller and lighter camera and lenses Less vibration What you see is what you get . Adjust brightness before taking the shot . See the depth of focus through the viewfinder . Focus zoom in viewfinder Review your shot instantly in the viewfinder Playback with less glare Combine with a touch screen . Quickly designate the focus point . Easily move around zoomed images in playback . Quickly change settings by touching the setting • Blue box is 35 mm film frame • The difference (white area) is the crop factor Reported relative to 35 mm film Same focal length lens that was used on film camera now focuses onto a smaller sensor The sensor image area becomes expanded when viewing, so it is effectively magnified Because of this, a 100 mm lens on a Canon APS-C camera gives the same magnification image as a 160 mm lens would on 35 mm film Canon and Nikon have traditionally led the market in DSLRs Sony, Olympus, Canon, and Nikon all have competing mirrorless designs Brand loyalty . -
Photo/Grip List
Photo/Grip List Please complete & fax to (347) 823-2309 or Email to [email protected] You will be contacted by a Production Rentals Booking Agent ASAP with a quote Job Name: Company Name: Contact Name: Contact Position: Email: Phone: Fax: Shoot Days: Pick-up Date: Return Date: PO#: Job#: Do you have a truck holding? Yes/No: Would you like it pre-loaded? Yes/No: Special Requests/Notes: Our Other New York Offerings Include... Production Supplies, Walkies, WiFi, Strobe Lighting & Grip, Camera, Digital & of course our first-class Motorhomes You Name it, we’ve got it.. Online at Quixote.com Quixote Production Rentals | 1082 Flushing Ave. Brooklyn, NY 11237 | P: 347 448 8414 | F: 347 823 2309 | www.Quixote.com Updated 7/17 Please complete & fax to (347) 823-2309 or Email to [email protected] Grip You will be contacted by a Production Supplies Booking Agent ASAP with a quote Grip Grip (cont’d) C Stand 40" Complete $10.00 Sissors Clips $10.00 C Stand 20" Complete $10.00 Cardellini Clamp 2" End Jaw $8.00 Extra C Stand Arm + Knuckle $5.00 Cardelini Clamp 3" Center Jaw $8.00 Large Rolling Base for C Stand $10.00 Duck Bills $8.00 Small Rolling Base for C Stand $10.00 Baby Wall plate (3", 6", or 9") $5.00 Reel Efx Fan w/Rolling Base $75.00 Junior Wall plate $5.00 Kit Stand $10.00 Magic Arm $8.00 Lawn Dart $10.00 Junior Offset Arms $25.00 Preemie Baby $10.00 Baby Offset Arms $20.00 Beefy Baby 3 Riser $12.00 Baby Triple Header $25.00 Low Roller $15.00 Junior Triple Header $25.00 Medium Roller $20.00 Studded C-clamp - 6" $10.00 High Roller $25.00 Studded -
Ringfoto 3/2017
MAI/JUNI 2017 Serie: Fotoschule 2,90 Euro oder gratis bei Fotografieren Ihrem RINGFOTO-Händler MAGAZIN mit Filtern PACKENDE PERSPEKTIVEN Von oben, unten oder auf Augenhöhe: Tipps & Inspiration für Ihre Fotos IM TEST: PANASONIC GH5 Schneller, schärfer – einfach das Beste POWERED BY EDITORIAL INHALT 03 EDITORIAL 04 FOTO DES MONATS 06 PRODUKTE AKTUELL 10 SPECIAL: TOLLE PERSPEKTIVEN 20 FOTO-ANALYSE 22 SERIE: FOTOSCHULE 28 BILDERSERVICE 30 REISE CLAUDIA ENDRES 34 FOTOKULTUR Fotobegeisterte 36 DIGIGURU MARTIN Marketing-Leiterin der 38 UNSER AKTIONSPRODUKT RINGFOTO Gruppe 40 PANASONIC LUMIX DC-GH5 44 DAS PASSENDE STATIV 46 TELEZOOMS FÜR APS-C-SLRS GROSSARTIGE 50 VORSCHAU & IMPRESSUM PERSPEKTIVEN Vollformat oder APS-C oder Micro-Four-Thirds? – Die Sensorgröße spielt beim Kamerakauf für viele immer noch eine zentrale Rolle. Dabei gilt die alte Regel „Je größer der Sensor, desto besser die Bildqualität“ heute nur noch bedingt. Ob 36, 24 oder 16 Megapixel – selbst Kameras mit kleineren Sensoren erreichen eine Bildschärfe und einen Detailreichtum, die noch vor wenigen Jahren undenkbar waren. Die Folgen sind durchaus erfreulich: Mit welcher Kamera auch immer Sie liebäugeln, in puncto Bildqualität können Sie beim Kauf nicht viel falsch machen. Die Funktionen und das Bedienkonzept 10 unterscheiden sich von Modell zu Modell jedoch noch deutlich, vom Design ganz zu schweigen. Es lohnt also, sich kompetent beraten zu lassen. Frische Ideen für bessere Bilder Die Kamera alleine garantiert allerdings noch keine großartigen Bilder. Der entscheidende Faktor für gelungene Aufnahmen ist und bleibt der Kopf hinter der Kamera. Keine Frage: Belichtungsautomatik, Hybrid-Autofokus und Gesichtserkennung helfen Ihnen dabei, technisch perfekte Bilder aufzunehmen. Doch das Motiv und den Bildausschnitt bestimmen Sie. -
L E N S E S & a C C E S S O R I
H1-H4 LENSES & ACCESSORIES P. 4 P. 5 P. 6 P. 7 P. 8 Riley Joseph / Canada Ben Cherry / UK Tomasz Lazar / Poland Toshimitsu Takahashi / Japan Zack Arias / U.S.A. Supported by P. 9 P.10 Norifumi Inagaki / Japan Bobbie Lane / U.S.A. P.11 P.12 P.14 P.16 P.18 Christian Fletcher / Australia Bert Stephani / Belgium Tsutomu Endo / Japan Dave Kai Piper / UK Jára Sijka / Czech P.20 P.21 P.22 P.23 P.23 Afton Almaraz / U.S.A. Masaaki Aihara / Japan Chris Weston / UK Gathot Subroto / Indonesia Giulia Torra / Italy Visit these links to learn what the professionals are saying about X mount lenses and X accessories and XF LENS X-Accessories see some of the beautiful results! http://fujifilm-x.com/xf-lens/ http://fujifilm-x.com/accessories/ Specifications are subject to change without notice. For more information, please visit our website: http://www.fujifilm.com/products/digital_cameras/accessories/ c 2015 FUJIFILM Corporation P02-03/P31 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. XF 50-140mmF2.8 R LM OIS WR P.18 XF55-200mmF3.5-4.8 R LM OIS P.22 XF18-135mmF3.5-5.6 R LM OIS WR P.21 XF16-55mmF2.8 R LM WR P.16 XF10-24mmF4 R OIS P.14 NEW XF90mmF2 R LM WR NEW XF23mmF1.4 R P.12 XF16mmF1.4 R WR P.7 XF18-55mmF2.8-4 R LM OIS P.5 P.20 XF 14mmF2.8 R P.4 XF35mmF1.4 R P.9 XC50-230mmF4.5-6.7 OIS II P.23 XF56mmF1.2 R APD P.10 XF 18mmF2 R XF56mmF1.2 R P.6 P.10 M Mount Adapter XF 27mmF2.8 P.25 P.8 XF60mmF2.4 R Macro P.11 MCEX-16 P.25 XC16-50mmF3.5-5.6 OIS II P.23 MCEX-11 P.25 X Accessories P.25 P04-05/P32 X-T10 : F16 1/125 sec. -
Rental Catalog Lighting • Grip
RENTAL CATALOG LIGHTING • GRIP SAMYS.COM/RENT TABLE OF CONTENTS STROBE LIGHTING PROFOTO ....................................................................................................................1 BRONCOLOR ..............................................................................................................6 GODOX VIDEO LIGHT ............................................................................................... 10 POWER INVERTERS .................................................................................................. 10 QUANTUM FLASHES & SLAVES ................................................................................. 11 SOFT LIGHTS ............................................................................................................12 BRIESE LIGHTING & ACCESSORIES ...........................................................................13 LIGHT BANKS ............................................................................................................14 POCKET WIZARD REMOTE TRIGGERS .......................................................................15 METERS EXPOSURE METERS ..................................................................................................16 CONTINUOUS LIGHTING LED / TUNGSTEN / HMI .............................................................................................18 HMI LIGHTING ...........................................................................................................19 LED LIGHTS ...............................................................................................................21 -
CATALOGUE the Lens Makes the Photograph
LENSCATALOGUE The Lens Makes the Photograph At the heart of photography meshing with the photographer’s Tools of inspiration a well established category in its own product development and R&D efforts Supported by this highly adaptable desire to capture the perfect shot. and imagination right. But at the time, “wide angle” are based on a policy of in-house system, Sigma’s unconventional Ever since Sigma’s founding, meant a prime lens, and nobody even development for the key technologies manufacturing approach focuses on we have always believed that a photo More options for At times we have ventured to introduce considered the need for variable that we consider most important. continuous improvement of advanced is only as good as the lens. It follows more photographers products for which there was no focal length. That Sigma saw things processing and fabrication technology, that choosing a new lens opens up precedent. Many of these world’s firsts, differently and had the technology to For our lenses, we not only design while creating greater freedom of design fresh possibilities for photographic Given a wide variety of optically we are proud to say, have revealed new create a new genre is a true reflection of the optics and mechanisms, but also through novel solutions to challenging expression. This philosophy has superior lenses, the photographer can dimensions for photographic exploration our inventive spirit regarding the tools the firmware, electronic circuits and optics issues. inspired Sigma’s quest for select the one that will best achieve and contributed to the very culture of of photography. -
Camera Support Equipment
CAMERA SUPPORT EQUIPMENT www.libec-global.com Heads, Tripod Systems & Monopod Pedestal Systems Jib, Remote Head & Tracking Rails Remote Controls Tripods & Cases Accessories Specifications are subject to change without notice. The colors in this brochure may differ from actual products because of the printing color inks or photographic conditions. 17/03 2017/18 CONTENTS 3 Heads,Tripod Systems & Monopod 49 Tracking Rails 4 Counterbalance 50 Remote Controls, Tripods & Accessories 6 RSPLUS 51 Remote Controls 13 RS 54 Tripods 19 LX 57 Tripod Cases 23 LIBEC ALLEX 59 Accessories 29 TH-X 61 Specications Beyond Quality Support 32 HFMP 37 Pedestal Systems 41 Jib, Remote Head & Tracking Rails 42 SWIFT JIB 45 REMOTE HEAD 2014 tv asahi/TOEI AG/TOEI 1 2 Heads, Tripod Systems & Monopod Counterbalance Importance of Counterbalance When looking for a suitable tripod head for your camera, one of the most important aspects to consider is counterbalancing capability. The counterbalancing function provides a counterforce to keep the balance between the & Monopod Systems Tripod Heads, tripod head and the camera that is mounted on it. If the right counterbalance is maintained, the camera remains stationary at any angle of tilt. You do not need to worry about holding the camera by hand and yet are able to maintain precise control of the camera. RS/RSPLUS Counterbalancing Capability The RS/RSPLUS is equipped with an excellent counterbalancing system that provides a perfect counterforce that corresponds to the weight and angle of the camera. A special innerspring mechanism is used for this Fine-tunable counterbalance knob system. When the strength of a spring is insufficient, the head cannot bear the weight of the camera. -
I Am Your Eyes
I AM YOUR EYES www.nikon-asia.com See Through Different Eyes Every photographer is unique. Whatever your ideas, experience or creative vision, there is a NIKKOR lens to draw out your potential. Each product in the lineup represents the pride and craftsmanship that only an optical manufacturer can understand, delivering a level of clarity and reliability that every passionate photographer can appreciate. How will you see the world? Let NIKKOR help. Capture more. Create more. Wide-Angle Zoom NIKKOR Lenses ................... p4-p9 Normal Zoom NIKKOR Lenses ....................p10-p21 Telephoto Zoom NIKKOR Lenses ................................p22-p26 Fixed Focal-Length NIKKOR Lenses .............p27-p45 Special-Purpose NIKKOR Lenses .............p46-p48 Optional Accessories ............................................................. p49 NIKKOR Technology .......................................... p50-p53 Specifications ................................................ p54-p55 Wide-angle zoom Normal zoom Normal Telephoto zoom Ading Attamimi Fixed focal length © AF-S NIKKOR 16-35mm ED f/4G VR Sharp, ultra-wide-angle zoom with VR This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction (VR) that provides an effect equivalent to a shutter speed 2.5 stops* faster to enable blur-free handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and Lens construction: 17 elements in 12 groups Minimum focus distance: 0.28 m/0.9 ft (in 20-28mm) Special purpose AF-S NIKKOR 16-35mm f/4G ED VR documentary work. Maximum reproduction ratio: 0.24× Filter-attachment size: 77 mm * Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-23 / Case CL-1120 telephoto position.