Dominick Dunne Vanity Fair Articles
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Bridging the Gap Between the Rules of Evidence Andjustice for Victims of Domestic Violencet Lisa Marie De Sanctistt
Bridging the Gap Between the Rules of Evidence andJustice for Victims of Domestic Violencet Lisa Marie De Sanctistt PROLOGUE ............................................. 361 INTRODUCTION ................................... 363 I. INTRODUCTION TO DOMESTIC VIOLENCE AND ADMISSIBILITY ..... 367 A. The Difficulties with ProsecutingDomestic Violence ........ 367 B. The Current Scheme of Admissibility for Uncharged Acts Under California Evidence Code Section 1101(b) ....... 374 1. Intent ...................................... 376 2. Plan ....................................... 377 3. Identity .................................... 378 C. The Barrier of Evidence Code Section 352 ............... 378 D. Problems with the Current Scheme ................... 379 II. THE APPROACH OF FEDERAL RULES OF EVIDENCE 4 13-4 14 ... ... .... ...... ..... .. ...... ..... ... 381 A . Introduction ................................ 381 B. The Proponents' Arguments in Favor of Federal Rules of Evidence 413-414 ............................ 383 C. The Critics' Arguments Against FederalRules of Evidence 413-414 ............................ 385 III. APPLYING THE APPROACH OF FEDERAL RULES OF EVIDENCE 413-414 TO DOMESTIC VIOLENCE PROSECUTIONS ........... 387 A . Propensity ................................. 388 B. The Anti-Coincidence Argument .................... 390 C. Time and Efficiency Concerns ..................... 392 D. Survey Results Confirm Problems with Current Rules ....... 394 E. Necessity as a Policy Matter ...................... 397 F. Addressing Some Final -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Journalism Or Gossip? Im a Horse-Whisperer's Tale Trails Dominick Dunne
TUESDAY, JANUARY 28, 2003 j ^feUr 3|ork ^tnteis Journalism Or Gossip? iM A Horse-Whisperer's Tale Trails Dominick Dunne . T >11 l-g^TOtti nww Norman Y. Lono torThe New YorkVlmes A taletoldbyDominick Dunne, above, aboutGaryCondit, topfarright,andthe disappearance ofChandra Levy, topleft, onthetalkshows ofLauraIngraham, bottomleft, and Larry King, right,prompted Mr. Condit to file a defamation suit host of his own program on Court TV. call from someone claiming to have in By FELICITY BARRINGER It is the Ingraham appearance, howev formation about Ms. Levy's disappear er, that has come back to bite him. His ance. At the time the body of Ms. Levy, Dominick Dunne began telling his tale comments on that December 2001 broad the former Federal Bureau of Prisons intern, had not yet been found; it was of Gary Condit, Chandra Levy, the horse cast are the central element in a slander suit against him by Mr. Condit, the for discovered last May in Rock Creek Park whisperer and the Middle Eastern pro mer Democratic congressman. And Mr. in Washington. The case remains un curer sometime in the fall of 200L It was Dunne's frequent repetition of versions of solved. tantalizingly baroque; Mr. Dunne, the this unsubstantiated tale — on television, The caller, Mr. Dunne said, identified Vanity Fair columnist, mesmerized a in Vanity Fair, at dinner parties —raises himself as the animal behavior expert group of New England newspaper editors the question of whether and when jour whose professional story had been re with it over lunch at Foxwoods Resort nalists can traffic publicly in rank rumor. -
Download a PDF of the Spring 2017 Catalog
The University of Wisconsin Press INTERACTIVE CATALOG Click on book images to order SPRING 2017 SUBJECT GUIDE Photo by Arthur M. Vinje, collection of the Wisconsin Historical Society, WHi-43412 African Studies 21, 26 A merican Studies 1, 6, 8, 15, 16, 18–20 Biography & Memoir 1, 4, 5, 7, 13, 14 Classics 25 Environmental Studies 13, 14 European Studies 17, 27 Fiction 2 Folklore 8, 9, 19 Gay & Lesbian Interest 1, 5, 7, 16 History 3, 6, 15–18, 20, 22–24, 26–28 Human Rights 18, 23, 26, 27 Latin American Studies 26 Literature & Criticism 22, 25 Poetry 10–12 R ussian, Slavic & Eastern European Studies 22–24 W isconsin & Midwest 2, 3, 8, 9, 13, 18, 19, 28 The University of Wisconsin Press is Livia Appel, The University of Wisconsin Press's First Editor LIVIA APPEL was the first employee of the University of Wisconsin Press, hired • a research center within the Office as managing editor in 1937. University Press Committee records from the time of the Vice Chancellor for Research and Graduate Education at the indicate that she was hired because she thoroughly understood academic University of Wisconsin–Madison publishing operations and could be employed for much less pay than a man. Born in Minnesota in 1893, Appel came to UWP from the Minnesota Historical Society. Little about Appel’s work at the University of Wisconsin • a member of the Association Press has been researched, but her tenure included the difficult years of the of American University Presses Great Depression and World War II. We know that the first book published was Reactions of Hydrogen with Organic Compounds over Copper-Chromium Oxide and Nickel Catalysts by Homer Adkins. -
It Isn't Over, Not When It's Dunne
THETIMESThursdayFebruary122009 artsscreen times2 615 TIM KNOX It isn’t over, not when it’s Dunne Dominick Dunne, scourge of celebrities and subject of a new film, talks to Tim Teeman about O.J., death, love and revenge ominick Dunne has of stem-cell treatment he has received in tragedy: the murder of his daughter is the want to finish. Writing puts me in a good started planning his the Dominican Republic and the next raw bedrock of his court-reporting and his mood.” funeral. He reveals round he hopes to receive in Germany will passionate advocacy for victims of crime Has he thought about dying? “Of this not morbidly prove successful in fighting his bladder and their families. In Hollywood, as a course, but I don’t dwell on it. They were but as just another cancer,diagnosed seven monthsago. young man he entertained Bette Davis going to operate on me. I had this whole dry, wonderful “I went to a party last night and every- and Rock Hudson. This week he is off to thing that I was going to die on the table pearl in almost two body said I looked fabulous, and I said: ‘It’s the Oscars: Barry Diller has the best party, but I don’t want to die under anaesthesia. hours of ranging the stem cells’. I’m breaking with tradition he says. He wants Sean Penn (for Milk)or My whole life denies that should be my conversation that and refusing to take chemo,” Dunne says, Frank Langella (Frost/Nixon), a longtime exit.” He laughs. -
San Jose Senior Center Library Inventory
San Jose Senior Center Library Inventory Name of Book Author Category NORA ROBERTS LOVE AT SUNRISE BIRTHRIGHT BLOOD BROTHERS BLUE SMOKE BLUE DAHLIA DANCE UPON THE AIR DANGEROUS EMBRACE FROM THE HEART CHANCES THE HEART OF THE HOME THE QUINN LEGACY REMEMBER WHEN THE CALHOUNS:LILAH & SUZANNA PUBLIC SECRETS NA'S ROYAL FAMILY:GABRIELLA & ALEXANDER THE CALHOUNS:CATHERINE & AMANDA ENTRANCED SHADOW SPELL PRIDE AND PASSION COME SUNDOWN THE COMING STORM SPOTLIGHT SUMMER PLEASURES THE NEXT ALWAYS ENTANGLEMENTS FIRST SNOW REBELLION GOING HOME TIME AND AGAIN BLACK ROSE KEY OF LIGHT RIVER'S END UNDER CURRENTS VELS:DARING;HOLDING;FINDING THE DREAM HIDDEN RICHES KEEP YOU CLOSE MYSTERIOUS THE HOLLOW HIDEAWAY PORTRAIT IN DEATH NORA ROBERTS/J. D. ROBB HEATHER GRAHAM MYSTERY/ROMANCE WITNESS TO DEATH SINISTER INTENTIONS ECHOES OF EVIL THE SUMMONING PALE AS DEATH SEEING DARKNESS DARK RITES ANGEL OF MERCY THE UNINVITED THE VISION A LETHAL LEGACY THE FINAL DECEPTION A DANGEROUS GAME THE NIGHT IS WATCHING UNDERCOVER CONNECTION PICTURE ME DEAD DUST TO DUST HAUNTED DESTINY LAW AND DISORDER THE DEAD ROOM BLUE HEAVEN,BLACK NIGHT A MAGICAL CHRISTMAS FAMILY THE AFRICAN LION ROGER CARAS " KASEY TO THE RESCUE ELLEN ROGERS " ALL THINGS WISE & WONDERFUL JAMES HERRIOT " ALL THINGS BRIGHT & BEAUTIFUL " " ALL CREATURES GREAT & SMALL " " THE LORD GOD MADE THEM ALL " " STILL WATERS HEATHER GRAHAM/KAREN HARPER DANGEROUS NIGHTS HEATHER GRAHAM/MARIE FORCE KEN FOLLETT MYSTERY/SUSPENSE JACK DAWS EYE OF THE NEEDLE WHITEOUT THE THIRD TWIN THE HAMMER OF EDEN JANET EVANOVICH MYSTERY/ROMANCE -
Disturbia 1 the House Down the Street: the Suburban Gothic In
Notes Introduction: Welcome to Disturbia 1. Siddons, p.212. 2. Clapson, p.2. 3. Beuka, p.23. 4. Clapson, p.14. 5. Chafe, p.111. 6. Ibid., p.120. 7. Patterson, p.331. 8. Rome, p.16. 9. Patterson, pp.336–8. 10. Keats cited in Donaldson, p.7. 11. Keats, p.7. 12. Donaldson, p.122. 13. Donaldson, The Suburban Myth (1969). 14. Cited in Garreau, p.268. 15. Kenneth Jackson, 1985, pp.244–5. 16. Fiedler, p.144. 17. Matheson, Stir of Echoes, p.106. 18. Clapson; Beuka, p.1. 1 The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson 1. Joshi, p.63. Indeed, King’s 1979 novel Salem’s Lot – in which a European vampire invades small town Maine – vigorously and effectively dramatises this notion, as do many of his subsequent narratives. 2. Garreau, p.267. 3. Skal, p.201. 4. Dziemianowicz. 5. Cover notes, Richard Matheson, I Am Legend, (1954: 1999). 6. Jancovich, p.131. 7. Friedman, p.132. 8. Hereafter referred to as Road. 9. Friedman, p.132. 10. Hall, Joan Wylie, in Murphy, 2005, pp.23–34. 11. Ibid., p.236. 12. Oppenheimer, p.16. 13. Mumford, p.451. 14. Donaldson, p.24. 15. Clapson, p.1. 201 202 Notes 16. Ibid., p.22. 17. Shirley Jackson, The Road Through the Wall, p.5. 18. Friedman, p.79. 19. Shirley Jackson, Road, p.5. 20. Anti-Semitism in a suburban setting also plays a part in Anne Rivers Siddon’s The House Next Door and, possibly, in Richard Matheson’s I Am Legend (in which the notably Aryan hero fends off his vampiric next-door neighbour with a copy of the Torah). -
WEEKSWORTH, DAILY COURIER, Grants Pass, Oregon • FRIDAY, SEPTEMBER 24, 2021 THIS WEEK’S HIGHLIGHTS Saturday Wednesday the Goldbergs 90 Day: the Single Life ABC 8 P.M
Daily Courier We e k’sWor th THE TV MAGAZINE SEPTEMBER 25-OCTOBER 1, 2021 Nathan Fillion returns as THE ROOKIE for a fourth season on CBS ‘The Rookie’ returns after cliffhanger drama By Kyla Brewer TV Media Cop shows have been around practically since the dawn of television, and there’s still nothing quite like a good police drama, especially one with a nail-biting cliffhanger season finale. After months of waiting, anxious fans will finally find out what happens when a prime-time hit returns to the airwaves. Nathan Fillion reprises his role as John Nolan, a cop who sets out to find a col- league after she goes missing in the sea- son premiere of “The Rookie,” airing Sun- day on ABC. The debut marks the fourth season of the hour-long drama centered on Nolan, a 40-something cop — and oldest rookie in the history of the LAPD — who works at the Mid-Wilshire Division of the Los Ange- les Police Department. The police drama is the latest in a string of hits for Canadian-American actor Fillion, who rose to fame as Capt. Mal- colm Reynolds in the cult favorite TV series “Firefly” and its subsequent spinoff film, “Serenity” (2005), and as sleuthing mystery writer Richard Castle in the ABC crime drama “Castle.” Born and raised in Edmonton, Fillion moved south to pursue a career in acting, landing roles in TV shows “One Life to Live” and “Two Guys, a Girl and a Pizza Place” and in the movie “Saving Private Ryan” (1998). Now, he’s leading the cast of one of prime time’s highest-rated network series: “The Rookie.” At the end of last season, pregnant Det. -
The Estate of Dominick Dunne at Auction at Stair Galleries
The Estate of Dominick Dunne at Auction at Stair Galleries On November 20th, Stair Galleries will offer the estate of the late Dominick Dunne. Legendary reporter, novelist, producer, and television personality, Mr. Dunne was one of America’s most respected and recognized media figures, “whose celebrity,” according to the New York Times, “often outshone that of his subjects.” From an early age, Mr. Dunne longed for the glamour and intrigue of Hollywood, a world quite removed from his upbringing in West Hart- ford, Connecticut. Drafted into the Army at age eighteen, he fought in the Battle of the Bulge and was awarded the Bronze Star for bravery. Following World War II, Mr. Dunne attended Williams College, found- ing a theater company with classmate, Stephen Sondheim. His early work in live television eventually led him to Los Angeles, where he transitioned from television executive to movie producer of such ground breaking films as The Boys in the Band and The Panic in Needle Park. Personal and professional failures, however, led to a precipitous fall from grace in Hollywood, followed by the murder of his daughter. But, out of this tragedy, Mr. Dunne found his voice and achieved his greatest success as a writer. He chronicled the worlds, criminal and other- wise, of the rich and famous, both as a novelist, publishing such best sellers as The Two Mrs. Grenvilles, An Incon- venient Woman and People Like Us, and concurrently as a special correspondent for Vanity Fair, for which he is credited with setting the tone and style of magazine. His fame reached an even wider audience as the host of Court TV’s Dominick Dunne’s Power, Privilege and Justice. -
Horror Begins at Home: Family Trauma In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HORROR BEGINS AT HOME: FAMILY TRAUMA IN PARANORMAL REALITY TV by ANDREW J. BEARD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Andrew J. Beard Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dr. Carol Stabile Chairperson Dr. Anne Laskaya Member Dr. Priscilla Ovalle Member Dr. Lynn Fujiwara Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Andrew J. Beard iii DISSERTATION ABSTRACT Andrew J. Beard Doctor of Philosophy Department of English June 2012 Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation argues that paranormal reality television is a form of what some have referred to as “trauma television,” a site of struggle between meanings of family and the violence often found in the hegemonic nuclear family ideal. Programs such as A Haunting and Paranormal State articulate family violence and trauma through a paranormal presence in the heteronormative family home, working to make strange and unfamiliar the domestic and familial milieus in which their episodes take place. -
Winter 2021 Winter 2021 Volume 1, Issue 2
winter 2021 Winter 2021 Volume 1, Issue 2 Los Angeles, California CONTENTS From the Editor: Ring out the Old, Ring in the New David L. Ulin 6 ESSAYS/NONFICTION skilled black hands braid geometric insignia as poetry 61 fahima ife This Story Will Change 103 Elizabeth Crane How to Land 162 Gina Frangello FICTION The Dick, Casillas 8 Dagoberto Gilb Teaching My Mother How to Drive 26 K-Ming Chang Dear Cher 32 Kathleen Gibbons Lit 70 Alex Espinoza Honey and Ashes 88 Jim Lewis Rapini 144 Tara Ison POETRY January Garden 30 Dana Levin I Live In A Large Week To Week Motel 45 Romus Simpson “Towards a Theory of Perception” and “The First 68 Writer in My Family” Andrew Navarro “Always Have a Story,” “Field Notes,” “High Drama,” 98 and “Chinatown Romeo” Michael Chang “Receive” and “A New Book on Fever” 111 Emily Vizzo “Prince Edward Island” and “Newfoundland” 148 Joshua Mensch “The Rings of Saturn,” “The Old Faith,” 159 and “The Man in the Mirror” David Biespiel MULTIMEDIA ZAD Manifesto 113 Sesshu Foster and Arturo Ernesto Romo 199-41 Clam (backwards) 151 Kristen Gallagher ART Four Snacks 56 Sophia Le Fraga DEPARTMENTS COLLABORATIONS Reach: A Correspondence 20 Jonathan Leal and Michiko Theurer DIARY Digging to Wonderland 46 David Trinidad EYE OF THE BEHOLDER Step on a Crack 80 Amy Wallen A Martian Named Smith 137 Mark Haskell Smith Hunting The Brown Buffalo 174 Jorge Campos Aguiñiga RESPONSES A Visit from My Mother 16 Lydia Kiesling Hitched 141 Nancy Lord Editor Advisory Editors David L. Ulin Maggie Nelson Viet Thanh Nguyen Managing Editor Claudia Rankine Aaron Winslow Danny Snelson Arthur Sze Editors-at-Large Oscar Villalon Aimee Bender Dana Johnson Southern California Review Archive Danzy Senna Intern Karen Tongson Jacob Lind Copy Editor Associate Interns Chris Daley Max Burlew Stella-Ann Harris Social Media Editor Elizabeth Kim Emily Vizzo Kabir Malhotra Nikhilesh Kumar Founding Advisory Editors Lela Ni Sergei Lobanov-Rostovsky David Lynn David St. -
Catalogue 1 to 10
Lots 1 - 10 Lot #1: "AUDREY," DOMINICK DUNNE'S 1994 JAGUAR XJS CONVERTIBLE Showing approx. 41,500 miles, in overall good driver condition. The exterior British Racing Green and the interior covered in beige leather. This car, known to Mr. Dunne as "Audrey," was named after Audrey Hepburn, whom he knew and greatly admired. He was quoted in many articles as saying, "Every day after I finish work, I go for a drive. I get great ideas in this car." Estimate: $ 4000.00 - $ 8000.00 Lot #2: PAIR OF FEDERAL-STYLE INLAID MAHOGANY CARD TABLES Each with shaped top with hinged leaf over conforming apron, on square tapering legs; 30 1/2 x 36 x 15 3/4 in. This pair of tables was purchased by Mr. Dunne in the 1960's for his Beverly Hills home on Waldon Drive. Estimate: $ 300.00 - $ 500.00 Lot #3: THREE STAFFORDSHIRE IRONSTONE MILK JUGS Each baluster-form body with relief-molded decoration of flowers, shells or rosettes. Together with a Wedgwood sage green jasperware pitcher; tallest 7 1/8 in. Mr. Dunne purchased these jugs from Colefax & Fowler in London. Estimate: $ 100.00 - $ 200.00 Lot #4: MEXICAN SCHOOL (20TH C.): "SOUVENIR OF AMECAMECA (LA CAPILLA BLANCA)" Oil on wood panel, initialed E.B. and dated 1949 upper center, framed; 23 3/4 x 19 1/2 in. (sight). This painting was purchased in the 1960's by Mr. Dunne and his former wife, Lenny Griffin Dunne, for their Beverly Hills home. Estimate: $ 200.00 - $ 300.00 Lot #5: GENTLEMAN'S REFERENCE LIBRARY Including books on style, fashion, decor, art and photography.