It Isn't Over, Not When It's Dunne
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets. -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
Journalism Or Gossip? Im a Horse-Whisperer's Tale Trails Dominick Dunne
TUESDAY, JANUARY 28, 2003 j ^feUr 3|ork ^tnteis Journalism Or Gossip? iM A Horse-Whisperer's Tale Trails Dominick Dunne . T >11 l-g^TOtti nww Norman Y. Lono torThe New YorkVlmes A taletoldbyDominick Dunne, above, aboutGaryCondit, topfarright,andthe disappearance ofChandra Levy, topleft, onthetalkshows ofLauraIngraham, bottomleft, and Larry King, right,prompted Mr. Condit to file a defamation suit host of his own program on Court TV. call from someone claiming to have in By FELICITY BARRINGER It is the Ingraham appearance, howev formation about Ms. Levy's disappear er, that has come back to bite him. His ance. At the time the body of Ms. Levy, Dominick Dunne began telling his tale comments on that December 2001 broad the former Federal Bureau of Prisons intern, had not yet been found; it was of Gary Condit, Chandra Levy, the horse cast are the central element in a slander suit against him by Mr. Condit, the for discovered last May in Rock Creek Park whisperer and the Middle Eastern pro mer Democratic congressman. And Mr. in Washington. The case remains un curer sometime in the fall of 200L It was Dunne's frequent repetition of versions of solved. tantalizingly baroque; Mr. Dunne, the this unsubstantiated tale — on television, The caller, Mr. Dunne said, identified Vanity Fair columnist, mesmerized a in Vanity Fair, at dinner parties —raises himself as the animal behavior expert group of New England newspaper editors the question of whether and when jour whose professional story had been re with it over lunch at Foxwoods Resort nalists can traffic publicly in rank rumor. -
THE COMIC THAT SAVED MARVEL” TURNS $9.95 in the USA
Roy Thomas’Star-Crossed LORDIE, LORDIE! Comics Fanzine “THE COMIC THAT SAVED MARVEL” TURNS $9.95 In the USA 40!40! No.145 March 2017 WHEN YOU WISH UPON A STAR BE CAREFUL YOU DON’T WIND UP WITH WARS NOW! 100 PAGES IN FULL COLOR! 1 82658 00092 9 "MAKIN' WOOKIEE" with CHAYKIN & THOMAS Vol. 3, No. 145 / March 2017 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Contents Proofreaders Writer/Editorial: Star Wars—The Comic Book—Turns 40! . 2 Rob Smentek Makin’ Wookiee. 3 William J. Dowlding Roy Thomas tells Richard Arndt about the origins and pitfalls of Marvel’s 1977 Star Wars Cover Artist comic. Howard Chaykin Howard Chaykin On Star Wars . 54 Cover Colorist The artist/co-adapter of Star Wars #1-10 takes a brief look backward. Unknown Rick Hoberg On Star Wars . 58 With Special Thanks to: From helping pencil Star Wars #6—to a career at Lucasfilm. Rob Allen Jim Kealy Heidi Amash Paul King Bill Wray On Star Wars. 63 Pedro Angosto Todd Klein Rick Hoberg dragged him into inking Star Wars #6—and Bill’s glad he did! Richard J. Arndt Michael Kogge Rodrigo Baeza Paul Kupperberg The 1978 Star Wars Comic Adaptation . 67 Bob Bailey Vicki Crites Lane Lee Harsfeld takes us on a tour of veteran comics artist Charles Nicholas’ version of Mike W. -
Ses Découvertes Ont Changé Le Monde
SES DÉCOUVERTES ONT CHANGÉ LE MONDE ROSAMUND PIKE EST MARIE CURIE UN FILM DE MARJANE SATRAPI STUDIOCANAL ET AMAZON STUDIOS PRÉSENTENT UNE PRODUCTION WORKING TITLE UNE PRODUCTION SHOEBOX FILMS UN FILM DE MARJANE SATRAPI “RADIOACTIVE” ROSAMUND PIKE SAM RILEY ANEURIN BARNARD ET ANYA TAYLOR-JOY CASTING JINA JAY MUSIQUE EVGUENI GALPERINE ET SACHA GALPERINE MAQUILLAGE, COIFFURE ET PROTHÈSE DENISE KUM COSTUMES CONSOLATA BOYLE MONTAGE STÉPHANE ROCHE DÉCORS MICHAEL CARLIN DIRECTEUR DE LA PHOTOGRAPHIE ANTHONY DOD MANTLE, ASC BSC DFF COPRODUCTEUR CAROLINE LEVY PRODUCTEURS DÉLÉGUÉS JOE WRIGHT AMELIA GRANGER RON HALPERN DIDIER LUPFER D’APRÈS LE LIVRE DE LAUREN REDNISS PRODUIT PAR TIM BEVAN ERIC FELLNER PAUL WEBSTER SCÉNARIO JACK THORNE RÉALISÉ PAR MARJANE SATRAPI AU CINÉMA LE 11 MARS ©2019 STUDIOCANAL SAS AND AMAZON CONTENT SERVICES LLC. TOUS DROITS RÉSERVÉS. STUDIOCANAL PRÉSENTE D’après Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout de Lauren Redniss ROSAMUND SAM ANEURIN ANYA PIKE RILEY BARNARD TAYLOR-JOY UN FILM DE MARJANE SATRAPI Durée : XHXX SORTIE LE 11 MARS 2020 DISTRIBUTION PRESSE STUDIOCANAL MOONFLEET Sophie Fracchia Matthieu Rey 1, place du Spectacle 6, rue d’Aumale 92130 Issy-les-Moulineaux 75009 Paris Tél. : 01 71 35 11 19 / 06 24 49 28 13 Tél. : 01 53 20 01 20 [email protected] [email protected] Matériel presse et publicitaire disponible sur salles.studiocanal.fr SYNOPSIS Paris, fin du 19ème siècle. Marie est une scientifique passionnée, qui a du mal à imposer ses idées et découvertes au sein d’une société dominée par les hommes. Avec Pierre Curie, un scientifique tout aussi chevronné, qui deviendra son époux, ils mènent leurs recherches sur la radioactivité et finissent par découvrir deux nouveaux éléments : le radium et le polonium. -
TUCSON Comic Book and a Macbook Auction <Font Color
09/28/21 09:36:26 TUCSON Comic Book And A MacBook Auction <font color = 00ccff> Friday 6:30 PM 6/7/19 </font> ID: 820 <br> <font color = red> (FREE TRANSFER TO OUR TEMPE WAREHOUSE FOR THIS AUCTION) </font> Auction Opens: Fri, May 31 2:20pm MT Auction Closes: Fri, Jun 7 6:30pm MT Lot Title Lot Title 1700 Valiant Comics No 28 Dec Solar Man of the 1732 Eclipse Comics No 5 Star Reach Classics Atom 1733 Eclipse Comics No 6 Star Reach Classics 1701 Valiant Comics No 28 Dec Solar Man of the 1735 First Comics #20 Sep Starslayer Atom 1736 First Comics #20 Sep Starslayer 1702 Marvel Comics #1 Soleil 1737 First Comics #25 Feb Starslayer 1703 Blaspho Publishing No 1 This is SOLD-OUT 1738 First Comics #26 Mar Starslayer 1704 Blaspho Publishing No 1 This is SOLD-OUT 1739 First Comics #27 Apr Starslayer 1705 Malibu Comics #5 Ultraverse Solitaire 1740 First Comics #28 May Starslayer 1706 Malibu Comics #5 Ultraverse The Solution 1741 First Comics #29 Jun Starslayer 1707 Eclipse Comics No 5 Somerset Holmes 1742 First Comics #30 Jul Starslayer 1709 Archie 65th Anniv Sega Sonic the Hedgehog 1743 First Comics #33 Oct Starslayer 1710 Image Comics #1 Soulwind 1744 First Comics #34 Nov Starslayer 1712 DC Comics #1 Jul 95 Sovern Seven 1745 DC Comics No 0 Jul 99 Stars and S.T.R.I.P.E. 1713 DC Comics #1 Jul 95 Sovern Seven 1746 DC Comics No 1 Aug 99 Stars and S.T.R.I.P.E. -
Magazines V17N9.Qxd
June COF C1:Customer 5/10/2012 11:01 AM Page 1 ORDERS DUE th 18JUN 2012 JUN E E COMIC H H T T SHOP’S CATALOG 06 JUNE COF Apparel Shirt Ad:Layout 1 5/10/2012 12:50 PM Page 1 MARVEL HEROES: “SLICES” CHARCOAL T-SHIRT Available only PREORDER NOW! from your local comic shop! GODZILLA: “GOJIRA THE OUTER LIMITS: COMMUNITY: POSTER” BLACK T-SHIRT “THE MAN “INSPECTOR SPACETIME” PREORDER NOW! FROM TOMORROW” LIGHT BLUE T-SHIRT STRIPED T-SHIRT PREORDER NOW! PREORDER NOW! COF Gem Page June:gem page v18n1.qxd 5/10/2012 9:39 AM Page 1 THE CREEP #0 MICHAEL AVON OEMING’S DARK HORSE COMICS THE VICTORIES #1 DARK HORSE COMICS BEFORE WATCHMEN: RORSCHACH #1 DC ENTERTAINMENT SUPERMAN: EARTH ONE THE ROCKETEER: VOL. 2 HC CARGO OF DOOM #1 DC ENTERTAINMENT IDW PUBLISHING IT GIRL & THE ATOMICS #1 IMAGE COMICS BLACK KISS II #1 GAMBIT #1 IMAGE COMICS MARVEL COMICS COF FI page:FI 5/10/2012 10:54 AM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS New Crusaders: Rise of the Heroes #1 G ARCHIE COMIC PUBLICATIONS Crossed: Wish You Were Here Volume 1 TP/HC G AVATAR PRESS INC Li‘l Homer #1 G BONGO COMICS Steed and Mrs Peel #0 G BOOM! STUDIOS 1 Pathfinder #1 G D. E./DYNAMITE ENTERTAINMENT Thun‘da #1 G D. E./DYNAMITE ENTERTAINMENT Love and Rockets Companion: 30 Years (And Counting) SC G FANTAGRAPHICS BOOKS Amulet Volume 5: Prince of the Elves GN G GRAPHIX 1 Amelia Rules! Volume 8: Her Permanent Record SC/HC G SIMON & SCHUSTER The Underwater Welder GN G TOP SHELF PRODUCTIONS Archer & Armstrong #1 G VALIANT ENTERTAINMENT Tezuka‘s Message to Adolf GN G VERTICAL INC BOOKS & MAGAZINES -
Sal Paradise SAM RILEY
PERSMAP regie release 24 mei ON THE ROAD genre origine met “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn...” - Jack Kerouac (On the Road) New York, eind jaren veertig. Na de dood van zijn vader ontmoet Sal Paradise (Sam Riley), een aanstormend schrijver uit New York, de losbandige en avontuurlijke Dean Moriarty (Garret Hedlund). Verlangend naar vrijheid vluchten ze weg van de dagelijkse sleur en reizen door heel Amerika. Tussen wanhoop en vervoering ex- perimenteren ze met seks, liefde, drugs, alcohol en muziek. Ze zoeken de beroering, het wilde leven, de losbandigheid – de top- pen van hun emoties. Zelden heeft een boek zo’n cultstatus bereikt als ‘On The Road’ van Jack Kerouac. Onvergetelijk is het beeld dat hij oproept van wat we de ‘Beat Generation’ zijn gaan noemen: altijd onder- weg, on the road, nooit ergens aankomen, nooit ergens wíllen aankomen. Na ruim 50 jaar is deze klassieker nu verfilmd door Walter Salles (THE MOTORCYCLE DIARIES) met Garrett Hedlund, Sam Riley, Kris- ten Stewart, Kirsten Dunst, Amy Adams, Elisabeth Moss en Viggo Mortensen. Jack Kerouac ont- moette in New York de schrijvers William S. Burroughs en Allen Ginsberg. Samen maakten ze deel uit van ‘The Libertine Circle’ wat nu bekend staat als de ‘Beat Ge- neration’. Hun filosofie was die van reizen en de aantrekkingskracht van het onbekende. Kerouac wilde het leven van de reiziger vast- leggen in een spontane stijl van proza: een oneindige stroom rauwe gedachten en obser- vaties. -
Female Fabrications: an Examination of the Public and Private Aspects of Nüshu
FEMALE FABRICATIONS: AN EXAMINATION OF THE PUBLIC AND PRIVATE ASPECTS OF NÜSHU Ann-Gee Lee A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2008 Committee: Sue Carter Wood, Advisor Jaclyn Cuneen Graduate Faculty Representative Kristine L. Blair Richard Gebhardt ii © 2008 Ann-Gee Lee All Rights Reserved iii ABSTRACT Sue Carter Wood, Advisor Nüshu is a Chinese women's script believed to have been invented and used before the Cultural Revolution. For about a couple centuries, Nüshu was used by uneducated rural women in Jiangyong County, Hunan Province, in China to communicate and correspond with one another, cope with their hardships, and promote creativity. Its complexity lies in the fact that it may come in different forms: written on paper fans or silk-bound books; embroidered on clothing and accessories; or sung while a woman or group of women were doing their domestic work. Although Nüshu is an old and somewhat secret female language which has been used for over 100 years, it has only been an academic field of study for about 25 years. Further, in the field of rhetoric and composition, despite the enormous interest in women's rhetorics and material culture, sources on Nüshu in relation to the two fields are scarce. In relation to Nüshu, through examinations of American domestic arts, such as quilts, scrapbooking, and so on, material rhetoric is slowly becoming a significant field of study. Elaine Hedges explains, “Recent research has focused on ‘ordinary women' whose household work comprised, defined, and often circumscribed their lives: the work of cooking, cleaning, and sewing that women traditionally and perpetually performed and has gone unheralded until now” (294). -
Download a PDF of the Spring 2017 Catalog
The University of Wisconsin Press INTERACTIVE CATALOG Click on book images to order SPRING 2017 SUBJECT GUIDE Photo by Arthur M. Vinje, collection of the Wisconsin Historical Society, WHi-43412 African Studies 21, 26 A merican Studies 1, 6, 8, 15, 16, 18–20 Biography & Memoir 1, 4, 5, 7, 13, 14 Classics 25 Environmental Studies 13, 14 European Studies 17, 27 Fiction 2 Folklore 8, 9, 19 Gay & Lesbian Interest 1, 5, 7, 16 History 3, 6, 15–18, 20, 22–24, 26–28 Human Rights 18, 23, 26, 27 Latin American Studies 26 Literature & Criticism 22, 25 Poetry 10–12 R ussian, Slavic & Eastern European Studies 22–24 W isconsin & Midwest 2, 3, 8, 9, 13, 18, 19, 28 The University of Wisconsin Press is Livia Appel, The University of Wisconsin Press's First Editor LIVIA APPEL was the first employee of the University of Wisconsin Press, hired • a research center within the Office as managing editor in 1937. University Press Committee records from the time of the Vice Chancellor for Research and Graduate Education at the indicate that she was hired because she thoroughly understood academic University of Wisconsin–Madison publishing operations and could be employed for much less pay than a man. Born in Minnesota in 1893, Appel came to UWP from the Minnesota Historical Society. Little about Appel’s work at the University of Wisconsin • a member of the Association Press has been researched, but her tenure included the difficult years of the of American University Presses Great Depression and World War II. We know that the first book published was Reactions of Hydrogen with Organic Compounds over Copper-Chromium Oxide and Nickel Catalysts by Homer Adkins.