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Exoticism Or Visceral Cosmopolitanism: Difference and Desire in Chinese Australian Women's Writing
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2019 Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Wenche Ommundsen University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Ommundsen, Wenche, "Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing" (2019). Faculty of Law, Humanities and the Arts - Papers. 4002. https://ro.uow.edu.au/lhapapers/4002 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Abstract In Visceral Cosmopolitanism, Mica Nava posits a positive and, by her own admission, utopian alternative to postcolonial readings of the sexualisation of difference: a cosmopolitanism located with the antiracist 'micro-narratives and encounters of the emotional, gendered and domestic everyday' (2007: 14). Olivia Khoo, in The Chinese Exotic, defines a new, diasporic Chineseness which 'conceives of women and femininity, not as the oppressed, but as forming part of the new visibility of Asia' (2007: 12). My reading of recent fiction by Chinese Australian women writers proposes to test these theories against more established models for understanding East/West intimate encounters such as exoticism, Orientalism and Occidentalism, speculating that they may offer a more nuanced understanding of both the complexity and the normalisation of difference in the affective cultures of the twenty-first century. -
Why the Inimitable Sarah Paulson Is the Future Of
he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV. -
B E N N I N G T O N W R I T I N G S E M I N A
MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits. -
Annual Report 2018-2019 a Note from the Chair
Annual Report 2018-2019 A Note from the Chair As WFF chair for the period 2017-2019, I am working on gender equity and policy in several different ways. First, as a linguist and social scientist, I am interested in ‘representation’ – that is, the ways in which gender, diversity, and equity are discussed on campus: who focuses on them, how we talk about them, and how we can be more effective in advancing our shared aims of an inclusive campus, where all faculty can do their best work. As a researcher, I am interested in using the data collected by organizations on campus to study the impacts of existing policies and procedures. WFF’s leadership on diversity, equity, and inclusion stems from three principles: first, we reject the idea that there is a trade-off between diversity and excellence. Diversity is excellence. As researchers, we understand that knowledge and insight come through many different paths. Secondly, inclusion and respect are at the base of good scholarship. No one can do their best work if they are being undermined or intimidated. Ideas are valued on their merits, and should not be revalued according to who says them. And, finally, we strive to build these principles into what we do at the foundation, not as a nod to some token idea of “diversity talk” or “virtue signaling” at the end. WFF, as one of the few organizations on campus which reaches across Schools and Divisions, has a vital role on campus as a place for research, for advocacy, and for community and mentoring. -
Anti-Racism Resource List This Is a List of Anti-Racism Resources, Curated and Compiled by Jeanette Jones, Upper School Social Studies Teacher at Pembroke Hill
Anti-Racism Resource List This is a list of anti-racism resources, curated and compiled by Jeanette Jones, upper school social studies teacher at Pembroke Hill. "These are resources that I have read, listened to, watched and collected. Remember, this is just one person’s position. This guide is designed to help and not dictate how one should think, react or engage in this process," Jeanette said. Lower School Antiracist Baby (Board book), by Ibram X. Kendi, Ashley Lukashevsky (Illustrator) The Undefeated (Hardcover), by Kwame Alexander, Kadir Nelson (Illustrator) An ABC of Equality (Board book), by Chana Ginelle Ewing, Paulina Morgan (Illustrator) Sulwe (Hardcover), by Lupita Nyong'o, Vashti Harrison (Illustrator) All Because You Matter (Hardcover), by Tami Charles, Bryan Collier (Illustrator) I, Too, Am America (Hardcover), by Langston Hughes, Bryan Collier (Illustrator) The Proudest Blue: A Story of Hijab and Family, by Ibtihaj Muhammad with S.K. Ali, illustrations by Hatem Aly IntersectionA llies: We Make Room for All, by Chelsea Johnson, LaToya Council and Carolyn Choi, illustrations by Ashley Seil Smith I Am Enough, by Grace Byers, illustrations by Keturah A. Bobo Thirteen Ways of Looking at a Black Boy, by Tony Medina and 13 Artists When We Were Alone by David A. Robertson, illustrations by Julie Flett Code Switch episodes for kids: Educational Podcasts for kids on race Dr. Ibram X. Kendi's Picks: Anti-Racist Books for Kids (Common Sense Media) Middle School American Born Chinese, by Gene Luen Yang Stamped: Racism, Antiracism, and You: A Remix of the National Book Award-winning Stamped from the Beginning (Hardcover), by Jason Reynolds, Ibram X. -
Intersectionality: T E Fourth Wave Feminist Twitter Community
#Intersectionality: T e Fourth Wave Feminist Twitter Community Intersectionality, is the marrow within the bones of fem- Tegan Zimmerman (PhD, Comparative Literature, inism. Without it, feminism will fracture even further – University of Alberta) is an Assistant Professor of En- Roxane Gay (2013) glish/Creative Writing and Women’s Studies at Stephens College in Columbia, Missouri. A recent Visiting Fel- This article analyzes the term “intersectional- low in the Centre for Contemporary Women’s Writing ity” as defined by Kimberlé Williams Crenshaw (1989, and the Institute of Modern Languages Research at the 1991) in relation to the digital turn and, in doing so, University of London, Zimmerman specializes in con- considers how this concept is being employed by fourth temporary women’s historical fiction and contempo- wave feminists on Twitter. Presently, little scholarship rary gender theory. Her book Matria Redux: Caribbean has been devoted to fourth wave feminism and its en- Women’s Historical Fiction, forthcoming from North- gagement with intersectionality; however, some notable western University Press, examines the concepts of ma- critics include Kira Cochrane, Michelle Goldberg, Mik- ternal history and maternal genealogy. ki Kendall, Ealasaid Munro, Lola Okolosie, and Roop- ika Risam.1 Intersectionality, with its consideration of Abstract class, race, age, ability, sexuality, and gender as inter- This article analyzes the term “intersectionality” as de- secting loci of discriminations or privileges, is now the fined by Kimberlé Williams Crenshaw in relation to the overriding principle among today’s feminists, manifest digital turn: it argues that intersectionality is the dom- by theorizing tweets and hashtags on Twitter. Because inant framework being employed by fourth wave fem- fourth wave feminism, more so than previous feminist inists and that is most apparent on social media, espe- movements, focuses on and takes up online technolo- cially on Twitter. -
11Th Edition Wellness Newsletter June 2020
JUNE 2 0 2 0 | 1 1 T H EDITION FROM THE VIRTUAL DESK OF HUMAN RESOURCES GSD Staff News Community and Wellness Resources Diversity, Inclusion & Belonging Anti-Racist Resources To be an ally is to be an active agent of change. This includes proactively recognizing your privilege, amplifying Black voices, and working towards a permanent social and systematic change. In the words of author Ibram X Kendi, “No one becomes ‘not racist,’ despite a tendency by Americans to identify themselves that way. We can only strive to be anti–racist on a daily basis.” ACTION WATCH 5 Ways to Show Up for Racial Justice When They See Us by Ava Duvernay Today (KQED) (Netflix) 20 Actions White People & Non-Black Let It Fall: Los Angeles 1982-1992 by POCs in Corporate (and otherwise) John Ridley (Netflix) Talking to Kids About Race can take to show up for Black People and Racism right now (Medium) READ Dr. Beverly Daniel Tatum, a nationally FOLLOW recognized authority on racial issues in Raising White Kids: Bringing Up Children In A Racially Unjust America and a clinical child psychologist, Antiracism Center (@AntiracismCtr) America by Jennifer Harvey shares how you can talk to and teach your Our mission is to produce knowledge Hood Feminism: Notes from the kids about race, racism, and protests. This for change's sake. Directed by Ibram Women That a Movement Forgot by live Q&A webinar, hosted by Care.com CEO X. Kendi @ibramxk. Be Bold. Be Mikki Kendall Tim Allen, includes guidance on how to have Antiracist important – often difficult – conversations Alishia McCullough CONVERSATION with kids of all ages about race that are (@blackandembodied) is a social Discussion you can ask a empathetic, constructive, and justice warrior, author, counselor, and round the dinner table compassionate. -
Reflections on the Facing Race Conference and Action Items for The
Reflections on the Facing Race Conference and Action Items for the Reform Jewish Community Paili Bachrach, Jake Lewis, and Sophie Richardson - NFTY Chicago Rachel Davis - NFTY SAR Robert Feder - NFTY STR Adam Griff - NFTY SAR Regional Director Logan Zinman - NFTY Chicago Senior Regional Director Facing Race was a very diverse gathering of over 2,000 passionate individuals who want to bring racial justice to their communities or workplaces. Every single person at Facing Race was combating “isms.” Luckily for us, they decided to combat ageism that weekend too. We felt like our voices were heard, but even more importantly, like we heard other people’s voices. That was one of the most important takeaways: we have a space where we can actively listen without fear of not getting a chance to respond. We had some important takeaways individually: Everyone at Facing Race so genuinely wanted to be there. After a session on building intersectional coalitions had ended, I continued the conversation with an older black woman named Mandy about the immense amount of potential that exists in partnerships between Jewish youth movements and historically black congregations. She was so energized by the conversation that she said she would come down to Florida during her vacation just to educate NFTY teens about racial justice and offer up her unique life experience. It was so inspiring to see that as much hate as there is in our world, there is so much more love. At a workshop I attended about educational equity, I heard a story that deeply impacted me. A Chicago mayor decided to shut down 49 schools, which were mostly in black neighborhoods, so in protest of the mayor’s racism, all of the parents of the school went on a hunger strike. -
Emergency! FREE REGISTRY SERVICE
FINAL-1 Sat, Dec 30, 2017 5:14:57 PM Your Weekly Guide to TV Entertainment for the week of January 6 - 12, 2018 OLD FASHIONED SERVICE Emergency! FREE REGISTRY SERVICE Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” Massachusetts’ First Credit Union When tragedy strikes, police officer Athena Located at 370 Highland Avenue, Salem John Doyle Grant (Angela Basset, “What’s Love Got to Do St. Jean's Credit Union INSURANCEDoyle Insurance AGENCY With It,” 1993), paramedic Bobby Nash (Peter 3 x 3 Voted #1 1 x 3 Krause, “Six Feet Under”) and other first re- Serving over 15,000 Members • A Part of your Community since 1910 Insurance sponders answer the call in “9-1-1,” airing Agency Wednesday, Jan. 10, on Fox. The new drama Supporting over 60 Non-Profit Organizations & Programs from the creators of “Glee” and “American Serving the Employees of over 40 Businesses Horror Story” follows first responders as they Auto • Homeowners • Business • Life Insurance struggle to balance their high pressure careers 978.219.1000 www.stjeanscu.com 978-777-6344 with their personal lives. Offices also located in Lynn, Newburyport & Revere Federally Insured by NCUA www.doyleinsurance.com FINAL-1 Sat, Dec 30, 2017 5:14:58 PM 2 • Salem News • January 6 - 12, 2018 First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer ment deal with 20th Century Fox work, Bassett is best known for Resnick in 2016. In addition to her feld,” “Cybill” and “Sports Night” TV Media Studios. -
A Good and Pleasant Thing
A Good and Pleasant Thing RR2020_Melanie Cheng_Good and Pleasant Thing [Music] Welcome to the Victorian Seniors Festival, In The Groove, Radio Reimagined in 2020. This project has been produced on the lands of the Woi Wurrung and Boon Wurrung peoples of the Kulin Nation. We pay our respects to Elders, past, present and emerging, and welcome all First Nations people listening today. As part of our Spoken Word series, please enjoy Melanie Cheng’s A Good and Pleasant Thing. Twenty years ago, supermarkets didn’t stock Chinese mushrooms. Now they had a whole aisle dedicated to international cuisine. Lebanese, Greek and Mexican on one side, Chinese, Vietnamese and Indian on the other. Mrs Chan hardly ever went to the shops by herself. On Wednesdays her eldest daughter, Lily, took her to Footscray Market to buy fresh vegetables, and every Friday her youngest daughter, Daisy, ordered bulky items, like toilet paper, for her online. But today was her grandson Martin’s twentieth birthday, and Mrs Chan wanted to surprise him—to surprise all of them—by cooking a family favourite. Chinese clay pot chicken and mushroom rice. She found the chicken thighs towards the front of the supermarket, cradled in polystyrene. The meat would be days old by now, but it would have to do. In Hong Kong, Mrs Chan would have sent her maid to choose a live chicken at Wan Chai Market and pick it up an hour later— dead, plucked and washed. When the Chan family feasted on the flesh for dinner, the meat would be less than six hours old. -
Ryan Murphy B
RYAN MURPHY b. November 30, 1965 P R O D U C E R “I dealt with my sexuality at a very early age. “Glee,” a groundbreaking I didn’t have a struggle, and I know so many musical comedy series people who were terrified of dealing with it.” created by Murphy, Ryan Murphy is an award-winning film and television director, writer and producer. He premiered in 2009. is best known for creating the television series “Glee.” Murphy grew up in Indianapolis, Indiana, in an Irish Catholic family. His mother was a writer. His father was a newspaper circulation director. At 15, after coming out to his parents, Murphy saw a therapist, who said he was just “too precocious for his own good.” At Indiana University in Bloomington, Murphy worked on the school newspaper and performed with the “Singing Hoosiers,” the university’s show choir. Starting out as a journalist, Murphy worked for the Miami Herald, the Los Angeles Times and Entertainment Weekly. He began scriptwriting in the late 1990’s. In 1999, he made his first foray into television, creating the teen comedy series “Popular.” He wrote most of the show’s episodes. In 2003, Murphy created “Nip/Tuck,” winner of the 2005 Golden Globe for best TV drama series. Murphy wrote and directed many episodes and served as executive producer for the show, which ran for seven seasons. “Nip/Tuck” earned him his first Emmy Award nomination for directing. “Glee,” a groundbreaking musical comedy series created by Murphy, premiered in 2009. In its second season, the show became a pop culture phenomenon and one of the top-rated programs on television among young adults. -
Book Kit List with Summaries.Xlsx
Hornsby Library Book Club Kits Prize ficton Kit No. AUTHOR No.Pages Australian? TITLE winner? or nf DESCRIPTION It is 1939. Nazi Germany. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of 1 BOOK THIEF, THE Zusak, Markus 584 pages Y Y f book thievery. So begins a love affair with books and words, as Liesel learns to read. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down. The Lieutenant is a story about a man discovering his true self in extraordinary circumstances. This powerful 2 LIEUTENANT, THE Grenville, Kate 307 pages Y Y f novel will enthral readers of Kate Grenville's bestselling The Secret River, winner of the Commonwealth Writers' Prize. Gina Davies is a 26-year-old pole dancer in Sydney. When she has a one-night stand with a man suspected of Flanagan, 5 UNKNOWN TERRORIST, THE 325 pages Y Y f plotting to plant bombs, Gina finds that she, too, is a wanted person who must endure trial by an increasingly Richard. hysterical media, as every truth of her life is turned into a lie. A small village on a lush tropical island in the South Pacific. War is encroaching from the other end of the island. When the villagers' safe, predictable lives come to a halt, Bougainville's children are surprised to find the 9 MISTER PIP Jones, Lloyd 220 pages n y f island's only white man, a recluse, re-opening the school.